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Rock

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A slot on the 1994 Lollapalooza lineup was almost relegated to Green Day‘s boulevard of broken dreams when festival founder Perry Farrell supposedly tried to block the band from performing — after which frontman Billie Joe Armstrong and his bandmates eventually got the last laugh when they did end up joining the tour 30 years ago.
In excerpts from Richard Bienstock and Tom Beaujour’s new book, Lollapalooza: The Uncensored Story of Alternative Rock’s Wildest Festival, published by People on Tuesday (April 8), the “American Idiot” singer recounts the story of how Farrell — apparently writing the punk rockers off as a “boy band” — pushed back against Green Day’s inclusion on the ’94 traveling festival’s bill.

“It was going to be [Japanese noise band] Boredoms on the first half, and us on the second half as the opening band,” Armstrong recalls. “And then all of a sudden, [Farrell] comes back in and he’s like, ‘I don’t want them on the bill.’”

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Calling Farrell’s dislike of his group “disappointing,” as Green Day had looked up to the festival pioneer, Armstrong adds, “I think that made us want to play even more, actually, because we wanted to prove that he had his head very far up his own a–.”

“I can’t think of a single time that Perry pushed back or vetoed a band — except for Green Day,” remembers stage manager Rubeli, who eventually found a way to convince Farrell to let the group onto the lineup. “To Perry’s credit, I was able to go through [Green Day’s] history in the Bay Area and how they had released indie records and eventually he said, ‘Okay, they can do half the tour, but I want the Boredoms on the other half.’”

Lollapalooza would have been just three years old in 1994, with Farrell starting the now-iconic music event in ’91 as a small farewell tour for Jane’s Addiction that quickly evolved into what it is today: one of the world’s biggest annual popular music festivals with multiple iterations across the world. After finally winning their place on the bill, Green Day got the last laugh against Farrell when Armstrong dedicated the band’s Dookie track “Chump” to him onstage.

“I’m like, ‘I’m not going to take any f—ing sh– from anybody,” Armstrong recalls in Bienstock and Beaujour’s book. “I’m not going to take any sh– from anybody as much as Perry Farrell’s not going to take any sh– from anybody.’ He had minions that would come up and say, ‘Perry Farrell’s really angry that you dedicated “Chump” to him.’ And I’m like, ‘Tell him to stop acting like one.’”

“But I never met the guy until we played Woodstock ’94,” he adds. “He was there and we shook hands.”

Lollapalooza has come a long way since its days as a fringe gathering place for alternative rock and other developing genres. Some of the biggest names in music now play the event every year, with this year’s Chicago iteration expecting Sabrina Carpenter, Olivia Rodrigo and Tyler, the Creator as headliners in addition to dozens more performers on the lineup.

And in 2010, Green Day’s beginnings with the festival came full-circle when the band headlined alongside Lady Gaga, Soundgarden, Arcade Fire, The Strokes and Phoenix.

Legendary Seattle rock club The Crocodile is opening its new waterfront concert series with the spooky guitar sounds of Hermanos Gutiérrez. Oodalalee: Concerts at Pier 62 will take place at Seattle’s Waterfront Park, south of the famous Pike Place market and managed by the non-profit Friends of Waterfront Park. Oodalalee marks the first large-scale, ticketed […]

When they relocated to New York in 2023, Pierre and Henry Beasley of alt-pop duo Balu Brigada certainly didn’t expect they’d end up sounding like a Big Apple band from 20 years earlier.
“I used to be kind of cynical of that idea,” Henry says of the notion of a band’s music sounding like the place where it’s made. But as the brothers — originally from Auckland, New Zealand — started to record their new album in Harlem, they had to acknowledge that it didn’t sound like the music they had been making seven time zones over.

“You can hear the difference between [how the] aggression and tension and grit comes out in New York — and then New Zealand’s rolling hills kind of giving you a little more space to breathe,” Henry explains. (“More beachy vibes,” Pierre adds.)

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Ashley Markle

It is one of those more aggressive, tense and gritty songs that has taken Balu Brigada from a cult act trying to find its major-label footing stateside — the brothers signed to both Warner Music Australasia and Atlantic Records simultaneously in 2022 — to chart-topping radio hitmakers. “So Cold,” a spiky, slinky and above all Strokes-y single the duo released in June 2024, reached No. 1 on Billboard’s Alternative Airplay chart in March — a ranking more often dominated by legacy acts than a breakout outfit like Balu Brigada.

