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Kendrick Lamar was announced as the Super Bowl LIX Halftime Show headliner on Sunday (Sept. 8), and hip-hop staples spoke up about Lil Wayne being overlooked with the 2025 big game being in his hometown of New Orleans.
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Master P voiced his opinion on Instagram, saying that Lil Wayne “should be part of this celebration,” as the No Limit Records boss serves as an ambassador of entertainment in the Big Easy.
“Salute to @kendricklamar for performing at the halftime show at Super Bowl LIX.. well deserved, he’s one of the hottest music artists in the world and has one of the biggest songs right now,” he began his post, before sharing his thoughts on Weezy. “As Ambassador of Entertainment in the City of New Orleans, I have to agree with the fans that @liltunechi #LilWayne should be a part of this celebration as well. He’s one of the greatest Hip Hop artists alive, still relevant, and he’s a New Orleans native. Let’s not miss this cultural moment in the South. Life is too short! We have to give our legends their flowers while they are here.”
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Cam’ron and Mase returned with an episode of It Is What It Is on Monday (Sept. 9), during which they gave Kendrick Lamar his props, but couldn’t process how Lil Wayne wasn’t the Halftime Show selection. Cam put the onus on Jay-Z, who serves as a co-producer of the NFL’s Super Bowl Halftime Show, and speculated it could be due to issues with Hov and Wayne as rivals in the past.
“Listen, I love Kendrick Lamar… I hate the selection,” Cam began. “It’s in New Orleans and you don’t get Lil Wayne? That’s what we doing? You don’t get Lil Wayne in New Orleans for the Super Bowl? … There’s no reason why Lil Wayne shouldn’t be performing in the Super Bowl.”
He added: “It’s not really a secret, Lil Wayne had a problem with somebody before who’s kind of part of the organization running it. This is payback. Who’s Lil Wayne’s artist? Drake … Lil Wayne not to be performing in New Orleans for the Super Bowl is egregious and it’s gotta stop.”
Mase chimed in: “Hating at this age is crazy.”
Billboard has reached out to Jay-Z’s rep for comment.
Even though he’s from about 80 miles northwest of New Orleans, Boosie Badazz also shared his disappointment in the NFL’s decision to go with Kendrick Lamar and not any artists from the Big Easy or his home state.
“ALL YALL ACTING LIKE YALL COOL WITH HOW THEY PLAYING IT FOR THE SUPERBOWL SMH THE MOST CULTURAL CITY N THE USA( NEW ORLÉANS)ITS A SMACK N THE FACE TO EVERY HIP HOP LEGEND FROM LOUISIANA,” he wrote. “@MasterPMiller @BIRDMAN5STAR THIS SHOWS THEY NEVER WANTED YALL TO KICK N THE DOOR N THE FIRST PLACE CAUSE THEY STILL TRYNA LOCK IT‼️ SUPERBOWL 22 WAS N CALI N CALI ARTIST WAS ALLOWED TO DO THEY THANG N IT WAS A GREAT SHOW‼️BUT NOW ITS N LOUISIANA N NO LOUISIANA LEGENDS CANT DO THEY THANG #idontrespectit.”
ALL YALL ACTING LIKE YALL COOL WITH HOW THEY PLAYING IT FOR THE SUPERBOWL SMH THE MOST CULTURAL CITY N THE USA( NEW ORLÉANS)ITS A SMACK N THE FACE TO EVERY HIP HOP LEGEND FROM LOUISIANA ‼️@MasterPMiller @BIRDMAN5STAR THIS SHOWS THEY NEVER WANTED YALL TO KICK N THE DOOR N THE…— Boosie BadAzz (@BOOSIEOFFICIAL) September 9, 2024
Lil Wayne’s longtime engineer, Fabian Marasciullo, expressed his disappointment in the decision to snub Weezy for K. Dot.
“Confused. Disappointed. Angry. But most of all, inspired,” Marasciullo wrote to his Instagram Story captured by Complex. “Will never again be in a position or have the in a position where we are at the mercy of someone else’s decision. We will make the decisions.”
Now, this doesn’t mean that Lil Wayne won’t be part of the Super Bowl Halftime festivities in any capacity. The stage is set for Kendrick to take the stage at Super Bowl LIX on Feb. 9, 2025, in New Orleans. It won’t be Lamar’s first time taking part in the big game’s Halftime Show, as he was part of the West Coast celebration in 2022 alongside Dr. Dre, Eminem, Snoop Dogg, Mary J. Blige and 50 Cent.
