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Young Buck (real name David Brown) has had his bond revoked in Tennessee due to what officials called “repeated violations of his bond supervision,” local ABC affiliate WKRN reported. The news outlet also said that Assistant District Attorney Daniel Daugherty noted the hearing was held Monday (April 7). Explore Explore See latest videos, charts and […]

04/10/2025

This is King Vamp at his best.

04/10/2025

It’s been nearly three years, but Lizzo is still apologizing to Seth Meyers’ dad for calling him a b–ch during the pair’s epic “Day Drinking” segment in December 2022. The singer/rapper dropped by Late Night on Wednesday (April 9) to chat about her upcoming album and recall the bad old times when she had to do anything she could to get her early, meager audiences to love her. But mostly she wanted to make up for insulting Larry Meyers.
The host replayed a bit of the drinking segment, in which he called up his dad and asked an innocuous question about whether he was going to watch the game the next day, then handed the phone over to the “Truth Hurts” star, who playfully growled, “Bye b–ch!!” to Seth’s shock and horror.

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Afterwards, Meyers revealed, Lizzo managed to get his dad’s address and sent flowers to his parent’s house with the note, “Dear Larry, I’m sorry I called you a b–ch.” And, because it’s late night TV, of course Meyers called up his dad again, with Lizzo promising, “I’ll call him, but I won’t call him a b–ch.”

“Hey, I love you so much, um, this is Lizzo,” she told the elder Meyers, adding, “I miss you so much and, um…” jokingly whispering to Seth that this time he should hurl the same insult at his dad. “She called you a b–ch backstage,” Meyers quickly blurted before taking the phone away from Lizzo. “No, you said b–ch!” she protested.

Meyers also recalled that he saw Lizzo at the Met Ball in 2023 shortly after the initial boozy segment, when the after effects of their day of drinking was still so fresh she just wagged a finger at him when he said hello. “You were not ready to see me,” Meyers said. “I think you were still a little bit hung over.”

“I was probably drunk. I probably never, ever recovered,” she said.

The singer who will make her fourth appearance on Saturday Night Live this weekend began her chat with Meyers by charging into the stands and slapping hands with the studio audience and doing a twirl to show off her “nearly-naked” bodysuit from her Yitty brand. “I’m scared,” she admitted about performing on SNL again, joking, “It’s live television! In front of, like, 50 people by the way, who can see up your nose and see if you got lipstick on your teeth. 20,000 people? I’m a bad b—ch. 150 people? You can smell me, b–ch!”

Noting that she took a few years off recently, Meyers asked Lizzo what she’d learned about being famous in the interim. “People conflate fame and rich, which is just not true,” Lizzo explained. “Some people are famous and they are not rich. Some people are rich and they don’t have fame. I have both. So to be honest with you I can’t complain.”

She also talked about working her way up from playing biker bars in Oklahoma, turning “haters into congratulators” every single night on her way to global fame. Lizzo recently revealed that her upcoming album, Love in Real Life, is officially complete, though no released date has been announced yet.

Watch Lizzo on Late Night With Seth Meyers below.

Travis Scott is used to fans approaching him, but he didn’t expect an Oscar-winning actor to be among them.
In a new Complex cover story published this week, the Utopia rapper recalled a recent run-in with Adrien Brody during Paris Fashion Week, where the actor surprised him not only by being a supporter of his music, but by revealing he’s also a beatmaker.

“I sat next to him and I’m like, ‘F***, I don’t even know if this dude knows who I am,’” Scott said. “And the first thing he tells me is, ‘Yo, bro, I f*** with your s***.’ And I’m like, ‘What the f***?’”

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Brody, who recently won the Oscar for Best Actor for his performance in The Brutalist, went on to tell Scott that he produces music. “You know, I make beats and s***,” Brody said, according to Scott. “I’m like, ‘You got to send me some beats!’ So we chopped it up. Man, that f***ed me up. That’s crazy.”

