R&B/Hip-Hop
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While much of the 30-plus track setlist of Tyler, The Creator‘s Chromakopia: The World Tour centers around the rapper’s 2024 album, one fan made it clear that they want to hear at least one song from a different Tyler album, both online and in-person. After Tyler made a stop at Orlando’s Kia Center on Saturday […]
Travis Scott officially announced that the Cactus Jack label compilation album JACKBOYS 2 is “on the way.” La Flame hit the stage at LIV nightclub in Miami early Monday (March 24) when he hopped on the mic during Chase B’s DJ set and proceeded to state that JACKBOYS 2 is in motion before playing some […]
Rick Ross has shown himself to be a good businessman. The Miami rapper is already synonymous with chicken wing chain Wingstop, owning around 30 franchises, and now he’s trying his hand at teeth. That’s right, the biggest boss that we’ve seen thus far is opening up a dentist office in a suburb of Atlanta. Late […]
For over 14 years, Sway in the Morning with Heather B and Tracy G has remained a singular fixture in popular culture. Hosted by Sway Calloway, Heather B. Gardner and Tracy Garraud, the SiriusXM radio show has broadcast candid interviews with almost all of today’s biggest icons. According to Sway and Heather, who sat down with Billboard for a lengthy interview, the key to this hospitality is keeping an open mind around artistic expression. Whether it be rappers, actors, Olympic athletes or tech giants, the hosts take serious pride in being able to feature people from all walks of life.
This openness stems from both hosts’ experiences as recording artists. Sway released a handful of independent albums throughout the 1990s including, most notably, Concrete Jungle with King Tech, which led to Sway’s first radio gig. Heather B, meanwhile, starred in the debut season of MTV’s The Real World: New York before releasing the albums Takin’ Mine and Eternal Affairs in 1996 and 2002, respectively. Their backgrounds have helped the two hosts understand how important it is for creatives to be able to step into a welcoming space.
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“We have Dr. Ian Smith that comes on the show once a month and talks about ways to better your life, but then you might flip it around and have Robert Glasper come and do a jam session that Rapsody will come and rock on,” Sway tells Billboard. “I’m always an artist. The way we do radio is through artistry. It’s not just the science of radio.”
This underscoring of creative freedom has helped the radio program blossom into a cultural touchstone, with unforgettable moments like Kanye West’s infamous 2013 “How Sway?” interview. Now, Sway and Heather will help bring the show from its New York home over to California, anchoring it in Los Angeles to help spotlight West Coast creatives.
Billboard spoke with Heather and Sway about the show’s history, their move to L.A., and a few of their favorite interviews.
Sway, looking back on your career, what has kept you motivated to stay in radio for this long?
Sway: Curiosity, for one, keeps me here. I’m always curious about up-and-coming talent. Whether it’s comedians, actors, artists, people who work in tech, coders. Having a platform where we can be able to speak their voice and get them heard in places where they normally won’t be heard. For me, that’s phenomenal. The show reaches Canada [and] people call in from the West Indies. We had a caller who was listening from France! I’ve never in all my years had this kind of reach, and with it, we’re able to introduce people to a lot of new things in their lives. So coming to L.A. and being from the West Coast, it’s bringing things full circle.
Why did you guys decide now was the time to move the show out to Los Angeles?
Sway: The L.A. fires to me represented a change — a pivot in the environment. I wanted to help rebuild and expand the cultural scene in L.A, to create a platform for artists from L.A. I’m from the West Coast, I have a home in the valley in Tarzana. I did L.A. radio for 10 years in the ’90s and we were able to do a lot of groundbreaking things with my partner King Tech and the World Famous Wake Up Show. Through that show Eminem was discovered, you know what I mean? Through that show, Wu-Tang Clan was discovered, Nas. A lot of big artists go through mainstream radio because we had a syndicated show on that show. So you fast forward to 2025, it’s the same variables, but now we have a bigger platform with a bigger brand. We have a bigger voice, and more resources to do a similar thing. So we came out here to shake it up.
Heather: I think it was necessary. Sometimes, it’s very hard to explain to other people the feelings that you get. It was just a gut instinct. It’s time to elevate, it’s time to move forward, to do the unexpected. Something that people didn’t see coming.
Can you speak more about how you guys have stayed in sync all these years? What has kept your partnership going so strong?
