Review
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Year-end album lists are a gift and a curse for a Hip-Hop and music journalist because we’re never going to hear all of the hundreds of projects that dropped over the past 365 days. However, Hip-Hop Wired is attempting the impossible to deliver our favorite Hip-Hop projects of 2024.
Breaking the wall here, I want it known that I might be a man of a certain age but I never turned my back on the music and culture that, quite frankly, has given me so much as a writer and participant. Just like some people grew out of loving Hip-Hop, that has never happened with me. Each year, I’m discovering more and more acts that release music that speaks to me and I enjoy the hunt of digging in the crates, even if it’s digitally.
For this list, I only listed albums or mixtapes (whatever that means in 2024) that have 10 songs or more. This means that a lot of the nine-song releases that are listed as albums on DSPs are not mentioned here but that doesn’t mean they weren’t dope. I just believe wholeheartedly that there should be at least 10 songs on a project before we call it a full-length release. Further, if I added EPs to this list, it’d be even longer than it already is.
As I’ve done with past lists, the Hip-Hop albums and mixtapes listed below are in alphabetical order by artist name, not rank or preference. I don’t believe in segregating the music because it doesn’t fit some mysterious aesthetic. What I’ve listed below are albums I routinely played, reviewed, and believe stood out among all I’ve heard. If I missed something, don’t flame me. You will see a lot of West Coast artists on this list along with acts from the South, East Coast, and all points in between.
For now, enjoy this massive listing of Hip-Hop Wired’s top projects of 2024 below.
Top Hip-Hop LPs/Mixtapes of 2024
Ab-Soul – Soul Burger
Although not immediately introspective as his previous album HERBERT, Ab-Soul shows and proves his formidable ability as a lyricist while paying homage to his dear brother, Doeburger.
Action Bronson – Johann Sebastian Bachlava the Doctor
Action Bronson is at his best when he’s delivering one of his usual one-take verses that take the shape of whenever he’s feeling in the moment. Another reliable drop from Queens native.
Apollo Brown & Crimeapple – This, Is Not That
Crimeapple, a rapper out of New Jersey by way of Colombia, raps with bone-chilling precision and conviction. This pairing with Apollo Brown is a standout among his other releases this year.
Benny The Butcher – Everybody Can’t Go
Benny The Butcher’s debut album with Def Jam Records doesn’t mute or clean up the grit and grime he’s known to deliver. The Black Soprano boss gets production from Hit-Boy and The Alchemist while running the operation expertly.
BigXthaPlug – Take Care
Dallas rapper BigXthaPlug had a busy 2024 but the cherry on top was his second studio album, Take Care. Yes, the album dives into BigX’s time in the street but also the importance of leveling up.
Boldy James & Conductor Williams – Across The Tracks
Boldy James dropped four albums this year and we could’ve gone with any of them. We decided on his collaboration with Conductor Willams and their potent Across The Tracks drop.
Blu & Exile – Love (the) Ominous World
Among the four studio albums, Blu dropped this year, his project with Exile, Love (the) Ominous World, is the one we couldn’t stop rocking.
Common & Pete Rock – The Auditorium Vol. 1
Age ain’t nothing but a number and the pairing of Common and Pete Rock proved that concept all across their enjoyable album, The Auditorium Vol. 1.
Conway The Machine – Slant Face Killah
Conway The Machine doesn’t get the recognition he deserves as a rapper and his versatility is unmatched. Slant Face Killah is a proper showcase for the Drumwork Music Group honcho.
Cordae – The Crossroads
Cordae came into the game with plenty of promise and his latest studio album takes all of his strongest points while adding that major label sheen.
Chuck Strangers – A Forsaken Lover’s Plea
Chuck Strangers got his first look as a producer as part of the sprawling Pro Era collective but has since emerged as his own man. His second studio album, A Forsaken Lover’s Plea, stamps Chuck Strangers as a standout voice among the producer-rapper set.
Curren$y & DJ Fresh – The Tonite Show The Sequel
Curren$y drops so much consistent heat that we had a hard time picking an album but his past work with DJ Fresh drew us to The Tonite Show The Sequel and we’re better for it.
Denzel Curry – King of the Mischievous South Vol. 2
Denzel Curry is an enigma of an artist who is capable of dropping brilliant bars but also can turn up. King of the Mischievous South Vol. 2, billed as a mixtape, feels just like that but in the best of ways.