“Rap music is still the most impactful genre to date,” Lamar said in the statement announcing him as the Halftime Show performer. “And I’ll be there to remind the world why. They got the right one.”
Rich Homie Quan‘s father and girlfriend have spoken out on social media following the 33-year-old rapper’s sudden death on Sept. 5.
In statements posted to Instagram Stories a couple days after the star born Dequantes Lamar’s passing, his dad, Corey Lamar, and partner Amber Williams, both used the word “unbearable” to describe the depths of their grief. “Unbearable pain,” Corey wrote in white text over a black background, according to the Los Angeles Times. “Lord please please please help me to understand this … let this be a dream.”
“Yall pray for me and my family,” he continued. “I feel like I’m crushed into a million pieces.”
In an interview with Atlanta’s ABC affiliate WSB-TV, Corey remembered his son as a trendsetter. “I used to tell him that it’s a difference in making songs and making hits,” he shared. “He made hits and I know that his music will live on forever.”
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In her statement, Williams thanked fans for the “overflow” of kind messages they’ve sent her way in the wake of Rich Homie’s death, the cause of which has not yet been revealed to the public. “This pain is unbearable,” she wrote, according to Complex. “I’m traumatized from a moment that’ll forever be in my head. I have nothing to prove because my love for my other half was ALWAYS shown. I had nothing to hide.”
“Please respect me and the family at this time,” she added. “Our house is no longer a home. I’m completely heartbroken. 15 years gone. I’ll never be the same. This is a complete nightmare.”
Williams has since shared a number of old photos and videos of her late boyfriend on her Story, as well as reshared condolences from fellow mourners. “Praying for your strength to be strong for those babies,” one friend wrote, which the Brows by Rella founder reposted.
In addition to his friends and family, news of the Atlanta rapper’s death has also left much of the hip-hop world reeling. Playboi Carti, Quavo, Jacquees and Boosie Badazz were among some of the names who posted their respects to the “Flex” musician — who was dad to four sons — while engineer Alex Tumay tweeted that his late collaborator was “One of the nicest people I ever worked with and a true artist.”
See screenshots of Corey Lamar and Amber Williams’ statements below.
Nas can’t get enough of Sin City. After three consecutive sold-out shows with the Las Vegas Philharmonic in celebration of Illmatic‘s 30th anniversary over Labor Day weekend, Nas is extending his Las Vegas residency and partnership with AEG Presents at The Wynn’s Encore Theater. Billboard can exclusively reveal on Monday (Sept. 9) that Nas will […]
Eminem is set to open the 2024 VMAs live on Wednesday (Sept. 11) at 8 p.m. ET/PT from New York’s UBS Arena. The rap icon will treat fans to the first TV show performance from his 12th studio LP, The Death of Slim Shady (Coup de Grace), which recently became his 11th album to enter the Billboard 200 at No. 1.
Eminem last performed on the VMAs in 2022 with Snoop Dogg for a first-of-its-kind performance of “From the D 2 The LBC” inspired by the world of the Otherside metaverse. In 2012, Eminem made a surprise appearance during Dr. Dre and Snoop Dogg’s performance of “Forgot About Dre” and “Still D.R.E.”
Eminem last opened the VMAs in 2010 with “Not Afraid,” followed by a duet performance with Rihanna of “Love the Way You Lie.” In 2000, Eminem performed a medley of “The Real Slim Shady” and “The Way I Am,” which famously included a procession of 100+ Eminem look-alikes.
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During his debut year of 1999, Eminem performed a medley of “Guilty Conscience” and “My Name Is.”
Eminem landed eight nominations this year. His smash “Houdini,” which reached No. 2 on the Billboard Hot 100, is up for video of the year, best hip-hop, best direction, best editing, best visual effects and song of the summer. In addition, Eminem is nominated for artist of the year, and VMAs most iconic performance for his aforementioned 2000 performance.
If he wins in just one of the eight categories, Marshall will break out of a tie with Peter Gabriel for the most wins by a male artist in the show’s history (13). Four superstar women have amassed even more VMA wins. Beyoncé leads with 27, followed by Taylor Swift (23), Madonna (20) and Lady Gaga (18).