Heather: Don’t even start! So part of it is, you’re usually supposed to have a working relationship, but on the weekends he forced his way into my home with dinners. Then dinners turned into lunch and dinners and now out in L.A., since we live really close to each other, it’s breakfast, lunch, and dinner. This is bonded by food!
Sway: And, and! On one hand, you have Heather B., who was really the first person from our culture to ever be on a mainstream platform consistently like MTV or Real World. Hip-hop culture hadn’t seen anything like that, our community hadn’t seen anything like that! Meanwhile, we’re already family because of the culture, but now we both got a chance to be on this mainstream platform and because of that it gave us global visibility. We have this all accumulated on this one show, so every day you get such a broad audience that we’re talking to and it allows us to share our experiences. I think Heather B. has one of the most powerful voices in radio. It’s real, it’s transparent, it’s rooted in experience and my voice is as well. So we were able to take our reach that we gained and encapsulate it into this show because of the experience.
With that being said, how are you guys feeling about the state of media right now? With everyone making podcasts and TikToks, how important is that experience when it comes to standing above the noise?
Heather: I think what people underestimate all the time is your story. Why are you trying to tell somebody else’s story? Why are you trying to add on to someone else’s experience? I think because of social media and a lot of things, people are always trying to alter their story and alter their experience [and] feel like it needs to be bigger. Just tell your story! And sometimes know when to shut up. If you don’t have anything else to say, give yourself a breath, step back, and just listen because it may be an opportunity for you to learn. That’s what experience has taught me.
Sway: It also teaches you to embrace change. You might have an actor like Bill Murray come on the show. Now, Bill Murray will come on our show and wonder, “What the heck do they know about me?” And they turn around and realize that our experience that you talked about has filled us with knowledge in areas that most people may not have. We found [Bill Murray] dancing in between breaks because he was having such a good time because we know how to talk about his career and keep him current.
With are some of your favorite interviews from over the years?
Heather: So part of my hustle when I was figuring things out was, I ran a catering business out of my home. I used to cook for Tyler Perry, and a full-circle moment happened on the show when he came in. I told him I used to cook for his place and he remembered the food! In the interim, I had done an independent film, and he saw the independent film. It was called B-Boy Blues. [He] saw the film, forgot that I used to cook for him, and I was the same girl from the Sway in the Morning show. Reached out to the director and said, “I wanna work with this woman.” The director sent it to me and he ended up casting me for a season of Sistas. That was a full-circle moment for me I was just blown away by.
Sway: We had The Rock on the show when he was promoting Black Adam. And I’m sitting here really trying to give him the best journalistic approach to this interview because we got layers to our skill set, right? And somebody like The Rock, you gotta really step it up. I’m trying to bring it, trying to find that thread. I’m being all formal with the guy, and he breaks formality with me! He says, “Sway, man. I gotta thank you. There was a time in the ‘90s when I used to come to the Bay Area and you used to put me on radio when nobody else would. You talked to me and you gave me a break when nobody else would. I’ll never forget that, so it’s great that this moment has come full circle. I am who I am and here you are again, giving me opportunity.” So that’s one of the highlights.
Halle Berry was another one — she came on our show and I had the chance to tell her how she’s been a cultural tentpole for our community over these different eras, and she broke out in tears. So to have Halle Berry be that emotional and make that kind of connection with her doing a radio interview, that became one of my favorite moments. [And] I would say, Chadwick Boseman. When Chadwick came just before his untimely passing to promote Black Panther, nobody really knew what he was going through. The whole cast was there and we made him comfortable enough to have a conversation in that interview, and he too got emotional. When that happens, it’s just confirmation that there’s a real human connection being made that supersedes the headlines or whatever metrics you may grow from that conversation. That’s our prerogative. We try to rise above that. When Will Smith came by with Martin, that was special.
Heather: That was special because, they don’t always get the acknowledgment, but we grew up and idolized both Will and Martin for different reasons. To see these two giants come together and do the Bad Boys franchise. That was a moment for me.
What about some of the more challenging interviews? What have you learned when it comes to handling conflict live on the air?
Sway: It takes two people to make it a conversation. So regardless of where that guest may be, I know where I’m at. So if I don’t participate in a confrontation then it can’t be confrontational. But you learn to take the emotion out of it, [and] don’t take it personally. A lot of people be in front of the camera acting. A lot of people be inauthentic in trying to make a moment. We’ve had a lot of people try to make a moment.