Dizzy Wright, Demrick & Mike & Keys – Blaze With Us 3
Dizzy Wright was active in 2024 along with maintaining his various business interests. Reconnecting with Demrick, also an entrepreneur, the pair’s Blaze With Us 3 boasts fantastic production from Mike & Keys and yes, it’s perfect to pair with your favorite strains. (Also, Demrick’s “Watch This” is still dope.)
Doechii – Alligator Bites Never Heal
Doechii’s breakout year was capped by the soulful Tiny Desk concert that recently dropped. Much of that performance featured songs from her latest mixtape, Alligator Bites Never Heal, which makes us wonder what the album will sound like.
EARTHGANG – PERFECT FANTASY
EARTHGANG keeps our attention every time they drop new music and the duo of Olu and WowGr8 are still adept at finding new flows, sounds, and themes. There is a tendency to compare them to another duo out of Georgia but they own their unique sound solely.
El Costeau – Merci, Non Merci
El Costeau first appeared on our radar by way of MIKE’s excellent Burning Desire album. The Washington, D.C. rapper’s loose, heady verses showcase the varying creativity and interests of the Northeast native.
Erick the Architect – I’ve Never Been Here Before
As a member of the Flatbush Zombies, Erick the Architect proved he is a rapper worth noting. With his solo album, I’ve Never Been Here Before, Arc delivers a varied and personal project that rewards the listener several times over.
Flo Milli – Fine Ho, Stay
Flo Milli’s second studio project continues the “Ho” theme from her previous drops and is the strongest of the three. The 24-year-old starlet and expecting Mom is no slouch and we’re ready to hear what’s next.
Freddie Gibbs – You Only Die 1nce
Freddie Gibbs is growing up, or at least that’s the message we’re getting from You Only Die 1nce. The Gary, Ind. rapper sounds remarkable on an album that fans didn’t see coming.
Freeway & Jake One – The Stimulus Package 2
Philadelphia rapper Freeway and Seattle producer Jake One made magic in 2010 with The Stimulus Package. 14 years later, The Stimulus Package 2 is just as strong as its predecessor and maybe better in some aspects.
Future & Metro Boomin – We Don’t Trust You
Yes, we know that “Like That” is the highlight for many but Future and Metro Boomin showed their chemistry all across We Don’t Trust You.
Gangrene (Oh No & The Alchemist) – Heads I Win, Tails You Lose
Gangrene, the duo of Oh No and The Alchemist may very well be the best producers on the mic. Heads I Win, Tails You Lose is the duo’s fourth studio album and it’s all bars, beats, and boasts, just as it should be.
GloRilla – Glorious
Memphis rapper GloRilla came into the game with plenty of motion, culminating in her crowd-pleasing debut studio album, Glorious. Big Glo covers all the bases on the release, and we know it’s only up from here.
Gunna – One of Wun
Gunna kept his head down and continued to work despite all the smut people attempted to throw on his name and delivered a stellar album in One of Wun.
Heems & Lapgam – LAFANDAR
Heems, who some might remember from Das Racist, dropped two albums this year, the first of which, LAFANDAR, was done with Lapgam, a fellow Indian-American.
J. Cole – Might Delete Later
J. Cole got a lot of heat for deleting his Kendrick Lamar diss, “7 Minute Drill” from his fourth mixtape, Might Delete Later, but it’s a touch unfair. The rest of the project is one of the strongest sets of bars we’ve heard from the North Carolina MC and producer.
JasonMartin & DJ Quik – Chupacabra
JasonMartin, formerly known as Problem, connected with the legendary DJ Quik for the funky, sun-soaked Chupacabra. Even if you’re not from the West Coast, it still goes.
Jay Worthy & DāM-FunK – Magic Hour
Jay Worthy is always dropping new music and this year was no different. Nailing down our favorite record was difficult. However, Magic Hour, made alongside DāM-FunK, was the one that kept cropping up.
JPEGMAFIA – I Lay Down My Life for You
JPEGMAFIA is a difficult artist to explain to the unfamiliar but what we can say is that if you’re able to capture anything about Peggy is that he’s all over the map and that’s fine with us.
Ka – The Thief Next To Jesus
Ka unfortunately passed away this year and his loss is still sending waves of shock among his devoted fans. Music lives on and the Brownsville lyricist’s album, The Thief Next To Jesus, is another in a long list of projects that should be studied in colleges.
