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In recognition of ADHD Awareness Month, Billboard has partnered with All Day Dreaming, a community for talented ADHD artists and entertainment executives and its founder Hyla to host conversations with some of the creative ADHD brains in and around music.

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Here, Hyla speaks with Joyner Lucas, who has embraced his own attention-deficit/hyperactivity disorder as a tool to unlock creativity, so much so he named his 2020 debut album after it. As Lucas notes in the interview, ADHD hit No. 10 on the Billboard 200 chart, released on his own label, Twenty Nine Music Group — and he’s used his success as a “reverse Uno card” for anyone who ever made him feel “stupid” for his condition.

“People are going to make you feel crazy, make you feel stupid, make you feel less than, make you feel like you can’t push through and become great because you’re different,” Lucas says. “Use all your creativity and tap into your ADHD powers. You have something to bring to the world and they will love you for it.”

ADHD is a spectrum of presentations from struggling to focus, to being hyperactive and many are often some combination of the two. The innate otherness that comes with ADHD, will put people’s relationship with their condition on a spectrum: Some secretly carry it as a point of shame trying to hide and mask it from family, friends and co-workers, while others see it as a point of pride, quick to point out how it gives them a creative edge others only wished they had. After struggling through his childhood, Lucas has learned how to harness and embrace his ADHD and hopes to empower others to do the same. “Use me as an example as someone who was able to overcome and break through,” he says, opening up about his youth, his creative process, finding inspiration in his fans and the elements of ADHD he still struggles with today.

Hyla: ADHD is the title of your album and it’s an often-present theme in your art. Did you have any reservations about making it so central to your music? How did you come to that decision?

Joyner Lucas: I always knew that my first official album was going to be called that. Told myself that when I make it big, I’m going to brand ADHD and reverse Uno card it on everyone who made me feel like I was stupid for it. That album went top 10 on Billboard independently. There’s no better way to say “fuck you.” If you listen to the album, it’s really all over the place. There’s a central theme in place but overall, it’s a really random album. That’s what ADHD is like — like you’re all over the place.

You were diagnosed as a kid, I was too, but being Black with ADHD is very different than being white with ADHD. How old were you when diagnosed and what was that experience like growing up?

Well, they made me sit in a room and take tests that made me feel like I was crazy. All these tests, like push the button when it lights up green. Just tests I had to take at 8 years old that you would ask a 3-year-old to take. My mom didn’t know how to handle me when I was bouncing off the walls. She didn’t understand it. My sisters was real calm and collective and I was hyper as hell. She was a young mother that grew up in a trailer park-type household, so she wasn’t really as nurturing as I wanted her to be. But her mother wasn’t really nurturing either, so I guess she didn’t know how to be. Me and my mother’s relationship growing up wasn’t really good. I think there was a lack of understanding on both sides that made it that way.

I had a lot of resentment. I watched a lot of TV shows that made me feel like I was raised wrong. I felt entitled to be raised a certain way based off what I was watching, like Fresh Prince of Bel Air, The Cosby’s, Full House, Family Matters, just to name a few. Those TV shows made me feel like I was lacking a perfect family. On those shows it was all about compassion, empathy and understanding. I started comparing that life to mine. It made me resentful. When I turned about 18, 19 I started seeing life different. I started to grow and understand certain things I never understood before. I reached a new level of maturity and that gave me a new respect for my mom. We was able to talk about a lot of things I never got closure from and things I never understood before. She had took accountability for a lot of things she could of done better and vice versa. These days my mom has become my best friend.

Do you remember cracking the ADHD code? Meaning, it went from a disadvantage where you were getting in trouble at school/home/work to an advantage, like, “My brain is different, and I’m super creative, so let me go make a career out of this”?. What was that transition like?

ADHD absolutely got me in a lot of trouble at school. I got put in these behavior disorder classes that kept me in a small room every day. Every single class was in that one room by the same teacher. It was like solitary confinement. All the kids in that class had ADHD.

Although I was facing difficulty in school, ADHD made me very creative. I had a great reading ability and writing ability. English class was a breeze for me. I hated reading and till this day I hate reading books. I’m a visual learner which is how I become so good at directing and turning words to life. I guess that’s the advantage and my success happened organically.

