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Rock & Roll Hall of Fame

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Olivia Rodrigo officially has the Sheryl Crow stamp of approval. During a Thursday (Nov. 2) appearance on The Tonight Show Starring Jimmy Fallon, the nine-time Grammy winner sang the “Bad Idea Right” singer’s praises as she discussed the upcoming Rock & Roll Hall of Fame induction ceremony.
“She’s the real deal. She’s precious,” Crow gushed. “She’s a great songwriter. She seems kinda unaffected by all of it, you know? When I was 19 — her age — I was like, ‘How do you fill out this application for college?!’”

Rodrigo — who took some time to attend class at USC’s Thornton School of Music after wrapping the promotional run for her Sour album — is now 20 years old, making her several years younger than Crow’s highest charting Billboard Hot 100 hit, 1994’s “All I Wanna Do” (No. 2).

The “Strong Enough” singer revealed that she first met Rodrigo “last year during a whole bunch of Grammy stuff.” “We wound up on some stuff together, and she’s super cool,” she added. “She asked me to do this thing when she came to Nashville, and so I was like, ‘OK!’”

The “thing” in question was an intimate, stripped-down September performance at The Bluebird Café in Nashville. The pair duetted on Crow’s 1996 hit “If It Makes You Happy” (No. 10).

In the caption for a Sept. 29 Instagram post — which consisted of an adorable photo of the two stars posing with magazines while sitting under hair dryers — Rodrigo wrote, “Pinch me! Sang one of my favorite songs of all time with the greatest of all time @sherylcrow !!!! what an honor!!!!” Crow also reposted the image to her main feed with the caption, “Funnest day ever with the amazingly brilliant @oliviarodrigo! What a talent!! And the loveliest young woman!”

As for Friday’s Rock Hall induction, Crow — who dropped a new song called “Alarm Clock” on Friday (Nov. 3) — explained that she simply “texted [Rodrigo] and said, ‘Hey, would you do the Rock Hall with me?’ And she was like, ‘I’d love to! I’d be so honored!’”

The “Good 4 U” singer — who is also a finalist for top female artist at the 2023 Billboard Music Awards — will again join Crow onstage for a performance at the 2023 Rock & Roll Hall of Fame induction ceremony, which kicks off at 8 p.m. ET.

“I was cool with my kids!” Crow quipped of getting Rodrigo to join her.

Watch the “Everyday Is a Winding Road” singer discuss her relationship with Olivia Rodrigo above, and her performance of “Alarm Clock” on The Tonight Show below.

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Olivia Rodrigo is returning to the Rock & Roll Hall of Fame stage on Friday (Nov. 3), as it was announced this week that she’ll be performing for the second year in a row. Explore Explore See latest videos, charts and news See latest videos, charts and news “@oliviarodrigo will perform with one of her […]

“I think I was born under a lucky star,” Belinda Carlisle muses.
“My life has been a series of amazing happenstance and coincidences,” she says. “The fact that I’m sitting here, still doing this since 1977 … I’m in tune with the universe, I guess.”

Carlisle is discussing her new EP, Kismet, whose title reflects, in many ways, the singer’s life as a whole, as well, more specifically, the path that led to the collection – her first of English-language pop songs in more than 25 years.

Released May 12 on BMG, the five-song set of Carlisle’s trademark anthemic pop was written by Diane Warren, who has penned nine Billboard Hot 100 No. 1s, among 32 top 10s. The pair previously teamed for the No. 2-peaking 1988 hit “I Get Weak,” from Carlisle’s second solo album apart from The Go-Go’s, 1987’s Heaven on Earth. (The LP also includes the Warren-written “World Without You,” a top 40 hit in 1988 in the UK.)

It truly was kismet that sparked Carlisle’s new music: her son, Duke, saw Warren at a coffee shop, and she (adamantly) told him that his mother needed to record some of Warren’s new songs.

