R&B/Hip-Hop

Offset to Perform in Russia Despite Label’s Boycott

Offset has announced a performance in Russia set for April despite his parent label, Universal Music Group, having suspended all operations and closed offices there, shortly after Russia invaded Ukraine.

The Migos rapper confirmed plans for a performance at Moscow’s MTC Live Hall on April 18 with a post to his Instagram Story on Tuesday (March 4), which included a flyer featuring himself and a link to ticketing information.

Set is currently signed to Motown Records under the Universal Music Group umbrella. Billboard has reached out to reps for Offset as well as Universal Music Group and Interscope/Capitol for comment.

UMG announced it was pulling out of Russia in March 2022, after the country launched its attack on Ukraine.

“We urge an end to the violence in Ukraine as soon as possible,” a spokesperson for UMG said at the time. “We are adhering to international sanctions and, along with our employees and artists, have been working with groups from a range of countries to support humanitarian relief efforts to bring urgent aid to refugees in the region.”

Other major Western music companies — such as Live Nation, Sony Music and Warner Music Group — also exited the country.

However, some artists are starting to work their way back to performing in Russia. DaBaby, who is signed to Interscope Records/Universal Music Group, posted clips of his time in Moscow last week, where he performed a show.

Offset has stayed busy on the music side in 2025. He returned with his island-tinged single “Ten” on Valentine’s Day.

GloRilla to Headline Super Saturday Concert at Women’s NCAA Final Four in Tampa Bay

Future became synonymous with “March Madness” a decade ago, and now it’s GloRilla’s turn to get a few three-pointers up. Big Glo is slated to headline the AT&T Super Saturday concert at the Women’s NCAA Final Four in Tampa Bay on April 5.

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Gates open to the free show at 6 p.m. CT at Curtis Hixon Park, and the first 5,000 attendees will be gifted an illuminating wristband to coincide with Glo’s performance. Past Super Saturday hip-hop headliners have included Latto and Saweetie in recent years.

“Get ready GloRidaz! We’re about to turn up in Tampa at the NCAA Super Saturday Concert Presented by AT&T,” GloRilla relays in a statement to Billboard. “I can’t wait to connect with my fans during one of the most exciting times for women’s sports!” 

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From the Grammy-nominated “Yeah Glo!” to the Cardi B-assisted “Tomorrow 2” and Glo’s breakout anthem “F.N.F.,” the Memphis-bred rapper will be bringing her hit-laden catalog to the Super Saturday stage.

2024 proved to be a banner campaign for GloRilla, who delivered her Ehhthang Ehhthang EP and GLORIOUS debut album last year.

Glo’s still making noise on the Billboard charts as she holds a pair of Billboard Hot 100 slots this week with “Whatchu Kno About Me” featuring Sexyy Red and her guest appearance on Tyler, The Creator’s “STICKY.”

It’s been another thrilling year in women’s hoops as powerhouse programs like Paige Bueckers’ UCONN Huskies and JuJu Watkins’ USC Trojans remain in the AP Top 25’s top five with hopes of being in Tampa Bay next month, while the Texas Longhorns currently own the No. 1 spot.

Glorilla

Glorilla

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Doechii Drops ‘Anxiety’ Single: Stream It Now

Doechii heard the swamp “loud n clear” and dropped her “Anxiety” single on Tuesday (March 4) via Top Dawg Entertainment and Capitol Records.

She announced “Anxiety” approximately half an hour ahead of its arrival on X with the single’s cover art, which features a mirrored black-and-white image of the TDE rapper being connected by her braids.

“Anxiety” has been trending on TikTok over the last couple of weeks, but Doechii performed the original version five years ago on her YouTube channel. The single samples Gotye‘s 2011 Billboard Hot 100 No. 1 hit “Somebody That I Used to Know,” featuring Kimbra.

The Florida MC’s same growling chorus — “Anxiety/ Keep on trying me/ I feel it quietly/ Tryna silence me, yeah/ My anxiety/ Can’t shake it off of me/ Somebody’s watching me/ And my anxiety” — was used on Sleepy Hallow‘s “ANXIETY” track, featuring Doechii,” from his 2023 album Boy Meets World. The song hit No. 3 on Bubbling Under Hot 100 and No. 31 on Rhythmic Airplay.