Eminem’s 13 wins are the most by a hip-hop artist. With 67 total nods, he is the second-most nominated artist in VMAs history, trailing only Madonna (71).
Megan Thee Stallion is set to host and perform on the VMAs. Katy Perry will receive the Video Vanguard Award and perform a hit medley. Other performers include Anitta (feat. Fat Joe, DJ Khaled + Tiago PZK), Benson Boone, Camila Cabello, Chappell Roan, GloRilla, Halsey, KAROL G, Lenny Kravitz, LISA, LL COOL J, Rauw Alejandro, Sabrina Carpenter and Shawn Mendes.
Cyndi Lauper, who won and appeared on the very first VMAs in September 1984, is set to present, along with former MTV host Carson Daly. Other presenters set for this year’s show are Addison Rae, Alessandra Ambrosio, Amelia Dimoldenberg, Big Sean, Busta Rhymes, Damiano David (Måneskin), DANNA, DJ Khaled, Fat Joe, Flavor Flav, French Montana, Halle Bailey, Jordan Chiles, Lil Nas X, Miranda Lambert, Naomi Scott, Paris Hilton, Suki Waterhouse, Thalía and Tinashe.
Teddy Swims and Jessie Murph are set to make their VMA debuts by performing on the Extended Play Stage.
The 2024 VMAs will air live on Wednesday at 8 p.m. ET/PT across MTV’s global footprint, including BET, BET Her, CMT, Comedy Central, Logo, MTV, MTV2, Nick at Nite, Paramount Network, Pop, TV Land, VH1 and Univision.
Le Sserafim will make their U.S. award show debut by performing on the VMAs pre-show. Hosted by Nessa, Dometi Pongo and Kevan Kenney, the 90-minute live VMAs pre-show special airs from 6:30 p.m. to 8:00 p.m. ET/PT on MTV, MTV2, CMT and Logo.
With the addition of social categories, Taylor Swift still leads in terms of most nominations (12), followed by Post Malone (11), Eminem (eight), Ariana Grande, Megan Thee Stallion, Sabrina Carpenter + SZA (seven each); Benson Boone, Billie Eilish, Chappell Roan, Charli xcx, GloRilla, LISA, Olivia Rodrigo + Teddy Swims (four each).
General fan voting closed Friday (Sept. 6) on MTV’s website. Voting for best new artist remains active through the show.
Bruce Gillmer and Den of Thieves co-founder Jesse Ignjatovic are executive producers. Barb Bialkowski is co-executive producer. Alicia Portugal and Jackie Barba are executives in charge of production. Wendy Plaut is executive in charge of celebrity talent. Lisa Lauricella is music talent executive.
Megan Thee Stallion is ready to level up. The “Mamushi” MC has released a string of hit collaborations over the past few years, but she now has her sights set on the very peak of the pop firmament with her dream for the ultimate pop-hop crossover. Speaking to People magazine, Meg, 29, said she is […]
Kendrick Lamar will headline the 2025 Apple Music Super Bowl LIX Halftime Show, set to take place Feb. 9, 2025 in New Orleans, Louisiana.
The set will be the second time the hip-hop superstar will grace the stage at the NFL’s main event, after he was a special guest alongside Dr. Dre’s West Coast hip-hop showcase in 2022. But this will be the first time he headlines the big show, and just the second time a rapper is the main event. Lamar nodded to that in a statement announcing the news.
“Rap music is still the most impactful genre to date,” he said. “And I’ll be there to remind the world why. They got the right one.”
Creative direction for Lamar’s performance will be provided by pgLang, the creative imprint co-founded by the rapper.
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This has been a big year for Lamar, despite him not having released an album since May 2022’s Mr. Morale and the Big Steppers. In the spring, he contributed a guest verse on Future and Metro Boomin’s Hot 100 No. 1 single “Like That,” which served as the springboard for a high-profile rap beef with Drake. That kicked off an extended back and forth, in which the two hip-hop titans traded diss tracks in what was the most engrossing back and forth in the genre in years, and ultimately culminated in Lamar’s anthemic “Not Like Us,” which not only served to end the beef but also became a monster hit, topping the Hot 100 for two nonconsecutive weeks and racking up 765 million on-demand U.S. streams since its May 4 release.