How has your thinking around ADHD evolved? What books, philosophies, or mentors have helped you along the way?

I think a collective of different things helped me along the way. Meeting other people just like me who also became successful. My thoughts around ADHD have evolved a lot especially because several of my fans also have ADHD and I get to hear a bunch of cool stories during my meet and greets. You would be surprised at the amount of talented and cool people who have ADHD. I meet so many, but it’s inspiring.

You’ve become a mentor to a whole generation of neurodivergent kids. Black kids in the U.S. are 70% less likely to receive an ADHD diagnosis than white kids. They are also less likely to receive any kind of help or treatment. I’d have to think that you’ve helped put a dent in that number simply by centering your art around the topic. What’s a story or moment you can share from a fan that this has had an impact on?

There was a fan of mine who had been on medication for ADHD his whole life, but my album inspired him to stop taking the meds. He said the moment he stopped taking the meds his life started to change. Everyone made him believe that he needed medication to cope with ADHD, and the truth is you don’t. He said not taking the medication actually helped him finish school as well. I thought that was dope.

Do you take Adderall or any prescription drugs for ADHD? If so, how does it help? If not, why not?

One thing I thank my mom for is never letting doctors talk her into putting me on drugs when I was younger. She wouldn’t allow it and I’m so grateful for that. I have never took a prescription drug in my life and I’m happy about that. It may help some people. I have spoken to people who took meds and hated the way it made them feel. I always been personally against taking it because I feel like it would alter my personality and make me different.

I use to love smoking weed but came to the tough realization a few years ago that it hurt my creativity and my ability to focus. There is a lot of science to back this up but the topic around marijuana can be polarizing within the creative ADHD community. You’ve been outspoken about artists glorifying drug use but in your personal life what’s your relationship with marijuana and creativity?

I never really gravitated to marijuana because I smelled it so much growing up. I started to hate the smell. When I got older, I tried it and it didn’t sit right with my body. I know a lot of people that smoke, though, and I heard it does help with creativity. I never needed drugs to enhance my creativity. I always been the guy who votes against drugs and maybe that’s because where I’m from, I’ve seen a lot of people turn into junkies. Drugs have done some pretty wild shit to the people I grew up with. Not saying weed has done that, but I’m speaking of the heavier drugs. I’m good off all of it, though.

Describe your ideal creative environment? What’s the energy and location of your surroundings when you’re the most creative and productive? Are you more of a packed downtown studio at 2am kind of guy, or would you rather be meditating with Rick Rubin on the beach in Kauai?

I like to go to places I grew up and park outside and write. I go to my old apartment back on Dewey Street in Worcester, Ma. a lot. I think it’s nostalgic for me. Reminds me of where I was and gives me that feeling I felt when I was in the trenches trying to get out. I get flashbacks of what my life was. Sometimes I drive around to certain places I used to be when I would daydream about being where I’m at today. Sometimes, I park outside of old jobs I had and just write for hours.

What’s a typical creative day look like for you and what steps do you take to get in a flow state? What are your routines, meditations, diet, sleep, exercise, etc.?

I definitely make sure I take a nice long nap before I get in my creative zone. I listen to tons of beats until I find one that speaks to me. The beat usually tells me what the song will be about. Then most likely I’m already creating the video in my head and I’m using that as a reference when I’m writing. I never eat when I’m in that zone. Eating will make me tired and then I might get lazy. I’m almost always in my car when I write because it helps me from being distracted and doing things that sidetrack me.

Managing ADHD involves some level of organization and routines — the sort of things we typically struggle with. Nothing is more disruptive than touring, being on the road, and not getting good sleep. How do you manage deadlines and strategic planning when your day-to-day life is so disruptive and inconsistent?

I’m actually used to it. What really messes me up is when I go from East Coast to West Coast and vice versa, because I’m losing hours in a day or gaining hours every time. That ruins my sleep schedule more than anything. Luckily, I have my manager and my two personal assistants, Kayle and Marty, that take care of the planning and manage my day-to-day. Thanks to them, I’m not too stressed out.

What traits of ADHD do you still struggle with? What still gets you in trouble?

