R&B/Hip-Hop

Jay-Z Recalls 6th-Grade Teacher & How Excited She Was That He Could Read at a 12th-Grade Level

As fans gear up for Jay-Z‘sCBS interview with Gayle King on Tuesday night (Nov. 14), the network delivered a new teaser ahead of their much-anticipated conversation.

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In the new clip, Jay speaks on his teachers’ influence and how one specifically played an integral role in his development. “Miss Loudon was my sixth-grade teacher. In the sixth grade, I was readin’ on a 12th-grade level,” recalled Hov. “That excited me. ‘Cause everyone was excited. And Miss Loudon, she was excited. It felt like me riding my bike at 4, the way people reacted to that.”

Jay’s interview with King will highlight his three-decade career at his Book of HOV exhibit at the Brooklyn Library. The Black Album MC’s music triumphs, business wins and philanthropic deeds are all spotlighted at the library, which will be available for fans to visit until next month.

“I think what matters most, today, is being a beacon and helping out … my culture,” Jay-Z revealed in a trailer last week for his upcoming interview. “People of color. I think I pull the most satisfaction from that. Like making music earlier was, like – my first love. I could sit there for hours. It consumed me. Just finding words and figuring out words and how to say this and different ways to say that and different pockets and melodies and how to write this song… That consumed me. That’s why my pace was so fast. I had so much material … And I think now, you know, the idea of, of taking that platform and, you know, reproducing it for others or doing something like Reform [Alliance, Jay’s nonprofit] … I think I derive the most joy from that.”

The “Jay-Z and Gayle King: Brooklyn’s Own” conversation airs Tuesday night at 9 p.m. ET. Watch the latest clip for Jay’s interview below.

Nicki Minaj, Lil Uzi Vert & Post Malone to Headline Rolling Loud California 2024: Full Lineup

Calling all Barbz! Rolling Loud dropped the lineup for the festival’s forthcoming sixth visit to California on Tuesday (Nov. 14). Led by superstars Nicki Minaj, Lil Uzi Vert and Post Malone, the sprawling list of performers features more than 90 of the biggest and buzziest names across rap, R&B, pop and Latin music. Rolling Loud California 2024 will take over Hollywood Park Grounds in Inglewood, Calif., from March 15 to 17, 2024.

Minaj — a 2023 Billboard Music Awards finalist for top rap female artist — headlines a packed opening day for the festival. On Friday, March 15, Hollywood Park Grounds will be treated to performances from YG & Tyga, PARTYNEXTDOOR, Rae Sremmurd, Sexyy Red, Lil Tecca, Luh Tyler, Lay Bankz, Lil Gnar and JELEEL!

The Friday night performance is one of the first Minaj has confirmed for 2024. The two-time 2024 Grammy nominee is currently gearing up for the release of Pink Friday 2 — the sequel to her 2010 Billboard 200-topping debut studio album — and she’s teased an accompanying tour multiple times. Pink Friday 2 is set to arrive on Minaj’s birthday, Dec. 8.

On Saturday, March 16, “Circles” hitmaker Post Malone will lead an eye-popping lineup that includes appearances from Summer Walker, Big Sean, $uicideboy$, Larry June, Flo Milli, Pi’erre Bourne, Veeze, BigXthaPlug, Kaliii, Rob49, DC the Don, KenTheMan, 2Rare, Jordan Ward, Maiya the Don and Danny Towers. A mystery guest is listed in the second row of Saturday’s lineup between Big Sean and Larry June. Rolling Loud has yet to hint or reveal who the surprise act might be.

Finally, “Just Wanna Rock” rapper Lil Uzi Vert — who scored yet another Billboard Hot 100 hit with Minaj this year with their “Endless Fashion” (No. 20) duet — is set to close out the festival on Sunday, March 17, alongside a lineup that includes Bryson Tiller, Don Toliver, Ski Mask the Slump God, Chief Keef, NLE Choppa, That Mexican OT, 310babii, Chase Shakur, Sukihana, Ryan Trey, Cash Cobain, Wolfacejoeyy and Rich Amiri.

Billboard chart-topping regional Mexiacan singer-songwriter Junior H will serve as Friday’s special guest, with regional Mexican band Fuerza Regida acting as Saturday’s, and award-winning corridos tumbados trailblazer Natanael Cano as Sunday’s. DJ Scheme, DJ Five Venoms and DJ Stevie J will be tasked with keeping the vibes going and providing a soundtrack for three-day bonanza.

