R&B/Hip-Hop
Page: 97
Pink Sweats has been hospitalized, but details regarding his health status remain scarce. The singer’s team took to his Instagram Story on Tuesday (Aug. 20) providing an update and soliciting prayers from fans. Explore Explore See latest videos, charts and news See latest videos, charts and news “This is Pink Sweat$ team. we ask that […]
Fat Joe reps New York about as hard as any rapper in the game, and the city returned the favor on Tuesday night (Aug. 20) when the 54-year-old received a key to New York City.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Joey Crack was performing at the Up NYC concert at Orchard Beach’s in his hometown of the Bronx when Mayor Eric Adams surprised him on stage with the Key to the City. Adams gave Joe his flowers for everything from his music to his philanthropic endeavors.
“Fat Joe who’s getting the Key to the City of New York. All his legendary — his music, a real brother, authentic — we want to give you this key,” he said.
The musician then grabbed the mic and proceeded to show love to the rap pioneers who paved the way before him.
Trending on Billboard
“Shout-out my wife, my daughter, shout-out my favorite aunt in the world. I gotta thank the pioneers. From Melle Mel, Mr. Ness to KRS-One — my whole life I been trying to be KRS-One — LL Cool J, Heavy D and the list goes on,” he said. “I want to shout out everybody here because we in the Bronx and I know I know all of you. Every last one of you, I know you — I love you.”
Continuing a celebratory birthday week, Joe had Mayor Adams step to the side before getting into performing some of his hits, including his Billboard Hot 100-topping “Lean Back” and “My Lifestyle.”
2024 is shaping up to be another busy year for Fat Joe. He parlayed his Instagram Live debates into a Starz talk show, which will be executive produced by LeBron James and himself.
Joe picked up a tennis racket and will also serve as the voice of the upcoming 2024 U.S. Open tournament kicking off next week in Flushing, Queens. Earlier this year, Fat Joe performed at President Joe Biden’s rally in North Carolina and he also received an honorary doctorate degree from Lehman College.
On the music side, he returned with frequent collaborators Remy Ma and Cool & Dre for their “Outta Control” single in July.
Find more highlights below.
You know I had to Boogie Down to the Bronx to join the crowd at our Rise Up NYC concert at Orchard Beach!We made it an even more special evening by presenting Fat Joe with the “New York City Entertainer’s Key” for always giving back to the borough that raised him. pic.twitter.com/7fygjWWSH4— Mayor Eric Adams (@NYCMayor) August 21, 2024
[embedded content]
Barack Obama and Michelle Obama rallied the United Center crowd at the 2024 Democratic National Convention with a pair of fiery speeches on Tuesday night (Aug. 20), and drawing comparisons to Kendrick Lamar‘s Drake disses in the process.
The former president and first lady electrified democrats on night two of the DNC while attacking Republican nominee Donald Trump and encouraging citizens to get out and vote to make sure they’re heard on Nov. 5, which is 76 days away.
“We don’t need four more years of bluster and chaos,” Barack said. “We’ve seen that movie — and we all know that the sequel’s usually worse. America is ready for a new chapter. America’s ready for a better story. We are ready for a President Kamala Harris.”
[embedded content]
Rap fans immediately began connecting the Obamas’ speeches toLamar’sdisses against Drizzy. “They should’ve put the ‘meet the grahams’ beat behind this michelle speech,” former Desus & Mero host Desus Nice tweeted.
Others were a step ahead and edited the harrowing instrumental behind the speeches, which some dubbed the remix as “Meet the Trumps.”
“His limited, narrow view of the world made him feel threatened by the existence of two hard-working, highly educated, successful people who happened to be Black,” Michelle Obama said of Trump before her mic drop as the music plays in the remixed video. “I wanna know who’s gonna tell him that the job he’s currently seeking might just be one of those Black jobs?”
Apple Music host Lowkey continued to quote lyrics from K. Dot’s “Euphoria” alongside clips of Obamas’ speeches. “There’s three goats left and i see two of them kissing and hugging on stage,” he tweeted.
Another viewer chimed in: “Trump’s Truth Social meltdown on the Obama’s is like Drake tryin to respond after Kendrick left him for dead. Done and dusted.”
Music has also been at the center of the DNC in Chicago this week, with Patti LaBelle, Common and DJ Cassidy hitting the stage on night two. Lil Jon even made a surprise appearance to fire up the thousands in attendance, which included Spike Lee and Eva Longoria.
