Rock & Roll Hall of Fame
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After decades of eligibility, Bad Company’s future in the Rock and Roll Hall of Fame seemed to be, as the song says, a “Rock ‘n’ Roll Fantasy.”
Now the English supergroup finds itself nominated for the Rock Hall’s class of 2025, one of eight first-timers on the shortlist of 14.
“Bad Company fans and friends have been lobbying for this nomination persistently for years and they never gave up, so big thanks to them,” frontman Paul Rodgers tells Billboard. “According to them, Bad Company fits all of the criteria and then some to be inducted.” Drummer Simon Kirke, however, is more inclined to also note that it’s about time.
“I think it’s been a long time coming,” he says from his current home in New York City. “It has rankled me a bit. We’ve been around a long time and we’ve influenced a lot of bands, and I think it’s a place that we deserve. I’m just pleased that we’re at least on the ballot. I’m happy and I’m honored, and fingers crossed that we make it.”
Formed during 1973 in London, Bad Company brought together Rodgers and Kirke from Free, guitarist Mick Ralphs from Mott the Hoople and bassist Boz Burrell, fresh out of King Crimson. The group was managed by the legendary Peter Grant and signed to Led Zeppelin’s Swan Song label. Its self-titled 1974 debut hit No. 1 on the Billboard 200, going five-times platinum and launching enduring rock radio hits such as “Can’t Get Enough” (No. 5 on the Billboard Hot 100), “Movin’ On” (No. 19) and the song “Bad Company.”
Four of the band’s other 11 studio albums went platinum or better, as did the 1985 compilation 10 From 6. All told Bad Company sold more than 40 million records worldwide, with a cadre of other top 40 Hot 100 hits such as “Feel Like Makin’ Love,” “Young Blood,” “Shooting Star” and “Rock ‘n’ Roll Fantasy.”
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“Leaving behind those three bands that had become a bit of a millstone around our necks, there was certainly an element of hope and a fresh start,” Kirke recalls. “We just basically wanted a fresh start from our old bands, so it was like a phoenix rising from the ashes. I remember when Paul started singing these songs that Mick had written, ‘Can’t Get Enough’ and ‘Ready For Love’…it was really exciting. We just hoped that it was something that would be around for awhile, and here we are 50 years later.”
Rodgers, who splits time between British Columbia and Palm Springs, Calif., says he and Ralphs actually had different visions at the outset of Bad Company. “(Ralphs) recently told me that he thought that we would form a duo like the Everly Brothers. This was a surprise to me,” he says. “For myself after Free imploded…I was determined that my next band would have the best management and we did. Peter Grant was the most powerful, creative manager at the time and he was a large, large part of Bad Company’s success. It is particularly obvious to me now as we celebrate our 50th anniversary, and I look around and hear so many talented musicians who are not getting the break they need to reach the masses. I hope they find their Peter Grant.”
The original Bad Company foursome came to a stop in 1982. Ralphs and Kirke resumed from 1986-99 with a succession of other musicians — and had some success with the platinum Holy Water album in 1990 and singles such as the title track, “How About That,” “If You Needed Somebody” and “No Smoke Without Fire.” The original foursome reunited during 1989-99, playing live and releasing four new songs on The ‘Original’ Bad Co. Anthology. Burrell passed away in 1999 from a heart attack at 60, and Rodgers and Kirke reformed Bad Company two years later, with Ralphs coming back on board from 2008-2016, when a stroke rendered him unable to continue touring. (Rich Robinson of the Black Crowes, also nominated for the Rock Hall this year, was an additional guitarist during 2016).
Bad Company last toured during 2019, and Kirke confirms that “I think it’s safe to say (the band’s) playing days are pretty much over.”
He and Rodgers are still active, however. Though Rodgers is also battling health issues — he’s suffered several strokes since 2016 and 2019 — he released the solo album Midnight Rose during 2023 and is continuing to write new material. Kirke, meanwhile, has written a stage musical about addiction that’s currently being shopped and is planning to record his fourth solo album during the spring.
Both men, and likely Ralphs, will be watching the Rock Hall voting period play out, too — if not with bated breath, then certainly with interest. “My hope,” Rodgers says, “is if we are going to be inducted, let it be while Mick is still here. I do hope that the induction happens while Mick can experience, it too.”