The Super Bowl Halftime Show will be shown live on Fox from the Caesars Superdome in New Orleans that Sunday. It will also be the sixth year that the show will be programmed by Roc Nation, which is executive producing the show alongside Jesse Collins, produced by DPS and directed by Hamish Hamilton. Roc Nation partnered with the NFL in 2019 in a deal that saw the JAY-Z-led company take over entertainment programming and social justice initiatives on behalf of the league. That ultimately included Roc’s oversight of the Halftime Show, one of the highest-profile stages in world entertainment, beginning with the 2020 edition.
“Kendrick Lamar is truly a once-in-a-generation artist and performer,” JAY-Z said in a statement. “His deep love for hip-hop and culture informs his artistic vision. He has an unparalleled ability to define and influence culture globally. Kendrick’s work transcends music, and his impact will be felt for years to come.”
Kendrick Lamar is set to be the 2025 Super Bowl Halftime Show headliner.
Courtesy of pgLang
This is also the third year that Apple Music has served as the title sponsor for the event, having first taken over in 2023, when Rihanna headlined the show in Phoenix.
“The Apple Music Super Bowl Halftime Show is a celebration of the music we love and the incredible artists who make it, all on the world’s biggest stage,” said Oliver Schusser, vp of Apple Music, Apple TV+, Sports and Beats, in a statement. “Apple is thrilled to bring this show, starring the absolutely incomparable Kendrick Lamar, to fans worldwide with Apple Music’s industry leading Spatial Audio quality along with tons of exclusive videos, interviews, playlists and so much more across Apple Music.”
Usher was the headliner this past year, in a career-spanning performance that also featured special guests Alicia Keys, H.E.R., will.i.am and Ludacris. His set included performances of megahits “My Boo,” “OMG” and “Yeah,” among many others. Prior to that, headliners included Rihanna (2023), Dr. Dre and friends (2022), The Weeknd (2021), and Shakira and Jennifer Lopez (2020).
“Few artists have impacted music and culture as profoundly as Kendrick Lamar,” said Seth Dudowsky, head of music for the NFL, in a statement. “Time and time again, Kendrick has proven his unique ability to craft moments that resonate, redefine, and ultimately shake the very foundation of hip-hop. We’re excited to collaborate with Kendrick, Roc Nation, and Apple Music to deliver another unforgettable Halftime Show.”
The first full weekend of the new NFL season kicks off today (Sept. 8), with the season running through January.
R&B set the tone for 2024 as Usher took center stage at the Super Bowl — kicking the genre’s renaissance into full swing. So this year we decided R&B needed its own special celebration. On Sunday night (Sept. 8) in New York, we’re honoring five artists topping the R&B charts, pushing the genre forward and moving the culture.
Entertainer of the Year: Usher
“Good Good” became his sweet 16th No. 1 on the R&B/Hip-Hop Airplay chart, extending his record for the most among all singers.
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Three decades into his career, Usher is still achieving new levels of success — and breaking records. His single “Good Good,” with Summer Walker and 21 Savage, topped the R&B/Hip-Hop Airplay chart last November, giving the superstar his 16th No. 1. In addition to expanding his span of radio No. 1s to 26 years, dating to “You Make Me Wanna” in 1997, it further cemented his reign as the singer with the most leaders in the chart’s 32-year history.
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As Usher reinforced his radio might, he also enjoyed a boost from his My Way residency in Las Vegas. Named after his 1997 breakthrough album, the show became one of the most buzzed-about residencies in town, sparking viral social media moments and celebrity attendees, all to the tune of $95.9 million (through its wrap in December 2023), according to figures reported to Billboard Boxscore.
The crown jewel of Usher’s past year, of course, was headlining the Super Bowl LVIII halftime show in February to a record-shattering 129.3 million viewers, according to Nielsen. The career-spanning energetic set closed with signature hit “Yeah!” Thanks to the record viewership and enduring love for the classic 2004 smash, “Yeah!” rocketed in streams and returned to the Billboard Hot 100 at No. 20 the following week.
Hitmaker: Victoria Monét
Her cross-format smash “On My Mama” was one of only two songs to top the Adult R&B Airplay, Mainstream R&B/Hip-Hop Airplay and R&B/Hip-Hop Airplay charts in the last year.
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While Victoria Monét had been no stranger to hits — putting her pen to work in co-writing chart-toppers such as Ariana Grande’s “Thank U Next” and “7 Rings” — her own performing career skyrocketed in the last year, led by the mighty success of her single “On My Mama.”