Earlier this year during Mar. 3-5, 2023, the most recent Rolling Loud California lineup — headed by Playboi Carti, Travis Scott and Future — electrified SoFi Stadium in Inglewood, CA.

Presale for Rolling Loud California 2024 begins Thursday, Nov. 16, at 10 a.m. PT, and general onsale begins the following day on Friday, Nov. 17, at 10 a.m. PT. Fans can click here to RSVP for first access to tickets — and a chance to win free tickets before they go on sale — right now.

Check out the full Rolling Loud California 2024 lineup below:

OutKast’s André 3000 Warns First Album in 17 Years, ‘New Blue Sun,’ Has ‘No Bars,’ But Tons of Flute

Good news first: after decades in the musical wilderness, OutKast‘s André 3000 is releasing his first solo album, New Blue Sun, this Friday (Nov. 17). The eagerly anticipated collection from the reclusive rapper — whose last full album was the 2003 OutKast double LP, Speakerboxxx/The Love Below — however, features “no bars” according to the 48-year-old MC who, aside from the occasional feature, has been mostly off the rap radar for nearly 20 years.

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In an interview with NPR’s Rodney Carmichael, André confessed that his obsession with the main instrument on the instrumental jazz album, the flute, has long caused some concern among his friends in Atlanta. “I laugh at it because my homies in Atlanta, we’ll talk and they’ll be like, ‘Man, you know n—as think you crazy to f–k around with this flute,” he said, confessing to being “in on the joke” about his curious musical tendencies.

The album, described as a “stunning 87-minute mind-bender, minimalist and experimental, tribal and transcendent,” will likely confuse many fans of such iconic hits as André’s “Hey Ya!” and Grammy-winning OutKast’s “Ms. Jackson,” “Roses,” So Fresh, So Clean” and “Player’s Ball,” which were cooked up with 3000’s former rap partner, Big Boi.

In a statement about the album, André assured frustrated fans wishing to hear his one-of-a-kind vocals that, sorry, there is no Prince-like vault of unheard music waiting to be released. There’s this misconception that I just won’t do it,” André said of releasing a rap record. “I think people feel like I’m sitting around on rap albums, or sitting around and I’m just not putting them out in that way. And no it’s not like that… In my mind, I really would like to make a rap album. So maybe that happens one day, but I got to find a way to say what I want to say in an interesting way that’s appealing to me at this age.”

New Blue Sun, then, features none of André’s intricate, river-flowing rhymes, or as NPR put it, “no bars, no beats, no sub-bass.” In fact, 3000 doesn’t sing on the record at all, but he does tear it up on his trusty flutes. In fact, he plays a number of flutes as well as digital wind instruments, and instead of his signature motor-mouthed poetry the album’s first track kind of apologizes for the lack of language with the me culpa title, “I swear, I Really Wanted To Make A ‘Rap’ Album But This Is Literally The Way The Wind Blew Me This Time.”

The origin story of the album begins with André bumping into experimental jazz great Carlos Niño at the hip L.A. grocery store Erewhon, followed by the rapper showing up at Niño’s place with is flute and jamming in the basement. The jam sessions introduced 3000 to the group of performers who appear on the album, including keyboardist Surya Botofasina and guitarist Nate Mercereau, as well as musicians Deantoni Parks, Diego Gaeta, Matthewdavid, V.C.R, Diego Gaeta, Jesse Peterson, and Mia Doi Todd.

Not planning to make an album, they started the sessions a year ago, with all the songs improvised in real time, and though it is not what fans expected after all this time, the project is described as an album that “exposes his unrefined soul — and the delicate nature of his creative process — in ways the Gemini wordsmith’s fine-tuned verses tend to conceal.”

“Even in our height of what people know of what I’ve done before, I was always like a slow writer. I’m not a freestyler. I don’t be freestyling. I just wasn’t blessed with that,” André said. “Even during the earlier times, Big Boi, he just kind of got down, like, he’s so fast and efficient with what he does. And it’ll take me a minute to throw them down. So I’ve always kind of been analyzing it or figuring out how I wanted to approach it.”