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Scott told Complex the encounter stuck with him — not just because he’s a fan of Brody’s acting work, including roles in Wes Anderson films, but also because of the unexpected creative overlap. “That movie is hard as f***,” he said of The Brutalist. “I hope he wins Best Actor. That’s my dog.”

Brody’s musical side isn’t new. In a 2024 interview with the Los Angeles Times, he revealed that his early beatmaking dates back to the mid-’90s after working on Angels in the Outfield.

“I hung out with some kids in The Bay in Oakland who were producing and rapping… I started producing tracks with these guys and learned how to do it and went back to LA, and this was before the internet.”

Scott, whose album Utopia debuted at No. 1 on the Billboard 200 in 2023, continues to blur the lines between hip-hop, art, and pop culture. His Coachella set this weekend marks his first time headlining the festival, where he’ll join fellow headliners Lady Gaga, Green Day, and Post Malone.

Keri Hilson has expressed regret over dissing Beyoncé on 2009’s “Turnin Me On (Remix).” The R&B singer stopped by The Breakfast Club on Wednesday (April 9) when she clarified what exactly went down with the remix to her top 15 hit and reflected on how the detrimental situation impacted her career.

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See latest videos, charts and news

“It’s a regret,” she said matter-of-factly. “But not in the way people think. That’s a song I actually didn’t write. Those are not my words.”

When Hilson flew in for the studio session with producer Polow Da Don, whom she was signed to in a joint venture with Timbaland through Interscope Records at the time, he already had her impending verse penned by another writer (Ester Dean).

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“Your vision cloudy if you think that you’re the best/ You can dance, she can sing/ But she need to move it to the left, left,” Hilson sings on the 2009 remix while referencing Beyoncé’s “Irreplaceable.”

“Automatically, I was like, ‘I’m not saying that,’” she said when she first heard the Bey-dissing verse. “That was my position. I’m an athlete. I am competitive. But I’m not nasty, I’m a finesse player. I don’t look at things like that.”

Hilson claims that Polow Da Don threatened to sabotage her career as her In A Perfect World.. debut album was yet to be released.

“I tried to fight him on it and I began writing my own,” she added. “But he — I want to be careful with the word I use — it was quite forceful… The mistake that I made was not continuing to fight. But I was in tears, I was crying, I was adamant that I did not want to do that.”

The “Knock You Down” singer continued: “My album wasn’t out yet, I was told it’s not coming out if you don’t do this. I was super young. I felt I had no choice. I’m still protecting everyone involved. I’ve been eating that for years.”

“Turnin Me On” featuring Lil Wayne reached No. 15 on the Billboard Hot 100 as her debut album peaked at No. 4 on the Billboard 200.

Ester Dean came forward and issued an apology on Wednesday (April 9) for penning Hilson’s verse on the “Turnin Me On” remix, which she called “childish.” She wrote: “I see how it hurt people, especially women, and I take full accountability.”

In 2021, Hilson had a weight lifted off her shoulders when the singer revealed that she had a positive conversation with Beyoncé surrounding the track and finally cleared the air.

“I feel like she understood what happened, what had transpired and there was a bit of healing in that moment when we met,” Hilson said to host Persia Nicole. “I take her as a very intuitive kind of soul, as am I. She’s amazing. I’ve always felt that way, that’s the truth of the matter, but no one will believe that.”

Hilson is entering a new era and coming off the release of her “Bae” single. Look for her We Need to Talk album to arrive on April 18.

Watch the Keri Hilson interview below. Talk of the Bey diss begins around the 25-minute mark.