The 2025 nominees for the Rock & Roll Hall of Fame were revealed early Wednesday (Feb. 12) morning. Of the 14 nominees who appear on this year’s ballot, only some of them (likely about half) will be inducted into the institution later this year as the Rock Hall’s Class of 2025. Explore Explore See latest […]
The Rock & Roll Hall of Fame wants a federal judge to toss out a copyright lawsuit over an image of Eddie Van Halen, arguing that it made legal fair use of the image by using it as part of a museum exhibit designed to “educate the public about the history of rock and roll music.”
The lawsuit, filed last year, claims the Rock Hall never paid to license Neil Zlozower’s image — a black-and-white photo of late-’70s Van Halen in the recording studio — before blowing it up into an eight-foot-tall display in the Cleveland museum.
But in a motion to dismiss the case filed Tuesday (Jan. 21), the Rock Hall says it didn’t need to. Attorneys for the museum say the offending exhibit was protected by “fair use”, a rule that allows copyrighted works to be reused legally in many contexts, including education and commentary.
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“RRHOF transformed plaintiff’s original band photograph by using it as a historical artifact to underscore the importance of Eddie Van Halen’s musical instruments,” the Hall’s attorneys write. “RRHOF operates a museum, and it displayed the image in service of its charitable mission to educate the public about the history of rock and roll music.”
Zlozower filed his case in October, claiming the Hall made an “exact copy of a critical portion of plaintiff’s original image” for the exhibit, which he claimed “did not include any photo credit or mentions as to the source of the image.”
The Rock Hall is just the latest company to face such a lawsuit from Zlozower, who also snapped images of Led Zeppelin, The Rolling Stones, Michael Jackson and Bruce Springsteen over a decades-long career. Since 2016, court records show he’s filed nearly 60 copyright cases against a range of defendants over images of Elvis Costello, Guns N’ Roses, Mötley Crüe and more.
In the current dispute, the Van Halen image was used in two exhibits: “Play It Loud: Instruments of Rock & Roll” and “Legends.” Focused on musical instruments used by famed rockers, the exhibits featured sections showing Van Halen’s guitars, amplifiers and other gear. In the display, the original photo of the band was cropped to show just Eddie holding one of the guitars, which was placed amid the exhibit’s objects and informational placards.
In their motion to dismiss the case, the Rock Hall’s attorneys say the museum made a “transformative use” of Zlozower’s original image — a key question when courts decide fair use. They say the Hall used it not simply as an image of the band, but “to contextualize Eddie Van Halen’s instruments on display in the museum as historical artifacts.”
“RRHOF incorporated a portion of plaintiff’s photograph displayed next to the exhibition object, as one piece of source material to document and represent the use of the guitar,” the museum’s lawyers write. “This proximal association between source material and exhibition object helps visitors connect information and delve more deeply into the exhibition objects.”
In making that argument, the Hall’s attorneys had a handy piece of legal precedent to cite: A 2021 ruling by a federal appeals court tossed out a copyright lawsuit against New York City’s Metropolitan Museum of Art over the use of another image of Van Halen in a different exhibit on the same famous set of guitars.
In making that ruling, the appeals court said the Met had clearly made “transformative” fair use of the image by displaying it alongside the exhibit: “Whereas [the photographer]’s stated purpose in creating the photo was to show ‘what Van Halen looks like in performance,’ the Met exhibition highlights the unique design of the Frankenstein guitar and its significance in the development of rock n’ roll instruments,” the appeals court wrote at the time.
That earlier ruling is not technically binding on the case against the Rock Hall, which takes place in another region of the federal court system. But such an uncannily on-point ruling could certainly be influential on the judge overseeing the current case.
An attorney for Zlozower did not immediately return a request for comment.
The Rock & Roll Hall of Fame is facing a lawsuit over allegations that it illegally displayed a copyrighted image of Van Halen, the latest of more than 50 such cases filed by veteran rock photographer Neil Zlozower over the past decade.
In a complaint filed Friday in Ohio federal court, attorneys for the litigious photog say the Rock Hall never paid to license Zlozower’s image – a black-and-white photo of late-70’s Van Halen in the recording studio — before blowing it up into an eight-foot-tall display in the Cleveland museum.
In his lawsuit, Zlozower says that an operation like the Hall, which is full of copyrighted images and sound recordings, ought to have known better.
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“Defendant is a sophisticated company which owns a comprehensive portfolio of physical and digital platforms and has advanced operational and strategic expertise in an industry where copyright is prevalent,” his lawyers write. “Defendant’s staff have significant experience in copyright matters and are familiar with specific practices including the need to ensure that all of the works used in their exhibits have been properly licensed.”
A spokesman for the Rock & Roll Hall of Fame did not immediately return a request for comment.