For some reason at this time writing those kind of verses are just harder for André and there’s just nothing he’s written that he feels comfortable sharing. “That’s why New Blue Sun was something that I realized, whoa, I really want people to hear it,” said 3000, who estimates that he owns 30-40 flutes. “I really want to share it. That’s my only gauge. I have to like it as a person, as an artist myself, because if I don’t like it I can’t expect nobody else to like it.”

If you’ve been paying attention over the past decade, you probably spotted André in random Instagram videos wandering through the world with his trusty flue, which turned into a kind of Where’s Waldo? game for his fans. “I didn’t like that because they just kept getting little nicks of me, just kind of messing around, you know,” he said of the surreptitious videos. “So I just felt like I’d really like to play but it was really for me. I would just walk for hours and I’m a walker. I love to walk. So I would just walk and play for hours. I did that for years and it got to a point where, okay, I want to share. And so going into New Blue Sun, it was kind of like trying to figure out, well, how do I share it?”

He did, however, run the new tracks by some of his younger contemporaries, with Tyler, the Creator and Frank Ocean getting an early listen to the album, with Tyler opining about one song, “It sounds like you’re chasing a butterfly through a garden and I figured it out. It helped me to figure out how to do this,” in reference to the Odd Future founder’s collection of travel suitcases he could not figure out how to properly display on a wall in his home until hearing André’s new music.

And to be clear, André didn’t know this was where his life would take him, either. So if his fans look sideways at the album — whose song titles include references to everything from the Dalai Lama, John Wayne Gace, Beyoncé and that time 3000 turned into a panther in Hawaii while on an ayahusaca trip — he gets it.

“If I was on the outside, I would feel the same way. So, for me, I don’t know what I’m going to do,” he said of the album that will have a “no bars” warning on the packaging, which inspired the former MC to go long on the song titles in order to give “as much information” as possible to the instrumentals. “But that’s the cool and scary thing about it. And I think as an artist, you kind of got to put yourself out there to be prepared to respond. I’m a responding person. That’s what I am. I’m responding to what’s given to me. It’s responding to my contemporaries. It’s responding to what I love. It’s responding to what I don’t like. It’s responding to all of that.”

Check out the New Blue Sun tracklist below:

  1. “I swear, I Really Wanted To Make A “Rap” Album But This Is Literally The Way The Wind Blew Me This Time”
  2. “The Slang Word P(*)ssy Rolls Off The Tongue With Far Better Ease Than The Proper Word Vagina . Do You Agree?”
  3. “That Night In Hawaii When I Turned Into A Panther And Started Making These Low Register Purring Tones That I Couldn’t Control … Sh¥t Was Wild”
  4. “BuyPoloDisorder’s Daughter Wears A 3000™ Button Down Embroidered”
  5. “Ninety Three ‘Til Infinity And Beyoncé”
  6. “Ghandi, Dalai Lama, Your Lord & Savior J.C. / Bundy, Jeffrey Dahmer, And John Wayne Gacy”
  7. “Ants To You, Gods To Who ?”
  8. “Dreams Once Buried Beneath The Dungeon Floor Slowly Sprout Into Undying Gardens”

2023 Camp Flog Gnaw: Photos from the Festival

After four years, Tyler, the Creator‘s Camp Flog Gnaw made its long-awaited return to Los Angeles’ Dodger Stadium over the weekend (Nov. 11 & 12). The part-festival, part-carnival experience last occurred in 2019, making headlines when surprise performer Drake was booed offstage after heavy speculation that the reclusive Frank Ocean would appear.

Tyler addressed the incident Saturday night (Nov. 11) during his performance, when he switched up the lyrics of “LUMBERJACK,” from his 2021 Grammy-winning album Call Me If You Get Lost: “N—as ain’t really on the type of sh– I’m on/ I called Drizzy and y’all booed him last time.”

But nothing could rain on festivalgoers’ parade this time around. Their excitement surrounding the first post-pandemic Flog Gnaw felt reminiscent of kids getting hyped about the county fair returning every summer — except this one was long overdue.

By nightfall, the rainbow-colored lights that outlined the amusement rides, like the yo-yo and tilt-a-whirl, bled into the twinkling L.A. city skyline. It was the perfect backdrop for hometown hero Tyler to bring his old Odd Future buddies like SydEarl Sweatshirt, Mike G and Left Brain; budding stars like Teezo Touchdown, Ice SpicePinkPantheress and d4vd; and cult heroes like Turnstile and Clipse together at his personal playground. When fans weren’t busy screaming for their favorite artists, they were screaming on the rides, playing games like ring toss and balloon darts and snacking on candy apples, corn dogs and funnel cakes.