“So Cold” slotting in so easily in retro-dominated alt-rock radio playlists hardly happened by accident. Pierre recalls he and Henry (both multi-instrumentalists who share singing duties) loading up their YouTube accounts with videos of bands like The Strokes and Franz Ferdinand for inspiration while creating the song, which Pierre says originally had more of a The Police feel. “[We were watching] those guys playing big festivals, and having these big guitar riffs that people chant,” he recalls. “We leaned into that.”

Still, it took more than the spirits of such frontmen as Julian Casablancas and Alex Kapranos to turn the song into a No. 1 hit. First, the band posted an Instagram reel of “So Cold” in spring 2024, with a red jumpsuit-clad Pierre playing the bass while sitting in his Auckland bedroom. The clip caught fire on social media and attracted a ton of industry attention.

“We got so many crazy calls just from this one reel,” says Goldie Management’s Amy Goldsmith, who’s been with the band since seeing them play at a New Zealand barbecue in the late 2010s. “[Recording Academy CEO] Harvey Mason jr even rung [about] the boys and was like, ‘What is this band? I’m so excited about them.’ ”

Henry (left) and Pierre Beasley of Balu Brigada photographed March 19, 2025 in New York.

Ashley Markle

The reel also soon got the attention of Chris Woltman, longtime manager of alt-pop superstars Twenty One Pilots. “It was pretty obvious that [‘So Cold’ was] a smash,” he says of his first impression. That inspired him to dig deeper into the band’s streaming catalog — which includes a steady run of singles dating back to 2016, along with 2019’s Almost Feel Good Mixtape and EPs I Should Be Home (2021) and Find a Way (2013).

“I quickly found out over the next couple of days that it wasn’t just one song — they’d been writing these amazing tracks,” recalls Woltman. “It raised this question of, ‘This is an amazing song, and there’s all these other amazing songs. How can this band not be getting noticed?’ ”

From there, Woltman not only signed the band to his and Twenty One Pilots frontman Tyler Joseph’s newly launched ARRO label, but hitched Balu Brigada to the Pilots’ then-upcoming Clancy worldwide arena tour. (ARRO has an artist venture with Atlantic for Balu Brigada, but Woltman says the label is otherwise independent.)

“We all came together and said, “There is something really compelling going on: They’re making great music. They have a vision that we think can be driven with discovery with our fanbase; they have a song in ‘So Cold’ that is the tip of the spear. If we come in and are their greatest advocate [and introduce] them to the Twenty One Pilots fanbase… we thought, ‘You know what, let’s give this a shot.’ ”

Despite the risk of attaching a relatively unproven band to such a major tour, they quickly demonstrated themselves to Woltman as highly capable: “I think what they just needed is a little bit of time on the field,” he says.

They got that playing time in the form of 66 shows, taking them all over North America, Latin America, Oceania and Europe, and putting them in front of over a million total Twenty One Pilots fans — known as Clikkies — who quickly took to the junior alt-pop duo. “There’s something special about the way that the fanbase has adopted Henry and Pierre,” Goldsmith says. “I think with the passion that the Clikkies have, they’ve [taken to Balu Brigada as] kind of like, ‘These are our new baby-band boys.’”

In the meantime, “So Cold” was starting to catch on at streaming services — helped by a music video with some winkingly White Stripes-influenced fashion and camera zooms, and a September synch in soccer video game EA Sports FC 25, after which the song’s weekly streams doubled. (To date, it has 12.2 million on-demand official U.S. streams through April 3, according to Luminate.) And Woltman and the team started pushing the song to alternative radio, sensing an opportunity to expand its success there. “In the alternative mix today, I think that radio still plays a role,” he says. “ ‘So Cold’ felt like it could be a big alternative radio track.”

Ashley Markle

A few weeks after Balu Brigada brought “So Cold” to Jimmy Kimmel Live! — the duo’s first appearance on American television — the song topped the Alternative Airplay chart dated March 29, in its 24th week on the listing. Woltman sees its success as validation of a long-term strategy that was nearly a year in the making.

“None of this is about an overnight moment,” he says, “as is always the case when you’re trying to build a legitimate alternative rock band. It’s not about a song; it’s not about a TikTok moment; it’s not about an influencer moment — it’s about the everything else.”

Currently, Pierre and Henry are putting the finishing touches on their debut album, expected later this year, which takes the band to new territory — including “some real emotional sensitive jams” and “some real obnoxious like pseudo-EDM stompers,” Henry says. But even though they’re nearly a year removed from the release of “So Cold,” and getting a step closer to their Strokes and White Stripes fantasies with their own upcoming headlining U.S. tour, they’re still enjoying following their breakout hit on its way up.

“Every day, it’s hitting a new peak,” Pierre says. “We’re both proud to watch our baby continue to be recognized.”