I have zero patience. I don’t think that’s going to go anywhere any time soon, but yeah, I have absolutely no patience. I don’t even know if that’s an ADHD thing or not, to be honest. I do bite my nails and I’m fidgety a lot. I also can’t sit still without moving a leg or an arm or something.

ADHD is in most cases hereditary and you have a son. Does he have it? If so, how are you helping him navigate it and avoid some of the trauma you faced as a kid?

My son definitely has ADHD. A lot of the things he does, I used to do as a kid. So, I can identify with it, and I know how to keep him focused and on point. He will never have to deal with any of the trauma I faced as a kid because I won’t allow that. His life is very different and it is my soul mission in life to make sure he doesn’t have the life I had.

One thing Joyner gets from me is that extra nurture that I didn’t have. I’m not as hard on him because I make sure I give him that extra love. There is an equal balance of discipline, but I make sure he gets as much love and patience as possible from me. He doesn’t know what ADHD is and I won’t tell him until he gets a lot older and can understand it.

A lot of people can be creative, but not a lot can make a living being creative. What would you say to a young artist with ADHD just getting started?

People are going to make you feel crazy, make you feel stupid, make you feel less than, make you feel like you can’t push through and become great because you’re different. Use me as an example as someone who was able to overcome and break through. Use all your creativity and tap into your ADHD powers. You have something to bring to the world and they will love you for it.

Read more of Hyla’s conversation with Lucas on the All Day Dreaming Substack here.

Hyla is an award-winning documentary filmmaker, interviewer and the founder of All Day Dreaming, a community for talented ADHD creatives and entertainment executives struggling with focus, productivity and burnout. All Day Dreaming hosts daily virtual co-working sessions, weekly Q&As with experts, a newsletter and a podcast. For more information and memberships go to AllDayDreaming.org.

Fans of Brockhampton can officially rest a little easier — the collective is finally announcing their latest project.

In a series of YouTube clips posted on Thursday (Oct. 27), Brockhampton announced their upcoming “final album” The Family, due out Nov. 17 via Question Everything and RCA Records. The official album teaser shows three men digging through a bag of stolen goods that are seemingly useless — a rubber duck, some small army figurines, gelatinous goo — before discovering an old iPod. Putting in the earbuds one at a time, the trio stop arguing and start to vibe.

The group also posted a short retrospective video called “I Miss the Band Already,” showing archival footage of the band throughout their Saturation era as the come up with the triple album’s title, jot down ideas for how to market it and more, all while Kevin Abstract‘s voice croons over the footage. “I love these n—-s so much,” he sings. “God please don’t make me grow up.”

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The news comes six months after the band announced that their next album would be their last during a much-hyped Coachella set in April. During the performance, they played a clip of Abstract sitting everyone in the band down and telling them he’d made a “group album” in New York, before showing a screen that read “THE FINAL ALBUM 2022.”

The collective then went on an “indefinite hiatus” following the performance, canceling their remaining world tour dates. In the time since, Abstract has occasionally teased updates, but had not confirmed details about the release of the hip-hop boy band’s final album until Thursday.

Watch the teasers for Brockhampton’s upcoming album The Family below:

DJ Khaled captures his seventh No. 1 on Billboard’s Rhythmic Airplay chart with “Staying Alive,” featuring Drake and Lil Baby, which rises to the top on the list dated Oct. 29. The single climbs from No. 3 following a 7% gain in weekly plays to become the most-played song at U.S. monitored rhythmic radio in the week ending Oct. 23, according to Luminate.

The new champ secures DJ Khaled a seventh No. 1 and comes more than two years since his last. Notably, the incumbent also marks the third-such leading collaboration between DJ Khaled and Drake. Here’s a look at the hitmaking producer’s chart-topping collection on Rhythmic Airplay:

“For Free,” featuring Drake, three weeks at No. 1, beginning Aug. 27, 2016“Shining,” featuring Beyoncé & Jay-Z, one, May 13, 2017“I’m the One,” featuring Justin Bieber, Quavo, Chance the Rapper & Lil Wayne, four, July 1, 2017“Wild Thoughts,” featuring Rihanna & Bryson Tiller, eight, Aug. 5, 2017“No Brainer,” featuring Justin Bieber, Quavo & Chance the Rapper, one, Oct. 6, 2018“Popstar,” featuring Drake, one, Sept. 19, 2020“Staying Alive,” featuring Drake & Lil Baby, one (to date), Oct. 29, 2022