“We started this in a f–king parking lot,” Tyler interjected during his set. “Don’t let anybody tell you how you should feel about your motherf–king self.”

Check out Billboard‘s performance photos and artist portraits from Camp Flog Gnaw 2023.

‘Jay-Z & Gayle King: Brooklyn’s Own’: How to Watch & Stream for Free

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CBS News is giving viewers a deeper dive into Jay-Z‘s life, career and successes with none other than the rapper himself in an exclusive interview with TV personality Gayle King. The primetime special will take place on Tuesday (Nov. 14) at 9 p.m. ET on CBS News and Paramount+, and will feature never-before-seen footage from their three-hour interview — parts of which previously aired on CBS Mornings — which took place in the Brooklyn Public Library where an exhibit of Jay-Z lives.

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“He’s more than a musician, he’s a mogul,” King said in a press release. “He’s more than a rapper, he’s a visionary.”

The 24-time Grammy-winning artist will explore some of fans’ most burning questions, such as his life growing up in the Marcy Houses in Brooklyn, the meanings behind some of his most well-known lyrics, the origin story behind one of his nicknames and more.

Keep reading to learn the streaming options available.

How to Watch Jay-Z & Gayle King: Brooklyn’s Own

The primetime special will air exclusively on CBS News on Tuesday (Nov. 14) at 9 p.m. ET. Cable viewers can watch the hourlong special on any channel with CBS News — just check your cable provider’s channel guide. If you don’t have cable, you may be able to get CBS through an HD antenna like one of these here from Amazon.

Paramount+ is also home to CBS News and will be airing a livestream of Jay-Z & Gayle King: Brooklyn’s Own for Paramount+ with Showtime subscribers. It will also be available on-demand the day after for Paramount+ Essential subscribers. Already a member? Just log into your account and you’ll be able to watch the primetime special for no additional cost.

Not a subscriber? Paramount+ offers a one week free trial for new users, which means you can watch the interview special for free. After your trial is over you’ll be charged the regular subscription fee based on the plan you choose. Click here or the button below to start your free trial now.

There are two plans you can choose from: Paramount+ Essential and Paramount+ with Showtime. The Essential plan is the ad-supported option and cheapest at $5.99/month. You’ll have access to the entire Paramount+ library, live CBS News, NFL on CBS and UEFA Champions League. Paramount+ with Showtime will is $11.99/month and includes everything in the Essential plan (minus the ads) as well as Showtime originals and content, live TV on CBS, college football and the ability to download eligible content to watch offline. Looking for more savings? You can save over 15% off on an annual plan.

Besides the Jay-Z interview, you’ll be able to watch programs including Halo, Grease, Mission Impossible series, Smile, Top Gun: Maverick, Zoey 102, Beavis & Butthead, Big Brother, Duran Duran: A Hollywood High, iCarly, Mixtape and more. Showtime content you can look forward to bingeing include Yellowjackets, The Curse, Fellow Travelers, Billions, Mayor of Kingstown, The Chi, Uncoupled, Homeland, The 12th Victim, Why Women Kill, Couples Therapy and much more.

Prime members can also add Paramount+ to Prime Video library as a premium channel add-on.

Watch part of Gayle King’s interview with Jay-Z that previously aired on CBS Mornings.



PinkPantheress Isn’t Afraid to Label Her Biggest Hit To Date ‘Crap’

One of the most useful tools in a young artist’s toolbox is the ability to know when they’ve missed the mark. And though she’s only a few years into the game, British singer PinkPantheress (born Victoria Beverley Walker), 22, told The Guardian in a new interview that she, frankly, thinks the remix of her high-energy UK No. 2 Jersey Club-style hit “Boy’s a Liar,” as well as the original, are “crap.”

“I didn’t expect that it to be my biggest song,” said the singer of the track that has become her most-streamed song to date; the remix featuring Ice Spice is also the rapper’s top-streaming track. “I thought on an internet level it was going to be big. I didn’t expect it to be big on the radio.”