A version of this story appears in the April 19, 2025, issue of Billboard.

Turnstile has announced its first album in four years: Never Enough, the long-awaited follow-up to the hardcore band’s 2021 breakthrough Glow On, will be released on June 6, the band revealed on Tuesday (April 8). Explore Explore See latest videos, charts and news See latest videos, charts and news In addition, Turnstile shared a preview […]

Blink-182 announced the dates for their 2025 Missionary Impossible U.S. tour on Tuesday morning (April 8). The late summer/fall trek will hit arenas, amphitheaters and stadiums across the country. The Live Nation-promoted outing is slated to kick off on Aug. 28 at the Hard Rock Live in Hollywood, FL and will include stops in Tampa, […]

Metallica will be teaming up with the American Red Cross for blood drives on the upcoming spring 2025 U.S. dates on the band’s ongoing M72 tour. The band announced on Monday (April 7) that its foundation, All Within My Hands, will be encouraging fans at select shows on their spring run to give blood to […]

SXSW London announced the initial batch of showcasing performers for the first-ever U.K. edition of the iconic music festival on Monday morning (April 7). Taking place from June 2-7 in Shoredictch, U.K., the event will feature sets from Mabel, Alice Glass, Sasha Keable, Miraa May and NAO, who will take the stage at more than a dozen venues, including Shoreditch Town Hall, Notion, Soul Surge, The Blues Project, Village Underground, Strongroom Bar, 93 Feet East, XOYO, Brick Lane Tap House, Colours, Juju’s and Jaguar Shoes, among others.

Among the other 100 Afrobeats, dancehall, blues, drill, drum & bass, dub, electronic, folk, funk, grime, hip-hip, jazz, metal, rock and soul acts from around the world slated to perform are: Aja Ireland, Ace Clvrk, Anthonia, Balter, Bemz, Benefits, Bison Rogue, Caleb Kunle, Cheb Mimo, Clara Serra Lopez, Coco & Breezy, Demae, Emmeline, Freddie Lewis, Gender Crisis, Gia Ford, Heartworms, Hiba, Hot Face, Hunnid22, Joejas, Kanis, Last Nubian, Lostchild, Mace the Great, Myylo, Nicole Blakk Sola Akingbola, The Deep, TwstXav and Zems, among many others.

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In addition to the traditional mix of music from all over the world offered at the annual fest in Austin, TX, the first-ever U.K. edition will feature conference programming covering the intersection of AI technology and human creativity and the crafting of branded product experiences, as well as the SXSW London Screen Festival, with appearances from actress Gillian Anderson and screenings of upcoming films and TV series.

Among the other musical acts slated to perform at the event that will feature such themes as “Diasporic Electronica,” “Independent Spirit” and “Future Sounds” are: Blasé, Cooper T, Deca Ota, El Combo De London, Gbrl Prkfv Ensemble, Ivy Lab, Jaz Elise, Korda Korder, Lewis G Burton, Majur, Mayelli, Micromoon, Montanera, Polldarier, Ras-I, Sarah Angel, Sean Focus, Tatyana, SophieGrey and Werkha, among others.

“One of the things I love most about London is that you can step out of any tube station and find yourself in a distinct community,” said SXSW London head of music Adem Holness in a statement. “That’s exactly how I want our festival to feel — each of our music venues will be a gateway into a different international new music scene. We’re collaborating with the most exciting pioneers in underground music movements to present the future of music from their unique perspectives, and I’m beyond excited by the artists they’ve chosen to platform.”

Three-day passes are available now here, with music wristbands slated to go on sale on April 14.

Billboard’s parent company PMC is the largest shareholder of SXSW and its brands are official media partners of SXSW.

Reunited thrash metal icons Slayer announced a run of 2025 North American and European dates in March, marking their first U.K. and Canadian shows in six years. They expanded that run on Monday morning (April 7) with the addition of the only East Coast performance of the year.

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The band will headline the 30,000-seat Hersheypark Stadium in Hershey, PA on Sept. 20 along with a gang of other new and classic thrash/hard rock bands including Knocked Loose, Suicidal Tendencies, Power Trip, Cavalera (performing Chaos A.D. in full) and Exodus (performing Bonded by Blood). The show will be hosted by WWE superstar and Slayer superfan Damian Priest; the wrestler’s finisher is set to Slayer’s “South of Heaven” and the band’s guitarist, Kerry King, created the guitar parts for Priest’s “Rise For the Night” theme song.

A ticket pre-sale will begin on Tuesday (April 8) at 10 a.m. ET, followed by a general on-sale on Friday (April 11) beginning at 10 a.m. ET; for additional ticketing information click here.

