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R&B/Hip-Hop

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The Game used social media to preemptively shut down critics of his 12-year-old daughter’s choice of outfit on Monday (Dec. 19).

Sharing a current snap of Calilynn Dream next to one of her as a toddler, the rapper wrote, “Somebody please tell the LORD to help…. She was just 2 years old like a week ago…. Now my baby is 12 years old, growing up & it won’t stop.”

In the first photo, the preteen crouches on the ground, staring down the camera in a strappy silver dress and furry white coat, and The Game made sure to put any trolls in their place before they even started. “[DISCLAIMER: before the internet get to INTERNET’n, me & her mother both agreed to let her do her make up for the young & beautiful @the_combs_twinssweet 16 birthday party],” he wrote, explaining that the grown-up party dress was for a special occasion celebrating Diddy’s daughters Jessie and D’Lila Combs. (He also added the hilariously protective hashtag “#YesIWillDieOrDoLifeInPrisonOverHerWithoutThinkinOrBlinkin” just to really drive his point home.)

While his daughter keeps getting older, The Game also continues advancing his storied career. In August, he released Drillmatic — Heart vs. Mind, which included the 10-minute Eminem diss track “The Black Slim Shady” as well as collabs with Kanye West (controversial single “Eazy”), Fivio Foreign (“Burnin’ Checks”), Chlöe Bailey, Chris Brown and Cassie (“Universal Love”) and more.

At the time, he and executive producer Hit-Boy sat down with Billboard for an exclusive interview, discussing how Nas’ classic Illmatic inspired the album title and revealing Amy Winehouse as his dream collaborator.

Read The Game’s parental word of warning below.

SZA debuts a whopping 20 songs from her sophomore LP SOS, on the Billboard Hot 100 chart (dated Dec. 24), including two in the top 10. The set launches at No. 1 on the Billboard 200 albums chart, marking her first leader and sparking her first week atop the Billboard Artist 100 ranking.
SOS arrives at No. 1 on the Billboard 200 with 318,000 equivalent album units earned, according to Luminate. That’s the seventh-largest one-week total of the year and the second-biggest among R&B albums, after only the first week of Beyonce’s Renaissance (332,000, Aug. 13).

SZA scores her third Billboard 200 entry, after her debut LP Ctrl reached No. 3 in 2017 and EP Z peaked at No. 39 in 2014.

Of the 23 tracks on SOS, 20 debut on the Hot 100, including two in the top 10: “Kill Bill” (No. 3) and “Nobody Gets Me” (No. 10). Meanwhile “Shirt” jumps from No. 62 to No. 18 after reaching No. 11 in November. The two other songs on the album, “I Hate U” and “Good Days,” peaked at Nos. 7 and 9, respectively, in 2021.

Here’s a recap of SZA’s songs on the latest Hot 100 (all of which are debuts except where noted):

Hot 100 Rank, Title

No. 3, “Kill Bill”

No. 10, “Nobody Gets Me”

No. 12, “Blind”

No. 18, “Shirt” (up from No. 62; reached No. 11 in November)

No. 21, “Love Language”

No. 24, “Seek & Destroy”

No. 29, “Snooze”

No. 30, “Used,” feat. Don Toliver

No. 32, “SOS”

No. 37, “Special”

No. 40, “Ghost in the Machine,” feat. Phoebe Bridgers

No. 43, “Gone Girl”

No. 44, “Notice Me”

No. 52, “Smoking on My Ex Pack”

No. 54, “Open Arms,” feat. Travis Scott

No. 55, “F2F”

No. 58, “Conceited”

No. 61, “Far”

No. 62, “Too Late”

No. 76, “Forgiveless,” feat. Ol’ Dirty Bastard

“Kill Bill” and “Nobody Gets Me” earn SZA her sixth and seventh Hot 100 top 10s. She also ups her career totals to 23 top 40 hits and 37 overall entries. She first charted in July 2017 with “Love Galore,” featuring Travis Scott (No. 32 peak).

