R&B/Hip-Hop

Tupac Shakur Street Unveiled in Oakland to Honor Late Rap Icon

A stretch of street in Oakland, California, was renamed Friday (Nov. 3) for Tupac Shakur, 27 years after the killing of the hip-hop luminary.

A section of MacArthur Boulevard near where he lived in the 1990s became Tupac Shakur Way, following a ceremony that included his family members and Oakland native MC Hammer.

“Let his spirit live on the rest of these years in these streets and in your hearts,” Shakur’s sister Sekyiwa “Set” Shakur told the crowd, wiping away tears at the end of a nearly two-hour ceremony. The sign for Tupac Shakur Way was unveiled moments later.

MC Hammer, the “U Can’t Touch This” rapper who spent many of Shakur’s final months with him before his 1996 shooting death at age 25, said in his remarks that Shakur was, “hands down, the greatest rapper ever, there’s not even a question of that.”

Shakur collaborator Money-B and Oakland hip-hop legend Too Short also spoke at the ceremony.

Shakur was born in New York and was raised there and in Baltimore, but he moved with his mother to the San Francisco Bay Area in the late 1980s. He would live in Oakland in the early 1990s and embraced it as an adopted hometown.

“He claimed Oakland,” said City Councilwoman Carroll Fife, who led the effort to rename the street. “He said Oakland gave him his game.”

The ceremony came the day after a former Southern California street gang leader pleaded not guilty to murder in the Las Vegas shooting death of Shakur.

Duane Keith “Keffe D” Davis is charged with orchestrating the shooting. He is the only person still alive who was in the vehicle from which the fatal shots were fired and in September, 27 years after the killing, became the only person ever charged with a crime in the case.

Shakur’s relatives have kept their distance from the prosecution and made only passing reference to it Friday. Sekyiwa Shakur said her brother “died at 25 years old in gang violence, by the hands of another Black man, by the planning of another Black man, whoever that man may be.”

City Girls Explain Why They Wanted to Work With Kim Petras on New Album & More | Billboard News

City Girls stopped by Billboard News and opened up about their new album, RAW, working with Kim Petras, their relationships with Diddy and Lil Uzi Vert, their support for the transgender community and more!

Catrise J:
People were talking about it, talking about you’re in the Illuminati. How do you … what do you say to people that say that to you?

JT:
I don’t even, girl … the Illuminati, call me!

What’s up? It’s the City Girls and you’re watching Billboard News. Period.

Catrise J:
Hi, everyone. It’s your girl, Catrise J, with Billboard News, and we have the City Girls! Welcome!

Yung Miami:
Hello.

Catrise J:
So I want to start with the new album, which I’m very excited about. Your first single on the record is with Kim Petras called “Flashy.” What made you want to work with Kim Petras?

JT:
We were looking for somebody who was going to sound good on the record. And Kim Petras, I think that she’s dope and she sounds great.

Catrise J:
What’s your favorite songs off the album?

JT:
My favorite songs change every day. If I could pick my favorite song today, it would be “Work for It.”

Catrise J:
Hmm … Why is it that song?

JT:
I like the beat because it’s like a sample of one of my favorite songs. I think that’s why I’m so in love with “Work for It” because they remind me of nostalgia and my childhood.

Catrise J:
Also, you mentioned earlier we were talking “F–k the D to the A” — that’s an older song. So are some of the songs a mixture of newer songs, older songs that you, like, recorded, never released, or …?

JT:
“F–k the D to the A” is the second song we ever recorded. It’s like raw and authentic, just like the name of the project. Like, our day one fans always ask for it to be on streaming, so it’s like a surprise to them. It’s like a gift to our day ones.

Catrise J:
That’s exciting. That’s quite a gift.

Watch the full video above!

Metro Boomin’s Red Bull Symphonic Concert: Exclusive Photos

The Weeknd once sang “Metro Boomin turn this ho into a mosh pit” on their Billboard Hot 100 No. 1 hit “Heartless,” but last Thursday (Oct. 26), he turned Los Angeles’ Dolby Theatre into an entire hip-hop symphony during his Red Bull Symphonic concert.