The Rock Hall is just the latest company to face a lawsuit from Zlozower, who also snapped images of Led Zeppelin, The Rolling Stones, Michael Jackson and Bruce Springsteen over a decades-long career. Since 2016, court records show he’s filed more than 57 copyright lawsuits against a wide range of defendants, demanding monetary damages over the alleged unauthorized use of his photographs.
He’s twice sued Universal Music Group, once over an image of Elvis Costello and another time over a photo of Guns N’ Roses, and sued Warner Music Group this summer over an image of Tom Petty. A different case targeted Ticketmaster, accusing the Live Nation unit of using an image of Ozzy Osbourne guitarist Zakk Wylde. In 2016, Zlozower sued Mötley Crüe itself for using images he had snapped of Nikki Sixx, Tommy Lee and other band members during their 1980s heyday.
In his new case against the Rock Hall, Zlozower’s attorneys say the museum made an “exact copy of a critical portion of plaintiff’s original image” for the exhibit, which they say “did not include any photo credit or mentions as to the source of the image.”
“The photograph was willfully and volitionally copied and displayed by defendant without license or permission, thereby infringing on plaintiff’s copyrights in and to the photograph,” the lawsuit reads.
The lawsuit is seeking an award of so-called statutory damages – which can potentially reach as high as $150,000 per work infringed if Zlozower can prove that the museum intentionally infringed his copyrights.
Despite the ebullient induction, the Foreigner camp was roundly sad not to have founder Mick Jones, who’s battling with Parkinson’s disease, in attendance. “We wish he was here, but we understand why he isn’t,” longtime bassist Rick Wills said. “He’s a very sick person right now, and he would be here if he could but he doesn’t want to be seen the way he is now. That’s not Mick. It’s just not his way. But he knows that we’re thinking of him, and we send all our love to him.” Original frontman Lou Gramm added, “And we’re representing him.”
Members of the group’s current lineup felt the same way. “To me it’s very tragic,” says Jeff Pilson, Foreigner’s bassist since 2007. “It really breaks my heart that he’s not here because this is his baby; we want to make sure that what we do is really right. I want to do that for him ’cause I love him dearly and I love his legacy and I love what he’s all about, so I want to make sure that he’s happy. So that’s what we’re doing and, yes, (Jones’ absence) does motivate us.”
Two of Jones’ children — actress daughter Annabelle and son Christopher — were in attendance on Saturday while the others were with their father at home, watching the stream on Disney+. “He was sad he couldn’t be here but was excited to watch on TV with our brother Alexander and our two sisters Charlotte and Samantha,” Christopher says. “They have balloons and everything. They’re doing a whole party.”
The two called the all-star performances “mind-blowing,” while Annabelle added, “I think it means the world to him. It’s a very kind of singular honor and recognition, and it means a lot to us. We’re extremely proud of him and really sad he can’t be here.”
Gramm, meanwhile, was less supportive of original drummer Dennis Elliott’s last-minute decision to skip the ceremony due to what he called “totally unacceptable” conditions — including, according to sources, the fact that band members’ wives were not permitted to join them on the small red carpet in the bowels of the arena. “He emailed us very angry, saying he and his wife wouldn’t be there and something, something, something and that’s it,” Gramm noted. “He’s real angry about something and we can’t figure out what it is, but he’s not coming. You’d think there’d be solidarity within the band, but not Dennis.”
For nearly 40 years, the Rock & Roll Hall of Fame has made it a tradition to gather together a batch of the biggest stars in the world and invite them to join the ranks of some of the greatest performers who have ever lived. On Saturday night (Oct. 19), that tradition continued with the […]
Sarcastically noting that answering questions is “my favorite thing to do,” Cher answered a few from the press backstage at the 2024 Rock and Roll Hall of Fame induction ceremony on Saturday (Oct. 19).
After taking the Rock Hall to task during her speech for waiting 35 years to induct her after she became eligible, Cher acknowledges that, “I have a kind love hate relationship [with the Rock Hall], because I thought, ‘What do I have to f–king do , y’know, to be inducted into this place? What do you have to do to be a part of it?’”
Though tempted to tell David Geffen, who she said wrote a letter to the Hall of Fame Foundation on her behalf, to “please take it back,” Cher said that in the end she was happy with the way things turned out. “I felt good. I can say that I’m happy that I’m in,” she says. “If I didn’t [think] it, I wouldn’t be here.”