Among the new album’s featured artists, Phoebe Bridgers notches her first top 40 Hot 100 hit, after reaching No. 43 in 2021 as featured on Taylor Swift’s “Nothing New (Taylor’s Version) (From the Vault)” and No. 57 in 2020 with Maggie Rogers on their cover of Goo Goo Dolls’ “Iris.” Plus, Ol’ Dirty Bastard returns to the Hot 100 for the first time since 2004, adding his eighth solo entry in a history on the chart (he earned two additional chart hits as a member of Wu Tang Clan — “Method Man” in 1993 and “C.R.E.A.M. (Cash Rules Everything Around Me)” in 1994).

Meanwhile, SOS spurs SZA’s 42-1 vault on the Artist 100, as she rules as the top musical act in the U.S. for the first time. Also contributing to her reign is Ctrl, which rises 35-28 on the Billboard 200 (23,000 units, up 17%). With 288 weeks to-date, it’s the second-longest-charting R&B album by a woman in the list’s history, after Rihanna’s ANTI (346 weeks and counting).

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

When it comes to social media fodder, Drake’s pride is made of Teflon. After a meme from his collaborative song “Rich Flex” with 21 Savage went viral, Drizzy offered his take on becoming an Instagram punchline during an interview with online casino company Stake.

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In the clip, Drake explained a recent club encounter with a fan who asked about his feelings toward the latest viral joke, which implies that Drizzy is flirting with his collaborator when he says the line “21, can you do somethin’ for me?” Rather than take offense, Drake offered a mature response, noting he understands his prowess in pop culture and that taking jabs is all part of the game.

“I was just like, you know what? I understand after all these years that I feel like I have a polarizing presence,” he said. “I’m almost a character in people’s movies, and therefore, there’s a running dialogue. There’s jokes. You’re either the villain to some people or hero to some people. It is what it is. It just comes with the territory.”

Earlier in the conversation, Drake highlighted his ability to shrug off outside commentary and how his newfound confidence allows him to filter out the rubbish. “I feel like I finally found this comfort point where I’m able to genuinely disconnect from all the noise of the world and be able to live my own life,” he says. “I’m able to enjoy my life simultaneously while being at the forefront of pop culture.”

Drake has all the reasons to be confident after securing two more Billboard 200 No. 1 albums this year with his dance-centric effort Honestly, Nevermind and his joint album Her Loss with 21 Savage. 

You can watch the entire interview with Stake below, as Drake also talks about his appreciation for Baby Drill and SZA’s new SOS project. 

Lil Wayne is in the mood to spread Christmas cheer.

On Sunday, the “A Milli” rapper teamed up with Young Money Entertainment president Mack Maine and invited 150 children from their New Orleans hometown for some fun at Dave & Buster’s for “A Very Weezy Christmas,” which included a special visit from Santa and gifts from Wilson Sporting Goods for the lucky children in attendance.

The rapper shared a series of photos to Instagram from the wholesome outing, which features several of the kids happily posing alongside Santa and showing off their gifts. “This Christmas @mackmaine4president & I wanted to give some future hall of famers the gift of game w/ the help of @Wilson,” Wayne wrote. “Making sure they received the necessary resources so they could enjoy all the benefits of being a top tier athlete was very important to us! #HappyHolidays #WeezyChristmas.”

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“Whether it’s learning about sportsmanship, teamwork, or just using the field as a way to escape everyday stresses, we wanted to make sure these kids get to experience impactful moments,” Wayne added in a press release.

Holidays aside, Lil Wayne achieved a major achievement just before the end of the year: His 2008 hit “Lollipop,” which appeared on Tha Carter III and topped the Billboard Hot 100 for five weeks, just achieved diamond status. The hip-hop hitmaker shared a video of him opening up his special plaque to commemorate the milestone and told his fand and followers via instagram that he “appreciate[s] every single one of you.”

See photos from Lil Wayne’s Christmas surprise here.

