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Tyler, The Creator took a well-deserved victory lap and brought festival-goers along for a joyful ride down memory lane on Saturday (Nov. 16) when he headlined the first night of Camp Flog Gnaw at his Los Angeles hometown’s Dodger Stadium.
The ambient sounds of a shipping dock — deep-toned ship horns, squawking seagulls and crashing waves — play before Tyler marches onto the stage and incites “Chromakooooooopia” chants from the crowd. A single green light highlights the masked and military uniform-donning headliner standing atop a “Chromakopia” shipping container. Tyler introduced the album’s aesthetic exactly one month ago on Oct. 16, when he released the “St. Chroma” video. And already, he’s created another definitive character in the Tyler Cinematic Universe, where commitment to world-building is paramount for every one of his projects.
He forges ahead to the next three songs off CHROMAKOPIA’s track list. “The biggest out the city after Kenny, that’s a fact now,” he reaffirms on the subsequent track “Rah Tah Tah.” Kendrick Lamar and Baby Keem, who were billed as The Hillbillies, headlined the first night of Camp Flog Gnaw just last year. Tyler isn’t typically one to do the honors given the fact that it’s his festival (and he already rewards himself with the most performance time out of any other artist on the lineup). Giving other luminaries the primetime slot is a courtesy, but this year’s different because Tyler gradually ascends into a higher echelon of stardom with each album.
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He’s reached cult icon status without having a definitive “hit,” and now he’s earned his first three Billboard Hot 100 top 10s with an album that was released on an off-cycle Monday but has become Tyler’s biggest album to date. His star continues to burn even brighter, but the overexposure proves it can sometimes be destructive. “Noid” feels particularly poignant given his recent heated encounter with paparazzi as he was leaving the GQ Men of the Year party on Thursday night.
“No cameras out, please, I wanna eat in peace/ Don’t wanna take pictures with you n—as or bi—es,” he spits on the second verse with an extra splatter of vitriol.
But Tyler doesn’t marinate in the sour feeling. Over the instrumental outro of “Darling I,” he pauses to prematurely celebrate his album’s three-week No. 1 streak on the Billboard 200. “Thank all you motherf–kers for supporting me, man, for real. To do that, at my 10th carnival in my f—ing city, what’re we talking about?! I don’t even have no heartfelt message. I’m really filled with so much love and joy,” Tyler beams. “We did the new sh–, y’all clearly know it and like it. So if you don’t mind, I’mma go through my old sh– real fast.”
Tyler takes it back to last year with “WUSYANAME,” “LUMBERJACK” and “DOGTOOTH” from his Grammy-winning album Call Me If You Get Lost before rewinding all the way back to 2011 with “She” and “Yonkers” from his Goblin LP and splicing in cuts from 2013’s Wolf, 2017’s Flower Boy and 2019’s IGOR. He asks the audience to take over Playboi Carti‘s verse on “EARFQUAKE” because “this n—a in Vegas” headlining ComplexCon, but he’s slated to close out the second and final night of Camp Flog Gnaw on Sunday (Nov. 17).
“I wanted to build a place where n—as could just come and just be, and it’s beautiful to see that y’all have been rocking with me for real. All this s–t really be starting from my notebook. It’s f—ing crazy, bruh! N—as is really three weeks No. 1, and I’m like, ‘What the f— going on? This is crazy!’” he says. “This is a test run ’cause all the songs are so new. The first four went great, could I continue to do some new s—?”
He shushes the festival-goers’ affirmative response so they can pick up the introductory whistle of his Hot 100 top 10 hit “Sticky,” where B-roll of step teams and marching bands complement the song’s cheerful energy. But Sexyy Red‘s surprise appearance cranks it up a thousandfold. Tyler gasses her up while she twerks for the crowd, and he even throws it back and earns a satisfactory smack from her.
They match each other’s freak as well as the same IDGAF energy of their viral booty-popping, middle-finger-flinging photo. “I love you, girl. She’s so sweet,” Tyler sings her praises as she heads off the stage and repeats the “It’s gettin’ sticky!” hook. But the raunchy rapper can’t deliver more fitting final words than “He was sucking up on my coochie, y’all.”