“I can’t say ‘no’ to her,” Carlisle says. “I thought, ‘Do I really want to make that commitment?’ Then I heard ‘Big Big Love,’ oh my God …,” she adds of the song that became the set’s first single, with an accompanying official video. “The fact that she gave me these amazing songs is like a gift. I’m 64 – usually things like that don’t happen to singers my age. I mean, maybe Cher, when she had ‘Believe’ …”

The Los Angeles native, now living in Mexico City, first stormed Billboard’s charts in 1980 with The Go-Go’s’ “Our Lips Are Sealed.” The group – Carlisle, Charlotte Caffey, Gina Schock, Kathy Valentine and Jane Wiedlin – sent the song to No. 20 on the Hot 100 in 1981, while follow-up “We Got the Beat” soared to No. 2. Parent album Beauty and the Beat crowned the Billboard 200 for six weeks in 1982 – and remains the only set by an all-female rock band to have led the list. Interspersed with breakups and reunions, The Go-Go’s’ chart archives include four more albums through 2001, and three more top 40 Hot 100 hits.

Carlisle went solo in 1986. Her debut album, Belinda, that year, as well as Heaven on Earth, hit No. 13 on the Billboard 200, while 1989’s Runaway Horses rode to No. 37. She has notched six top 40 Hot 100 hits, including four top 10s: Belinda’s “Mad About You” (No. 3) and Heaven on Earth’s “Heaven Is a Place on Earth” (No. 1 for one week), “I Get Weak” and “Circle in the Sand” (No. 7). (Runaway Horses lead single “Leave a Light On” reached No. 11, and the Adult Contemporary top 10, and features George Harrison on slide guitar.)

Earlier in 2023, Carlisle extended her Billboard chart history by entering Digital Song Sales with another Warren composition, “Gonna Be You.” The all-star song, from the comedy 80 for Brady, brought Carlisle together with Dolly Parton, Cyndi Lauper, Gloria Estefan and Debbie Harry.

Reinforcing the new EP’s title, Carlisle says that Warren wrote “Big Big Love” “a couple days before” her son ran into her, and Warren thought that Carlisle would be the ideal singer for it. Warren also wrote the set’s “If U Go” with Carlisle in mind, while the other songs were already in Warren’s stockpile. “She writes every single day,” Carlisle says. “She has thousands and thousands and thousands of songs. She has like a catalog inside her brain: ‘Oh, this’ll be good [for a particular artist] …’ ”

Warren’s intuition was confirmed by Carlisle’s reaction. “This was five out of five,” Carlisle felt upon hearing the songs that would become Kismet. “She didn’t show me anything else, and I loved them all.”

Carlisle’s favorite song on the EP? Its closing track, “Sanity.” “It’s the hardest song I’ve ever sung in my whole career,” she notes. “And I love it. This is really out there, but it kind of reminds me of a cross between Jay and the Americans and the monkeys from The Wizard of Oz at the end. You know, ‘oh-ee-oh …’,” she sings, laughing. “There’s a harmony that’s very Jay and the Americans – I’m really dating myself, ‘cause that’s the ‘60s. That song is a mishmash of different styles of an era gone by.”

Notably, the release’s “Big Big Love,” “If U Go” and “I Couldn’t Do That to Me” feature Caffey on backing vocals, making for a partial Go-Go’s team-up. (“If U Go” sports a “go, go” echo – although Carlisle says that Warren didn’t originally plan for two Go-Go’s to sing that line. More kismet.)

Rounding out the set is “Deeper Into You,” with that and “I Couldn’t Do That to Me” its gentlest songs. (Carlisle says that the latter was modeled, as it was being recorded, after Sinead O’Connor’s Prince-penned “Nothing Compares 2 U” – “one of the greatest songs ever written.”) Carlisle is best known for uptempo hits, although her discography includes such other ballads as Runaway Horses’ “Vision of You,” a UK chart hit in 1990 written by Rick Nowels and Ellen Shipley – who authored “Heaven Is a Place on Earth,” “Circle in the Sand” and many other of Carlisle’s solo songs. (Carlisle credits Steve Nicks for suggesting that she collaborate with Nowels after he and Nicks co-wrote her top 20 1986 Hot 100 hit “I Can’t Wait.”)