As a professor, Method Man isn’t calling attendance, he doesn’t care who shows up late, and he damn sure isn’t going through bullet points on a syllabus. Wearing glasses, a baby blue Versace t-shirt and a navy baseball cap with the rim to the back, Meth is sitting down, carefully but effortlessly rolling a blunt as he prepares to address the student body.

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No, this isn’t some scene from How High. This is real life, and Method Man is the instructor tonight on a class held via Zoom called “Rhymecology.”

“The anxiety in the studio bruh, because Doc is incredible,” Meth says, giving props to his How High co-star and longtime friend Redman, when questioned by a student about collaborating. “I give credit where credit is due. That dude, he is music… The reason I said ‘anxiety’ is because you want to be at your best…. This n—a is going in the booth spitting straight ether every f—in’ day. And you gotta keep up, son. Even outside the studio, onstage. He helped my creative process so much. Big bruh molded me into the MC I am today.”

Throughout the night, Meth shares revelations, advice, tutelage and insights on everything from the genius of rap battle MCs (“The most brilliant rappers in the world — these muthaf—-s is driving the culture right now”), to being “miserable” for eight straight years making music, to constructing hooks, to his goal for his legendary hip-hop family, Wu-Tang Clan. And that is the Wu making it into the Rock and Roll Hall of Fame.

“I want that for my crew,” Meth declares. “We have a very strong stake in that.”

Rhymecology, dedicated to the mental health aspect in hip-hop, is just one of the courses laid out as part of the curriculum at the virtual school, Pendulum Ink Academy. At Pen Ink, one of the prime goals is “nurturing creativity through lyricism.”

Pendulum was conceived, developed and co-cultivated by Bronx wordsmith Mickey Factz, who ascended in rap during the rise of the blog era in the mid 2000s. He quickly became adept at multimedia marketing skills (Mickey’s marketing firm and indie label GFC New York had Nipsey Hussle on their roster of clients looking for help with branding), and showcased his wordplay through his freestyles, mixtapes and song collaborations, which helped him landed on the cover of XXL’s coveted Freshman Issue in 2009.

Along with his cover stars Wale, Kid Cudi, and Curren$y, Mickey was tapped to be a leader of the new school. Fast forward to 2019: Mickey was 10 years removed from being up next, and contemplating what was going to be next in his life.

“It was an epiphany moment,” Factz, sitting in his Atlanta high rise office, recalls. After a decade in the game, he felt he has reached his ceiling. “I was like, ‘I kind of feel like this a dead-end job for me right now. I’m working album to album. This doesn’t make sense to me. What am I gonna do when it’s time to retire?’ I started thinking about retirement a lot. So I was like, ‘You know what? I need to retire into teaching.’”

Mickey began researching how he could actually teach without a degree, and came to the conclusion that, sans the credentials, it was almost impossible. The rapper (born Mark Williams) had attended NYU and was a paralegal at a law firm before dropping out of school and quitting his job to focus solely on his rap career in 2007. Even if he had graduated NYU and became a lawyer like he was tracking to do, Mickey says there weren’t too many schools willing to make hip-hop an actual course in 2019 anyway.

Then the pandemic hit, and while so many of us were sequestered at home, Mickey locked his focus on MasterClass. Hip-hop icons such as Nas and Timbaland were lecturing virtually for a fee. Factz felt he found his pathway to rap retirement.

“I DMed them, ‘Yo, I would love to work with you guys,’” Factz recalls. “They hit me back a couple hours later like, ‘Yo man, don’t call us. We’ll call you.’ That was January 2021.

“I’m from the Bronx, man,” Mickey continues with a light chuckle, before revealing his found extra motivation in the wake of MasterClass’ rejection. “I said, ‘Aight. I’m gonna make my own MasterClass.’”

On Dec. 1, 2021, Mickey lectured an online class of 10 people — he was hired for $250 to speak for an hour. Factz realized that not only could he teach students, but he knew his dream could grow. “You can’t do a MasterClass of hip-hop in one class,” he explained. “It’s impossible in terms of writing.”