His one-night-only experience marked the West Coast premiere of the Red Bull Symphonic, which showcases a collaboration between a modern artist and a classical musical director, together with a full-scale orchestra. It made its U.S. debut last November, when Rick Ross teamed up with conductor Maestro Jason Rodgers and the 50-piece, all-Black Orchestra Noir in Atlanta.

The hip-hop superproducer partnered with conductor Anthony Parnther (Encanto, Star Wars: The Mandalorian, Creed II, Black Panther: Wakanda Forever) and the Symphonic Orchestra to reimagine many of his biggest hits, including Future‘s “Mask Off,” Migos and Lil Uzi Vert‘s “Bad and Boujee,” Post Malone and Quavo‘s “Congratulations,” Kanye West‘s “Father Stretch My Hands, Pt. 1” and his own “Creepin’” alongside The Weeknd and 21 Savage. Considering his star-studded list of collaborators, Metro also treated attendees to surprise guests John LegendSwae LeeNav and Roisee to perform songs from his 2022 Billboard 200-topping album Heroes & Villains and the 2023 Spider-Man: Across the Spider-Verse soundtrack he executive produced.

“Sh–’s so beautiful,” Metro told his devout fans. “Tonight is a celebration. We celebrate music, we celebrate culture, we celebrate y’all for listening to this music and making it what it is.”

Check out exclusive behind-the-scenes and performance photos from his Red Bull Symphonic show below.

Here’s Why Fans Think Megan Thee Stallion Is Rapping About a Cheating Ex on ‘Cobra’

On Friday (Nov. 3), Megan Thee Stallion made her solo return to the music scene with “Cobra,” her first unaccompanied non-soundtrack single since Tory Lanez was sentenced to 10 years in prison for shooting her in July 2020.

The new song and video are packed with serpentine imagery, with Megan literally “shedding” her skin in the track’s Douglas Bernardt-helmed clip. Over a beat punctuated by rock guitars, the H-Town Hottie spits, “At night, I’m sittin’ in a dark room thinkin’ / Probably why I always end up drinkin’ / Yes, I’m very depressed / How can somebody so blessed wanna slit they wrist?”

Since the song’s release, fans have latched onto Megan’s intensely vulnerable and revelatory lyrics, commending the Billboard Hot 100 chart-topper for her honesty and bravery. “Megan is being extremely vulnerable with this record & I hope we give her, as a Black woman, a safe space that she deserves for sharing this with us through her art form,” wrote one user on X (formerly Twitter). Another user pointed out that “Cobra” follows a long line of emotional deep cuts from Megan, writing, “I’m crying at ppl acting like this Megan first vulnerable song ever made. This how I know yall not listening to her albums.”

“Cobra” boasts two particular revelations that have dominated the social media conversation. First, the “Savage” rapper reveals that she has recently been battling suicidal ideation and alcohol abuse, spitting, “Shit, I’d probably bleed out some Pinot / When they find me, I’m in Valentino / He pourin’ me shots, thinkin’ it’s lit / Hah, little did he know” and “Damn, I finally see it / I’m killin’ myself when b—es would die to be me.”

The other shocking revelation is her claim that one of her ex-partners cheated on her in her own house. “Pulled up, caught him cheatin’, gettin’ his d–k sucked in the same spot I’m sleepin’ / Lord, give me a break, I don’t know how much more of this s–t I can take,” she raps. With some simple calendar math and a bit of sleuthing, Meg’s Hotties seem to think that the cheating ex-partner in question is Pardison “Pardi” Fontaine, a Grammy-winning rapper and songwriter who dated Megan from 2020 to the top of 2023.

Pardi appeared to respond to the infidelity allegations via his Instagram Story, sharing a meme clip of Future saying “It’s an evil world we live in,” followed by an image of a laughing Tristan Thompson. He then limited the comments on his main feed.

See what fans had to say about Megan Thee Stallion, Pardison Fontaine and her new song below.

If you’re thinking about suicide, or are worried about a friend or loved one, contact the National Suicide Prevention Lifeline, available 24 hours, at 1-800-273-8255. Reach the Substance Abuse and Mental Health Services Administration National Hotline at

LL Cool J & The Roots Reimagine ‘Mama Said Knock You Out’ for NBA In-Season Tournament Anthem

As the NBA season embarks on its inaugural In-Season Tournament Friday (Nov. 3), the league tapped two rap cornerstones to form a triumphant anthem: LL Cool J and The Roots combine two of their classic efforts — “Mama Said Knock You Out” and “Here I Come,” respectively — to create the official anthem. The video finds LL and legendary Roots members Questlove and Black Thought joining forces to fuse their hits to create a memorable mash-up to kick off the In-Season Tournament.