What is Frank Ocean up to? The multi-hyphenate man of mystery recently sent fans into a tizzy with what the kids are calling his supposed finsta account (@kikiboyyyyyyy), which features a profile picture of Michael Jordan holding up three fingers that can be interpreted as Ocean hinting at his third album (and before you react, […]

A couple of days ago, Portland’s Animé previewed his latest single via On the Radar, complete with his own backup dancers, and on Wednesday (April 9), he made the song available on streaming services after announcing his first album since 2020’s Limbo. Explore Explore See latest videos, charts and news See latest videos, charts and […]

Sada Baby was arrested on drug possession charges in Michigan on Tuesday (April 8). According to Macomb County Sheriff’s Office records, Sada (real name Casada Sorrell) was booked in Macomb County Jail by the Sterling Heights Police Department. Per The Detroit News, Sada Baby’s arrest stemmed from a traffic stop in January. Last week, Sterling […]

Travis Scott and Pop Smoke connected in late 2019 for “GATTI,” and the gritty visual saw the duo riding in style inside a lavish Bugatti Chiron.
Instead of renting the luxury sports cars, Scott wanted to make the video authentic, so he ended up buying the Bugatti Chiron — reportedly worth more than $5 million — off the lot, which he explained to Complex‘s Joe La Puma as part of the publication’s On Display series.

“I remember I was doing the song, and Pop’s like, ‘You know, we gotta bring Bugattis out, man!’ I forgot who was helping us with the video,” Scott recalled. “The guy was like, ‘Yeah, man, I know somebody that can bring some Bugattis out for us.’”

La Flame continued: “I’m thinking, ‘Bring ’em out for us?’ Nah, f–k that. So I’m like, ‘Naw, I’m just gonna go and get this.’ We was at the shoot, me and Pop. He was like, ‘Man, damn bro. This s–t smells brand new.’ I was like ‘Yeah, bro. I just got it like a week ago.’”

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“GATTI” went on to serve as a standout from Scott and Cactus Jack’s JACKBOYS label compilation project in December 2019. The drill track peaked at No. 69 on the Billboard Hot 100 and was Pop’s first Hot 100 entry. The Brooklyn rapper was killed less than two months later in February 2020 during an armed robbery shooting in L.A.’s Hidden Hills.

Pop Smoke was just 20 at the time of his death, and Scott had envisioned an extremely bright future for his friend as one of the superstars that would change the rap game.

“You one of the illest rappers,” he recalled telling Pop in 2019. “I feel like you changing the whole sound of New York. I don’t even know if you know right now, but from the sound of the beats to the way you putting it together, it’s gonna create an allegiance of sound and the creatives so you gonna have a million [Bugattis].”

Watch the “GATTI” video and Scott’s sit-down with Complex below.

J. Cole’s Dreamville Festival returned to Raleigh, North Carolina, for its fifth — and final, at least as we currently know it — edition under the Dreamville banner on April 5-6. Held at Dorothea Dix Park, the sold-out festival drew over 50,000 fans who braved the scorching heat to experience two days of hip-hop, R&B, and unforgettable moments. (See some of our favorite moments from the memorable festival weekend here.)

From the larger-than-life photo opportunities to the diverse food vendors and the exclusive pop-ups, Dreamville Fest 2025 was more than just a music event — it was a full-fledged cultural experience. The lineup featured legends and rising stars alike, with Lil Wayne (alongside Hot Boys and Big Tymers), 21 Savage, and Ari Lennox performing Saturday (April 5), while Coco Jones, GloRilla, Wale and J. Cole took over Sunday (April 6). Additional performers included Tems, PartyNextDoor, Erykah Badu, Ludacris, Keyshia Cole, BigXThaPlug, J.I.D, Ab-Soul, Lute, Chief Keef, Omen, Young Nudy, Anycia, EARTHGANG, Bas, Cozz, Akia and Kai Ca$h & Niko Brim.

While Dreamville Festival as we know it has come to an end, a similar event will continue under the direction of the city of Raleigh. J. Cole made sure to give fans a proper send-off, running through classics from his discography like “No Role Modelz,” “Can’t Get Enough,” “Lights Please,” and “Lost Ones.” As fireworks lit up the sky for the final time, he closed his set — and Dreamville Fest —with “Farewell.”

Billboard captured exclusive behind-the-scenes moments with some of this year’s performers, shot on the Leica Q3. See intimate portraits of Dreamville stars Coco Jones, Wale, Ab-Soul, Lute, Chief Keef, Omen, EARTHGANG and Cozz below.

Coco Jones

Image Credit: Chris Claxton