Factz reached out to his friend, battle rapper Chilla Jones, for help. Jones began to contact some of his associates, and soon a five-man team was formed. Together they came up with an eight-month curriculum, and Pendulum Ink Academy was created. 

Along with the core brain trust of the Academy (all of whom teach classes), Pendulum boasts certified college professors on their staff, and courses like Rap Theory, where the students learn cadence and how to rhyme on beat. Rap Theory is taught by jazz musician Comikbook Cam. Meanwhile, Chilla teaches Advanced Technique: Pendulum Ink has 35 rap techniques copyrighted, and put names to skills that MCs have been displaying their entire careers.

“Some of these courses were rejected at universities,” Factz says. “Criminology in Hip-Hop was rejected by three universities. So I said to our professor Ahmariah Jackson, ’Listen, come here. I’ll pay you. Teach it once a month.’” 

Pendum Ink launched last February, and Factz recalls not knowing exactly what to expect. “February 24th, we had our first person sign up,” he says. “They paid the full tuition, $2,000. Then every day after the 24th, for about 45 days, people were paying. I was like, ‘Alright, we got something here.’ And mind you, this is the beta [stage], just six courses: Rap Theory, Advanced Rap Techniques, Rhymecology, Mickey Money Class, Battle Rap, Content Creation Class.”

Soon after, Mickey signed up some of his close friends and peers to be guest teachers for these classes. “I told them I had a school and then I walked them through it, and then I asked them if they want to teach or give a lecture,” he remembers. “They said ‘Yes.’ I said, ‘Good, because I pay.’ I find it easier for them to do this than to do a record.”

Phonte from Little Brother, Masta Ace and Cory Gunz were all among his first phone calls. Fittingly, Inspectah Deck was Pendulum’s very first guest lecturer: Wu-Tang Clan’s Enter The Wu-Tang (36 Chambers) was the first album Mickey bought with his own money as a kid. “Its essential to bring back the art form, and Pendulum Ink does that,” Deck says. 

“It’s a gift to receive instruction from a living legend,” says Pendulum student, Al Billups. He signed up and participated in the recent Rhymecology class with Method Man. “The opportunity to peel back the layers of a composition with the actual creator is a treat for any fan of the culture. Participating in a Pendulum Ink session exposed me to an incredible instructional ecosystem that is designed to help MC’s gain a better understanding around the nuances of lyricism.”

Pendulum Ink’s graduation is set for February 26, 2023; Bun B is confirmed as commencement speaker. Veteran hip-hop journalist Sway has also been tapped to participate in the ceremony along with Big K.R.I.T., Stalley and Skyzoo.

Pendulum Ink also just started a nonprofit organization called Pen Pals, where kids from 7 to 17 can learn how to MC. Pen Pals will also serve as space for known MCs to learn how to teach. Factz says his hope is that some of those MCs could be professors at universities one day.

“I want them to have a crash course in our lexicon,” he notes. “You can do it your own way, but structure is very important.”

One of Pen Ink’s students has been hired at Fredrick Pilot Middle School in Boston, and is teaching some of the Academy’s programs to kids ranging from 11 to 14 years old. Meanwhile, Factz himself has accepted an offer to teach at the University of Hawaii, and will teach one month at a time for the whole of March, July and November.

Pendulum Ink has also delved into the actual ink game with their very own textbook coming next year, featuring a foreword written by Big Daddy Kane. The roster of new professors coming to teach in year two of the academy is shaping up to be impressive: Big Boi, Pharoahe Monch, Rah Digga, K.R.I.T., Lord Finesse, AZ and DMC are all locked in to give lectures, while Black Thought has agreed to be the 2024 commencement speaker at the graduation.