Kendrick Lamar – GNX
Read our review here
Let The Dirt Say Amen – I Love You, I’m Not Sorry
Let The Dirt Say Amen, a rapper, and producer out of Washington, D.C., dropped one of our favorite albums in 2021, God Hates Gucci. I Love You, I’m Not Sorry is more of Dirt’s strong production, relentless verses, and some of the best sh*t-talking we’ve heard all year.
LL COOL J – The FORCE
LL COOL J shocked a lot of fans with The FORCE, a departure in sound for the Queens veteran. Produced by Q-Tip of A Tribe Called Quest fame, there are some interesting curveballs within the project but that’s why we enjoyed it so much.
Logic – Ultra 85
Logic is polarizing among Hip-Hop fans for reasons beyond the music, which has generally been good to great. Ultra 85 definitely leans to the great side of the Maryland rapper’s discography and despite its length, Bobby Tarantino is the reason to tune in.
Mach-Hommy – #RichAxxHaitian
Mach-Hommy doesn’t reveal much about himself despite several dozen releases acclaimed by critics and listeners alike. The Haitian-American New Jersey native shakes up things on #RichAxxHaitian with interesting features but the main character remains Mach-Hommy.
Marv Won – I’m Fine, Thanks For Asking
Marv Won is one of the most gifted rappers out of Detroit, a city that seems to produce rappers who can flow over anything. I’m Fine, Thanks For Asking gets into Marv Won’s thoughts in a way that almost feels intrusive but we appreciate him for letting us in.
MAVI – shadowbox
MAVI burst onto the scene with his debut album Let The Sun Talk in 2019. The Charlotte, N.C. rapper’s third album, shadowbox, is an emotional, soul-stirring collection of thoughts that finds the 25-year-old rapper wrestling with the weight of the world.
MIKE & Tony Seltzer – Pinball
Despite his mature sound and thematic aims, MIKE is still very much a young man in his 20s. Instead of taking over the beats, Big MIKE connects with producer Tony Seltzer for the youthful and frenetic Pinball. Don’t get it twisted, MIKE is still going in but it’s a lot lighter than his usual fare.
Nappy Nina & Swarvy – Nothing Is My Favorite Thing
https://open.spotify.com/track/7LzCHlDZnG3AfrqJo7paob?si=745795dd6746450e
Nappy Nina’s 2023 album Mourning Due was one of our favorites and instead of coasting on that excellent body of work, the Oakland. rapper’s Nothing Is My Favorite Thing with producer Swarvy took us on a marvelous audio journey.
Navy Blue – Memoirs In Armour
Navy Blue’s 2023 Def Jam Records debut, Ways Of Knowing, gripped us by the ears from the first second. Now fully independent once more, Memoirs In Armour finds Navy Blue once more centering spirituality and his connection to his family, all of which is delivered in an almost melancholic but reflective tone.
Nickelus F – MMCHT
Nickelus F is another example of an artist with immense ability who seems content with rapping for those who get it and unbothered with chasing fame. The Richmond, Va. MC and producer’s MMCHT is one of his most personal releases and one where he doesn’t rap in character.
NxWorries (Anderson .Paak & Knxledge) – Why Lawd?
NxWorries, the duo of singer, rapper, and drummer Anderson .Paak and producer knxledge, return with their second full-length, Why Lawd? With his sing-rap style, .Paak is in top form and Knxledge has been a beast on the boards for years.
Planet Asia & Local Astronauts – No Retirement
Planet Asia will always have a fresh platter of heat for his legion of fans and among the drops from this year, No Retirement with production team Local Astronauts was our top choice.
Previous Industries (Open Mike Eagle, Still Rift & Video Dave) – Service Merchandise
Previous Industries finds Open Mike Eagle, STILL RIFT, and Video Dave collectively working out the realities of aging along with still having a lot more to say. The longtime Chicago associates’ fantastic Service Merchandise album is full of moments of clarity along with comical revelations. It’s sharp work.
Rapsody – Please Don’t Cry
Rapsody should be mentioned among the greats and it is no fault of her own that she is often misunderstood. On Please Don’t Cry, Rap is more plainspoken than ever and there isn’t a wasted bar on the project.