Apart from one-offs, including her hooky 2013 track “Sun,” Kismet – which Mathia-Mathithiahu Gavriel produced, with Peter Stengaard having co-produced “Big Big Love” and “I Couldn’t Do That to Me” – returns Carlisle to traditional pop as a soloist for the first time since 1997’s A Woman & A Man, which generated two more UK top 10s. In between, The Go-Go’s returned with God Bless The Go-Go’s in 2001 and, as a soloist, she released the French pop album Voila in 2007 and the chants collection Wilder Shores in 2017; the lattermost set hit No. 4 on both Billboard’s New Age Albums and World Albums charts. She also released her autobiography, Lips Unsealed, in 2010.

Carlisle looks back on her hits with pride, describing them as a mix of “big, lush choruses … lots of melody … lyrics that are poetic … background vocals … romance.

“I always said that if I was going to record pop in the same vein that I did in the late ‘80s and early ‘90s, it would have to be on par with those songs,” she says. “I’m not going to record a song just to record it.”

Belinda Carlisle

Christie Goodwin

In perhaps yet another validation of the new EP’s title, the set’s release coincides with a host of recent ‘80s-influenced hit songs, including The Weeknd’s “Blinding Lights” and Harry Styles’ “As It Was,” while Kate Bush’s 1985 classic “Running Up That Hill (A Deal With God),” sparked by its synch in Netflix’s Stranger Things, surged to No. 3 on the Hot 100 in 2022.

“When you hear an ‘80s song, you know it’s an ‘80s song,” Carlisle says. “There’s something sonically that tells you that. And there was so much diverse music coming out at that time – rockabilly, punk, new wave, electronic, new romantic … and it was all great.”

The Go-Go’s’ ‘80s albums launched the band into the Rock & Roll Hall of Fame in 2021. “I was over caring” about potential induction,” Carlisle says, “but when it actually happens, you care. It was great, the band getting the recognition like that. It feels really good.”

Carlisle also feels that the honor is benefiting her solo career; in addition to Kismet, she has U.S. tour dates set through August, followed by shows in Australia beginning in November.

Carlisle’s highest-charting solo contribution to the ‘80s canon, “Heaven Is a Place on Earth,” topped the Hot 100 in December 1987. “I was doing a charity event at the Universal Amphitheatre [in Los Angeles] with Chicago and other artists and I was on-stage,” she recalls. “I had just finished or was about to sing ‘Heaven’ and some of the people from the record company [MCA] and some of the guys from Chicago came out and said, ‘You’re No. 1!’ I was like, ‘Oh my God … that’s the first time that’s happened.’ ”

As detailed in Lips Unsealed, in between releasing A Woman & A Man and Kismet, Carlisle found sobriety, supported by her husband of 37 years, producer/actor Morgan Mason. She calls that span, which also included being dropped from a record label deal the day after her 40th birthday in 1998, “the most interesting time of my life … up to the present moment.

“Good things always come out of something like that,” says Carlisle, who is also a contributor to multiple charities, including Animal People Alliance. “For me, it was self-reflection. I always identified myself as a singer, or a Go-Go, but never really cared to dig any deeper. It forced me to dig deeper. I think I’m more centered, for sure. I have a very strong spiritual foundation that I live my life from. It’s a very happy life.”

Meanwhile, Carlisle is open to more than the five songs on Kismet. “When we were toward the end of recording, Diane goes, ‘Let’s make an album!’ And it was like, ‘Well, it’s a little bit too late now that they have a release date for it …’,” Carlisle says with a chuckle. “I kind of wish it was an album. But this is five great pop songs.”

The Rock & Roll Hall of Fame revealed its inductees for the Rock Hall’s Class of 2023, with Kate Bush making the list under the performer category.