Featured act Lil Baby earns his fourth Rhythmic Airplay No. 1 with “Alive.” His first visit to the summit occurred in 2019 with “Close Friends,” which ruled for one week that July. The last week of that year, he achieved his second champ, “Leave Em Alone,” alongside Layton Greene, City Girls and PnB Rock, which logged three weeks on top. In December 2020, he began a five-week reign as he and DaBaby featured on Pop Smoke’s “For the Night.”

Drake, meanwhile, continues to lap the competition as he adds a record-extending 36th Rhythmic Airplay No. 1 to his ledger. He last led just three weeks ago, with “Jimmy Cooks,” featuring 21 Savage, which slips 2-4 on the current chart. (More Drake and 21 Savage collaborations are just days away, with the duo announcing a new album, Her Loss, arriving Friday, Nov. 4 after a one-week delay).

Thanks to “Alive,” Drake ensures his fifth straight year with at least three No. 1s on the Rhythmic Airplay chart. Along with “Cooks” and “Alive,” he reached the top via he and Tems’ supporting turn on Future’s “Wait for U,” a one-week No. 1 in July.

As Drake once again resets the count, here’s a look at the leaderboard for most No. 1 s on Rhythmic Airplay since the chart began in 1992:

36, Drake17, Rihanna13, Bruno Mars13, Usher12, Chris Brown12, Lil Wayne12, The Weeknd11, Beyoncé10, Post Malone

Hotties, are you ready? Megan Thee Stallion will be taking to the stage in a special performance for Apple Music Live, the streaming platform announced on Thursday (Oct. 27).

The “Plan B” rapper is scheduled to perform an intimate concert at Los Angeles’ Dolby Theatre on Nov. 11 as part of the Apple Music Live series. Fans 16 and older in the Los Angeles area can register for free tickets via Ticketmaster for a chance to see Thee Hot Girl Coach. Tickets will be given out on a first come, first serve basis.

The performance will be taped on Nov. 11, and will be available for Apple Music subscribers across 165 countries to stream starting Dec. 21 at 7 p.m. PT. Megan’s performance will serve as the closer for Apple Music Live’s inaugural season, and follows previous concerts in the series by Harry Styles, Lil Durk, Mary J. Blige, Luke Combs and Billie Eilish.

“I can’t wait to hit the stage and perform for my Hotties in L.A.,” Megan Thee Stallion said in a statement. “I’m truly thankful for the entire Apple Music team for their constant support over the years – they’ve uplifted and championed my music since the beginning of my career. It’s only right that we take it to the next level, put on a special performance for the Hotties and celebrate together.”

“Megan shared so many honest and personal revelations with us around the release of her incredible album Traumazine and we’re thrilled to celebrate all of that truth, emotion, and power as she takes the stage for a very special Apple Music Live performance,” Apple Music host Nadeska Alexis, who is scheduled to interview the rapper on Apple Music 1 before the show, added.

Register for a chance to see Megan Thee Stallion’s Apple Music Liver concert here.

Billboard announced on Thursday (Oct. 28) that it will be hosting Billboard Live: R&B/Hip-Hop at Academy LA in Los Angeles Nov. 17 10 p.m. The event will be headlined by chart-topping hip-hop duo City Girls, with Alabama’sFlo Milli serving as the night’s opener.

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Billboard Live: R&B/Hip-Hop will be the first consumer event to celebrate the unveiling of Billboard’s R&B/Hip-Hop Power Players list and issue honoring executives across the business.

This year’s Billboard R&B/Hip-Hop Power Players presentation will highlight the Rémy Martin x Vibe Impact and Excellence Award, honoring a musician who has made tremendous efforts in their community, as well as paving the way for the next generation of artists.

“There’s no denying the cultural influence, mainstream popularity and burgeoning global impact of R&B/hip-hop,” said Gail Mitchell, Billboard’s executive director of R&B/hip-hop, in a statement. “That’s why it’s important each year to honor the executives, artists and innovators propelling the genres’ evolution as we also mark the return of our live celebration.”