Raz Fresco & DJ Muggs – The Eternal Now
Raz Fresco, an incredibly prolific Canadian producer and MC, dropped joints this year that could be in place of our pick, The Eternal Now. That said, Raz and his “marvelous right wrist” style and Five Percent Nation teachings work well with DJ Muggs’ production.
Roc Marciano – Marciology
It could be argued whether or not Marciology is the best album in Roc Marciano’s catalog but instead of needlessly pitting the Long Island rapper-producer’s music against each other, we’d rather state the fact that Roc Marci’s vision was fully realized on this release.
Roc Marciano & The Alchemist – The Skeleton Key
Yes, we know Roc Marci is on this list twice and this 11th-hour drop from Roc and The Alchemist shows and proves the pair know how to bring the best qualities out of each other. This is definitely an album for the wintertime grind.
ScHoolboy Q – Blue Lips
Read our review here.
Sideshow – F.U.N.T.O.Y.
Sideshow, a Washington, D.C. rapper who now resides in Los Angeles, doesn’t grant interviews so much of what we know about him is in his music. The Ethiopian-American rapper’s music is replete with street tales and hazy production best suited for a smoke session or running a mission.
Slum Village – F.U.N.
Slum Village, now a duo with original member T3 and producer-rapper Young RJ, has kept the SV flag flying over the years. F.U.N. continues the tradition and finds them both having a lot of fun on the microphone per the album’s title.
Smoke DZA – THC3 (Kushedgod Bitch)
Smoke DZA is severely underrated and it’s kind of frustrating for us who are fans of The Kushedgod. On THC3 (KushedGod Bitch), George Kush aka Smoke DZA shows off his effortless cool once again.
Tha Dogg Pound – W.A.W.G.
With the West Coast sound fully rocking the radio nationwide, it was a perfect time for Tha Dogg Pound to reintroduce themselves with W.AW.G. aka We All We Got, which features stellar production from Mike & Keys.
Thurz – Yannick Koffi: In Time
Fans of the rap group U-N-I should be familiar with Thurz, formerly Thurzday. His latest album, Yannick Koffi: In Time gets into the story of the Inglewood native as we’ve never heard before before.
Tierra Whack – WORLD WIDE WHACK
It’s hard to believe that Tierra Whack’s WORLD WIDE WHACK is her debut studio album, but it does serve as a great introduction to those who haven’t heard the dynamic Philadelphia star.
Tyler, The Creator – Chromakopia
Tyler, The Creator is now a legitimate superstar, and the interest surrounding his latest album, Chromakopia, proves that fact. The album dives into themes of fame and the pressure that comes along with it but there are also classic moments of T talking his talk.
Vince Staples – Dark Times
Vince Staples’ sixth album, Dark Times, is his final album on Def Jam Records but, as is his penchant, the Long Beach rapper doesn’t dial it in. This is another excellent collection of Vince Staples’ thoughts.
Westside Gunn – Still Praying
Westside Gunn is possibly Hip-Hop’s greatest self-promoter but thankfully, he backs up his boasts more times than not. Still Praying finds the Griselda mastermind rapping about a lifestyle few can afford and proving that the lane he occupies is firmly his own.
Your Old Droog – Movie
While we wait for the long-teased collaboration with Madlib, Your Old Droog’s Movie is more than a mere holdover. Droog’s ear for beats and his humorous reflections keep the album a light but raucous listen.
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Photo: Getty
Contrary to superstition, Friday the 13th (of December) was not an unlucky day for Morat. Instead, the Colombian pop-rock band scored one of its biggest feats by celebrating the first 13 years of their musical career with a resounding, sold-out show in Mexico City. With an attendance count of 65,000 people, according to figures from promoter Ocesa, it was the first of three consecutive nights at the GNP Seguros Stadium, where Morat is closing a series of stadium shows in a dozen countries.
Moreover, the band managed to get hundreds of their Mexican fans to accept the challenge of attending the concert dressed in pajamas, seeking to break a Guinness World Record. Multicolored sleepwear made of flannel, cotton and satin was the predominant attire among attendees to adorn the beginning of the end of Un Último Sueño, Gira Los Estadios (One Last Dream, The Stadiums Tour).
Thus, it became a double celebration, with sold-out tickets for three shows in the Mexican capital for a total of about 195,000 people, Camila Fernández as a special guest, and the recognition of being the most popular Colombian pop band of the moment.
