Review
02/18/2025
The BLACKPINK superstar delivers sonic surprises, confident vocals and radio-ready tracks to prove her global pop star status.
02/18/2025
HipHopWired Featured Video
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Year-end album lists are a gift and a curse for a Hip-Hop and music journalist because weâre never going to hear all of the hundreds of projects that dropped over the past 365 days. However, Hip-Hop Wired is attempting the impossible to deliver our favorite Hip-Hop projects of 2024.
Breaking the wall here, I want it known that I might be a man of a certain age but I never turned my back on the music and culture that, quite frankly, has given me so much as a writer and participant. Just like some people grew out of loving Hip-Hop, that has never happened with me. Each year, Iâm discovering more and more acts that release music that speaks to me and I enjoy the hunt of digging in the crates, even if itâs digitally.
For this list, I only listed albums or mixtapes (whatever that means in 2024) that have 10 songs or more. This means that a lot of the nine-song releases that are listed as albums on DSPs are not mentioned here but that doesnât mean they werenât dope. I just believe wholeheartedly that there should be at least 10 songs on a project before we call it a full-length release. Further, if I added EPs to this list, itâd be even longer than it already is.
As Iâve done with past lists, the Hip-Hop albums and mixtapes listed below are in alphabetical order by artist name, not rank or preference. I donât believe in segregating the music because it doesnât fit some mysterious aesthetic. What Iâve listed below are albums I routinely played, reviewed, and believe stood out among all Iâve heard. If I missed something, donât flame me. You will see a lot of West Coast artists on this list along with acts from the South, East Coast, and all points in between.
For now, enjoy this massive listing of Hip-Hop Wiredâs top projects of 2024 below.
Top Hip-Hop LPs/Mixtapes of 2024
Ab-Soul â Soul Burger
Although not immediately introspective as his previous album HERBERT, Ab-Soul shows and proves his formidable ability as a lyricist while paying homage to his dear brother, Doeburger.
Action Bronson â Johann Sebastian Bachlava the Doctor
Action Bronson is at his best when heâs delivering one of his usual one-take verses that take the shape of whenever heâs feeling in the moment. Another reliable drop from Queens native.
Apollo Brown & Crimeapple â This, Is Not That
Crimeapple, a rapper out of New Jersey by way of Colombia, raps with bone-chilling precision and conviction. This pairing with Apollo Brown is a standout among his other releases this year.
Benny The Butcher â Everybody Canât Go
Benny The Butcherâs debut album with Def Jam Records doesnât mute or clean up the grit and grime heâs known to deliver. The Black Soprano boss gets production from Hit-Boy and The Alchemist while running the operation expertly.
BigXthaPlug â Take Care
Dallas rapper BigXthaPlug had a busy 2024 but the cherry on top was his second studio album, Take Care. Yes, the album dives into BigXâs time in the street but also the importance of leveling up.
Boldy James & Conductor Williams â Across The Tracks
Boldy James dropped four albums this year and we couldâve gone with any of them. We decided on his collaboration with Conductor Willams and their potent Across The Tracks drop.
Blu & Exile â Love (the) Ominous World
Among the four studio albums, Blu dropped this year, his project with Exile, Love (the) Ominous World, is the one we couldnât stop rocking.
Common & Pete Rock â The Auditorium Vol. 1
Age ainât nothing but a number and the pairing of Common and Pete Rock proved that concept all across their enjoyable album, The Auditorium Vol. 1.
Conway The Machine â Slant Face Killah
Conway The Machine doesnât get the recognition he deserves as a rapper and his versatility is unmatched. Slant Face Killah is a proper showcase for the Drumwork Music Group honcho.
Cordae â The Crossroads
Cordae came into the game with plenty of promise and his latest studio album takes all of his strongest points while adding that major label sheen.
Chuck Strangers â A Forsaken Loverâs Plea
Chuck Strangers got his first look as a producer as part of the sprawling Pro Era collective but has since emerged as his own man. His second studio album, A Forsaken Loverâs Plea, stamps Chuck Strangers as a standout voice among the producer-rapper set.
Curren$y & DJ Fresh â The Tonite Show The Sequel
Curren$y drops so much consistent heat that we had a hard time picking an album but his past work with DJ Fresh drew us to The Tonite Show The Sequel and weâre better for it.