During the California roll call, West Coast hip-hop dominated the segment. Lamar’s “Not Like Us” provided the soundtrack for a set that included K. Dot’s “Alright,” Snoop Dogg and Dr. Dre’s “The Next Episode” and 2Pac’s “California Love.”
Find more reactions to the Obamas’ speeches below.
dnc bringing out 2pac tomorrow— Desus MF Nice💯 (@desusnice) August 21, 2024
That Obama family is cookin tonight cyat dang !!!— Peter Rosenberg (@Rosenbergradio) August 21, 2024
President Barack Obama’s speech at the DNC if it were backed by Kendrick Lamar’s “Meet The Grahams” instrumental (produced by The Alchemist). pic.twitter.com/gGf7tGqKgU— Andrés Tardio (@AndresWrites) August 21, 2024
There are two people in the world that you don’t wanna have beef with: Kendrick Lamar and Michelle Obama. You will not win. Worzers!!!— Kafui Dzirasa, MD PhD (@KafuiDzirasa) August 21, 2024
Feel like the Obama’s listened to Kendrick all night and then showed up to the DNC— Trump Is Weird (@UnSpoken_Victim) August 21, 2024
The Obama’s danced on trump’s corps like Kendrick Lamar and Whitney danced on Drake’s— 🇨🇩Sports Guy🇨🇩 (@PlamsAbt) August 21, 2024
I need to see Michell Obama’s Summer playlist because I know every single track that Kendrick dropped recently is on there 😂— Chloe (@CosmicallyChloe) August 21, 2024
Eminem and Jelly Roll joined forces for the first time on The Death of Slim Shady (Coup De Grâce)‘s album closer “Somebody Save Me.” Just over a month later, the duo bring their vision to life with a poignant music video, which arrived on Wednesday (Aug. 21). Em is on the outside looking in watching […]
Mavis Staples claims her first top 10 as a solo lead artist on a Billboard airplay chart thanks to “Worthy,” which lifts three spots to No. 9 on the Adult Alternative Airplay survey dated Aug. 24.
“Worthy” follows a previous radio top 10 – and No. 1 – for Staples in Hozier’s “Nina Cried Power,” on which she’s a featured act. The song ruled Adult Alternative Airplay for two weeks in 2018.
Prior to “Nina Cried Power,” Staples reached Adult Alternative Airplay three times, all in featured roles, via Natalie Merchant’s “Build a Levee” (No. 17, 2002), Arcade Fire’s “I Give You Power” (No. 18, 2017) and Benjamin Booker’s “Witness,” No. 29, 2017).
Prior to “Worthy,” Stapes notched her first lead appearance on the tally with “Change” (No. 27, 2019).
Staples first reached the Billboard charts as a member of The Staple Singers, who released their debut album in 1958 and were inducted into the Rock and Roll Hall of Fame in 1999. The group’s chart history includes a pair of No. 1s on the Billboard Hot 100: “I’ll Take You There” in 1972 and “Let’s Do It Again” in 1975.
Staples made solo appearances on the Hot 100 and Hot R&B/Hip-Hop Songs in 1970-92, along with a visit to Hot Gospel Songs in 2006.
Concurrently, “Worthy” ranks at its No. 42 high on the all-rock-format, audience-based Rock & Alternative Airplay chart with 858,000 audience impressions in the week ending Aug. 15, according to Luminate.
“Worthy” is currently a standalone single. Staples, 85, released her most recent album in 2022, the Levon Helm collaboration Carry Me Home, which was recorded in 2011 before Helm’s death; it peaked at No. 2 on the Blues Albums chart, marking her fifth top 10. Her own We Get By became her first No. 1 on Blues Albums in 2019.
If imitation is the sincerest form of flattery, then Republican presidential candidate Donald Trump appears to have briefly ditched his insult comic schtick and flipped to cheekily borrowing pages from Vice President Kamala Harris’ playbook. In the midst of the Democratic National Convention in Chicago that on Tuesday night (August 20) officially nominated Harris in a joy- and music-filled night that featured each state announcing their support with a theme song provided by DJ Cassidy, Trump’s campaign spokesperson pre-empted the celebration with a brazen lift.
A 13-second video of Trump’s arrival in Detroit for a rally on Tuesday posted by mouthpiece Steven Cheung hours before night two of the DNC featured the former reality TV star walking down the steps of his plane onto the tarmac soundtracked by Beyoncé‘s “Freedom.” If you’ve been paying attention over the past month, then surely you know that the soaring song from Bey’s Lemonade album is the official Harris campaign theme song.