Doechii has been on a roll this year. She won her first Grammy last month for best rap album, becoming the third woman to take home the trophy following Cardi B and Lauryn Hill. And “Denial is a River” from her critically acclaimed 2024 mixtape Alligator Bites Never Heal became her highest-charting entry on the Hot 100, peaking at No. 21.

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Listen to “Anxiety” below.

The Alchemist Shares List of Rappers He Was Never Able to Work With

The Alchemist has made beats for legends like Nas, Mobb Deep, and The LOX and has found himself in the middle of memorable rap beefs like Lil Kim versus Foxy Brown and Drake versus Kendrick Lamar. However, there a still several legends he never got a chance to work with.

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The West Coast producer took to Instagram recently and shared an old list he came across of beats he wanted to send out to DMX, Method Man, Redman, and Nas, among others. “I found an old list of beats I was sending to rappers at the time, had to be in the early 2000’s,” he wrote in the caption. “Getting the right beat to the right person has always been an important part of the process to me. Never landed one with the dog unfortunately. Or Red & Meth. Imagine tho. I save everything. Got boxes full of sh—t. Maybe one day I’ll make a book.”

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Aside from never getting a production placement with DMX, Method Man, and Redman, he also hasn’t worked directly with Jay-Z. Last year, he told fellow producer Cardo that the Brooklyn mogul has been on his for “100 years.”

Jigga rapped over an Alchemist beat on “The Neverending Story” from Jay Electronica‘s debut album A Written Testimony, but he didn’t work directly with him.

The illustrious producer is already having a busy year in 2025. He collaborated with unlikely duo Larry June and 2 Chainz on a full length project and set to release Forensics alongside Yasiin Bey (formally known as Mos Def.)

Sexyy Red, Ty Dolla $ign & Ski Mask The Slump God Joining Cast of ‘Rolling Loud’ Comedy Movie

Sexyy Red is heading to Hollywood. Big Sexyy, Ty Dolla $ign and Ski Mask The Slump God have reportedly been cast in the upcoming movie Rolling Loud.

Variety was first to report the news on Tuesday (March 4) of the hip-hop trio joining the comedy film named after the famed hip-hop festival, which also stars Henry Winkler, Matt Rife and Owen Wilson.

Per Variety, the film is based on a true story as an overprotective dad sneaks his son into a music festival, which results in a series of chaotic and reckless adventures.

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Production is already underway for Rolling Loud in Atlanta. American High CEO Jeremy Garelick is directing, producing and writing the R-rated movie while Live Nation Productions’ Ryan Kroft and Michael Rapino are on board as executive producers. UTA Independent Film Group is slated to release Rolling Loud in 2026.

Fittingly, Sexyy Red and Ski Mask The Slump God are on the bill for Rolling Loud California, which will take over Hollywood Park on March 15 and March 16.

With Owen Wilson’s involvement in the film, he made an appearance on stage during Travis Scott’s set at Rolling Loud Miami last year.

It’s the first feature-film role for the St. Louis-bred rapper. She delivered her In Sexyy We Trust album in 2024 and parlayed her momentum to the top of 2025 when Red connected with Bruno Mars for “Fat Juicy & Wet,” which sits at No. 70 on the Billboard Hot 100.

Ski Mask The Slump God returned in 2024 for his first album in six years with 11th Dimension while Ty Dolla $ign teamed up with Ye — formerly Kanye West — for a pair of Vultures collab albums last year, the first of which debuted atop the Billboard 200 and notched Hot 100 hit “Carnival.”

Travis Scott Gave Cody Rhodes a Busted Eardrum & Black Eye During WWE Attack: Report

Travis Scott made his presence known at WWE’s Elimination Chamber on Saturday night (March 1) in Toronto — but he may have gone a bit overboard with his role in the beatdown of undisputed WWE champion Cody Rhodes.

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According to Wrestling Observer Radio‘s Dave Meltzer, Cody Rhodes suffered a busted eardrum and a Black eye at the hands of Travis Scott. While lying bloodied in the middle of the ring, a hapless Rhodes was slapped by Scott in the face.