Denzel Curry â King of the Mischievous South Vol. 2
Denzel Curry is an enigma of an artist who is capable of dropping brilliant bars but also can turn up. King of the Mischievous South Vol. 2, billed as a mixtape, feels just like that but in the best of ways.
Dizzy Wright, Demrick & Mike & Keys â Blaze With Us 3
Dizzy Wright was active in 2024 along with maintaining his various business interests. Reconnecting with Demrick, also an entrepreneur, the pairâs Blaze With Us 3 boasts fantastic production from Mike & Keys and yes, itâs perfect to pair with your favorite strains. (Also, Demrickâs âWatch Thisâ is still dope.)
Doechii â Alligator Bites Never Heal
Doechiiâs breakout year was capped by the soulful Tiny Desk concert that recently dropped. Much of that performance featured songs from her latest mixtape, Alligator Bites Never Heal, which makes us wonder what the album will sound like.
EARTHGANG â PERFECT FANTASY
EARTHGANG keeps our attention every time they drop new music and the duo of Olu and WowGr8 are still adept at finding new flows, sounds, and themes. There is a tendency to compare them to another duo out of Georgia but they own their unique sound solely.
El Costeau â Merci, Non Merci
El Costeau first appeared on our radar by way of MIKEâs excellent Burning Desire album. The Washington, D.C. rapperâs loose, heady verses showcase the varying creativity and interests of the Northeast native.
Erick the Architect â Iâve Never Been Here Before
As a member of the Flatbush Zombies, Erick the Architect proved he is a rapper worth noting. With his solo album, Iâve Never Been Here Before, Arc delivers a varied and personal project that rewards the listener several times over.
Flo Milli â Fine Ho, Stay
Flo Milliâs second studio project continues the âHoâ theme from her previous drops and is the strongest of the three. The 24-year-old starlet and expecting Mom is no slouch and weâre ready to hear whatâs next.
Freddie Gibbs â You Only Die 1nce
Freddie Gibbs is growing up, or at least thatâs the message weâre getting from You Only Die 1nce. The Gary, Ind. rapper sounds remarkable on an album that fans didnât see coming.
Freeway & Jake One â The Stimulus Package 2
Philadelphia rapper Freeway and Seattle producer Jake One made magic in 2010 with The Stimulus Package. 14 years later, The Stimulus Package 2 is just as strong as its predecessor and maybe better in some aspects.
Future & Metro Boomin â We Donât Trust You
Yes, we know that âLike Thatâ is the highlight for many but Future and Metro Boomin showed their chemistry all across We Donât Trust You.
Gangrene (Oh No & The Alchemist) â Heads I Win, Tails You Lose
Gangrene, the duo of Oh No and The Alchemist may very well be the best producers on the mic. Heads I Win, Tails You Lose is the duoâs fourth studio album and itâs all bars, beats, and boasts, just as it should be.
GloRilla â Glorious
Memphis rapper GloRilla came into the game with plenty of motion, culminating in her crowd-pleasing debut studio album, Glorious. Big Glo covers all the bases on the release, and we know itâs only up from here.
Gunna â One of Wun
Gunna kept his head down and continued to work despite all the smut people attempted to throw on his name and delivered a stellar album in One of Wun.
Heems & Lapgam â LAFANDAR
Heems, who some might remember from Das Racist, dropped two albums this year, the first of which, LAFANDAR, was done with Lapgam, a fellow Indian-American.
J. Cole â Might Delete Later
J. Cole got a lot of heat for deleting his Kendrick Lamar diss, â7 Minute Drillâ from his fourth mixtape, Might Delete Later, but itâs a touch unfair. The rest of the project is one of the strongest sets of bars weâve heard from the North Carolina MC and producer.
JasonMartin & DJ Quik â Chupacabra
JasonMartin, formerly known as Problem, connected with the legendary DJ Quik for the funky, sun-soaked Chupacabra. Even if youâre not from the West Coast, it still goes.
Jay Worthy & DÄM-FunK â Magic Hour
Jay Worthy is always dropping new music and this year was no different. Nailing down our favorite record was difficult. However, Magic Hour, made alongside DÄM-FunK, was the one that kept cropping up.
JPEGMAFIA â I Lay Down My Life for You
JPEGMAFIA is a difficult artist to explain to the unfamiliar but what we can say is that if youâre able to capture anything about Peggy is that heâs all over the map and thatâs fine with us.