The “Running Up That Hill (A Deal with God)” singer shared her sweet reaction to the news on her website, writing in a statement, “I have to admit I’m completely shocked at the news of being inducted into the Hall of Fame! It’s something I just never thought would happen. Thank you so much to everyone who voted for me. It means a great deal that you would think of me. It’s such a huge honour.”

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She concluded by hilariously noting, “Now as part of the initiation ceremony I get to find out about the secret handshake… there is one, right?”

See her post here.

To be eligible for the Rock Hall, an artist’s first commercial release must have come out at least 25 years prior to the nomination year. Alongside Bush, performer category inductees this year include Sheryl Crow, Missy Elliott, George Michael, Willie Nelson, Rage Against the Machine and The Spinners.

The “musical influence award” sees DJ Kool Herc and Link Wray enter the Rock Hall, while the  “musical excellence award” honors Chaka Khan, Al Kooper and Bernie Taupin.

The Rock & Roll Hall of Fame induction ceremony will take place at Barclays Center in Brooklyn on Nov. 3. See our full breakdown of the Class of 2023 here.

On Wednesday morning (May 3), the Rock & Roll Hall of Fame revealed the inductees for the Rock Hall’s Class of 2023.
The performer category boasts a stacked lineup of inductees gaining entrance: Kate Bush, the art rock cult fave whose idiosyncratic and undersung impact was propelled into the mainstream by an inescapable Stranger Things sync in 2022; Sheryl Crow, the rootsy yet polished hitmaker who draws on rock, folk, country and pop; Missy Elliott, the forward-thinking hip-hop mastermind behind a string of mind-bending classic albums; George Michael, the blue-eyed soul pop king who died in 2016; Willie Nelson, an outlaw country exemplar turned beloved elder statesman; Rage Against the Machine, a politically motivated rap-rock firebrand force; and The Spinners, a long-running vocal group who achieved their greatest success as a smooth soul outfit in the ‘70s.

That’s not all. The “musical influence award” sees DJ Kool Herc – the Bronx-based DJ whose breakbeat-focused turntable techniques are widely cited as the clearest starting point of hip-hop music – enters the Rock Hall; presumably, it’s not a coincidence his induction aligns with the year the music industry is celebrating as the 50th anniversary of hip-hop as a genre. The same category sees the induction of Link Wray, the distortion guitar rock rebel credited with inventing the power chord.

The “musical excellence award” invites three additional acts: Frequent Rock Hall nominee and funk queen Chaka Khan finally sees induction this year, as does Al Kooper, an invaluable player and/or producer on key recordings from Bob Dylan, The Rolling Stones, Lynyrd Skynyrd and Blood, Sweat & Tears. In the same category, Bernie Taupin – Elton John’s longtime lyricist whose poetic and imaginative take on American folklore set a new standard for rock songwriting – is also inducted.

Finally, Don Cornelius – who hosted the R&B and Black culture bedrock Soul Train on TV from 1970-1993 – is inducted with the Ahmet Ertegun Award.

The Rock Hall’s Class of 2023 sees four of the seven performer inductees gaining entrance on their first nomination: Sheryl Crow, Missy Elliott, George Michael and Willie Nelson; of those four, Elliott was the only artist eligible for the first time in 2023.

To be eligible for the Rock Hall, an artist’s first commercial release must have come out at least 25 years prior to the nomination year. [Though Elliott’s first album was released in 1997, the nominating committee at the Rock Hall recently started meeting the same year the inductees are honored, as opposed to the year before. This means 2023 is a sort of “make-up year” for artists whose first release was in 1997 or 1998, which explains 2023 being Elliott’s first year of eligibility.]

The Rock & Roll Hall of Fame induction ceremony will take place at Barclays Center in Brooklyn on Nov. 3. Ticket information will be announced in the future.

The Rock & Roll Hall of Fame is gearing up to celebrate its class of 2022 with the public on Nov. 19, and on Thursday (Nov. 10), a trailer for the upcoming special was released.