To be clear, the singer said both the original single and the “Boys a Liar, Pt. 2” remix with Spice — the latter hit No. 1 on Billboard‘s radio airplay chart in May and No. 3 on the Billboard Hot 100, while the original also charted on the pop airplay and adult pop airplay charts — are “crap.” She explained that she’s convinced that “the songs that are not my greatest are the ones that do better.”

Don’t get her wrong, she does like some of her songs, such as her personal favorite, “I Must Apologise,” from her debut 2021 To Hell With It mixtape. But even some of the tracks on her just-released debut album, Heaven Knows, are already prepped for the rubbish bin in her mind. She dubbed the mellow R&B song “internet baby” a non-starter, though she is quite psyched about “Angel,” her dreamy contribution to the Grammy-nominated Barbie soundtrack.

“It was so much fun. I was really excited to be asked,” she said. “I loved the actual process of meeting the director. I got to meet [soundtrack producer] Mark Ronson. I went on set.”

Check out the “Boy’s a Liar, Pt. 2” remix video below.



R&B/Hip-Hop Fresh Picks of the Week: BJ the Chicago Kid, Sinkane, Kevin Gates, Elmiene & More

Nothing stops New Music Friday — not even Grammy nominations.

Although 2023 MVPs like Ice Spice, 21 Savage, Drake and Nicki Minaj racked up the rap field nominations for the upcoming 66th annual Grammy Awards, last Friday (Nov. 10) offered a litany of music beyond those four 2023 Billboard Music Awards finalists. Last week saw new albums from the likes of Brandy, YoungBoy Never Broke Again and Kodak Black, but those weren’t the only notable releases to update your weekly playlists with.

With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from BADBADNOTGOOD’s gorgeous rework of an Elmiene standout to BJ the Chicago Kid and Chloe Bailey’s sultry, synthy link-up.

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Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: Sinkane feat. Tru Osborne, “Everything is Everything”



For his first new song since 2019’s Dépaysé album, Sudanese-American singer Sinkane chose to ground his lyrics in the harsh realities of the Black living experience. Written and composed by bandleader Ahmed Gallab with vocal contributions from Harlem-bred artist Tru Osborne, “Everything Is Everything” is an amalgam of free jazz, Sudanese pop, gospel, funk and rock. A hearty choir provides a strong anchor for the arrangement, while Sinkane and Tru’s harmonies add splotches of color throughout the track. “The tides of change / Serve great purpose in our every day / My people, we will find our way,” Sinkane sings, with a hopefulness that consistently permeates the darker truths that the song explores.

Elmiene, “Marking My Time (BABDBADNOTGOOD Edit)”



Elmiene dropped off his debut major label EP, Marking My Time, last month, and to continue his promotion of the project, he’s released a reworked version of the title track, helmed by Canadian experimental jazz collective BADBADNOTGOOD. Here, the group reimagines Elmiene’s original with heavy splashes of R&B and psychedelic, specifically of the ’70s persuasion. Elmiene’s vocal is predicated on allegiance to subtle dynamism, and it’s that steady build that grounds the winning remix.

Rick Ross, Meek Mill & Cool & Dre feat. BEAM, “Go To Hell”



Hip-hop heavyweights Rick Ross and Meek Mill unleashed their highly anticipated Too Good To Be True joint album last week (Nov. 10), and this collaboration with BEAM and Cool & Dre is an immediate standout. Heavily nodding to Tears for Fear’s “Shout,” “Go To Hell” finds the two rappers deep in their braggadocio as they trade bars about their wealth, their escapes from the feds, and how much status and clout they have in whatever room they choose to walk into. “Bitch boys run to social media / Rich n—a, name in Wikipedia / If I f–k her once, she wanna f–k me twice / All the real n—as clique up, let’s get rich tonight,” Rozay raps.

Kevin Gates feat. B.G. & Sexyy Red, “Yonce Freestyle”



In a way, Kevin Gates and Sexyy Red are perfect foils: two devil-may-care rappers who are unafraid to embody and celebrate the grimiest parts of sex and sexuality, with a healthy dash of humor to add some levity to the whole affair. On “Yonce Freestyle,” the pair’s new collaboration which also features NOLA rapper B.G., the two maximize their similarities — even if the end result is a bit tamer than what some may expect. “Yonce Freestyle” is a well-crafted club banger, with a murky Southern hip-hop beat courtesy of ProdByJM, EJ Grimes and Juko, and a perfect laid-back ratchet tone from Sexyy.