The event will also launch an exclusive NFT collaboration between Billboard and the Intel® Evo™ platform.

Sponsors for the celebration include Samsung, Intel, and Rémy Martin.

Tickets for the Billboard Live: R&B/Hip-Hop event are now on sale at live.billboard.com.

Kanye West has put a hard, shocking number on the gargantuan financial free-fall caused by his recent spate of antisemitic remarks. In an Instagram post on Thursday morning (Oct 27) addressed to Endeavor CEO Ari Emanuel — who last week urged companies to stop working with West — the rapper who now goes by Ye wrote, “Ari Emanuel. I lost 2 billion dollars in one day. And I’m still alive. This is love speech. I still love you. God still loves you. The money is not who I am. The people is who I am.”
At press time Billboard was unable to confirm the figures cited by West, who over the past week has been dropped by his reps at CAA, lost partnerships with Adidas, The Gap and Balenciaga, had his Essentials playlist pulled from Apple Music, his products taken off shelves at TJ Maxx and was cut off by Foot Locker. The end of the Adidas deal will reportedly result in a $246 million loss for the company this year and is believed to be the linchpin in Ye’s loss of billionaire status.

The athletic company had stated earlier this month that its collaboration with Ye was “under review” after he claimed on a now-removed episode of the Drink Champs podcast that “the thing about it being Adidas is, like, I can literally say antisemitic s–t and they can’t drop me … I can antisemitic things and Adidas can’t drop me. Now what?” Then, after several weeks of interviews in which Ye repeatedly made derogatory comments about the Jewish people — after also raising ire over the “White Lives Matter” shirts he unveiled at Paris Fashion Week earlier this month — the team at Adidas said they had had enough.

In further blows to the once-esteemed rapper’s crumbling public image, he was unceremoniously escorted out of the Skechers office on Tuesday (Oct. 26) after showing up “uninvited,” even as his wax figure was removed from Madame Tussauds London and his Donda Academy basketball team was bounced from a tournament over his hate speech. In addition, two of the prominent athletes signed to his Donda Sports marketing firm severed ties citing their objection to West’s repeated amplification of anti-Jewish tropes. At press time Billboard was not able to reach a spokesperson for West for comment on his Instagram post.

West’s fall from grace has been accompanied by condemnation from nearly every corner of his once-formidable music and fashion empire, with longtime label Universal Music and publisher Sony also denouncing his hate speech and his longtime engineer Andrew Dawson vowing to donate his royalties to Jewish organizations.

West appeared to mock his dire situation in an earlier post on Tuesday featuring a fake headline from a fictional news agency (whose offensive name Billboard will not publish) that read, “Ye has reportedly cut ties with Kanye West,” in which he seemed to mock his business empire’s meltdown alongside the comment “Had to cut ties bro.”

The swift reprisals have taken an ax to a war chest Ye once claimed was closer to $3.3 billion, but which Forbes now estimates is in the still-formidable $400 million range; the multi-year Adidas partnership alone was reportedly worth around $1.5 billion. The financial magazine said that what remains of West’s financial empire now consists of “real estate, cash, his music catalog, and a 5% stake in ex-wife Kim Kardashian’s shapewear firm, Skims.”

See West’s Insta posts below.

Jack Harlow is pumped and totally ready to pull double-duty as host/musical guest on this weekend’s Saturday Night Live. In the promo for the show Harlow runs into SNL long-hauler Kenan Thompson and new guy Marcello Hernández who seem kind of confused about the “First Class” rapper’s sartorial style.

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In the bit, Harlow is waiting by an elevator while dressed in a full length white shearling coat when Thompson and Hernández excitedly roll up. “I’m so hyped to host this week,” Harlow says as Thompson assures him that he’s gonna kill it. “Looks like you’re already in the Halloween spirit,” Kenan says while pointing to the jacket and Jack’s all-white outfit for the 2022 Halloween edition of SNL. “Yeah, bro, costume goes crazy,” Marcello laughs.