Scott injected himself into one of the iconic images of wrestling’s 21st century with John Cena turning heel with some help from The Rock. Following Cena’s Elimination Chamber victory — guaranteeing him a title bout against Rhodes at Wrestlemania — the WWE superstars met in the middle of the ring.

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To the shock of the thousands in attendance, Scott made an appearance with his personalized Hardcore Championship belt in-hand, as “FE!N” boomed throughout the Rogers Centre for this theme song. He was quickly followed by The Rock.

Cena then flipped a friendly embrace into a cheap shot low-blow against Rhodes, which proceeded to turn into a bloody beatdown of the WWE champ. Scott delivered a harsh open-handed slap to Rhodes’ ear while The Rock joined in to whip the champ with his belt.

It remains to be seen if Rhodes’ in-ring work will be impacted, although he made a TV appearance during Monday Night RAW in Buffalo 48 hours after the attack.

Fans might even see Travis Scott make an appearance in a WWE match in the future. He’s reportedly been preparing for more work. “I’m going to the ring tomorrow. F–k you talking about,” he told WWE chief content officer Triple H in footage following his adrenaline-inducing Elimination Chamber appearance. Scott said it may even top the thrill of performing on stage.

La Flame has been a fixture on WWE this year. Scott’s “4×4” served as the new RAW theme song in January when the show switched over to Netflix. He even escorted Jey Uso to the ring for his match on Jan. 6 in Los Angeles.

Triple H teased in January that fans can expect to see even more of Travis Scott’s involvement. “Everybody should expect to see more things from Travis Scott in a big way,” he said.

Billboard has reached out to WWE for comment regarding Travis Scott and Cody Rhodes’ alleged injuries. Watch the full clip of Scott’s in-ring beatdown below.

Meek Mill Offers to ‘Compare Lives’ With a Critic After Being Called ‘Slow’

Meek Mill asked a user on X if they would like to “compare lives” after he was called “slow.”

Over the weekend, the Philadelphia rapper shared a picture of himself on stage during a prison reform panel alongside Jay-Z, New England Patriots owner Robert Kraft, Fanatics CEO Michael Rubin, and news pundit Van Jones with a caption that explained why he chooses to wear hoodies to speaking engagements over suits.

“I have 100 suits,” he wrote. “Nobody will ever notice that I wear hoodies to most speaking engagements on purpose so they can see me as a black man from the streets! Rip to Trayvon [Martin]!”

His statement about wearing hoodies over suits triggered one person into calling Meek “a special kind of slow,” which incited the rapper to list some accomplishments while also offering up a challenge. “I have millions in my bank account,” Meek began. “respected by the streets and the wealthy … with over $30 million raised to fight the system with reform… all houses owned from my [grandmom] and mom… and I look out for my community … let’s compare lives right here in front of the world lol.”

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Meek then elaborated on why he chooses not wear suits and referenced an old Birdman clip from an Angie Martinez radio interview. “First time I seen a black man in a suit was in a casket,” he said. “I used to be scared to dress up! If you didn’t come from that you wouldn’t understand what I’m talking about at all! It’s cool.”

Mill recently revisited losing his father to gun violence when he was just a kid on Fridayy’s latest single “Proud of Me.” On the track, Meek raps, “I’m hangin’ out where my daddy lost his life and I’m aware of that/You had taught me how to fight/and when you got shot, I thought about that shit every night and got a Glock/I was hot, but I ain’t stop/I just bought your mama spot.”

Meek’s work with the Reform Alliance has created real results as the prison reform initiative helped change probation laws in Pennsylvania back in 2023.

Check out Meek’s posts below:

Rapper G$ Lil Ronnie & 5-Year-Old Daughter Killed in Shooting at Car Wash

Rapper G$ Lil Ronnie and his 5-year-old daughter were killed in a double-shooting on Monday morning (March 3) in Texas.

According to local affiliate Fox 4, Lil Ronnie (born Ronnie “Chuckie” Smith) and his daughter, R’Mani, were identified by family members as victims of the shooting at a car wash in Fort Hills. Police say both were pronounced dead at the scene.

R’Mani had just celebrated her fifth birthday a day before the shooting, according to the family.

“He was a rapper. He didn’t bother nobody. He didn’t target nobody. He was a family man, and he was going around rapping, OK. Why would you target him?” said the rapper’s aunt, Stella Houston, told Fox 4. “Cleaning the car out, and somebody came through shooting and killed him and the baby. And a baby. His baby. A baby!”