Harris walked out to the track at her official campaign kick-off on July 22 and Queen Bey gave the former Senator and California Attorney General her blessing to use the song at her rallies. An a cappella version of the tune helped kick-off the DNC on Monday night, further cementing its spot as the official anthem of the Harris campaign.
At press time spokespeople for the Trump campaign and Beyoncé had not returned Billboard‘s request for comment.
The brazen move from Trump’s team comes less than two weeks after Trump complained that Harris was copying his idea to not tax tips, telling a crowd “she just stole it.” The idea theft accusation is rich considering Trump has landed in hot water repeatedly since he pivoted from real estate and reality TV to politics eight years ago.
Since then, dozens of musicians and songwriters have objected to the twice-impeached former President using their songs at political rallies, including the Rolling Stones, Adele, Rihanna and the Sinead O’Connor estate, among many others. While a number have publicly objected and some have sent cease-and-desist orders after saying they want no connection to the Trump campaign, in July the estate of Isaac Hayes said it was taking legal action against Trump for playing the Hayes co-written “Hold On, I’m Coming” to close his rallies.
As reported by Billboard, when it comes to objections from artists and songwriters, the process of protest is pretty straightforward. The performing rights organizations BMI and ASCAP require political campaigns to obtain licenses to use songs in their catalogs, with a caveat in the license that allows songwriters to object to usage in a political campaign. However, that does not prevent a campaign from playing a song at a rally, or in this case, in a promotional video.
That said, a lawyer for Jackson Browne — who sued late Republican Sen. and presidential aspirant John McCain for using his song “Running on Empty” in a 2008 commercial — said “most political campaigns aren’t keen about just taking the song down.” Trump has been especially brazen in this regard and it was unclear at press time if the clip featuring “Freedom” could fall under the fair use provision, which doesn’t require a license at all.
Either way, hijacking a rival campaign’s official song seems decidedly on-brand for the Trump campaign’s “ask for forgiveness, not permission” approach to political combat and it remains to be seen if Beyoncé, or her team, will take action to get the video removed from X. At press time it did not appear that Beyoncé had responded to the Trump video on her socials.
Check out the Trump campaign video below.
Lil Jon transported the 2024 Democratic National Convention to Atlanta when he made a surprise appearance to share the Georgia delegates’ votes for Vice President Kamala Harris during the DNC roll call on Tuesday night (Aug. 20). The roll call took on a new format this year, with DJ Cassidy introducing each state with its […]
LL Cool J caused a bit of a stir a couple weeks ago during an appearance on Shannon Sharpe’s Club Shay Shay.
The NFL Hall of Famer asked the Queens rapper turned actor who he would pick to be on Def Jam’s Mount Rushmore. Naturally, LL put himself on there, given that his debut single “I Need a Beat” and debut album Radio were the first official releases on the fabled rap label. He also picked groups Public Enemy and the Beastie Boys, and had Slick Rick round things out. Shannon Sharpe pushed back about leaving Jay-Z off, but had to remind him that the rapper was on the label “a thousand years later.”
His picks caused a bit of controversy online because some felt Jay-Z and DMX should’ve been on his list, however, the rap legend based his picks on the acts that helped build Def Jam from the ground up. While making an appearance on the Joe Budden Podcast, LL defended his reasoning.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
“I know DMX is supremely talented, used to kill the stage, sold a ton of records. I know Jay did a ton of stuff up there… I can name a zillion artists up there who did unbelievable shit up there. I’m very clear about that,” he said. “But I also know that when I walked into Rick Rubin’s dormitory, it was a f—king idea, bro, like you trying to talk to me about guys that are popular. I watched the sh—t when it was a f—king idea on a Post-It. It’s two different conversations.”
Trending on Billboard
Adding, “The world is talking about the most popular. That’s all they care about. Who’s the most popular, who’s the richest, who sold the most records, who was exciting. I get that, and I respect it, I love it. But that’s not what built the company, that’s what expanded the company at a different point.”
He also reminded detractors that his song “4,3,2,1” helped introduce DMX to a larger audience. “I introduced DMX to the world, you think I don’t love DMX?” he asked. “I put him on my song to introduce him to the f—king world. I put the guy on. You know what I’m saying?”