The track, which samples Chalie Boy’s 2009 Southern rap staple “I Look Good,” started as a fan-favorite on social media platforms, but found its best results on airwaves. “On My Mama” hit No. 1 on three radio charts — Adult R&B Airplay, Mainstream R&B/Hip-Hop Airplay and R&B/Hip-Hop Airplay — and became only one of two songs in the past year to lead all three lists. Capturing the lattermost crown was perhaps the most impressive feat, as it interrupted a months-long domination for SZA’s “Snooze.” The “On My Mama” appeal expanded to other formats, with strong results on Rhythmic Airplay (No. 2) and Pop Airplay (No. 16).
Industry peers noticed the breakthrough and showered Monét with seven Grammy Award nominations, with a record of the year nod for “On My Mama” in the mix. At the ceremony in February, she converted three nods into wins, including a triumph for best new artist.
Global Force: Tyla
Her global smash “Water” sank the competition on the Billboard U.S. Afrobeats Songs chart, with 44 weeks at No. 1.
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While Tyla first appeared on the Billboard charts in February 2023 with “Been Thinking,” it was her next single, the bouncy, suggestive “Water,” that carried her to chart-topping success and helped expand the richness of African musical tastes to stateside audiences.
Bubbling onto its first Billboard lists in September 2023, “Water” got hotter week after week, shooting to a No. 7 peak on the Hot 100 in early January. Reflecting its blend of genres, the song appealed to various audiences — topping the Mainstream R&B/Hip-Hop Airplay and Rhythmic Airplay charts and reaching No. 6 on Pop Airplay. The track also pushed to No. 17 on the Streaming Songs chart and saved its greatest feat for the Billboard U.S. Afrobeats Songs chart, where it dominated for an astounding 44 weeks. The success story wasn’t lost on Tyla’s music industry peers, who awarded her the inaugural Grammy for best African music performance in February.
The next month, the 22-year-old released her self-titled debut album, which opened at No. 2 on the Top R&B Albums chart. The album’s “Truth or Dare,” “Art” and the Tems-assisted “No. 1” generated attention, while “Jump,” with Gunna and Skillibeng, is now in the top 15 on Mainstream R&B/Hip-Hop Airplay.
Torchbearer: Lucky Daye
The Grammy winner earned his first No. 1 in a lead role on any Billboard chart when “That’s You” topped Adult R&B Airplay.
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July 13 was Lucky Daye’s… well, lucky day, when he checked off a career milestone — his first No. 1 as a lead artist on any Billboard chart as “That’s You” crowned Adult R&B Airplay. The single, which Bruno Mars co-wrote and co-produced, continued Grammy Award winner Daye’s string of radio successes, including the dual-format hit “Over” and collaborations with Alicia Keys and Khalid (“Come for Me [Unlocked]”) and Earth, Wind & Fire (“You Want My Love”).
“That’s You” set the stage for the singer-songwriter’s new album, Algorithm. In addition to its hit lead single, the set’s “HERicane” also leapt onto the Hot R&B Songs chart in June. The next month, Lucky Daye embarked on the Algorithm tour, which wrapped Aug. 28. With fellow R&B rising star Fana Hues as the opening act, the 33-date nationwide trek visited landmark venues, including Nashville’s Ryman Auditorium and New York’s Radio City Music Hall.
Icon: Luther Vandross
The late legend’s first six albums all reached No. 1 on Top R&B/Hip-Hop Albums, out of eight total career leaders.
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A master of his craft, Vandross captivated audiences with a velvet, honeyed tone and technical precision that made him one of the most formidable performers to ever step up to a microphone. The connection was instant — debut single “Never Too Much” became an R&B No. 1 in 1981, as did its parent album of the same name. The top spot became a familiar destination, with Vandross’ next five albums also hitting No. 1. In all, the legend counted eight No. 1s on Top R&B/Hip-Hop Albums, through 2003’s Grammy-winning Dance With My Father, and seven on Hot R&B/Hip-Hop Songs, including classics such as “Here and Now” and “Power of Love/Love Power.”
Let’s not forget his other contributions to the canon. The jubilant closing number to The Wiz, “Everybody Rejoice/A Brand New Day”? Vandross wrote it. Aretha Franklin’s Jump to It, a seven-week No. 1 R&B album for the Queen of Soul in 1982? He co-produced it. The full scope of his iconic career will reach audiences with the documentary Luther: Never Too Much, set to air on CNN, OWN and Max in 2025.