Tyler invites more CHROMAKOPIA guests like ScHoolboy Q for “Thought I Was Dead” and the “motherf–king swamp princess” Doechii and “my motherf—ing brother” Daniel Caesar for “Balloon.” “This n—a helped me with this album, I get emotional when I see this n—a ’cause he came through for me for CHROMAKOPIA,” Tyler says of Caesar, who performed on the main stage just right before him and is featured on “St. Chroma” and “Take Your Mask Off.” It took a village to make his latest masterpiece, but he built an even bigger one right before his eyes.
Check out the full set list for Tyler, The Creator’s Camp Flog Gnaw headlining set below:
1. “St. Chroma”
2. “Rah Tah Tah”
3. “Noid”
4. “Darling, I”
5. “WUSYANAME”
6. “LUMBERJACK”
7. “DOGTOOTH”
8. “She”
9. “Yonkers”
10. “Tamale”
11. Boredom
12. “Who Dat Boy”
13. “I THINK”
14. “EARFQUAKE”
15. “Sticky” (with Sexyy Red)
16. “Take Your Mask Off”
17. “Thought I Was Dead” (with ScHoolboy Q)
18. “Like Him”
19. “Balloon” (with Doechii and Daniel Caesar)
20. “NEW MAGIC WAND”
21. “See You Again”
Snoop Dogg is all aboard the Sexyy Red train. While chatting with Vibe in a video posted Wednesday (Nov. 13), the 53-year-old hip-hop icon shared the praise he gave the “Get It Sexyy” artist when they first met. “‘You got star power. I love you,’” he recalled telling her. “She said, ‘Unc, you real as […]
Kodak Black has been in the news lately due to his unsettling appearance with streamer Kai Cenat, so Gillie and Wallo of the podcast Million Dollaz Worth of Game decided to pay the enigmatic rapper a visit.
One portion of the 45-minute interview making the rounds is where Wallo — who turned his life around after serving 20 years in prison — is giving him one of his famous motivational talks. “Look at me, man,” he said as he held Kodak’s hand while looking him in the eyes. “Listen: You special. Don’t ever doubt yourself, and you got them babies counting on you. Now, there’s gonna be times where you gonna doubt yourself, you gonna be in pain, but them babies counting on you. You got to be here.”
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He added: “And I’m telling you that because a lot of people get around you and they see your success… A lot of people need you and they ‘yes man’ you. I ain’t here to ‘yes man’ you. You know me, every time we connect, you know I got love for you, not because I need you. I got love for you because you’re a young cat. And I was young. Gil was young. Live, live! And I’m telling you that because you see that love that that lady gave you? You see how you light up when I talk about your babies? Live. These people want to laugh, they want to joke, they want to criticize. They don’t know your pain. I don’t know your pain, but I know one thing. Them babies counting on you, your family counting on you, and you’re talented.”
Wallo then told Kodak not to take what he’s accomplished for granted and to be a positive example to his children. “A lot of brothers ain’t here no more that had the opportunity that you had,” he began. “Some of them in prison, some of them dead, and they looking at us like we just some n—as that don’t give a f—. We’re junkies, we’re criminals. That’s what they think of us. We got to learn how to change the narrative, brother. You got a lot of young people watching. … Don’t hurt yourself, brother.”
Kodak has faced a slew of legal issues and has battled addiction over the years. His erratic behavior during his visit with Cenat drew some concern from his peers and fans. One positive, though, was Rihanna referencing his freestyle about being offered sex while waiting for a bus. Many blamed the subject matter on the rapper being high, but he was actually referring to an old popular YouTube video titled “Sex?…I’m Just Waiting For The Bus…..(Haitian Vs. Hooker.)”
You can watch the full interview below.
Shyne isn’t finished talking about his relationship with Diddy.
During a recent appearance on The Stephen A. Smith Show to promote his Hulu documentary The Honorable Shyne, the rapper-turned-politician again spoke on his relationship with his former Bad Boy label boss Diddy and why it was the right time to do a documentary about his journey and second chance at life.
First, Shyne revealed that he’s been asked to make a documentary about his life for 20-plus years, and he revealed that actor and producer Mark Wahlberg had once offered him $1 million to do one. “I had been inundated with solicitations to do a documentary for the last 22 years, to be factual,” the Leader of the Opposition in the Belize House of Representatives told Stephen A. Smith. “Mark Wahlberg offered me, I think, a million-dollar deal back in 2004 and I have that proposal, I can share it with you. I just was always looking for the right partner and it had to make sense fiscally.”