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In a statement Slayer bassist/singer Tom Araya said, ““Slayyyyyyyyyyyyyyyeeeeerrrrrr!!!!!! One night only, stacked line up, it’s going to be f–king sick!!!!  Hersheypark – be there…..if not, you’re either dead, in jail or a sissy!!!!!” 

Guitarist King added, “Last year, Slayer played only two shows, and those shows affected me like playing The Big Four shows did. When we played our first show last year in Chicago, I figured it was going to be great for the fans, maybe there would be some people who had never seen us play before, but the reaction was just completely overwhelming. The fans reacted to us like I’d expect them to react to the biggest band on the planet. It was amazing.  So for the Hershey concert, we’ll play a Slayer show, we’ll have all of our big fire effects, and just burn everything like we used to.”

King also noted that the show will be the first time his group — which also features guitarist Gary Holt and drummer Paul Bostaph — will perform with Power Trip and Knocked Loose.

Check out the full list of Slayer’s 2025 concerts below.

July 3: Cardiff, Wales @ Blackweir Fields (with Amon Amarth, Anthrax, Mastodon, Hatebreed, Neckbreakker)

July 5: Birmingham, UK @ Villa Park (Back to the Beginning final Black Sabbath show)

July 6: London, UK @ Finsbury Park (with Amon Amarth, Anthrax, Mastodon, Hatebreed, Neckbreakker)

July 11: Quebec City, QB @ Quebec Festival d’été (with Mastodon)

Sept. 18: Louisville, KY @ Louder Than Life Festival

Sept. 20: Hershey, PA @ Hersheypark Stadium (with Knocked Loose, Suicidal Tendencies, Power Trip, Cavalera and Exodus)

One of the oddest couples in music was back at it over the weekend when Carrie Underwood hopped up on stage with her old pals in Papa Roach during the band’s show at the MGM Grand Garden Arena on Saturday (April 5) in Las Vegas. With PR singer Jacoby Shaddix setting up the iconic refrain […]

Rock, pop, country? You name it, Kelly Clarkson can nail it. On her daytime talker on Thursday (April 3) Clarkson did it again with a soaring cover of the Foo Fighters’ 1999 anthem “Learn to Fly” during the daily Kellyoke segment. With her My Band Y’all band providing muscular backing, Clarkson gave the rock classic a melancholy makeover, injecting an extra layer of longing into Dave Grohl’s lyrics, as well as, of course, busting out one of signature paint-peeling high notes.
“I just had, like, a lot of caffeine and I’m running hot is what’s happening right now!,” a revved up Clarkson told her studio audience after the performance. The singer noted that she had the Foos on her show a few years ago and she talked to singer/guitarist Grohl about “Learn to Fly,” and how she thought the lyrics had so much deep meaning. “He was like, ‘no, I really just wanted to become a pilot,’” she said Grohl told her.

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“I’m still callin’ b.s.,” Clarkson said with a finger wave. “You’re trying to be funny man, but it’s such a deep song! It’s such a cool song! He’s poetic, just lean into it Dave! You could be a pilot and a poet.”

In addition to rocking, out, Clarkson also made some dreams come true for her old friend Tanner Smith from the Netflix dating show Love on the Spectrum, which chronicles the dating lives of autistic adults. She played a clip from the last time Smith was on the show and invited him back to catch up on what he’s been up to and talk about his dating life. She also recalled that last time Smith was on he got a special video greeting from his favorite actor, A Minecraft Movie star Jack Black, after which he set a goal of meeting the energetic star in real life before turning 31.

Clarkson asked Black to make another video for Smith, in which he lamented that he once again could not be there in person because he’s out promoting the big screen video game adaptation. But then, summoning his “insane ninja kung fu powers,” Black burst through the studio doors and ran out on stage into a surprised Smith’s arms.

Smith jumped up, yelling “Jack is here! I’m so happy to meet you! I’m your biggest fan!” bear hugging the actor and introducing him to his younger sister and family in the audience. The sweet moment got even sweeter when the two men bonded over their love of working out, with Smith suggesting he could get Black’s number so they can set up a time to work out together. Black burst out in laughter at the suggesting and high-fived Smith, promising, “this is happening!”

“I love you on the show and I can’t wait for the next season and I’m so happy for you having all this success and time in your life and to meet yo in person is really amazing for me too,” Black said as the two sat arm-in-arm during the lovefest. “Thank you Miss Kelly, thank you so much! This is the best day of my life,” Smith said as Clarkson melted down in happy tears.

Black will host Saturday Night Live this weekend with musical guests Elton John and Brandi Carlile.

Watch Clarkson’s Foos cover and Black’s sweet surprise below.