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Reflecting on a 60-year career dating back to work with her late ex-husband Sonny Bono and sessions with Phil Spector’s Wrecking Crew, the singer said that she struggles with thoughts of legacy. “I [didn’t] have perspective, exactly — I just was busy living my life, so I wasn’t like thinking about it at all,” she says. “I was thinking about it from minute to minute, thing to thing. I thought of myself as a bumper car and when I hit a road I would just back up and turn in a different direction, because I wasn’t going to stop doing what I loved.”
And what about Sonny & Cher making it to the Rock Hall one day? “I think that we deserve it, ” Cher tells Billboard. “Even if we weren’t exactly rock ‘n roll, we represented music. I know it’s not like … we were corny, but we were very avant garde for what was happening at the time, so, I don’t know. I didn’t expect to get in. I just thought, ‘They’re never gonna let you in, b–ch.’”
During her speech, Cher made sure to send a message to all of the women watching around the world: “The one thing I have never done, is I never give up,” she explained. “And I am talking to the women, okay … we have been down and out, but we keep striving, and we keep going and we are somebody. We are special.”
With her induction into the annals of the Rock & Roll Hall of Fame on Saturday night (Oct. 19), Cher made sure to set expectations early on: “This speech is gonna be such a crapshoot — I wrote it the other day, and then I rewrote it tonight, and I’m dyslexic,” she declared.
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A crapshoot it was not — across her presentation at the annual ceremony, Cher stunned the crowd at the Rocket Mortgage FieldHouse with renditions of “If I Could Turn Back Time” and “Believe” — the latter featuring special guest Dua Lipa — before cedeing the stage to Zendaya, who introduced her idol with aplomb. “Where do I even begin?” the actress said, dressed in an outfit inspired by one of Cher’s many Bob Mackie looks. “There is not one person in this room, in this country, and pretty much in this world who doesn’t know the name of the artist I am here to honor tonight. She’s so iconic, she only needs one name.”
In a video tribute, stars appeared to pay tribute to Cher, including Cyndi Lauper, Shania Twain and P!nk, with the latter making it abundantly clear that the mononymous singer was a “f–king rockstar.”
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But once into her speech, Cher made it clear that her induction was never guaranteed: “It was easier getting divorced from two men than it was getting into the Rock & Roll Hall of Fame,” she cracked. “I want to thank my guardian David Geffen, because he wrote a letter and sent it to the directors, and now, ha ha, here I am!”
While the singer made sure to occasionally make fun of herself (“I’m a good singer, not a great singer,” she cracked), she didn’t shy away from acknowledging her impact throughout her decades-spanning career. In one particular highlight, the star looked back on how her biggest songs nearly didn’t happen.
“[With] ‘Believe,’ I changed the sound of music forever, and it was an accident. My producer and I were having a fight, with my producer saying, ‘Cher, do it better,’” she recalled. “I said, ‘Dude, if you want it better, get a different singer.’ He called me later and said, ‘Cher, I’ve been playing around with the pitch machine, and I think I’ve got something.’ I went back and listened to it, and when it was over, we both jumped up and high-fived each other. And then the head of my record company said ‘we can’t do that because no one will know it was you.’ And I said, ‘Yes, that’s the deal! That’s the great part!’”
Cher also recalled the advice that she had been given by her mother from a young age that guided her career to where it is today. “She said to me, ‘You might not be the prettiest, you might not be the smartest, you might not be the most talented, but you’re special,’” she said. “She kept instilling it into me: ‘If you’re down and you’re out, you get up again.’”
Smiling at the crowd, Cher made sure that the women in the audience had heard her. “The one thing I have never done, is I never give up. And I am talking to the women, okay — you guys are on your own,” she offered with a smirk. “We have been down and out, but we keep striving, and we keep going and we are somebody. We are special, as my mother would say.”
Cher was just one of the icons honored at Saturday night’s event — fellow inductees included Mary J. Blige, Ozzy Osbourne, Kool & the Gang, A Tribe Called Quest, Dave Matthews Band, Foreigner and Peter Frampton.
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The 2024 Rock & Roll Hall of Fame celebration has carried over into football. On Sunday (Oct. 20), the Cleveland Browns will host the Cincinnati Bengals in a first-of-its kind Rock & Roll Hall of Fame Game at Huntington Bank Field.
The Bengals vs. Browns game, which is set to feature performances from previous Rock & Roll Hall of Fame inductees, will air live on CBS and stream on Paramount+.
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“We are thrilled to partner with the Cleveland Browns to highlight the massive impact and influence of our Inductees on rock & roll, the music that connects us all,” Greg Harris, president & CEO of the Rock & Roll Hall of Fame & Museum said in a statement. “The first ever Cleveland Browns Rock & Roll Hall of Fame Game will be an exciting feature of our 2024 Induction Week when the national spotlight shines on Cleveland.”