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Shyne also said he waited this long because he didn’t want the documentary to just be about Diddy. “I didn’t want to tell the Diddy story, because that’s not my story,” he said. “My story is ‘next Prime Minister of Belize.’ My story is power. My story is victor. My story is triumph over tragedy. That’s my story.”
Stephen A. pushed back, though, and asked Shyne to explain exactly what happened to him and why he’s been reluctant to talk about that fateful night in 1999 and its aftermath. “In my words, I said so many years ago back in 2001,” he said, referring to his first of six XXL covers entitled Death Before Dishonor. It was me talking about not snitching on Diddy and not getting him in trouble to get myself out of trouble. I said that 20-odd years ago.
He added: “I’ve always maintained in every interview I did until recently when I healed and I moved on and I forgave, but for years I was saying what a creep I thought he was and how he destroyed my life and at one point, I thought he was the devil,” he said. “But because of the power of Diddy, which is so loud as far as a pop culture icon, nobody listened. So I moved on. And I pivoted my life to healing, to forgiveness and to taking accountability for what I can control.”
He then continued by claiming he was made the fall guy without being offered compensation for the pain and suffering he endured during his 10-year sentence. “And I can’t control what someone did to me decades ago. I can’t control them not wanting to pay reparations, not wanting to make it right,” Shyne admitted.
“People say, ‘Oh, Diddy gave me millions to go to jail.’ Nothing! Probably made two what I thought were offensive contributions over the last 20-something years, which led to a breakdown in the relations. But I moved on. So yes, was I the sacrificial lamb? Of course. Did I take the fall? Yes. There was no quid pro quo. There was not, ‘Listen, we’re gonna have $10 million waiting for you when you come out,’ or just do the right thing. I did that on my own. I’ve been saying that, it’s not anything new.”
However, he did give Diddy credit for teaching him the entertainment business and referred to the fallen mogul as a “professor” and referred to his label as “the University of Bad Boy.”
Billboard reached out to Diddy’s team for comment and received this message: “Mr. Combs categorically denies Mr. Barrow’s allegations, including any suggestion that he orchestrated Mr. Barrow to ‘take the fall’ or ‘sacrificed’ him by directing witnesses to testify against him. These claims are unequivocally false.
“Mr. Combs was acquitted of all charges related to the 1999 Club New York incident and has consistently maintained his innocence. He cannot accept or condone any characterization of his actions as ‘demonic’ or malicious.
Mr. Combs appreciates the path Mr. Barrow has pursued and wishes him continued success. It is unfortunate that Mr. Barrow has chosen to revisit these allegations. Mr. Combs trusts that responsible journalism will weigh both the established legal outcomes and Mr. Combs’ positive, longstanding support for those he has worked with.”
You can watch the full conversation below.
T.I., Lil Wayne, Jay-Z and Ye (formerly Kanye West) teamed up to form the rap Avengers in 2008 for “Swagga Like Us.” Tip joined Fat Joe for an episode of Fat Joe Talks on Friday (Nov. 15), where they dove into a multitude of topics surrounding the trap pioneer’s decorated career. One part saw T.I. […]
T-Pain has defended working with Mark Zuckerberg after he received some backlash for teaming up with the Meta CEO for a remix of Lil Jon’s “Get Low,” which Zuck wanted to make as a sentimental anniversary gift for his wife. Explore Explore See latest videos, charts and news See latest videos, charts and news “It […]
With ten years in the rap game, Kash Doll is finally ready to change her name. The Detroit-based rapper stopped by Billboard‘s NYC office for an episode of Billboard Gaming, just in time for the release of her The Last Doll album arrival on Friday (Nov. 15).The Last Doll marks a deeply personal chapter in her life, showcasing her growth as a woman, a mother of two, and an artist evolving beyond the persona that first brought her into the spotlight. The arrival of her daughter Klarity has been a transformative experience, shaping not only her maturity but also her perspective on life. As she balances motherhood with her thriving career, Kash Doll reflects on her journey, using this album as a powerful expression of her personal and artistic evolution.We faced off with the rapper in several rounds of Mario Kart while discussing the inspiration behind her album, touring, her love for her children, and more.Congratulations on The Last Doll! What inspired the title?It’s just growth. It’s where I’m at in life, you know what I’m saying? So, I’m just tired of the doll. I got two kids. I don’t want to be called a doll no more. I’m just over that.