According to a press release Forest Hill Police Department shared with Billboard that did not identify the victims, two suspects — who were described as Black men in jeans and gray sweaters — exited a Kia and approached the victim’s vehicle, which was parked at a bay in the car wash, before the suspects opened fire and fled the scene.

Law enforcement attempted “life-saving measures” on both victims, who were later pronounced dead at the scene, per the Forest Hill PD. An arrest warrant has been issued for one of the suspects, who has been identified.

G$ Lil Ronnie’s last album arrived with his Literally project in 2023.

Vybz Kartel Plots First U.S. Show in More Than 20 Years: ‘The Wait Is Finally Over’

“New York, that’s Jamaica outside of Jamaica!” Vybz Kartel told Billboard in his January cover story. And in March, the Big Apple will be able to prove Worl’ Boss correct.

On Monday (March 3), Kartel announced his first U.S. live performance in more than 20 years, set to take place at Barclays Center in Brooklyn, N.Y., on April 11. Presented by Reggae Fest, presale for the conference begins Tuesday (March 4) at 10 a.m. E.T., with general public tickets going on sale Thursday (March 6) at 10 a.m. E.T.

“This is a monumental moment for me and the culture,” the “Clarks” MC said in a press release. “To be back on U.S. soil performing for my fans is a blessing that I don’t take lightly. The wait is finally over. New York, get ready!”

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Kartel’s stateside return is the latest stop on his career-defining victory lap. Last summer, the dancehall legend walked out of prison a free man after serving 13 years of a now-overturned life sentence for the murder of Clive “Lizard” Williams. He quickly celebrated his release with a First Week Out mixtape — which echoed the scores of music he clandestinely recorded while incarcerated, such as 2016’s “Fever” — and his first Grammy nomination for best reggae album for his Party With Me EP.

By New Year’s Eve, Kartel teamed up with Downsound Entertainment to mount Freedom Street — a massive homecoming concert that featured international stars including Spice, Popcaan and Busta Rhymes. The biggest live musical performance in Jamaica in nearly 50 years, Freedom Street cemented Kartel as one of the most influential artists of his time.

In January, Worl’ Boss celebrated the 10-year anniversary of his Viking (Vybz Is King) album with a new deluxe edition featuring seven new songs. The following month, he attended the 67th Annual Grammy Awards and won the Impact Award at England’s MOBO Awards. Kartel will keep up the momentum with an appearance at Wireless Fest on July 13, where he’ll join three-day headliner Drake as a special guest alongside PARTYNEXTDOOR, Summer Walker and Burna Boy.

Chartbreaker: How Leon Thomas Fetched a Mainstream Hit With ‘Mutt’

“It was an uncomfortable song to play my mom,” Leon Thomas admits of “Mutt,” a flirtatious track that mentions the urge to “pop a shroom to re-create the feeling.” “Mutt” marked the Grammy-winning songwriter’s first Billboard Hot 100 entry as a recording artist, following years of behind-the-scenes work that includes hits for Ariana Grande, SZA and more. And his mother loved it, too. “She told me this is going to be one of my biggest records. She spoke into existence.”

For Thomas, 31 — the Brooklyn-bred son of Black Rock Coalition parents, and the grandson of the late opera singer John Anthony — music and family have always been intertwined. His parents, who frequented CBGB, laid the musical foundation for the rock-infused soul he explores on Mutt, his sophomore album released last September.

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Since then, he supported Blxst on tour and embarked on his own headlining trek — but February in particular solidified Thomas’ turn from songwriting savant to front-facing R&B star. “Mutt” entered the Hot 100 on the Feb. 8 chart (and reaches a new No. 67 peak on the March 8-dated list); he made his live-TV debut with the song on The Late Show with Stephen Colbert the same week; and then performed on NPR’s Tiny Desk later that month, where he dedicated 2022 single “Breaking Point” to his recently deceased grandfather (Thomas attended his funeral directly after the taping). “He was the anchor to my journey,” says Thomas. “I can tell he was with me musically.”