See below for the best ways to stream the game from anywhere.
How to Watch & Stream the Bengals vs. Browns Game Live Online
Where to watch: CBS
Where to stream: DirecTV, Sling TV, Fubo, Hulu + Live TV, Paramount+
The Browns will take on the Bengals at Huntington Bank Field in Cleveland on Sunday. You can stream CBS and other channels live on DirecTV Stream, Fubo, Sling TV and Hulu + Live TV (use ExpressVPN to stream internationally).
The game kicks off at 1 p.m. ET/10 a.m. PT.
If you’re interested in a free trial, you can score one through DirecTV Stream and Fubo. In addition to a free trial, both Fubo and DirecTV offer discounted streaming packages.
For example, DirecTV Stream’s cheapest plan has over 90 channels and it’s on sale for $87 (down from $102). Join Fubo for just $60 per month, which saves you $20 off the regular price. Fubo’s Pro streaming plan includes access to 199 channels.
In addition to Paramount+, the Bengals vs. Browns game will be available to stream on NFL+.
The Rock & Roll Hall of Fame game will pay homage to inductees through music, giveaways, special merch and fan activations.
Foreigner, one of this year’s inductees, will headline the halftime show. Black Label Society’s Zakk Wylde will join teenage guitar phenom and Cleveland native Max Stak for a special performance at the end of the game’s third quarter. Wylde will also perform the national anthem.
Ohio native Robert “Kool” Bell, of Kool & the Gang, will serve as coin toss captain. Ozzy Osbourne is also scheduled to participate in the fan fun.
“The Rock & Roll Hall of Fame and the Cleveland Browns together embody the passion of our city. We are thrilled to partner with the Rock & Roll Hall of Fame for their 2024 Induction Week with this special first-time collaboration on Sunday,” said Brent Rossi, SVP of marketing & media at Haslam Sports Group. “Before and throughout the game, we will highlight this year’s Inductees in a number of different ways, connecting our fans with the history of rock & roll in Cleveland through football.”
There was a little bit of drama as inductees began arriving and rehearsals started in Cleveland on Thursday (Oct. 17) for this year’s Rock & Roll Hall of Fame induction ceremony as word spread that two original members of Foreigner – including founder Mick Jones – will not be attending this weekend.
Jones, who founded Foreigner during 1976 in New York, is battling Parkinson’s disease, which will keep him away from the festivities.
Drummer Dennis Elliott posted a note to Facebook that he would also not be attending the event, where the band will be inducted after receiving its first nomination this year. Elliott – who was with the band from 1976-1993 – wrote, “Dear Foreigner Fans & Friends. Don’t look too hard, we will not be there. We were finally given the schedule last night, and it is not to our satisfaction. So we are staying home. We have been asking for weeks, and they have waited until the very last minute to send it knowing we were all packed and going to bed. Totally unacceptable to us. Hope you have a good time.”
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Sources in Cleveland tell Billboard that one specific point of contention was that only band members were to walk the red carpet before the show, without their spouses.
The group did issue a statement via its social media saying, “FOREIGNER is greatly looking forward to Saturday’s Rock and Roll Hall of Fame induction ceremony. The band will be joined by Demi Lovato, Sammy Hagar, and Kelly Clarkson in a set celebrating the induction of the guys who started it all almost fifty years ago. Original members Lou Gramm, Al Greenwood, and Rick Wills will be there to accept the awards on behalf of the band’s leader and founder Mick Jones, drummer Dennis Elliot, and Ian McDonald and Ed Gagliardi who are no longer with us.”
Members of the current Foreigner lineup are expected to perform during the ceremony on Saturday at the Rocket Mortgage FieldHouse, which will be streamed live on Disney+.
Fans responding to Elliott offered support, with one writing “this is very sad news” and another calling it a “travesty.”
Foreigner, eligible since 2002, was long considered one of the Rock Hall’s greatest slights over the years. The group has sold more than 80 million records worldwide, with hits such as “Feels Like the First Time,” “Cold as Ice,” “Hot Blooded,” “Juke Box Hero” and “I Want to Know What Love Is.” Foreigner finished third in the fan vote, with 528,000.
Foreigner will be part of a class of 2024 that also includes Mary J. Blige, Cher, the Dave Matthews Band, Peter Frampton, Kool & the Gang, Ozzy Osbourne and A Tribe Called Quest in the performer category.