“Ten years from now, I’ll be 50,” says Factz, “and God willing, I’ll have three [physical] schools across the country. I’ll have one in the Bronx by 2027, then one here in Atlanta and one in L.A.” The former Freshman still performs shows and puts out his music independently, but says, “I want to have schools for hip-hop and lyricism. I want to be able to create jobs and opportunities for younger students and older people to be able to make money from. It’s important that the culture remains within with us. Because let me tell you something, if I didn’t do this, somebody else not of the culture would’ve done it.”

Hip-hop experienced twists and turns throughout 2022.

Once the ball dropped, Gunna ignited the flame with his club-ready single “Pushin P’,” which made the 16th letter in the alphabet top-tier on social media. Also, no one expected the Memphis rookie GloRilla to cause tremors in the genre with her earthshaking anthems “FNF” and “Tomorrow 2.” Her surplus of hits allowed men and women to get loud and rowdy together as they chanted her lyrics with gusto.

And when we weren’t in a partying mood, we received doses of high-octane lyricism and thoughtfulness from our most well-spoken MCs. Kendrick Lamar’s precision and innate ability to connect with listeners remains second to none, as proven on “Rich Spirit” and “N95,” while Jay-Z’s agile wordplay continues to be at a hall-of-fame level after rattling off an impressive 80-bar melee on DJ Khaled’s Grammy-nominated “God Did.” Vince Staples — who delivered a top-five effort on Billboard’s Best 20 Hip-Hop Albums of 2022 — doled out quality records as well, whether it was the DJ Mustard-anchored single “Magic” or the criminally underappreciated gem “When Sparks Fly.”

The quality of hip-hop records in 2022 came from all walks of life and different sectors of the map, keeping us engaged, intrigued and hungry for more. Can 2023 carry the same momentum and “big energy”? Only time will tell; until then, check out Billboard’s Best Hip-Hop Songs of 2022 below.

New York police are still searching for the person who assaulted a 63-year-old man in Central Park last week in what officials described as an antisemitic attack. According to NBC News, the incident took place last Wednesday evening when the as-yet-unidentified male assailant allegedly hit the elderly victim in the back of the head after making antisemitic remarks while saying “Kanye 2024.”

The latter appeared to be a reference to the reported second long-shot White House bid by disgraced rapper Kanye West (who now goes by Ye), who has gained attention in the past few months for a string of interviews with right-leaning media outlets in which he made a series of antisemitic remarks while repeatedly proclaiming to conspiracy theorist Alex Jones: “I like Hitler.” Last week, West was named “Antisemite of the Year” by the watchdog group StopAntisemitism.

NBC reported that the alleged attacker — described as a man of medium build in his 50s with a light complexion — fled on a bike after the assault, which left the 63-year-old victim with a chipped tooth and a broken hand; the person of interest in the case had a bike with a trailer featured a sign that read “Hungry Disabled.”

“Crimes like these have a ripple effect across communities and cause unique trauma on top of physical harm,” Scott Richman, the regional director of the Anti-Defamation League of New York/New Jersey, told CNN. While the attack appeared random, Richman told CNN that it was an example of how Ye’s antisemitic rhetoric has “perpetuated violence and incited others to act out.” Richman added, “When public figures with huge platforms fan the flames of antisemitism, people will copy it and begin to think it’s normal.”

Councilman Eric Dinowitz, who chairs New York city council’s Jewish Caucus, agreed, telling CNN, “I am deeply disturbed by this vile, yet predictable antisemitic attack in Central Park. Anti-Jewish attacks are rising at an alarming rate, fueled by hateful rhetoric and willful ignorance. These attacks on Jewish New Yorkers are not isolated incidents, but a pattern of attacks on an entire people.”

The Anti-Defamation League reported that antisemitic attacks reached an all-time high in the U.S. in 2021, with figures up 34% from 2020. Over the past several months there have been a series of incidents in which others have seemingly expressed solidarity with Ye’s repetition of anti-Jewish tropes and stereogypes, including unknown persons who hung a “Kanye is right about the Jews” banner over the 405 Los Angeles freeway in October while making the “Heil Hitler” salute; the same message was displayed on the outside of TIAA Bank Field in Jacksonville, FL a few days later.