“This show is important to us for several reasons: Today, Dec. 13th, we celebrate 13 years together. 13 years ago, the question arose, ‘What if we start a band?’” said lead vocalist and guitarist Juan Pablo Isaza to the audience. “Playing now for so many people is incredible. It looks just like we imagined it.”
Just as he and his fellow band members Juan Pablo Villamil (guitar), Simón Vargas (bass), and Martín Vargas (drums) imagined it 13 years ago, the evening was a dream come true. From the start, the Bogotá quartet enchanted the audience with crowd-pleasers such as their 2016 hit “Cómo Te Atreves,” which catapulted the group to fame outside their native country. The show transformed into a retrospective journey honoring love and heartbreak, while the audience — mostly comprised of young women, teenagers, and girls — sang along at deafening volumes.
Camila Fernández — daughter of Alejandro Fernández and granddaughter of the iconic ranchera music performer Vicente Fernández — served as the guest of honor on this special night. Accompanied by traditional mariachi, she performed a very Mexicanized version of “Debí Suponerlo,” unleashing applause and cheers from the audience.
In a night of celebration, the audience sang and dedicated to Morat the classic “Mañanitas,” and the group appeared surprised and grateful for the gesture.
Of course, the climax came with “No Se Va,” their 2019 single which three years later Grupo Frontera turned into a massive hit, becoming the fifth regional Mexican song in history to enter the Billboard Hot 100, where it spent 20 weeks and reached No. 57.
Un Último Sueño, Gira Los Estadios achieved the unimaginable for Morat: filling 25 stadiums, in 15 cities across 10 countries, with an attendance total of 800,000 people.
“It’s no coincidence that we decided to close the tour here. This has been an incredible night!” expressed Martín. Morat’s show this Saturday (Dec. 14) will be broadcast live via streaming for Disney+ subscribers in Latin America. For the Sunday (Dec. 15) show, the opening act will be Venezuelan singer-songwriter Joaquina.
12/10/2024
From chart hits “APT.” and “Number One Girl,” the BLACKPINK star’s debut LP shares intimate experiences amid pitch-perfect vocal performances.
12/10/2024
Following the final show of the Eras tour, a comparison between its opening and closing, and how Swift’s biggest live show evolved over time.
In his first-ever stadium headlining show in his hometown, the Colombian superstar delivers a show filled with star-studded cameos, deep cuts and relentless energy.
In his Broadway debut, Sebastián Yatra delivers a solid vocal performance and demonstrates an enjoyable stage presence as the charming, corrupt lawyer Billy Flynn in Chicago. Here, he is not the same singer of Latin pop chart-topping hits; he is a conscious cast member committed to the requirements of this type of show.
The Colombian star began his four-week engagement in the long-running musical on Monday (Nov. 25), where he shares leading roles with Broadway veterans Bianca Marroquín and Kimberly Marable, who play Roxie Hart and Velma Kelly, respectively.
The singer-songwriter, known for No. 1 hits on the Billboard Latin Airplay chart like “Tacones Rojos,” “Un Año” (with Reik) and “Robarte un Beso” (with Carlos Vives), makes the leap to the theater mecca two years after making his acting debut in the miniseries Once Upon a Time… Happily Never After.
Trending on Billboard
Although at 30 he is younger (and sweeter) than other actors who have played Billy Flynn — Jerry Orbach was 40 in the original 1975 production, and Richard Gere was 52 in the 2002 film adaptation — on Tuesday (Nov. 26 ), in only his second performance, Yatra shone, showing new vocal registers and singing classics like “Razzle Dazzle” and “We Both Reached for the Gun” in English. While dancing is not considered his forte, he followed the choreography without issue and stood out with his bearing and likability.
“Everyone in Chicago is excited and proud of him,” Marroquín, who shares several scenes with Yatra in the performance, told Billboard Español on Tuesday as she left the theater. “He has done an exceptional job. He arrived super disciplined with everything memorized, very committed, very responsible, and on top of that he is a sweetheart. Being backstage with him is divine. He is a very beautiful soul. So I love having that connection because, besides, Roxie and Billy have a lot to do with each other in the show. We have created a beautiful friendship, a bond, a very nice chemistry.”
Set in the 1920s, Chicago —the longest-running American musical on Broadway after almost three decades— is a scathing satire of how show business and the media make celebrities out of criminals. With a book by Fred Ebb and Bob Fosse, music by John Kander and lyrics by Ebb, it includes killer songs like “All That Jazz,” “Cell Block Tango” and “Mr. Cellophane.”