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You’re dropping “Doll,” so your new name is just Kash?
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I don’t know yet.
Do you have any ideas on your new name?
I don’t know yet. I don’t know if I just want to be Keisha, because that’s my name, or if I want to be Kash, or Big Kash, or KD, or something like that.
When your fans listen to your new album, The Last Doll how do you want them to feel? What message are you trying to express?
You know, I don’t feel like it’d be a body of work no more. It’s so much just singles all in one project, you know what I’m saying?
Mine is just a body of work, and I want them to see growth, evolution. Like, I’ve been in the game for 10 years, so I just want my fans that have been growing with me to just understand who I am and where I’m at now, you know what I’m saying?
Congrats on 10 years. So, the theme of this album is just growth?
It’s growth. It’s lit, though. The album is crazy. I’mma just be 100 percent for real — like, it’s crazy. I got all types of songs on there. It’s got songs about my kids, you know, I’m singing on there. I got different vibes on there, you know what I’m saying? It ain’t just rap; it’s different genres. I got house music on there. I got songs about mental health and loving yourself — stuff like that. So, it’s just a different me.
What’s your favorite song on the album?
My favorite song? I don’t have one. It’s hard to have a favorite song when all of it is fire. It’s hard.
You have an incredible lineup of features on this album.
Oh yeah, they are. The artists are incredible.
How did you go about choosing the artists?
Once I make the song, I can hear certain people, you know what I’m saying? And I reach out and try to get it done. With “Comfy,” I wanted to remake that from Lil Wayne and Babyface, and so I reached out to Tink, and I wanted her on that.
And we did it. So that’s how that one happened. But most of all my other features — oh, yeah, and “NWA” with Yung Bleu — you know, me and Tracy, we decided we wanted him on a hook. And then we went out there, and we got the hook, and then we did our verses and magic.
You mentioned you have your kids on this album, so I’m assuming this album is deeply personal to you. How did motherhood play a role in your album?My kids, they just motivated me to make music that I don’t mind them hearing.
Because I make music that I like to hear when I go out and stuff like that. Music I like to hear when I’m riding or when I’m on vacation, you know? Like, it’s a different type of music you want to hear when my kids are in the house, and I don’t have to put a sensor on everything, you know what I’m saying?
So, they motivated me to make a different type of music, even though I’m still her.
Have you played the album for your kids yet?
Nah. Well, Kashton knows his song.
Has it been difficult juggling motherhood and being a music artist?
It’s difficult leaving them. You know what I mean? It’s difficult. It’s hard leaving my kids.
So, do you ever find yourself rushing back home after a day of traveling?
Hell yeah. Hell yeah. I miss them, they’re my babies, man.
You’ve been getting into your acting bag. You’ve been on BMF and Diarra From Detroit. How has acting been for you?
Acting is fun. Acting is just like a little more stable when you’re acting. You know what I mean? Like, you don’t have to travel as much and lose stuff all the damn time when you’re traveling. And, you know, be away from my kids, I can kind of just be in one, at least in one state for like a month or two or three or four, you know? So, I kind of enjoy it. It’s longer hours, though, for sure.
Do you ever see yourself creating a soundtrack for a show or for a movie?
Hell yeah. But mine, I’m gonna do movies. I’m about to do that because I’m about to do my baby shit. I’m gonna do music, and I don’t want to move around and do so many shows and stuff like that, you know? I want to be able to sit down, be with my kids. And I’m not missing Kashton’s games when he starts. So everybody got until he starts school. I’m gonna have my fun, go on tour, and do all that, but when my baby starts school, it’s over.
You’re going on tour soon! What can fans expect from your set?
An experience. It’s my first tour. You know, now I get to do my own stage, setting the light. You know, I get to play all my different music. This is my first time. I’m really excited. Ten years, and this is my first tour. And I’m really mad. I shouldn’t have waited this long, but it’s going to be an experience. You’re going to see a doll at work.
Why did you wait 10 years to tour?
I didn’t. I went on tour before in 2019, but I never did my own tour, and I had finally got another tour in 2020, but then COVID happened. Yeah, canceled the whole tour, and then boom, now we’re here. So it’s cool though. I’m gonna build my touring business. I’m gonna build it. It’s cool. I like to start. It’s a grind. It’s a grind for me.