Ka â The Thief Next To Jesus
Ka unfortunately passed away this year and his loss is still sending waves of shock among his devoted fans. Music lives on and the Brownsville lyricistâs album, The Thief Next To Jesus, is another in a long list of projects that should be studied in colleges.
Kendrick Lamar â GNX
Read our review here
Let The Dirt Say Amen â I Love You, Iâm Not Sorry
Let The Dirt Say Amen, a rapper, and producer out of Washington, D.C., dropped one of our favorite albums in 2021, God Hates Gucci. I Love You, Iâm Not Sorry is more of Dirtâs strong production, relentless verses, and some of the best sh*t-talking weâve heard all year.
LL COOL J â The FORCE
LL COOL J shocked a lot of fans with The FORCE, a departure in sound for the Queens veteran. Produced by Q-Tip of A Tribe Called Quest fame, there are some interesting curveballs within the project but thatâs why we enjoyed it so much.
Logic â Ultra 85
Logic is polarizing among Hip-Hop fans for reasons beyond the music, which has generally been good to great. Ultra 85 definitely leans to the great side of the Maryland rapperâs discography and despite its length, Bobby Tarantino is the reason to tune in.
Mach-Hommy â #RichAxxHaitian
Mach-Hommy doesnât reveal much about himself despite several dozen releases acclaimed by critics and listeners alike. The Haitian-American New Jersey native shakes up things on #RichAxxHaitian with interesting features but the main character remains Mach-Hommy.
Marv Won â Iâm Fine, Thanks For Asking
Marv Won is one of the most gifted rappers out of Detroit, a city that seems to produce rappers who can flow over anything. Iâm Fine, Thanks For Asking gets into Marv Wonâs thoughts in a way that almost feels intrusive but we appreciate him for letting us in.
MAVI â shadowbox
MAVI burst onto the scene with his debut album Let The Sun Talk in 2019. The Charlotte, N.C. rapperâs third album, shadowbox, is an emotional, soul-stirring collection of thoughts that finds the 25-year-old rapper wrestling with the weight of the world.
MIKE & Tony Seltzer â Pinball
Despite his mature sound and thematic aims, MIKE is still very much a young man in his 20s. Instead of taking over the beats, Big MIKE connects with producer Tony Seltzer for the youthful and frenetic Pinball. Donât get it twisted, MIKE is still going in but itâs a lot lighter than his usual fare.
Nappy Nina & Swarvy â Nothing Is My Favorite Thing
https://open.spotify.com/track/7LzCHlDZnG3AfrqJo7paob?si=745795dd6746450e
Nappy Ninaâs 2023 album Mourning Due was one of our favorites and instead of coasting on that excellent body of work, the Oakland. rapperâs Nothing Is My Favorite Thing with producer Swarvy took us on a marvelous audio journey.
Navy Blue â Memoirs In Armour
Navy Blueâs 2023 Def Jam Records debut, Ways Of Knowing, gripped us by the ears from the first second. Now fully independent once more, Memoirs In Armour finds Navy Blue once more centering spirituality and his connection to his family, all of which is delivered in an almost melancholic but reflective tone.
Nickelus F â MMCHT
Nickelus F is another example of an artist with immense ability who seems content with rapping for those who get it and unbothered with chasing fame. The Richmond, Va. MC and producerâs MMCHT is one of his most personal releases and one where he doesnât rap in character.
NxWorries (Anderson .Paak & Knxledge) â Why Lawd?
NxWorries, the duo of singer, rapper, and drummer Anderson .Paak and producer knxledge, return with their second full-length, Why Lawd? With his sing-rap style, .Paak is in top form and Knxledge has been a beast on the boards for years.
Planet Asia & Local Astronauts â No Retirement
Planet Asia will always have a fresh platter of heat for his legion of fans and among the drops from this year, No Retirement with production team Local Astronauts was our top choice.
Previous Industries (Open Mike Eagle, Still Rift & Video Dave) â Service Merchandise
Previous Industries finds Open Mike Eagle, STILL RIFT, and Video Dave collectively working out the realities of aging along with still having a lot more to say. The longtime Chicago associatesâ fantastic Service Merchandise album is full of moments of clarity along with comical revelations. Itâs sharp work.