A version of this story appears in the Aug. 31, 2024, issue of Billboard.
It’s a busy week in the Billboard zeitgeist. After hosting the 2024 Billboard R&B Hip-Hop Power Players event, the Billboard Hip-Hop Live concert went down in Brooklyn at the Xanadu roller rink on Friday night (Sept. 6).
Amazon Music’s Breakthrough Artist BigXthaPlug hit the stage first, around 9:40 p.m. ET, to set the tone for the night as hundreds of fans got settled in to the new Bushwick venue.
BigX emerged following a cross-country trip from the West Coast with his Texas-sized swagger in a white soccer jersey, but quickly ditched it for his signature shirtless look.
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The Dallas native ran through cuts like “Big Stepper” and his latest hard-hitting single, the aptly-titled “The Largest.” He had some fun with the audience when betting his DJ that the left side of the crowd would be louder than the right, and BigX’s pockets ended up leaving a little heavier than expected after winning the $2,000 wager.
The 26-year-old hit his two-step onstage and continued to perform the Dazz Band-sampling “Whip It,” “Level” and “Mmhmm” in his heavy, bellowing Southern drawl. The latter served as BigX’s first Billboard Hot 100 entry earlier this year when it peaked at No. 63. He closed things out with his breakout anthem, “Texas,” while over 1,500 miles from home.
Next up, the scorching Bossman Dlow hit the stage around 10:10 p.m. ET. Big Za rocked snow white jeans and a matching letterman jacket with his signature ski goggles off to the side like he was ready to hit the slopes.
“Mr. Pot Scraper” gave fans a taste of the motivational anthems that were to come before heating up while jumping around from “Piss Me Off” to the braggadocios “Talk My Shit.” The Florida rapper clearly has the streets on lock as the crowd was in the palm of his hand.
“Finesse” sans GloRilla set the table for “Get in With Me,” which drew the loudest ovation of any track from the audience in the building as the temperature was turned up several notches.
Dlow’s inspirational raps went a cappella for the first go around as fans belted the “Yep” part of his “Juggs fiendin’/ Phone ringing/ N—s hating” verse right back at him. He spun the block to perform his top 50 Hot 100 banger a second time with the booming DxnteMadeIt instrumental to give the people what they came for.
Just shy of 11 p.m. ET meant it was time for the night’s headliner, the eccentric Teezo Touchdown, who painted a more romanticized aesthetic while blending the worlds of rap, rock and R&B.
Rocking a red tank top and a matching furry cherry bucket hat that LL Cool J would be jealous of, which went along with his rose bouquet microphone, Teezo served as a palate cleanser that took fans in another direction with his shrewd creativity.
It was a night of reflection for Teezo Touchdown — in the most positive way. Coming off of winning Billboard‘s 2024Rookie of the Year honors and celebrating the one-year anniversary of his How Do You Sleep At Night? debut this weekend, Teezo took a moment to look back and realize how far he’s come as an artist in this labor of love.
“Last night I was awarded the Billboard Hip-Hop R&B Rookie of the Year award. What a year it’s been, right,” he said. “I went on my first sold-out headlining Spend the Night Tour, and on Sunday (Sept. 8) it will be the one-year anniversary of my How Do You Sleep At Night debut album.”
Teezo fired away with cuts from his critically acclaimed debut while delivering live performances of “Impossible,” “Too Easy” and “Out of Respect.” He broke the set up with Travis Scott’s forgotten Utopia dance-leaning “Modern Jam.” Teezo had everyone throw their twos in the sky while returning to his debut to bring the show across the finish line with “Familiarity,” “Third Coast” and the trippy “Stranger.”
It was not a drill Friday night (Sept. 6) in Brooklyn. Usher-mania had arrived. After having serenaded the nation for two-and-a-half-years with the hottest Las Vegas residency in the land, and readjusting his crown at the Super Bowl XLVIII halftime show, the R&B icon brought his Ursher-issance to the Barclays Center with a show-stopping blitz that proves he’s operating at a new prime.