The two then begin a riff-off guessing what Harlow is dressed as, tossing out a variety of options, from a box of Kleenex to a cotton ball, “the whole White Lotus,” sanitary napkin, pimp on a cruise ship and sexy yeti. Harlow thinks a second on that last one, but says the answer is still no, it’s none of those things.

The hits keep coming, though, including MC Teddy Roosevelt, Fluff Daddy, Almost Historically Accurate Jesus and, sigh, Macklemore. “Guys, this is just my outfit!” Harlow assures them before getting into the elevator and whispering the real inspiration behind the ‘fit.

Harlow follows fellow artist Megan Thee Stallion, who also recently pulled double duty as host and musical guest; while it’s his first hosting run, Harlow performed on SNL last year and appeared in a bit about NFTs that parodied Eminem’s “Without Me.” And, earlier this month, Jack got some late-night television practice time in with Jimmy Fallon when he co-hosted The Tonight Show.

Check out Harlow’s SNL promo below.

Four long years after the culture-shifting debut of Black Panther, its sequel, Black Panther: Wakanda Forever, took over Hollywood on Wednesday night (Oct. 26) for its world premiere. There was one major piece missing, though, in Chadwick Boseman’s absence, as the cast and crew talked about moving forward without him.
Ryan Coogler, who returned to co-write and direct the sequel, rewrote his original premise following Boseman’s death in August 2020, noting that “the best way I got through was leaning on my collaborators.”

“Chadwick had people who were in his life creatively, as well as family, and we were in close contact with those people, very close specifically with his wife, Simone, and his creative partner Logan Coles,” Coogler — who wore a gold chain featuring Boseman’s image on the carpet — told The Hollywood Reporter of consulting the late star’s loved ones during that rewrite. “We were staying tapped in with them as much as we could, and it gave us the space to create, but obviously we were seeking out their opinion all the time. We’re looking forward to sharing it with everybody.”

The cast also came together to support each other on set, as star Danai Gurira noted that the grief particularly hit her when walking into T’Challa’s throne room, where Boseman sat in the first film. “I hadn’t seen that throne since we had lost him, so the last time I had seen that throne he had been sitting in it,” she said.

Angela Bassett, who plays T’Challa’s mother, Queen Ramonda, had to be the one to “sit on that throne and fill it. It was very daunting, it was very important. We all held it in great reverence,” she said, while also revealing that the cast visited Boseman’s resting place before they started shooting.

“We were able to do that to give love and feel his spirit and stand there with him before we did one frame of anything,” Bassett said. “That was such an important grounding for us because, as you can imagine, emotion was all over the place. People are on the verge — his [onscreen] sister, his love, his general, all of us. I’m getting goosebumps now. We were on the verge of tears, of ‘How are we going to do this, go on without him?’”

“We did with our full hearts, our full effort and really seeking to honor our brother,” Gurira added. “We can just hope and pray that it’s received that way and that people have an experience with it as a result of that.”

Another major story surrounding the film is that Rihanna will debut new music on its soundtrack, marking her first recording since 2016 with single “Lift Me Up.” Coogler said for this film they were “looking for artists who would embody it thematically,” similar to the success he had with Kendrick Lamar on the first Black Panther. Rihanna, who will be headlining the Super Bowl Halftime Show next year, was at the top of the list.

“Rihanna, man, we knew she was at a point in her life as well where she was focusing on different things — focused on business, motherhood, which is a big theme in our film. We were holding out hope that maybe it could work out and boy did it for this song,” Coogler teased. “I can’t wait for people to hear it.”

Black Panther: Wakanda Forever sees the return of stars Letitia Wright, Lupita Nyong’o and Winston Duke, in a story of Wakanda following the death of King T’Challa and the crowning of a new Black Panther. Michaela Coel and Tenoch Huerta join as newcomers to the world, with Huerta as Marvel mutant Namor.

With a character who spends much of his time underwater, Huerta had to learn to swim for the role and has been flattered to see the internet’s (frequently thirsty) reaction to his shirtless appearance. “It feels so good. The people are giving their love and their passion,” he said. “All of them are embracing the character and are embracing all the narratives behind it.”

And while Black Panther broke box office records and made history with a best picture Oscar nomination, Bassett and husband Courtney B. Vance have some bold predictions for the sequel.