Rapsody â Please Donât Cry
Rapsody should be mentioned among the greats and it is no fault of her own that she is often misunderstood. On Please Donât Cry, Rap is more plainspoken than ever and there isnât a wasted bar on the project.
Raz Fresco & DJ Muggs â The Eternal Now
Raz Fresco, an incredibly prolific Canadian producer and MC, dropped joints this year that could be in place of our pick, The Eternal Now. That said, Raz and his âmarvelous right wristâ style and Five Percent Nation teachings work well with DJ Muggsâ production.
Roc Marciano â Marciology
It could be argued whether or not Marciology is the best album in Roc Marcianoâs catalog but instead of needlessly pitting the Long Island rapper-producerâs music against each other, weâd rather state the fact that Roc Marciâs vision was fully realized on this release.
Roc Marciano & The Alchemist â The Skeleton Key
Yes, we know Roc Marci is on this list twice and this 11th-hour drop from Roc and The Alchemist shows and proves the pair know how to bring the best qualities out of each other. This is definitely an album for the wintertime grind.
ScHoolboy Q â Blue Lips
Read our review here.
Sideshow â F.U.N.T.O.Y.
Sideshow, a Washington, D.C. rapper who now resides in Los Angeles, doesnât grant interviews so much of what we know about him is in his music. The Ethiopian-American rapperâs music is replete with street tales and hazy production best suited for a smoke session or running a mission.
Slum Village â F.U.N.
Slum Village, now a duo with original member T3 and producer-rapper Young RJ, has kept the SV flag flying over the years. F.U.N. continues the tradition and finds them both having a lot of fun on the microphone per the albumâs title.
Smoke DZA â THC3 (Kushedgod Bitch)
Smoke DZA is severely underrated and itâs kind of frustrating for us who are fans of The Kushedgod. On THC3 (KushedGod Bitch), George Kush aka Smoke DZA shows off his effortless cool once again.
Tha Dogg Pound â W.A.W.G.
With the West Coast sound fully rocking the radio nationwide, it was a perfect time for Tha Dogg Pound to reintroduce themselves with W.AW.G. aka We All We Got, which features stellar production from Mike & Keys.
Thurz â Yannick Koffi: In Time
Fans of the rap group U-N-I should be familiar with Thurz, formerly Thurzday. His latest album, Yannick Koffi: In Time gets into the story of the Inglewood native as weâve never heard before before.
Tierra Whack â WORLD WIDE WHACK
Itâs hard to believe that Tierra Whackâs WORLD WIDE WHACK is her debut studio album, but it does serve as a great introduction to those who havenât heard the dynamic Philadelphia star.
Tyler, The Creator â Chromakopia
Tyler, The Creator is now a legitimate superstar, and the interest surrounding his latest album, Chromakopia, proves that fact. The album dives into themes of fame and the pressure that comes along with it but there are also classic moments of T talking his talk.
Vince Staples â Dark Times
Vince Staplesâ sixth album, Dark Times, is his final album on Def Jam Records but, as is his penchant, the Long Beach rapper doesnât dial it in. This is another excellent collection of Vince Staplesâ thoughts.
Westside Gunn â Still Praying
Westside Gunn is possibly Hip-Hopâs greatest self-promoter but thankfully, he backs up his boasts more times than not. Still Praying finds the Griselda mastermind rapping about a lifestyle few can afford and proving that the lane he occupies is firmly his own.
Your Old Droog â Movie
While we wait for the long-teased collaboration with Madlib, Your Old Droogâs Movie is more than a mere holdover. Droogâs ear for beats and his humorous reflections keep the album a light but raucous listen.
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Photo: Getty
Contrary to superstition, Friday the 13th (of December) was not an unlucky day for Morat. Instead, the Colombian pop-rock band scored one of its biggest feats by celebrating the first 13 years of their musical career with a resounding, sold-out show in Mexico City. With an attendance count of 65,000 people, according to figures from promoter Ocesa, it was the first of three consecutive nights at the GNP Seguros Stadium, where Morat is closing a series of stadium shows in a dozen countries.
Moreover, the band managed to get hundreds of their Mexican fans to accept the challenge of attending the concert dressed in pajamas, seeking to break a Guinness World Record. Multicolored sleepwear made of flannel, cotton and satin was the predominant attire among attendees to adorn the beginning of the end of Un Ăltimo Sueño, Gira Los Estadios (One Last Dream, The Stadiums Tour).