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Thought first leads the way by chanting the hook from the group’s “Here I Come” before LL takes centerstage to recite his striking verse from his Grammy-winning song. Instead of rapping inside a boxing ring like in his classic video, LL performs on the In-Season Tournament stage alongside the NBA Cup, the trophy given to the winning team.

LL Cool J and The Roots

Courtesy Photo

According to the NBA’s press release, the anthem “will serve as the musical backdrop for the stages of the In-Season Tournament, starting with Group Play involving all 30 teams and progressing through the single-elimination Knockout Rounds, culminating in the Championship.”

“I’ve been a fan of the NBA ever since I can remember, and it’s a real honor to have my record serving as the anthem for this monumental moment,” said LL in the release. “I’m excited to see the energy of the song translate to the play on the court during the NBA In-Season Tournament.”

Earlier this summer, LL and The Roots shared the stage for The F.O.R.C.E. Tour.

Check out their mash-up above.

Megan Thee Stallion Drops New ‘Cobra’ Single: Stream It Now

Megan Thee Stallion dropped “Cobra,” her first single under her own independent music and entertainment entity Hot Girl Productions, on Friday (Nov. 3).

The three-time Grammy-winning artist revealed in an Instagram Live last month that she wasn’t signed to a label anymore. “This part of my album is very much so funded by Megan Thee Stallion because we’re trying to get off … Y’all know what’s the tea. But I have no label right now,” she explained. “We’re doing everything funded straight out of Megan Thee Stallion’s pockets. So, the budget is coming from me. Motherf—ing Hot Girl Productions! The next s— y’all about to see is all straight from Megan Thee Stallion’s brain and Megan Thee Stallion’s wallet. We are in my pockets, hotties, so let’s do our big one.”

She recently settled a years-long legal battle with her former record label, 1501 Certified Entertainment. The label’s attorneys announced last month that both sides had “mutually reached a confidential settlement to resolve their legal differences” and that Megan and 1501 will “amicably part ways.”

The rapper’s been gradually releasing new music after announcing that she would be taking a break to focus on “healing” in April. “Fans can expect new music when I’m in a better place,” she said in an interview with InStyle. Since then, she released “Bongos” with Cardi B (a follow-up collaboration to their Billboard Hot 100 No. 1 smash “WAP”) and “Out Alpha the Alpha” from the Dicks: The Musical soundtrack. “Bongos” debuted at No. 5 on Billboard‘s Hot R&B/Hip-Hop Songs and reached No. 1 on R&B/Hip-Hop Digital Song Sales.

Listen to “Cobra” below.



Reggae/Dancehall Fresh Picks of the Month: Teejay, Chronic Law, Mystic Marley, Shaggy, Mavado & More

Between Teejay and Bryon Messia’s ongoing beef, a brand new From the Block live performance video from Shenseea, and the passing of dancehall star Gully Bop, it’s been a packed month for the West Indian music scene — and most of these things only happened within the past week!

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To help sort through all the new Caribbean music released in October, Billboard’s monthly Reggae/Dancehall Fresh Picks columns returns with a host of new selections for your listening and wining pleasure. Of course, as is the case across genres in today’s age, there’s an overwhelming amount of new music released every day, let alone every month. Naturally, this column will not cover every last track, but our Spotify playlist — which is linked below — will expand on the 10 highlighted songs.

Without any further ado, here are 10 tracks across reggae, dancehall and their cousin genres that are heating up both our personal playlists and late-night functions from Kingston to Queens:

Freshest Find: Teejay, “Unwanted Child”



Although it’s still unclear what exactly sparked the beef between Teejay and Byron Messia, the new-school dancehall stars are continuing to fire off diss tracks. This week, Teejay sent some more direct hits to the “Talibans” singer with the blistering “Unwanted Child,” a scathing diss track that alleges that Byron is a literal unwanted child (“Act like a we mek him madda disown him”) who doesn’t live the life he raps and sings about in his music. The dark, grimy beat is a smart complement to Teejay’s sinister delivery; his voice drips with equal parts disdain and haughtiness, two of the most important feelings for a proper diss track.