Leon Thomas

Leon Thomas

Raymond Alva

While his past month looks like a whirlwind of success, Thomas’ breakthrough has been nearly two decades in the making. At 13, with Broadway runs in The Lion King, The Color Purple and Caroline, Or Change under his belt, Thomas signed his first deal with Columbia Records. “I was walking into the boardroom playing Stevie Wonder covers and in-depth love songs,” he reflects with a laugh. “They were like, ‘What we gon’ do with this? Did you even hit puberty?’” Around that time, he made his theatrical debut in the 2007 film August Rush, which led to a Nickelodeon development deal that landed him roles on shows from The Backyardigans to Victorious.

As the deal was nearing its end and Victorious approached its 2013 series finale, Thomas explored his options, and received advice from Republic Records’ Wendy Goldstein, who was the label’s senior vp of A&R at the time. “Journeying through your twenties is you becoming everything that you need from everybody else,” she told him. “Those words stuck with me on some Spider-Man s–t,” he says today.

He spent the better part of the next decade learning the independent scene, studying under Babyface and Boi-1da (and by extension, Drake’s camp), and was briefly signed to Alex da Kid’s KIDinaKORNER. He met manager Jonathan Azu in 2019 and became the first act on his Culture Collective roster. Two years later, he landed a record deal with Ty Dolla $ign and Motown Records’ joint venture, EZMNY, after running into A&R Shawn Barron on a grocery run.

“I was kind of scared because signing under an artist can be either heaven or hell,” says Thomas. “Luckily, I’m stomping around in heaven right now.”

During his time at Motown, Thomas has experienced several different leadership regimes following restructurings by parent company Universal Music Group. Now under Capitol Music Group chairman/CEO Tom March — who Thomas says “gets my vision and is down to support real music” — he was able to execute his ideal album rollout for Mutt.

The campaign kicked off last August — a year after his debut full-length, Electric Dusk — with the release of the album’s title track. A funky R&B midtempo tune that nods to Enchantment’s “Silly Love Song” by way of a Bootsy Collins-esque bassline, “Mutt” was the product of Thomas’ desire to “have a record that shows what I’m about: live music, funk and vulnerability.” Written in 2022, Thomas crafted “Mutt” on his living room floor while microdosing psychedelics and watching his dog and cat fight. “I saw the similarities between us and how we have good intentions but don’t always do the right thing,” he told Billboard last year.

The single’s steady chart climb is largely due to Thomas and Azu’s “all ships rise” business approach. Instead of exhausting resources on one song, they banked on word-of-mouth from his live performances to help people discover “Mutt” along with the rest of the album.

“We [noticed] the crowd’s reaction when ‘Mutt’ would play: the phones were always up, but they would really come out for ‘Mutt,’” says Azu. The song continued naturally gaining traction in R&B circles with those familiar with Thomas’ songwriting and production work. “Everybody knows how dangerous he is in the studio with other people’s work,” Azu adds.

Jonathan Azu, left, and Leon Thomas at the 2024 Grammy Awards.

Jonathan Azu (left) and Leon Thomas at the 2024 Grammy Awards.

Courtesy of Culture Collective

Thomas launched a 13-date headlining tour in October at intimate venues across the U.S., and the trek doubled as a way to promote himself at radio. “A lot of program directors are just outside the Victorious demographic, but the people in the studios and offices are within that demographic, and so are [their] children,” says Azu. “Doing [that] work is so important for the foundation to go for adds.”

As “Mutt” climbs at three different Billboard airplay rankings (R&B/Hip-Hop Airplay, Mainstream R&B/Hip-Hop Airplay and Adult R&B Airplay, where it hits a No. 7 best on the March 8 chart), Thomas is playing the long game. “I loved seeing how Lizzo kept promoting her hits and didn’t stop believing in them,” he says. A deluxe edition of Mutt is also in the works, and Thomas mentions potential collaborations with Kehlani, Big Sean and Halle Bailey in the hopper, in addition to a previously teased team-up with Stormzy. Plus, there’s a song on which Thomas plays every instrument.

“There [are] sides to me that I haven’t shown the world yet, so I’m spoon-feeding them,” Thomas says. “You need to hide the medicine in the candy. This deluxe is me stepping deeper into my purpose.”

A version of this story appears in the March 8, 2025, issue of Billboard.