Thus, it became a double celebration, with sold-out tickets for three shows in the Mexican capital for a total of about 195,000 people, Camila FernĂĄndez as a special guest, and the recognition of being the most popular Colombian pop band of the moment.
âThis show is important to us for several reasons: Today, Dec. 13th, we celebrate 13 years together. 13 years ago, the question arose, âWhat if we start a band?’â said lead vocalist and guitarist Juan Pablo Isaza to the audience. âPlaying now for so many people is incredible. It looks just like we imagined it.â
Just as he and his fellow band members Juan Pablo Villamil (guitar), SimĂłn Vargas (bass), and MartĂn Vargas (drums) imagined it 13 years ago, the evening was a dream come true. From the start, the BogotĂĄ quartet enchanted the audience with crowd-pleasers such as their 2016 hit âCĂłmo Te Atreves,â which catapulted the group to fame outside their native country. The show transformed into a retrospective journey honoring love and heartbreak, while the audience â mostly comprised of young women, teenagers, and girls â sang along at deafening volumes.
Camila FernĂĄndez â daughter of Alejandro FernĂĄndez and granddaughter of the iconic ranchera music performer Vicente FernĂĄndez â served as the guest of honor on this special night. Accompanied by traditional mariachi, she performed a very Mexicanized version of âDebĂ Suponerlo,â unleashing applause and cheers from the audience.
In a night of celebration, the audience sang and dedicated to Morat the classic âMañanitas,â and the group appeared surprised and grateful for the gesture.
Of course, the climax came with âNo Se Va,â their 2019 single which three years later Grupo Frontera turned into a massive hit, becoming the fifth regional Mexican song in history to enter the Billboard Hot 100, where it spent 20 weeks and reached No. 57.
Un Ăltimo Sueño, Gira Los Estadios achieved the unimaginable for Morat: filling 25 stadiums, in 15 cities across 10 countries, with an attendance total of 800,000 people.
âItâs no coincidence that we decided to close the tour here. This has been an incredible night!â expressed MartĂn. Moratâs show this Saturday (Dec. 14) will be broadcast live via streaming for Disney+ subscribers in Latin America. For the Sunday (Dec. 15) show, the opening act will be Venezuelan singer-songwriter Joaquina.
12/10/2024
From chart hits “APT.” and “Number One Girl,” the BLACKPINK star’s debut LP shares intimate experiences amid pitch-perfect vocal performances.
12/10/2024

Following the final show of the Eras tour, a comparison between its opening and closing, and how Swift’s biggest live show evolved over time.

In his first-ever stadium headlining show in his hometown, the Colombian superstar delivers a show filled with star-studded cameos, deep cuts and relentless energy.
In his Broadway debut, SebastiĂĄn Yatra delivers a solid vocal performance and demonstrates an enjoyable stage presence as the charming, corrupt lawyer Billy Flynn in Chicago. Here, he is not the same singer of Latin pop chart-topping hits; he is a conscious cast member committed to the requirements of this type of show.
The Colombian star began his four-week engagement in the long-running musical on Monday (Nov. 25), where he shares leading roles with Broadway veterans Bianca MarroquĂn and Kimberly Marable, who play Roxie Hart and Velma Kelly, respectively.
The singer-songwriter, known for No. 1 hits on the Billboard Latin Airplay chart like âTacones Rojos,â âUn Añoâ (with Reik) and âRobarte un Besoâ (with Carlos Vives), makes the leap to the theater mecca two years after making his acting debut in the miniseries Once Upon a Time⊠Happily Never After.
Trending on Billboard
Although at 30 he is younger (and sweeter) than other actors who have played Billy Flynn â Jerry Orbach was 40 in the original 1975 production, and Richard Gere was 52 in the 2002 film adaptation â on Tuesday (Nov. 26 ), in only his second performance, Yatra shone, showing new vocal registers and singing classics like âRazzle Dazzleâ and âWe Both Reached for the Gunâ in English. While dancing is not considered his forte, he followed the choreography without issue and stood out with his bearing and likability.