“He says the second is going to be better than the first, it’s going to be greater than the first,” Bassett said of Vance, though he hadn’t yet seen the film. “Reading the script, the attention to detail that Ryan as director and co-writer with Joe Robert Cole put into this and just trying to get it right — What is the story that we want to tell? Where do we want to go? Who is carrying this world on when your heart is destroyed? The mothers. I think they did an excellent job.”

Black Panther: Wakanda Forever hits theaters Nov. 11. 

See some of the red carpet interviews below.

This article originally appeared on The Hollywood Reporter.

Apple Music appears to have joined the widening list of businesses distancing themselves from Kanye West in light of his repeated anti-Semitic remarks.
The streaming music giant has apparently pulled Kanye West Essentials Playlist, after the rap veteran, who now goes by the name Ye, made offensive comments online and, again, in interviews.

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Billboard has reached out to Apple for comment, though the tech giant’s reps hadn’t responded at the time of writing.

Earlier this week, Daniel Ek, CEO at Spotify, Apple Music’s rival, addressed the hip-hop star and his “awful” comments for an interview with Reuters.

Ek, however, noted that his music did not violate the Spotify’s anti-hate policies and that the ball was in the court of Ye’s label, Universal Music Group’s Def Jam, to pull his catalog if they chose to.

“It’s really just his music, and his music doesn’t violate our policy,” Ek told Reuters, noting, “It’s up to his label, if they want to take action or not.”

Ek went on to explain that Ye’s anti-Semitic comments would have been yanked from Spotify if they had made in a podcast or recording, per their hate speech policy, but that wasn’t the case.

A spokesperson for UMG has since clarified that “Def Jam’s relationship with Ye as a recording artist, Def Jam’s partnership with the GOOD Music label venture and Ye’s merchandise agreement with Bravado all ended in 2021.”

The Ye exodus is now in full flight.

WME chief Ari Emanuel directly called on West’s corporate partners, particularly Spotify and Apple Music, to stop collaborating with him.

Since then, talent agency CAA dropped him as a client, MRC Entertainment shelved a completed documentary on the hip-hop icon and Balenciaga, GAP and Vogue cut all ties with him.

Earlier in the week, Ye lost his biggest corporate backer, the sportswear giant Adidas, with which he had a multi-year partnership for its line of Yeezy products, valued at $1.5 billion.

“Adidas does not tolerate antisemitism and any other sort of hate speech,” the company said in a statement Tuesday. “Ye’s recent comments and actions have been unacceptable, hateful and dangerous, and they violate the company’s values of diversity and inclusion, mutual respect and fairness.” 

Other brands and companies that have ended their relationships with West in the aftermath include Foot Locker, TJ Maxx and his  Donda Academy team was removed from the Scholastic Play-By-Play Classics season schedule.

Find a full list of the consequences West has faced here.

October’s Very Own is shifting to November.

Drake took to his Instagram Story on Wednesday night (Oct. 26) to announce that his joint album with 21 Savage, Her Loss, will now arrive next week instead of this Friday as planned.

The rapper revealed that his go-to producer Noah “40” Shebib got COVID, so the mixing and mastering of the album has been delayed.

“Our brother @ovo40 got Covid while mixing and mastering the crack so he’s resting up,” Drake’s message revealed. “NOVEMBER 4th is HER LOSS day we’ll see you soon.” He wrapped the note with a devil and rose emoji.

21 Savage shared the same message to his Instagram Story.

OVO Sound also shared the news, tweeting the new 11/4 release date for Her Loss along with the Friday release of DVSN’s Working On My Karma.

Drake and 21 Savage only announced the album on Saturday, with the news tucked into a new music video for their “Jimmy Cooks” collab from Drake’s most recent project, Honestly, Nevermind. The song debuted at No. 1 on the Billboard Hot 100 at the end of June, as the album also started atop the Billboard 200.

Drake and 21 Savage have become frequent collaborators over the years, previously teaming up for “Knife Talk” from Drizzy’s Certified Lover Boy last year, “Mr. Right Now” from 21 Savage’s Savage Mode II collab album with Metro Boomin in 2020, Drake’s stand-alone release “Sneakin’” in 2016 and more.