Khalia feat. Shaggy, “Double Trouble”



On this selection from Stay True, Khalia’s debut project, the Westmoreland singer joins forces with Shaggy for a conversational duet that traces the story of two partners with undeniable sexual chemistry who simply cannot work in a proper relationship. She employs a cadence reminiscent of contemporary R&B as she recounts this roller coaster of a relationship over the slow-burning dancehall-inflected beat. “Anuh any any man can win da spot ya inna my heart/ Keep it premium on a level affi inn a path/ You affi show me all your cards before let dung my guard/ And den I work it and reverse it so I’m keeping him sharp,” she croons.

Valiant, “Beer & Salt”



When you reach the top of of the food chain, there are always going to be those people waiting for you to slip up — even Valiant can’t escape that phenomenon. After a less-than-impressive performance at Miami Carnival and a subsequent social media backlash, Valiant uses “Beer & Salt” as way to respond to his detractors and reflect on his tumultuous past few months. “And if a badness, just talk, make me load me strap/ I see them lurking on my IG/ I know your profile private/ All of this was a dream but you can’t ketch the flows I’m finding,” he spits over the slinky DJ Mac-produced beat.

Mavado, “No Sorry”



Taking a similar approach to Valiant, Mavado uses “No Sorry” to champion his lack of regrets for the way he has chosen to live his life. Backed by a skittering trap dancehall beat, Mavado sings, “A ghetto youth pon the top of the mountain ah di greatest story,” once again reaffirming that his intentions are genuine and pure, even if his actions may garner mixed reactions from some. He’s unapologetic in who he is and where he comes from as he reflects on his life and success across the self-affirming track. After all, “Don’t make excuses, we make sacrifice,” he sings on “No Sorry.”

Chronic Law, “War Cycle”



Moving away from the self-motivating introspection of Valiant’s and Mavado’s new tracks, Chronic Law opts for despondent piano to anchor his stab at trap dancehall — a solemn reflection on the emptiness he sometimes feels in spite of his success, likening the dynamic to the ongoing violence that plagues his home country. “What a cycle/ The likkle scheme warm than Grove Street turf/ Me a drink and pretend mi don’t feel hurt/ Cyaa describe mi pain with no real words,” he croons.

Mystic Marley, Nailah Blackman & Walshy Fire, “Jump”



This new track from the granddaughters of Bob Marley and Lord Shorty, respectively — with production contributions from Walshy Fire of Major Lazer — combines bits of dancehall, reggae and soca for one of the most undeniable party records of the year. With bubbly brass stitching together elements of Marley’s “Rainbow Country” (1971) and Shorty’s “Endless Vibration” (1974), Mystic and Nailah balance the familiarity of old-school reggae guitars and infectious soca percussion as they implore their listeners to, well, “jump!”

Intence, “Lesson”



Rising Jamaican dancehall artist Intence delivers a heartfelt reflection on the most pertinent lessons life has taught him. Staunchly within the modern trap-inflected dancehall arena, Intence offers up several nimble flows as he recounts various life-altering experiences that remind him of both his mortality and his divine protection. “Just another ghetto youth and if you ask me I would have tell you from the start the amount a times them double cross me/ Me a real youth me don’t need to tell you that so let them talk cause me don’t care as long as God see,” he spits in an impressive rapid-fire delivery.

Zagga, “Believe & Pray”



Released near the top of last month (Oct. 13) as the penultimate song on his Energy Never Lie album, “Believe & Pray” finds Zagga both talking with God and encouraging his listeners to have faith and trust in the power of prayer. “Prayer move mountain, prayer with faith, dawg/ Jah Jah eva on time, never yet late, dawg/ Whula we a sin but mi no ready fi graveyard/ Conscious, but the world mek mi behave bad,” he sings over the solemn, uplifting beat, which is part of a new riddim produced by Shane Creative.