For the thousands of fans who packed out the first of four sold-out shows as part of his Past Present Future tour, the night was special for several reasons. For some, it was a chance to scratch one larger-than-life concert off their bucket list (“I never got to see Michael Jackson live, but I’ve seen Beyoncé and now Usher,” said one concert-goer). For others, it was the opportunity to relive the headline-making My Way the Vegas Residency experience (“We saw him in Vegas, too,” gushed another excited fan). But the number one objective for everyone on this night (including this writer) was simple: “Gonna boogie, tonight…”
The aptly titled tour, which launched in August with two sold-out performances in Washington, D.C., lived up its namesake as the king of R&B left the borough known to keep it thorough in a warm blanket of nostalgic and euphoric bliss. Much of the two-hour show felt less like a concert and more of a celebration of the man whose music has soundtracked lives, redefined a genre, and shifted the pop-culture landscape over the last 30 years. But age is furthest from the mind when watching the singer, especially as his liquid movements evokes the same “how’s he still performing at this level” wonderment that stalks LeBron James. Whether pop-locking, leaping, or standing next to a video of his younger self, the timelessness of Ursher did indeed writ large over the course of the night.
At around 9:30 p.m., the singer popped up on stage, commanding court with the kind of spellbinding aura that Michael Jackson exemplified during his fan-faint-outs era, and opened with “Coming Home,” the title track from his latest chart-topping outing. He followed that up with “Hey Daddy (Daddy’s Home),” which quickly summoned ecstatic gasps from the audience mid “I just wanna get your attention…” Like that, the sold-out audience went down memory lane.
After “1993” appeared on the screen, along with a digitally-rendered teenage version of the singer, he danced along to a medley of his earlier records — “Call Me a Mack,” which originally appeared on the 1993 Poetic Justice soundtrack, “Think of You” and “Can U Get With It.” Soon after, the “You Make Me Wanna” singer time-shifted through the decades, as the capacity-crowd, decked in their flyest and finest, played the role of back-up singers — and, judging by the swaying bodies in the aisles and rows, back-up dancers, too. Spreading love is the Brooklyn way, after all. The Grammy award-winning showman floated on that cloud of love through the night, cascading through a plethora of his genre-defying hits that kept those aisles and rows rocking in a rhythmic trance. He traveled to 1997, performing “My Way” and “You Make Me Wanna” to resounding shrieks before loading up tunes from the 2000s with “U Remind Me” and “U Don’t Have To Call.”
By the time he got to his diamond-certified magnum opus, Confessions — an album that celebrates its 20th anniversary this year, after spawning four No. 1s on the Billboard Hot 100 chart — it was sheer pandemonium. There was “Caught Up,” followed by some of “Yeah!” before the song was abruptly interrupted by a “system malfunction” alert on the screen. But ever the consummate performer, Usher kept the show rolling by flipping the chronological script, hitting shuffle, and pulling out the roller skates for “Don’t Waste My Time” and “Love in this Club.”
As concupiscent shrills showered him through “Nice & Slow,” he operated with the eros of the moment — stripping down to a white tank top, jeans and his signature “U” diamond pendant — and saucily mime-humped the mic stand after having already turned up the heat with “Lovers and Friends.” If that wasn’t enough, the rapt audience melted at the knees once his sterling silver vocals belted out that well-known falsetto to “Superstar.”
And there were a number of other superstars in the house, as well. After prowling through the audience while singing “There Goes My Baby,” he spotted and serenaded celebrities Taraji P. Henson (“You starting the celebration of your birthday early,” he beamed), Victoria Monet, who danced along with the singer to “On My Mama,” and rapper Yung Miami. Not long after, he brought out Fat Joe and Ja Rule, who also won the crowd over with their string of classics, including “What’s Luv” and “Put it On Me.”
As the night wound down, with energy levels depleted following run-throughs of “OMG” “There Goes My Baby,” and “DJ Got Us Fallin’ in Love” among others, Ursh, now wearing a glittering blue leather Vanson motorcycle jacket, sent the capacity-sized arena into a tizzy when he finally unleashed “Yeah!” without interruption. “I was able to turn Barclays into the house of Usher,” he said. A fitting way to close out a hit-filled spectacle that stamped an emphatic “Watch this” for those still wondering “how’s he still performing at this level?”
But that’s not all, here are the seven best moments from night one of Usher’s four-night rendezvous in Brooklyn.
Unmatched Performer
Travis Scott and Future have some heat on the way. La Flame teased an upcoming collaboration on Friday (Sept. 6) titled “South of France,” which appears slated to land on Future’s Mixtape Pluto project. Explore See latest videos, charts and news See latest videos, charts and news Trav posted a clip to social media on […]