Heather: This is where the partnership of it all comes in. So he usually has to tell me to calm down, so we can even it out. I’m always like, “Say something, Sway!” You know? [laughs] So we learn from each other, and I think a lot of times I have to remember, “What would Sway do?” I don’t think he ever thinks, “What would Heather do?” ‘Cause he knows what I would do.
Sway: I had to stop her from punching a few dudes. I’m not even joking.
In 2019, Priscilla Renea’s solo career was stalled. She had released an album in 2009, and when it didn’t chart, she had turned to songwriting. Her second album, released in 2018, also failed to make much of an impact. So, Renea decided, a rebrand was in order. For her new moniker, “I picked Melrose at […]
Dallas rapper Yella Beezy has been arrested and charged with capital murder in the shooting death of fellow rapper Mo3 on a busy interstate in 2020, according to court records.
Yella Beezy, 33, whose real name is Markies Conway, was indicted by a Dallas County grand jury on Tuesday (March 18) on a charge of capital murder while remuneration. The indictment accuses Conway of hiring a man named Kewon White to murder Mo3, whose real name was Melvin Noble.
The indictment did not provide information on why authorities believe Conway hired White to shoot Noble, who also lived in Dallas.
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Court records did not list an attorney who could speak on behalf of Conway. Calls and emails to representatives for Conway were not immediately returned.
In a Facebook post after Conway’s arrest, Noble’s mother, Nichole Williams Noble wrote, “Justice for my baby!!!!”
The 28-year-old Noble was driving on Interstate 35 in south Dallas on Nov. 11, 2020, when authorities allege White drove up next to him and got out of his vehicle with a gun in his hand. Noble got out of his vehicle and began running south on the freeway as White shot at him, authorities said. Noble and a bystander who was inside a car were shot by White, police said. The bystander survived but Noble died at a hospital.
White and another man, Devin Brown, 32, were later indicted in Noble’s death. Their cases related to Noble’s death remain pending. White, 26, was sentenced in 2022 in a separate case to nearly nine years in federal prison after pleading guilty to a charge of possession of a firearm by a convicted felon.
Conway is best known for his 2017 single, “That’s On Me” and the 2019 song “Bacc At It Again” with Quavo and Gucci Mane.
In October 2018, Conway survived being shot while driving on a tollway in the Dallas suburb of Lewisville when someone pulled up next to him and opened fire, hitting him three times.
Noble had more than 800,000 followers on his Instagram page and was best known for a 2019 remix of the song “Errybody,” with Baton Rouge, Louisiana, rapper Boosie Badazz.
PlaqueBoyMax continues to make a name for himself with his “In the Booth” series on YouTube. He’s had everyone from Cash Cobain to Will Smith pull up to his studio to lay down some tracks and today he dropped his debut EP centered around his trip to London. Explore Explore See latest videos, charts and […]
It’s no secret that Drake enjoys gambling, and his partnership with Australian online gambling company Stake is a testament to that. The Toronto rapper posted of clip of him sitting down with the company for their online series House Money, where he answered questions about his biggest win and his gambling GOAT. When asked about […]
“They Don’t Know.” “Are You Still Down” featuring Tupac Shakur. “Someone to Love” featuring Babyface. Jon B’s brand of soulful music has kept female fans screaming for 30 years. Now the Grammy-nominated singer-songwriter-producer-musician is celebrating — and continuing — that legacy with the March 21 release of his eighth studio album, Waiting on You (stream HERE).
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“Man, 30 years,” Jon B tells Billboard of reaching that lofty career milestone. “I love what I do, and Waiting on You is just another product of my loving what I do. I also love my fans, who have allowed me into their lives. We’ve gone this long together and still got that love, so let’s keep this thing going.”
That sentiment is reflected in one of the album’s 11 songs, “Still Got Love,” whose cha-cha groove is reminiscent of another Jon B fan fave, the 2001 club jam “Don’t Talk.” In addition, Waiting on You has already spun off two singles: the ‘90s-vibed title track and the atmospheric ballad “Natural Drug.” On the former, Jon B reunited with Tank, who first collaborated with his fellow R&B purveyor on the title track for another Jon B album: 2004’s Stronger Everyday. Along with Tank, Jon B’s Waiting on You production collaborators include Brady Watt, Loren Lomboy and Donte Jackson.
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Of his and Tank’s musical rapport, Jon B says, “He can play, write and sing. So when you put us in a room, we immediately start talking that musical language. I love his bridge [on “Waiting”] because it brings back the harmonies and energy that we were giving in the ’90s — a little of that old goodness that’s kind of missing in R&B.”