BJ the Chicago Kid feat. Chlöe, “Honey”



BJ the Chicago Kid also released an album last week (Gravy), and that project featured loads of collaborations for R&B lovers. Among those impressive duets is the Chloe Bailey-assisted “Honey.” Landing squarely in the disco-tinged pop that has dominated mainstream top 40 for most of the young decade, BJ and Chlöe deliver a sexy, synth-laden collaboration that balances come-hither euphemisms with some outstanding harmonic choices. Between a surprisingly smooth vocal blend and a bright, clean mix, this just might be Chlöe’s best release of the year.

Ben Hughes, “What Was It For?”



For the opening track of his forthcoming Manha EP, UK musician Ben Hughes opts for a breezy guitar and drum-forward groove. “What Was It For” fits nicely in the landscape of contemporary British R&B, and Hughes’ careful vocal approach works alongside the instrumentation instead of towering over it. It’s a very soft and lush number — an air that offers a smart counterbalance to the melodrama of the lyrics. “Bring me peace / And heal my wounds / I’m bleeding out / Just for you,” he croons.

Drake Announces Dates For 2024 It’s All A Blur Tour – Big As The What?’ With J. Cole

Drake is headed back out on the road next year. On Monday morning (Nov. 13), the 6 God revealed the dates for his upcoming 2024 U.S. run titled It’s All A Blur Tour – Big As the What?, which will feature support from J. Cole on most dates.

The 22-date run of show presented by Cash App and Visa and produced by Live Nation will feature a number of back-to-back arena dates, kicking off with two gigs at Ball Arena in Denver, CO on Jan. 18 and 19. The run will then double-up in New Orleans, Nashville and Columbus before winding down with a show at The Legacy Arena at BJCC in Birmingham, AL.

The 2024 dates will follow on the heels of Drake’s recently completed It’s All A Blur tour, which found the rapper playing 50 sold-out arena dates across North American in the summer and fall in support of his eighth studio album, For All the Dogs. Tickets for the tour will be available starting with the Cash App card presale beginning on Wednesday (Nov. 15), followed by a general onsale beginning Friday (Nov. 17) starting at 11 a.m. local time here.

Check out the dates for Drake’s It’s All a blur Tour – Big As The What? below.

Jan. 18 – Denver, CO @ Ball Arena + 

Jan. 19 – Denver, CO @ Ball Arena 

Jan. 22 – San Antonio, TX @ Frost Bank Center – San Antonio

Jan. 25 – Oklahoma City, OK @ Paycom Center 

Jan. 29 – New Orleans, LA @ Smoothie King Center +

Jan. 30 – New Orleans, LA @ Smoothie King Center 

Feb. 2 – Tampa, FL @ Amalie Arena 

Feb. 7 – Nashville, TN @ Bridgestone Arena +

Feb. 8 – Nashville, TN @ Bridgestone Arena +

Feb. 12 – St. Louis, MO @ Enterprise Arena 

Feb. 16 – Pittsburgh, PA @ PPG Paints Arena 

Feb. 20 – Columbus, OH @ Schottenstein Center +

Feb. 21 – Columbus, OH @ Schottenstein Center 

Feb. 24 – Cleveland, OH @ Rocket Mortgage Fieldhouse 

Feb. 27 – Buffalo, NY @ KeyBank Center 

March 2 – Kansas City, MO @ T-Mobile Center 

March 5 – Memphis, TN @ FedEx Forum

March 10 – Lexington, KY @ Rupp Arena 

March 14 – Belmont Park, NY @ UBS Arena ~

March 18 – State College, PA @ Bryce Jordan Center ~

March 23 – Sunrise, FL @ Amerant Bank Arena ~

March 27 – Birmingham, AL @ The Legacy Arena at BJCC ~

Rescheduled dates

~ Without J. Cole

Trippie Redd Revealed to Fans That He Canceled His Tour For the Absolute Best Possible Reason

Back in June, Trippie Redd announced the dates for his 2023 Take Me Away tour, a North American fall outing that was slated to kick off on August 31 and keep him on the road through Oct. 9. And then, recently, the “Danny Phantom” MC canceled the dates with no explanation.