Talia Goddess, “Forever Young”



Guyanese-British multi-hyphenate Tayahna Walcott, aka Talia Goddess, perfectly captures the buzzing sensuality of hot summer nights during the prime of your youth with this smooth dancehall and R&B-inflected banger. In the hook for “Forever Young,” which is built around a thumping dancehall riddim, she reaches for high-pitched, Amaarae-esque tone as she sings, “Tell me is you really mine my lover?/ Cah you make me feel alive, so true/ I can take you to the light my darling/ I just wanna live my life with you.” Both the track and its globe-trotting music video are testaments to the rich global legacy of West Indian music and culture.

Roze Don, Countree Hype & Konshens, “Unch It Remix”



Some of the best dancehall tracks are the instructive ones; they’re inherently interactive and personable. For the official remix of their function-rocking “Unch It,” Roze Don and Countree Hype recruit dancehall star Konshens to add his own spice to the steady, percussive beat. Their tones are calm, just shy of nonchalant, but glimpses of staccato flows and the sneaky sensuality of a whisper add dynamics that elevate the song nicely. From the booming bass to irresistibly danceable melody, the “Unch It” remix is nice update of the August orignal for the autumn season.

For good measure, here are two bonus Fresh Picks that are only available to stream via YouTube.

These 20 Rappers Are the Top-Grossing Hip-Hop Touring Acts of All Time

From Jay-Z to Nicki Minaj and beyond, here are the highest grossing artists, according to Billboard Boxscore.

Billboard Boxscore has been tracking touring data and ranking the top live acts around the world across various musical genres since the mid-1980s. We’ve already run down the biggest live artists in country and Latin music, and now it’s time to present the 20 highest grossing rappers in the Boxscore archives.

Hip-hop was still in its adolescence when Boxscore charts started in the mid-’80s. But in the nearly 40 years since, rap has exploded, becoming a (or the) dominant force in popular music. What began in a community rec room of a Bronx apartment complex has graduated to theaters, arenas and stadiums.

This list is based on global figures reported to Billboard Boxscore as of Nov. 2. Final numbers are based on headline engagements only – no festivals – plus 50% of any co-headline grosses.

That last part is important. As in the studio, collaboration has been key on the road for the rappers on our list and beyond. From Jay-Z and Kanye West to Eminem and 50 Cent, hip-hop acts have co-headlined in various arrangements over the last few decades, using one another’s shared star power to sell out venues worldwide.

A note about eligibility for this list: We’re including rap artists who have charted on Billboard’s Top R&B/Hip-Hop Albums chart. That means that artists who rap instead of sing, but don’t fall within the genre of hip-hop, are excluded. For acts that have straddled the line, we’ve made splits — tours supporting pop or alternative albums for Post Malone or Machine Gun Kelly don’t count toward their totals.

Tyla’s ‘Water’ Rushes Into Top 10 on Hot R&B/Hip-Hop Songs Chart

Tyla’s rapid rise hits a new level this week as “Water” rushes into the top 10 on Billboard’s Hot R&B/Hip-Hop Songs chart with a 12-8 push on the list dated Nov. 4. The South African singer’s single continues to build in all three contributing metrics – streaming, radio airplay and sales – and races into the top 40 on the Billboard Hot 100.

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In the latest tracking week of Oct. 20 – 26, “Water,” released on FAX Records / Epic Records, registered 11.4 million official U.S. streams, according to Luminate, an 18% jump from the prior week. Thanks to that figure, the track lifts 14-10 on R&B/Hip-Hop Streaming Songs and takes the chart’s weekly Greatest Gainer honor. In the sales market, “Water” also sold 2,000 downloads in the tracking week, an 11% improvement on the prior week and enough to keep the track at No. 3 on R&B/Hip-Hop Digital Song Sales for a second week. The single’s radio airplay surges to 15.1 million in total audience, a 39% swell compared to the previous week, and prompts its No. 39 entrance on the all-genre Radio Songs chart. (All radio airplay, regardless of genre format, contributes to a track’s rank on the Hot R&B/Hip-Hop Songs chart.)

Diving further into the “Water” radio appeal, the single is hottest at the R&B/hip-hop format, as it pushes 19-14 on the Mainstream R&B/Hip-Hop Airplay chart through a 25% gain in plays at the format. It’s quickly racing up the ranks at rhythmic radio, dashing 30-20 on Rhythmic Airplay following a 57% explosion in weekly plays there. Plus, the tune launches at No. 39 on the Pop Airplay chart due to a 75% week-over-week improvement in plays at mainstream top-40 radio stations.