What’s your favorite place to perform?
Damn. That’s hard. ‘Cause the Bay is a time. Milwaukee is a time. Houston is a time.
You’re also known for your fashion, how has fashion influenced your music?
I don’t know. I don’t know how it will influence it, but I just be being myself. I just be myself. I don’t know how my fashion — I don’t know. Am I fashionable? I just put on clothes.
So, you don’t think you’re a fashionable individual?
People say that but I just say where. I go to the mall every other day. This is like my little alone time and I go to the mall looking bummy. I go in the mall with a hoodie on and a scarf. And I be looking crazy. And I be buying up stuff. And then I have it in my closet for when I’m ready to throw on stuff. You know? But I do like fashion. I love all this stuff. I’m just, I don’t know if I’m good at it. But no, it don’t, it don’t influence my music.I’m just me. I don’t know what the hell influence me, people trying to talk s—t. I’ll be like, okay, I got something for you. My kids.
What advice do you have for the upcoming female rappers out there?
First of all, I say, be yourself. You know, everyone else is taken. Be yourself. Um, have morals and dignity in the game. You know what I’m saying? Don’t just do anything. Don’t be so thirsty that you’ll drink poison. Because some people be wanting it so bad, you know, that they’ll sign papers. And it’s me. I’m people.
You’ll sign papers, you know what I’m saying? Without having a lawyer, not knowing what’s going on and all these things. Just know, if it’s for you, it’s going to happen regardless. Do not just be desperate for this s—t. And be yourself. That’s what I’ll say, because I wish you might have said that to me earlier, but I don’t know if I would have listened, because experience teaches you things way different from someone telling you, you know what I mean?
Yeah. That’s interesting. I interviewed Ja Rule like two weeks ago. He said the exact same thing: “Be yourself.” Do you feel like some people in the industry now are lacking authenticity?
Yeah. Because they want to do what they think is popping right now, or, you know, what they see that everybody is gravitating to.
But at the same time, it’s like, be yourself, your time will come. Just be yourself. And that’s me. That’s why I stay in my lane, and I just do me, because my time’s going to come. If God wants me to have a time, you know what I’m saying? I’m living in my—maybe this is it. But, however, I’m being myself, and it feels good.
I’m having a good time instead of just doing whatever I think needs to be done to be her, you know, put the work in, of course, but be yourself.
Mike Tyson’s gearing up for a return to the ring against YouTuber-turned-boxer Jake Paul on Friday night (Nov. 15), and Iron Mike is serving up plenty of viral moments heading into the bout. And unsurprisingly, 50 Cent has some thoughts to share about it.
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It all started when Tyson went deep with 14-year-old interviewer Jazzy when comparing legacy to ego, and how once you’re dead, life is meaningless and it doesn’t matter anymore. “Well, I don’t know. I don’t believe in the word legacy,” Tyson said in the interview posted Thursday (Nov. 14). “I just think that’s another word for ego. Legacy doesn’t mean nothing. That’s just a word everybody grabbed onto. Somebody said that word and everyone grabbed not the word so now it’s used every five seconds. It means absolutely nothing to me.”
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The boxing legend continued: “I’m just passing through. I’ma die and it’s gonna be over. Who cares about legacy after that? What a big ego. So I’ma die and I want people to think that I’m this, I’m great? No. We’re nothing. We’re dead. We’re dust. We’re absolutely nothing. Our legacy is nothing.”
Jazzy handled the response well for a teenager, admitting she’d never heard that type of answer to her question.
In another clip from the chat, the teen asked the boxer what he thought of his opponent. “I don’t think much of him,” Tyson admitted, before noting Paul is “very funny.”
The interview quickly spread like wildfire on social media, and 50 — not one to mince words when something gets on his radar — claimed Mike was scaring the kids.
“Goddam it ! Mike ya scaring the kids, WTF chill. Note to self, keep the kids away from Mike,” he wrote to X.
That wasn’t it for headlines for Tyson on Thursday (Nov. 14), as tensions boiled over at the official weigh-ins when Iron Mike took offense to Paul appearing to step on his toes during the face-off, with Mike slapping his opponent across the face.
50 had more jokes, as he reposted an older interview clip of Tyson admitting how much he hates when people step on his feet. “If someone stepped on my feet, I’d totally give up and tap out,” Tyson says in the video.