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Over the weekend, however, the 24-year-old born Michael Lamar White IV, explained that he had a very good reason for bailing on the dates. “You want an explanation, so boom,” he said in a video message. “I’m dropping a project named Saint Michael, right? What if I was to tell you that’s my son’s name and I canceled tour because I had to deliver my son?”

The surprise news does, in fact, line up with the new Saint Michael EP the rapper dropped on Friday, his 10th EP overall and his third project this year, following on the heels of the August A Love Letter to You 5 mixtape. The project contains seven songs (“Pray 4 Us,” “Van Cleef Island,” “1716 Osage,” “Ok, Cool,” “7am in Ohio,” “Yo Pi’erre Slime” and “Saint Michael Myers”) and features a cover image of Trippie breaking free from a tangle of heavy chains.

As for the blessed event, Trippie explained, “Life be lifin’. Y’all sittin’ there bashing me, saying all this crazy stuff. And here I’m just brining my child into the world.” Trippie also reportedly posted a photo of the infant on his Instagram Story, showing off his full name — Saint Michael White — and an image of the baby in a cute green onesie and matching hat.

Check out Trippie Redd revealing the name of his child below and listen to the Saint Michael EP.

Tony! Toni! Toné! Gets Down at Sold-Out YouTube Theater Show

“They look so good together!” That was just one of the many enthusiastic fan pronouncements overheard during the Los Angeles stop for one of the year’s most anticipated reunion tours: Raphael Saadiq Revisits Tony! Toni! Toné!: Just Me and You Tour 2023.

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The Oakland, California-bred R&B trio — brothers Raphael Saadiq and D’Wayne Wiggins, plus cousin Timothy Christian Riley — also sounded just as damn good as they did in their ‘90s heyday. From the time the group jumpstarted Saturday night’s (Nov. 11) proceedings with “House Party (I Don’t Know What You Come to Do)” from 1991’s House Party 2 soundtrack until exiting arm-in-arm after rocking Inglewood (L.A.), California’s YouTube Theater with the fitting finale “Feels Good,” Tony! Toni! Toné! kept the audience on its feet for nearly two hours. Also getting their groove on during the sold-out, no-phones show: actor/comedian Eddie Murphy, Common and Jennifer Hudson, producer No I.D., NBA legend John Salley and actor Anthony Anderson.

“Where are my Day Ones at … Are you all ready to go on this journey?” queried Saadiq during the first half of the show, which included such hits as “If I Had No Loot,” “Let’s Get Down” and “Whatever You Want,” plus fan faves like “Til Last Summer.” Throughout the evening, the individual talents of each of the titular TTT members was spotlighted.

Wiggins was vocal lead on “Whatever You Want” and “Til Last Summer,” which were sing-along crowd-pleasers, as was his dexterous guitar playing. Riley’s commanding presence on keyboards also drew raves — at one point while playing, he went down on his knees, which prompted Saadiq to note, “That’s new!” Bassist Saadiq’s own tenor-to-falsetto vocals rounded out the trio’s still sublime harmonies as on the classic “(Lay Your Head on My) Pillow.” Also getting their chance to shine were members of TTT’s skilled band and estimable background singers.

From there, after a 10-minute intermission, the Tonys pulled out all the stops. Among the highlights: Saadiq revisiting his work as a solo artist (“Be Here”), as a member of Lucy Pearl (“Dance Tonight”) and as a songwriter/producer behind hits for other artists. That oh-wow trip down memory lane included D’Angelo’s “Lady” and “Untitled (How Does It Feel),” Erykah Badu/Common’s “Love of My Life (An Ode to Hip-Hop)” and Solange’s “Cranes in the Sky.” After that, a massive singalong ensued as the group shifted into fourth gear with “It Never Rains (In Southern California),” “Anniversary” and the aforementioned “Feels Good.”

Declared Wiggins of the evening, “It’s been 25 years since we’ve been onstage together. We are family forever!”

Kicking off Sept. 21 in Birmingham, the 25-date Raphael Saadiq Revisits Tony! Toni! Toné!: Just Me and You Tour 2023 itinerary included stops in New York, Chicago, Atlanta, Houston and Las Vegas. The trek will wrap later this week when the group returns to its Bay Area stomping grounds: Oakland (Nov. 14-15) and San Francisco (Nov. 17).