With Yatra, the role of Billy Flynn now receives some Latin and contemporary flavor. “Latinos have something special even when we are speaking English, there is a lot of love within us, a lot of passion,” Yatra told Billboard Español in September, upon the announcement of his Broadway debut. “I think I can offer a perspective from someone who is living in 2024 at almost 30, how he sees that world, also knowing that I could have perfectly been a lawyer and could be that person standing there. Thank God Billy and I don’t share the same values, because that would be messed up!” he added with a laugh.
Over the years, Chicago has invited various Latin stars to join the musical for brief runs. Yatra joins a list that includes Colombian actress Sofia Vergara, who in 2009 played Matron “Mama” Morton, and Mexican singer and actor Jaime Camil, who in 2016 portrayed Billy Flynn.
Chicago is presented at the Ambassador Theatre (219 W. 49th St.) For more information and to purchase tickets, visit the Broadway musical’s site.
11/15/2024
See how we broke down every song from the BTS superstar’s long-awaited solo album.
11/15/2024
For years, the idea of a Linkin Park without Chester Bennington seemed unfathomable. When the singer with the titanic voice and breathtaking emotional range passed away in 2017 at the age of 41, the band had just released their seventh studio album, One More Light, two months earlier, and the sorrowful pop album became what amounted to a swan song for one of the best-selling rock acts of the 21st century. Years passed, early albums were reissued, cutting-room-floor tracks were scavenged — but for all intents and purposes, Linkin Park had finished.
And then in September 2024, they roared back with stunning vitality.
With new co-vocalist Emily Armstrong and drummer/co-producer Colin Brittain in the fold, guitarist Brad Delson, bassist Dave “Phoenix” Farrell, turntablist/producer Joseph Hahn and singer/rapper/producer/sonic architect Mike Shinoda revived their once-mighty band, with arena shows that included their many hit singles and hints at what a next era could become. While longtime supporters will likely (understandably) approach new album From Zero with hesitancy and a range of feelings, Linkin Park have proven time and again that they deserve to have their creative instincts trusted.
Throughout their run with Bennington, the band changed its sound from its rap-rock beginnings, explored new sonic ideas and often presented rewarding full-lengths that harnessed the boundaries of their aesthetic. Now with Armstrong’s voice front and center, Linkin Park use From Zero (a play on their pre-Linkin Park band, Xero) to press the restart button and let their artistry roam into new, often thrilling territory.
This was always the upside of bringing in a new vocalist that wasn’t simply a Bennington impersonator: Armstrong, formerly the singer of Dead Sara, can scream with towering fury and croon with fragile beauty in a way that recalls Bennington at times, but she brings different musical sensibilities and a singular point of view to the band’s palette, her wrath more pronounced and her melancholy finely drawn. Shinoda, who’s spent the past half-decade developing his voice as a solo artist and producer, sounds reinvigorated working in a band setting once again, and raps, sings and occasionally yells with an urgency that suggests that he understands how unique this new chance can be.
Fans of different eras of Linkin Park will find favorite moments on From Zero — A Thousand Suns supporters will adore the woozy “Overflow,” for instance, while Meteora diehards will wrap their arms around the breakneck speeds of “Heavy is the Crown” and “Two Faced.” Yet on the whole, From Zero imagines a new beginning for one of the biggest bands of the past few decades in a way that any fan can appreciate. Most of us never thought we’d be pressing play on a new Linkin Park album. In that sense, From Zero is a gift that sounds as special as it deserves to be.
While there may be no skippable tracks on the new album, here is a humble, preliminary opinion on the best songs on Linkin Park’s From Zero.
From Zero (Intro)
The pioneering alternative band’s 14th album is an unapologetically gloomy meditation on mortality. Read Billboard’s preliminary ranking and review.
It was not a drill Friday night (Sept. 6) in Brooklyn. Usher-mania had arrived. After having serenaded the nation for two-and-a-half-years with the hottest Las Vegas residency in the land, and readjusting his crown at the Super Bowl XLVIII halftime show, the R&B icon brought his Ursher-issance to the Barclays Center with a show-stopping blitz that proves he’s operating at a new prime.