âEveryone in Chicago is excited and proud of him,â MarroquĂn, who shares several scenes with Yatra in the performance, told Billboard Español on Tuesday as she left the theater. âHe has done an exceptional job. He arrived super disciplined with everything memorized, very committed, very responsible, and on top of that he is a sweetheart. Being backstage with him is divine. He is a very beautiful soul. So I love having that connection because, besides, Roxie and Billy have a lot to do with each other in the show. We have created a beautiful friendship, a bond, a very nice chemistry.â
Set in the 1920s, Chicago âthe longest-running American musical on Broadway after almost three decadesâ is a scathing satire of how show business and the media make celebrities out of criminals. With a book by Fred Ebb and Bob Fosse, music by John Kander and lyrics by Ebb, it includes killer songs like âAll That Jazz,â âCell Block Tangoâ and âMr. Cellophane.â
With Yatra, the role of Billy Flynn now receives some Latin and contemporary flavor. âLatinos have something special even when we are speaking English, there is a lot of love within us, a lot of passion,â Yatra told Billboard Español in September, upon the announcement of his Broadway debut. âI think I can offer a perspective from someone who is living in 2024 at almost 30, how he sees that world, also knowing that I could have perfectly been a lawyer and could be that person standing there. Thank God Billy and I donât share the same values, because that would be messed up!â he added with a laugh.
Over the years, Chicago has invited various Latin stars to join the musical for brief runs. Yatra joins a list that includes Colombian actress Sofia Vergara, who in 2009 played Matron âMamaâ Morton, and Mexican singer and actor Jaime Camil, who in 2016 portrayed Billy Flynn.
Chicago is presented at the Ambassador Theatre (219 W. 49th St.) For more information and to purchase tickets, visit the Broadway musicalâs site.
11/15/2024
See how we broke down every song from the BTS superstar’s long-awaited solo album.
11/15/2024
For years, the idea of a Linkin Park without Chester Bennington seemed unfathomable. When the singer with the titanic voice and breathtaking emotional range passed away in 2017 at the age of 41, the band had just released their seventh studio album, One More Light, two months earlier, and the sorrowful pop album became what amounted to a swan song for one of the best-selling rock acts of the 21st century. Years passed, early albums were reissued, cutting-room-floor tracks were scavenged â but for all intents and purposes, Linkin Park had finished.
And then in September 2024, they roared back with stunning vitality.
With new co-vocalist Emily Armstrong and drummer/co-producer Colin Brittain in the fold, guitarist Brad Delson, bassist Dave âPhoenixâ Farrell, turntablist/producer Joseph Hahn and singer/rapper/producer/sonic architect Mike Shinoda revived their once-mighty band, with arena shows that included their many hit singles and hints at what a next era could become. While longtime supporters will likely (understandably) approach new album From Zero with hesitancy and a range of feelings, Linkin Park have proven time and again that they deserve to have their creative instincts trusted.
Throughout their run with Bennington, the band changed its sound from its rap-rock beginnings, explored new sonic ideas and often presented rewarding full-lengths that harnessed the boundaries of their aesthetic. Now with Armstrongâs voice front and center, Linkin Park use From Zero (a play on their pre-Linkin Park band, Xero) to press the restart button and let their artistry roam into new, often thrilling territory.
This was always the upside of bringing in a new vocalist that wasnât simply a Bennington impersonator: Armstrong, formerly the singer of Dead Sara, can scream with towering fury and croon with fragile beauty in a way that recalls Bennington at times, but she brings different musical sensibilities and a singular point of view to the bandâs palette, her wrath more pronounced and her melancholy finely drawn. Shinoda, whoâs spent the past half-decade developing his voice as a solo artist and producer, sounds reinvigorated working in a band setting once again, and raps, sings and occasionally yells with an urgency that suggests that he understands how unique this new chance can be.
Fans of different eras of Linkin Park will find favorite moments on From Zero â A Thousand Suns supporters will adore the woozy âOverflow,â for instance, while Meteora diehards will wrap their arms around the breakneck speeds of âHeavy is the Crownâ and âTwo Faced.â Yet on the whole, From Zero imagines a new beginning for one of the biggest bands of the past few decades in a way that any fan can appreciate. Most of us never thought weâd be pressing play on a new Linkin Park album. In that sense, From Zero is a gift that sounds as special as it deserves to be.
While there may be no skippable tracks on the new album, here is a humble, preliminary opinion on the best songs on Linkin Parkâs From Zero.
From Zero (Intro)
The pioneering alternative band’s 14th album is an unapologetically gloomy meditation on mortality. Read Billboard’s preliminary ranking and review.