Elsewhere, “Water” springs 5-2 on the Hot R&B Songs chart for a new peak and bursts 46-21 to a new best on the all-genre Hot 100, securing Tyla’s first top 40 hit in the process. In addition, “Water” wins a third term at No. 1 on the Billboard U.S. Afrobeats Songs chart. Echoing its rapid ascent up several U.S. charts, “Water” is also proving a global hit: The tune darts 21-9 on the Billboard Global 200 and 17-11 on the Billboard Global Excl. U.S. chart.

The ”Water” chart rise also lifts Tyla’s fortunes on the Billboard Artist 100, where she leaps 72-58 in her second week on the 100-position list, which measures artist activity across key metrics of music consumption- album and track sales, radio airplay and streaming – to provide a weekly multi-dimensional ranking of artist popularity.

Lil Mabu & Chrisean Rock Zoom to No. 1 on TikTok Billboard Top 50

After a three-week reign atop the TikTok Billboard Top 50, Mitski’s “My Love Mine All Mine” relents the No. 1 spot to Lil Mabu and Chrisean Rock’s “Mr. Take Ya B-tch,” which zooms from No. 33 to the top of the Nov. 4-dated tally.

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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity Oct. 23-29. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.

“Mr. Take Ya B-tch” debuted on the Oct. 28-dated TikTok Billboard Top 50, following the song’s premiere on Oct. 16. In addition to a viral dance to the song on TikTok, the track has also garnered attention due to the song dissing Chrisean Rock’s ex-boyfriend Blueface (she is now dating Lil Mabu). Blueface’s current girlfriend, JaidynAlexis, concurrently leaps into the top 10 of the chart, zooming 13-8 with “Barbie” (more on it here after its debut on the Oct. 21 survey).

Lil Mabu and Chrisean Rock’s collaboration debuts at No. 33 on the Hot R&B/Hip-Hop Songs chart dated Nov. 4, racking up 7.2 million official U.S. streams in the Oct. 20-26 tracking week, according to Luminate.

It’s not the first time Lil Mabu has had a viral moment on TikTok, though it’s the first since the TikTok Billboard Top 50 began in September 2023. Previously, his song “Mathematical Disrespect” rose to No. 47 on the Billboard Hot 100 in May.

Music from Disney films take up two of the TikTok Billboard Top 50’s top 10 spots, with “Mr. Take Ya B-tch” followed by Ariana DeBose’s “This Wish” at No. 2 after it debuted at No. 5 the previous week. The song, from the upcoming film Wish out Nov. 22, continues to rise thanks to continued usages around collective digital character cards on TikTok for Walt Disney Animation Studios’ 100th anniversary that were launched Oct. 16. “We Don’t Talk About Bruno,” from 2021’s Encanto, benefits from the same trend, jumping 25-6.

The TikTok Billboard Top 50’s previous No. 1, Mitski’s “My Love Mine All Mine,” falls to No. 3 (though it continues to vault up the Billboard Hot 100, leaping 35-26 for a new peak), while Aliyah’s Interlude’s “It Girl” lifts from No. 6 to No. 4, its first week in the top five. Future’s “Wicked,” previously at No. 3, drops to No. 5 to round out the top five.

One of the chart’s big movers outside of “Mr. Take Ya B-tch” is Bad Bunny’s “Monaco,” which, after debuting at No. 50 on the Oct. 28 ranking, rises to No. 7 in its second week. Concurrently, the song spends a second week at No. 1 on Billboard’s Hot Latin Songs, with 18.1 million streams, 1.8 million radio audience impressions and 2,000 downloads.

Drake’s “Rich Baby Daddy,” featuring Sexyy Red and SZA, also reaches the TikTok Billboard Top 50’s top 10 for the first time, jumping 21-10 on the heels of dance content and other uploads mostly isolating Sexyy Red’s chorus.

Prince and the Revolution’s “Kiss,” meanwhile is the chart’s top debut of the week, bowing at No. 12. The iconic artist’s two-week Hot 100 No. 1 (1986) blasts onto the list due to a meme of a skeleton dancing to the song.

See the full TikTok Billboard Top 50 here, including debuts from Beach House, Future, Hank Williams Jr. and more. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.