For the thousands of fans who packed out the first of four sold-out shows as part of his Past Present Future tour, the night was special for several reasons. For some, it was a chance to scratch one larger-than-life concert off their bucket list (“I never got to see Michael Jackson live, but I’ve seen Beyoncé and now Usher,” said one concert-goer). For others, it was the opportunity to relive the headline-making My Way the Vegas Residency experience (“We saw him in Vegas, too,” gushed another excited fan). But the number one objective for everyone on this night (including this writer) was simple: “Gonna boogie, tonight…”
The aptly titled tour, which launched in August with two sold-out performances in Washington, D.C., lived up its namesake as the king of R&B left the borough known to keep it thorough in a warm blanket of nostalgic and euphoric bliss. Much of the two-hour show felt less like a concert and more of a celebration of the man whose music has soundtracked lives, redefined a genre, and shifted the pop-culture landscape over the last 30 years. But age is furthest from the mind when watching the singer, especially as his liquid movements evokes the same “how’s he still performing at this level” wonderment that stalks LeBron James. Whether pop-locking, leaping, or standing next to a video of his younger self, the timelessness of Ursher did indeed writ large over the course of the night.
At around 9:30 p.m., the singer popped up on stage, commanding court with the kind of spellbinding aura that Michael Jackson exemplified during his fan-faint-outs era, and opened with “Coming Home,” the title track from his latest chart-topping outing. He followed that up with “Hey Daddy (Daddy’s Home),” which quickly summoned ecstatic gasps from the audience mid “I just wanna get your attention…” Like that, the sold-out audience went down memory lane.
After “1993” appeared on the screen, along with a digitally-rendered teenage version of the singer, he danced along to a medley of his earlier records — “Call Me a Mack,” which originally appeared on the 1993 Poetic Justice soundtrack, “Think of You” and “Can U Get With It.” Soon after, the “You Make Me Wanna” singer time-shifted through the decades, as the capacity-crowd, decked in their flyest and finest, played the role of back-up singers — and, judging by the swaying bodies in the aisles and rows, back-up dancers, too. Spreading love is the Brooklyn way, after all. The Grammy award-winning showman floated on that cloud of love through the night, cascading through a plethora of his genre-defying hits that kept those aisles and rows rocking in a rhythmic trance. He traveled to 1997, performing “My Way” and “You Make Me Wanna” to resounding shrieks before loading up tunes from the 2000s with “U Remind Me” and “U Don’t Have To Call.”
By the time he got to his diamond-certified magnum opus, Confessions — an album that celebrates its 20th anniversary this year, after spawning four No. 1s on the Billboard Hot 100 chart — it was sheer pandemonium. There was “Caught Up,” followed by some of “Yeah!” before the song was abruptly interrupted by a “system malfunction” alert on the screen. But ever the consummate performer, Usher kept the show rolling by flipping the chronological script, hitting shuffle, and pulling out the roller skates for “Don’t Waste My Time” and “Love in this Club.”
As concupiscent shrills showered him through “Nice & Slow,” he operated with the eros of the moment — stripping down to a white tank top, jeans and his signature “U” diamond pendant — and saucily mime-humped the mic stand after having already turned up the heat with “Lovers and Friends.” If that wasn’t enough, the rapt audience melted at the knees once his sterling silver vocals belted out that well-known falsetto to “Superstar.”
And there were a number of other superstars in the house, as well. After prowling through the audience while singing “There Goes My Baby,” he spotted and serenaded celebrities Taraji P. Henson (“You starting the celebration of your birthday early,” he beamed), Victoria Monet, who danced along with the singer to “On My Mama,” and rapper Yung Miami. Not long after, he brought out Fat Joe and Ja Rule, who also won the crowd over with their string of classics, including “What’s Luv” and “Put it On Me.”
As the night wound down, with energy levels depleted following run-throughs of “OMG” “There Goes My Baby,” and “DJ Got Us Fallin’ in Love” among others, Ursh, now wearing a glittering blue leather Vanson motorcycle jacket, sent the capacity-sized arena into a tizzy when he finally unleashed “Yeah!” without interruption. “I was able to turn Barclays into the house of Usher,” he said. A fitting way to close out a hit-filled spectacle that stamped an emphatic “Watch this” for those still wondering “how’s he still performing at this level?”
But that’s not all, here are the seven best moments from night one of Usher’s four-night rendezvous in Brooklyn.
Unmatched Performer