As does the ballad “Understand” featuring late ‘90s-early ‘aughts R&B artist Donell Jones. The album’s other tasty offerings include the uptempo love ode “Hills to the Hood” with rap icon Rick Ross (“WhenI made the track, I thought the only voice that needs to rap on this is Rick Ross”) and the meditative “Show Me” featuring rising star Alex Isley (“Her lineage and classic voice speak for themselves; she sounds ahead of her time.”)
“I only have 11 records on here,” Jon B adds, “so there’s just a different intensity with each song. I don’t feel like there any song that’s redundant or just filler. Every song could be a single.”
The one thing that’s remained constant in Jon B’s creative evolution is his smooth, sexy and supple tenor. It’s what caught fans’ ears in 1995 when debut studio album Bonafide was released by Tracey Edmonds’ Yab Yum label via Epic Records division 550 Music. The set boasted the later Grammy-nominated song with Babyface, “Someone to Love,” which initially appeared on the 1995 Bad Boys soundtrack. Jon B’s enduring catalog has since been sampled by the likes of The Weeknd (“Niagara Falls”), Drake (“Cameras / Good Ones Go Interlude”), Chris Brown featuring a posthumous appearance by Aaliyah (“Don’t Think They Know”) and Gunna and Chloe Bailey (“You & Me”).
Now Jon B is back on deck with Waiting on You, the follow-up to his 2019 single “Priceless” and last formal studio album, 2012’s Comfortable Swagg. All three projects are under his own label Vibezelect. Jon B credits his wife Danette as being “the backbone” of the family operation. “She’s the executive producer, artistic director, stylist and booker,” he explains. “It’s a really cool collaboration between the two of us and has been now for almost 20 years.”
The pair’s next collaboration is Jon B’s Pick Me Up Tour. Named after the album’s newest single, the 10-city trek — with additional dates forthcoming — begins April 11 at The Fillmore in Silver Spring, Maryland and will swing through New Orleans, Dallas, Houston and Chicago, among other cities. Opening for him will be Nigerian-born British singer-songwriter Shaé Universe. “People are really going to be in a trance when they hear her sing,” Jon B promises.
In the meantime, the newly minted 50-year-old says it’s “pretty cool” to come back with new music and new energy. “I feel better and more confident about being an artist than I ever have. After searching for a long time to find my rhythm, I’ve finally figured this whole thing out. Now I’m definitely coming into my own.”
Who is Amir “Aura” Khan?
That’s the question everyone has been asking as McNeese State’s Men’s Basketball student manager has been taking March Madness and the Internet by storm with his tunnel walkouts.
Before each game, Aura leads McNeese State into battle, as he wraps a boombox around his neck that blasts various rap songs from rappers like Kodak Black and NBA Youngboy, and walks the Cowboys from the locker room, through the arena tunnel, and onto the basketball court.
The guy has personality as well, and takes his role very seriously. He once said, “If they kept manager stats for rebounding and wiping up wet spots on the court, I’d put up Wilt Chamberlain numbers.”
And look how he keeps himself in shape to be the best team manager in the nation.
The guys is a maniac, telling Sporting News that his fast mopping skills are what separates him from the field. “My quickness,” he told the outlet. “As soon as a player gets down, I’m running towards the wet spot, I’m diving on the floor for everyone, wiping up as quick as I can, but also making sure I get it. [Then] getting up as fast as possible and getting ready for the next one.”
His aura has earned him not only a lifelong nickname, but it’s earned him some paper. Khan is the first student manager to have NIL (Name, Image, and Likeness) deals, and he has them with TickPick, Insomnia Cookies and Buffalo Wild Wings.
Amir Khan, you are officially a pioneer. In the wildest couple of weeks anyone could have, you’ve stayed so humble & true to yourself. First-ever college student manager to ink a NIL deal… 3 deals… all with global brands… in a week! Keep going. You deserve it all✊@amirk_23 pic.twitter.com/hvEernU05Y— Reed Vial (@reed_vial3) March 16, 2025
Here he is letting everyone know what time it is like Shedeur Sanders.
He even has the cheerleader squad wearing socks with his face on them.
The god even takes time to give out some fan love.
If you’re still not convinced, check out this list I put together of some of his best rap moments this season.
I gotta warn you, though. The aura is contagious.
Kodak Black, “No Flockin’”
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