In the nearly two-minute clip, snippets from the 2022 Rock & Roll Hall of Fame induction ceremony earlier this month flash across the screen. Rock hitmakers Pat Benatar & Neil Giraldo, new wave chart-toppers Duran Duran, hip-hop heavyweight Eminem, synth-pop duo Eurythmics, country legend Dolly Parton, R&B hitmaker Lionel Richie and pop singer-songwriter Carly Simon are all seen accepting their prestigious honor, along with introductions from star-studded attendees. Judas Priest and Jimmy Jam & Terry Lewis also joined the Rock Hall with the “award for musical excellence.”

“Rock and roll is not a color,” Richie is seen saying in the teaser. “It’s a vibe!”

Artists are eligible for Rock Hall nomination 25 years after their first commercial recording came out. Of this class, Eminem, Duran Duran, Richie, Simon and Parton see induction after appearing on the ballot just once. This is also Eminem’s first year of eligibility; 2022 marked the second nomination for Eurythmics and Benatar.

The 2022 ceremony also marked the first time in the Hall’s 37-year history that six female acts — Benatar, Parton, Simon, Cotten, Robinson and Annie Lennox (who comprised Eurythmics with her partner Dave Stewart) — were inducted in one class.

Watch the trailer below, and be sure to catch the 2022 Rock & Roll Hall of Fame Induction Ceremony, streaming November 19 on HBO Max, which you can sign up for here.

An inductee of the Rock & Roll Hall of Fame is protesting one of the Hall’s upcoming inductions. Complicating matters is that the protest comes from Jann S. Wenner, the founder of Rolling Stone and a co-founder and former chairman of the Rock & Roll Hall of Fame Foundation, who was himself inducted into the institution as a non-performer in 2004, when he was a recipient of the Ahmet Ertegun Award.

Wenner says that entertainment attorney Allen Grubman, who is also a founding board member and set to receive the Ertegun award next month, does not meet the Hall’s criteria for the honor. “Allen Grubman has made no contribution of any kind, by any definition, to the creative development or the history of rock & roll,” says Wenner. “He has been chosen because of his clout as entertainment super lawyer. This decision is about money and bending to the ego of a music business power broker.”

Grubman — long one of the most powerful attorneys in the music industry — counts Bruce Springsteen, Lizzo, The Weeknd, Lil Nas X, J Balvin, U2, Mariah Carey, the David Bowie estate, Lady Gaga and Madonna among the clients of his firm, Grubman Shire Meiselas & Sacks, as well as Spotify, Live Nation, and the major record companies and music publishers. He will be one three recipients of the Ertegun award at the Rock & Roll Hall of Fame induction ceremony on Nov. 5 in Los Angeles along with Interscope Records co-founder/CEO Jimmy Iovine and Sugar Hill Records founder Sylvia Robinson, who will be inducted posthumously.

Grubman was nominated by Jon Landau, who, in addition to being a founding board member of the hall of fame and the head of its nominating committee, is the manager of Springsteen, a client of Grubman’s firm. Landau — who began his career as a rock critic — and Wenner have been friends and allies since the beginnings of Rolling Stone, as Wenner details in his recent memoir, Like a Rolling Stone. Wenner also takes aim at Grubman in his book in passing, saying the lawyer “didn’t know Jerry Lee Lewis from Jerry Lewis.”

“Jon remains one of my oldest and best friends,” Wenner told Billboard. “But we completely disagree about this. We have different agendas. Mine is the integrity of the Rock & Roll Hall of Fame. Jon has got a business relationship to maintain.” And that relationship, he adds, constitutes a “conflict of interest” when it comes to Landau’s endorsement of Grubman.

The Rolling Stone founder decided to go public with his dissatisfaction after Billboard contacted him about a passage in his memoir detailing his decision to retire as chairman of the Rock & Roll Hall of Fame Foundation at the beginning of 2020 (both Billboard and Rolling Stone are owned by Penske Media Corp.; Wenner no longer has a full-time role with the magazine he founded). “My only worry was the pressure to compromise the integrity of the nominating and voting. I should have known better,” wrote Wenner, who remains a board member. “After I resigned, I was told that music business power-brokers on the board were going to be inducted. These individuals had made not one iota of difference to the history, present or future of the creation of music, which was the explicit criterion. But they had accumulated influence and wealth. It was an inside job.”