The full episode is a Patreon exclusive as of right now, but it should be more widely available soon.
Doechii is giving fans more reason to celebrate her 26th birthday with the arrival of her Alligator Bites Never Heal mixtape.
The project is her first in two years and will be released on Aug. 30. The Top Dawg Entertainment artist revealed the tape’s tracklist on Tuesday (Aug. 20) which is filled with 19 songs and a lone feature from Kuntfetish on “GTFO.”
“Alligator Bites Never Heal Track-list 19 songs. Which one are you claiming,” she invited fans with her caption on social media.
The automobile-themed “Nissan Altima” is the only previously-released single to make the cut after arriving earlier in August. Other tracks on the project include “Slide,” “Beverly Hills,” “Boiled Peanuts,” “Denial Is a River” and “Catfish.”
Trending on Billboard
Doechii received plenty of love from fans and her music peers on Instagram with the likes of Kehlani, Joey Bada$$, Reason and Yebba showing support in her comment section.
“19 songs I used to pray for times like these,” an excited fan wrote.
The Florida native revealed the cover art for the project — which finds her holding an albino alligator in her lap — earlier in August, which came as a special surprise. “Happy Birthday to me,” she wrote.
Doechii has been feeding fans with her “Swamp Sessions” throughout summer Fridays, which acts as more of a creative exercise for her. “I set a timer for an hour and I write a song. Whatever I get in an hour is what gets posted!” she wrote to Instagram in July. “I’m adding one scene visuals to scratch that creative director itch, enjoy.”
She’s posted a handful of “Swamp Session” singles to IG such as “BULLFROG,” “CATFISH,” “NISSAN ALTIMA,” which features Isaiah Rashad, Ab-Soul and Jay Rock, as well as “FLORIDA WATA” and “SUNDAYS BEST,” featuring Fana Hues.
Alligator Bites Never Heal arrives two years since her her last project She / Her / Black B—h. The EP boasts collaborations with Rico Nasty, Jst Ray and SZA. The SZA-assisted “Persuasive” reached No. 33 on Billboard‘s Mainstream R&B/Hip-Hop Airplay chart in 2022.
Find the Alligator Bites Never Heal tracklist below
Wale and Nike have finally linked up. The rapper out of the DMV has been influential within the sneaker community over the years and has promoted Nike for free in his music from the start. His 2008 song “Nike Boots” was a hit during the Blog Era and helped him make a name for himself.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Wale has been known for the sneakers he wears ever since, but for some reason, he and Nike hadn’t collaborated before. This is something that he’s brought up on multiple occasions, most notably in 2018 when he hopped on Instagram Live to show off his massive collection. While holding up an Air Mag sneaker from Back to the Future, Wale asked when the sneaker giant was going to hit him up. “When is Nike going to play fair, man? Just call me. Hello?” he said while using the sneaker as a phone. “They ain’t on the phone, they givin’ everybody else deals and s–t.”
That is until now.
Trending on Billboard
Wale is the face of Nike’s DMV Cherry Blossom Foamposite One campaign, and not only is he in the commercial, he’s rapping a new song in it. Produced by Emil and Tommy Black, “Ghetto Speak” is a somber love letter to the greater Washington, D.C., area. “From a land that far too well comprehends universal madness,” Wale raps. “Not too far from the symbolic architecture that masks it/ But all is fair, I guess/ ‘Cause broken glass, cherry blossoms, them bullet fragments don’t look as fantastic on the pamphlet.”
The song then comes to an abrupt end and the ad features underground king Big Lordy (formerly known as Ankhlejohn) sitting down on a stoop, saying, “Background checks, you know where it started,” as a nod to the conversation around the DMV’s overall influence on hip-hop sneaker culture, especially when it comes to Foams, New Balance and the Nike Air Max Goadome aka Nike Boots.
Last year, Wale and Jim Jones got into a back-and-forth about which region started the Nike Boot trend. On the track “Fine Lines” from the Rick Ross and Meek Mill album Too Good to Be True, Wale throws a subtle jab at the Harlem rapper. “North Faces and Foams, we grew up in that jawn,” Wale raps. “We was ballin’ in Goadomes before we could Jones.”
Wale and his label, Universal Music Group, are hosting a giveaway in which fans submit pictures of themselves wearing their favorite pair of Foams for a chance to win. You can submit pics here.
There’s no word yet on whether or not “Ghetto Speak” will hit streaming.