“See you step on an older man’s feet, and s–t can get crazy. LOL,” 50 added with his caption to the post.
No more talking, as Tyson and Jake Paul will finally step into the ring and fight on Friday night. The boxing main card starts at 8 p.m. ET and is streaming on Netflix.
Watch Tyson’s interview with Jazzy below:
SZA has spoken out about her Glastonbury Festival headlining set, saying that she was “scared” and “freaked out” during the show in June.
The “Kill Bill” artist experienced numerous technical difficulties during her performance, with her microphone sounding muffled and occasionally inaudible during the opening 30 minutes. The show received mixed reviews from critics and attendees, with other performers on smaller stages appearing to pull bigger crowds. She headlined the final night of the festival, following Dua Lipa and Coldplay on the Pyramid Stage the previous two evenings.
Speaking to British Vogue, she said of the show, “I just felt like nothing I could do would be enough for Glastonbury, no matter what I did.” She also added, “It scared me. I was like, well, I wish I wasn’t doing it, but I couldn’t walk away from it.”
“It’s such a tall order,” SZA told the publication. “It’s like, no matter what you do here, you will be subject to criticism because of who you are. But that’s life. That’s life, you know?”
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She continued, “I’m like, I’m freaked out right now. I’m scared. I feel like I’m drowning on stage and I feel like I’m failing.”
SZA also said that she felt the pressure to follow Beyoncé as the “second Black woman in history” to headline the festival. Beyoncé topped the bill in 2011, though Skin from British rock band Skunk Anainse also headlined the festival in 1999.
The first tickets for the 2025 edition of the festival went on sale Thursday (Nov. 14), with punters hoping to purchase a coach and weekend entry ticket package. A general sale will take place on Sunday (Nov. 17) for the 200,000-capacity festival, with tickets expected to sell out within hours.
Earlier this month, Glastonbury announced a new sale process for the event. Previously, the festival operated a random entry system onto the ticketing vendor’s website, which encouraged users to refresh their browsers multiple times to try and gain entrance to buy tickets. This year they’ve implemented a queuing system, meaning that fans will have to wait their turn to enter the site.
“All Girls are the Same” served as Juice WRLD’s introduction into the rap game as his debut commercial single, and six years later, his team is posthumously serving up the sequel. Nicki Minaj and Halsey joined Juice WLRD — who died in December 2019 — on “All Girls are the Same 2 (Insecure),” which hit streaming services on Friday (Nov. 15).
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“This is a brand new song,” Minaj revealed on Instagram while promoting the single’s cover art. She provides a guest verse, while Halsey lends backing vocals to Juice’s track.
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Fans were excited to hear about the trio joining forces. “I already know this gonna be one of those songs that I won’t be able to put down,” one Barb wrote in Nicki’s comment section on IG.
Produced by Nick Mira, “All Girls are the Same” arrived in April 2018 and reached No. 92 on the Billboard Hot 100. The emotive anthem eventually eclipsed 1 billion streams on Spotify.
It’s still unclear is “All Girls are the Same 2 (Insecure)” will land on Juice’s final posthumous album The Party Never Ends.
The Chicago native teamed up with Halsey when hopping on her “Without Me” anthem, which topped the Billboard Hot 100 in January 2019 to give Halsey her first chart-topper. She returned the favor to join Juice on Legends Never Die‘s “Life’s a Mess.”
Juice and Nicki both guested on Young Thug’s “Money” from his Business Is Business album, which was released in 2023 while Thugger was still behind bars. She also popped up on “Transformer” from Juice WRLD and Future’s WRLD On Drugs joint effort.
The “Lucid Dreams” rhymer opened up for Minaj on her Nicki Wrld Tour in February and March 2019, which consisted of 19 shows overseas, but a few were canceled due to technical and production matters.
“That s–t was lit,” Juice said in April 2019 of the European trek on The Breakfast Club before they pressed him about the cancellations. “It was deeper than that. Some of the venues that we went to didn’t have the capacity to deal with the production… F–k was we gonna do have a dark show? … It was a learning experience. That was my first time doing consistent stadiums night after night.”
While teasing a Pink Friday 2 deluxe, Minaj also previewed a snippet of a Juice WRLD track. “So, the question is do you guys think I should put the Juice World song on the deluxe?” she reportedly said in August. “It would be incredible for me I think to have Juice WRLD on this album.”
Stream the track below.