The superstar singer took to TikTok on Saturday (Dec. 17) to share an adorable video of her son, whom she welcomed with partner A$AP Rocky in May. In the 45-second clip, RiRi and her little one are riding in the back of a car while the infant smiles and coos at his fawning mom.

Rihanna is giving a first look at her 7-month-old baby boy.

“You tryna get Mommy’s phone?” Rihanna asks affectionately to her son.

Rihanna first announced her pregnancy at the end of January, after she and the “Fashion Killa” rapper were spotted hand in hand on a casual, snowy stroll in New York City. Since then, she spent several months elevating maternity style by turning out ensemble after ensemble of runway ready looks at Milan Fashion Week, Paris Fashion Week and beyond.

The singer is still fresh off releasing her first pieces of new music in six years with “Lift Me Up,” which debuted at No. 2 on the Billboard Hot 100 in November, and “Born Again” as part of the Black Panther: Wakanda Forever soundtrack. She’ll also headline the Super Bowl Halftime Show in February.

See Rihanna’s first video of her baby boy below on TikTok.

Kendrick Lamar is known to largely keep his personal life outside of the public eye–except when it comes to his music. On Friday (Dec. 16), he released the music video for his Mr. Morale & the Big Steppers deep cut, “Count Me Out,” depicting the Compton artist in a piano-side therapy session with Oscar award-winning actress Helen Mirren.

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Directed by Lamar and pgLang cofounder Dave Free, the video begins with a skit about Lamar taking a woman’s parking spot, before presenting a three-way split screen, showing the “HUMBLE” rapper rattling off his innermost thoughts on one side, Mirren with a steady gaze of empathy on the other, and in the middle, the scenes he describes playing out, including shots of Lamar’s partner, Whitney Alford.

The video and lyrics touch on themes of frustration, growth, infidelity and ego, staying true to the color scheme surrounding Lamar’s Big Steppers tour — black, white and red — as well as themes of life and death. Mirren’s vocals were also used in transitional moments during Lamar’s tour set.

Mr. Morale & The Big Steppers released in May and debuted atop the Billboard 200 chart, with 295,500 equivalent album units earned in the U.S. in the week ending May 19, according to Luminate. The album earned Lamar Grammy nominations for both album of the year and best rap album, with “Die Hard” with Blxst and Amanda Reifer up for best best melodic rap performance. He also received a whopping four nominations for “The Heart Part 5” in categories including record of the year and song of the year.

Cheers to more escapades! Janet Jackson visited the TODAY show on Friday (Dec. 16) to discuss her upcoming tour, plans for new music and more.

During the chat, the famously soft-spoken superstar was even quieter than usual, on account of losing her voice, but that didn’t stop her from spilling the tea. “I feel great, we’re so excited,” she said of preparations for Janet Jackson: Together Again. “It’s gonna be a fun time with Ludacris as a special guest … You know, I’ve never done it with him before, so he’s a great fit. Thought it would be a lot of fun.”

Jackson also confirmed she has new music on the way. “There is,” she told the panel of hosts with a laugh. “There is new music. A lot of the fans have been saying, ‘Where’s the new music? When are we gonna get new music?’ So there will be new music.”

While the singer didn’t specify a release date or other details, any new music would be her first since releasing her eleventh studio album, Unbreakable, in 2015 and her 2018 one-off, “Made For Now,” with Daddy Yankee.

Jackson also extended an invitation for co-host Sheinelle Jones to join her after seeing a clip the TODAY anchor perform “Rhythm Nation” in full costume. “I’m looking for someone to come on stage and dance with me for a song or two,” she said. “I was serious about you coming on stage.”

Janet’s tour will kick off April 14 in Hollywood, Fla., and runs through June 21, when it will close with a show in Seattle. Watch Janet’s full talk with TODAY above.