Allen Grubman at New World Stages at Worldwide Plaza in New York City.

Michael Kovac/GI for NARAS

Wenner doesn’t name anyone in his book, but in May, the Rock & Roll Hall of Fame announced that Grubman, who is a founder and board member, would receive the Ahmet Ertegun Award, which, according to the organization’s website, is given to “non-performing industry professionals who, through their dedicated belief and support of artists and their music, have had a major influence on the creative development and growth of rock & roll and music that has impacted youth culture.”

When Billboard contacted Wenner about the passage, he confirmed that he was referring to Grubman.

This year’s Ahmet Ertegun Award inductees were chosen for the first time by a committee formed by the hall of fame foundation’s current chairman, iHeartMedia president of entertainment enterprises John Sykes. He is a committee member along with Landau (who also heads the hall’s nominating committee); Jody Gerson, the chairman/CEO of Universal Music Publishing Group; Jon Platt, chairman/CEO, Sony Music Publishing; Rob Light, the head of CAA’s music department; and Joel Peresman, president/CEO of the foundation. A hall of fame insider says that in past years the Ertegun inductees were chosen via a “consensus decision” that included Wenner, Landau, and musicians Paul Shaffer and Robbie Robertson. The source adds that the creation of a formal committee had been Wenner’s suggestion, although Wenner had wanted more people outside of the industry, such as music historians and artists.

According to one source familiar with the situation, “Wenner presented his case against Allen to the full committee” in a “a lively 20-minute debate” during which all of the committee members got to express their views. Multiple sources confirm that the subsequent vote was five-to-one in favor of Grubman’s induction with Wenner casting the sole dissenting vote. (The committee voted unanimously to induct Iovine and Robinson.)

Wenner’s account of the proceedings is significantly different. He says that the discussion and vote regarding Grubman’s induction “was no more than a 45-minute phone call, and prior to that call, I was told by Jon that my dissent would be useless. The issue was already settled,” he says.

In response, the source says, “It is generally routine for committee members to discuss how they would likely vote on different issues before a meeting and how an upcoming vote will likely go.”

Another source familiar with the committee’s voting process says Grubman’s induction is justified because he is “one of the all-time great dealmakers, but his impact and those of the next generation of agents and lawyers who followed him, is not always appreciated.” The source contends that Grubman’s decades of “staunch advocacy and success in negotiating groundbreaking deals for these artists changed the balance of power in the industry,” providing the artists he has represented “the security and stability that allowed them to focus on their craft.”

Wenner says the argument that Grubman “is responsible for historic changes in recording artists’ contractual relationships with record companies is ex-post facto hogwash. This is an artful but disingenuous fig leaf to cover the absence of a valid reason. It is putting lipstick on a pig.”

Wenner says that inducting Grubman into the hall of fame is the equivalent of giving former CAA founder and Disney studios chief Michael Ovitz an Oscar. “The underlying and inescapable truth is that he has not made one iota of difference then, now or for the future of rock & roll,” he says. “He doesn’t make music. He makes money.”

A statement issued by the foundation did not address Wenner’s allegations directly but instead adopts language the hall of fame’s website uses to describe its criteria for the Ahmet Ertegun award: “The Rock & Roll Hall of Fame relies on a diverse group of expert music professionals and artists to select those who are inducted each year. We welcome this year’s group of very well deserving inductees and congratulate them on their significant influence on the music and artists that have moved youth culture.” Grubman, Landau, and spokespersons for Light and Platt declined to comment. Sykes, Peresman and Gerson did not respond to requests for comment.

But one source with ties to the organization says, “This is just Jann being Jann. After all of his great contributions, it’s sad that he’s making these unnecessary personal attacks to bring attention to himself.”

“That is a personal attack,” says Wenner. “Why can’t they defend themselves?”