R&B/Hip-Hop

Ja Rule ‘Devastated’ That U.K. Denied Him Entry Over Criminal Record On Eve of 25th Anniversary Tour

Ja Rule told his British fans that he was “devastated” that his planned U.K. anniversary tour has been scotched after he was denied entry into the country due to his criminal record. “I’m so devastated I can’t believe the UK won’t let me in I’ve spent a half million dollars in production of my own money to put this tour together only to be denied entry DAYS before my shows this is not fair to me or my fans these venues are 85% sold and now I can’t come…,” the rapper wrote on Instagram on Tuesday (Feb. 27).

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Back in December, Ja (born Jeffrey Bruce Atkins Sr.), 47, announced the dates for the Sunrise Tour, a 25th anniversary swing celebrating his quarter century in music and the release of his 1999 debut album, Venni Vetti Vecci. The 10-show run was slated to feature support from Keri Hilson, Lloyd and Mya and kick off on Friday (March 1) at the Utilita Arena Cardiff in Cardiff before going on to London, Birmingham, Nottingham, Leeds, Liverpool, Newcastle, Dublin and Belfast before winding down on March 17 in Glasgow at the OVO Hydro.

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In a series of follow-up tweets, Ja wrote, “The UK is one of the few European countries that restricts entry to people with criminal records. In general, you will likely be denied entry if you have been convicted of a crime punishable by 23 months or more under British law or served more than 12 months in prison.” Ja was sentenced to two years in prison in 2010 after pleading guilty to attempted possession of a weapon in connection with a 2007 arrest on gun and drug possession charges; in 2011, he sentenced to an additional two-years in prison on tax evasion charges.

Following the denial, Ja wrote on Wednesday (Feb. 28) that he is “gonna do something special for my UK fans since I’ll NEVER be able to come across the pond,” later adding, “My team made it CLEAR to the promoter that I have a criminal record and can’t get in the country…The PROMOTER swore this wouldn’t be an issue The PROMOTER started selling tickets y’all love to blame the artist lol… GET YOUR REFUNDS!!!”

The U.K. typically refuses entry to anyone who has “been convicted of a criminal offense punishable by at least 12 months imprisonment” according to the U.K. charity Unlock. At press time spokespeople for Ja Rule and Ticketmaster had not returned Billboard‘s request for comment.

See Ja’s announcement about the tour cancelation below.

Jack Harlow Launches Gazebo Festival With SZA as Co-Headliner

Jack Harlow is representing for his hometown in a major way. The “First Class” rapper announced the launch of Gazebo Festival in Louisville, Ky., on Wednesday (Feb. 28).

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The inaugural two-day festival is coming to Kentucky’s Waterfront Park on Memorial Day Weekend (May 25-26) to celebrate “the intersection of music and culture.”

SZA is slated to co-headline the festival on the Ohio River with Jack Harlow, while James Blake, Vince Staples, Veeze, Pinkpantheress, Rich Homie Quan, Omar Apollo, Majid Jordan, Slum Village, BNYX, Karrahbooo and more round out the bill.

“I GIVE YOUUU… GAZEBO FEST,” Harlow wrote on Instagram when announcing the festival.

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Pre-sale tickets will be available starting on March 6 at 10 a.m. ET, while the general public can get its hands on tickets through the festival website on March 8 at 10 a.m. ET.

Prices for the general admission tickets are penciled in to start at $255. VIP packages are available, which include viewing upgrades with better food options and access to an air-conditioned VIP lounge.

“Jack Harlow is an extraordinary Louisvillian who continues to give back to his hometown,” said Louisville Mayor Craig Greenberg in a press release. “This is yet another way Jack is showing up for our city, and I can’t wait to see the excitement this festival creates. I am so grateful for his commitment to making first class things happen for Louisville and our people.”

A portion of all ticket proceeds will benefit community organizations and local initiatives in the Louisville area through the Jack Harlow Foundation, which the “Lovin On Me” rapper launched last year.

Find the entire Gazebo Fest lineup below.

Alicia Keys Shares Adorable Story Behind Her Son Becoming Friends With Billie Eilish

Alicia Keys and Billie Eilish’s friendship dates back to when Alicia beautifully covered the 22-year-old’s “Ocean Eyes.” Keys recently gave fans a behind-the-scenes look at her preparation while getting ready for her Super Bowl LVIII Halftime Show appearance with Usher earlier this month.

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About 45 minutes before hitting the stage, she shared a story with her team about how her and Swizz Beatz’s 9-year-old son, Genesis Dean, wanted to become friends with Billie Eilish and send her a sweet video message.

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“He says, ‘I want to talk to her.’ … He bothers me for three days in a row. ‘Can I please send a video? Can I please send a video?’ I said, ‘OK,’” Keys recalled.

The video clip finds Genesis politely introducing himself: “Hi, my name is Genesis and I really like your music. And I’m Alicia Keys’ son.”

Keys’ message attached to the video read: “Someone wanted me to send you this message. I hope it makes you smile. How are you, beautiful? Big love!”

Genesis repeatedly followed up with his mother in the days after hoping a response from the “Bad Guy” singer would be in her inbox. He ended up taking matters into his own hands and shot Eilish another simple text under his video, “Hi,” although Keys wasn’t thrilled about that.

However, Eilish eventually responded and admitted that the heartwarming video made her day. “Genesis, it’s Billie,” she replied in a clip alongside her brother, Finneas. “I’m ready to be your friend any day. I would like to be your friend. Alicia is my friend, I love her. I love you. Let’s hang out and be friends.”

Genesis Dean was born in December 2014 and is Keys’ and Beatz’ second child together. Keys also linked up with Eilish in December 2019 when she guest hosted The Late Late Show With James Corden, where Eilish was a special guest and they had the chance to duet to “Ocean Eyes.”

Watch it all unfold below around the 13:30 mark.



Jack Antonoff Reflects on Defending Taylor Swift Against Damon Albarn & Insulting Kanye West

Jack Antonoff knows exactly where he stands. In a Wednesday (Feb. 28) interview with the Los Angeles Times, the 39-year-old producer reflected on the moments he’s called out artists such as Damon Albarn – who in 2022 came under fire for questioning Taylor Swift’s songwriting credentials – and Kanye West. 

“I’m a little b—h sometimes,” he told the publication. “But you come after my friend Taylor, you’re toast to me.”  

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The interview comes more than two years after Albarn ruffled feathers by saying Swift “doesn’t write her own songs” in an interview. The “Anti-Hero” singer – who’s a frequent collaborator of Antonoff’s — quickly shut down the claims with a heated post on X, writing, “I was such a big fan of yours until I saw this … Your hot take is completely false and SO damaging.” 

Albarn later apologized and said that his remarks had been “reduced to clickbait,” but not before Antonoff slammed the Blur frontman in a tweet of his own. “i’ve never met damon albarn and he’s never been to my studio but apparently he knows more than the rest of us about all those songs taylor writes and brings in. Herb,” the former Fun band member wrote at the time. 

In the new interview, Antonoff said that questioning Swift’s songwriting prowess “is like challenging someone’s faith in God,” adding, “You just don’t go there.”  

The Bleachers founder is fresh off his third producer of the year Grammy win in a row. He and Swift also won album of the year at the 2024 awards thanks to their work on the “Karma” musician’s Midnights LP. 

And while accepting the prize for best pop vocal earlier in the ceremony, Swift announced the duo’s latest project together: The Tortured Poets Department, which arrives April 19. 

As for West – who’s notably an adversary of Swift’s — Antonoff has long been critical. In 2022, he called the “Donda” rapper a “little b—h” in response to Ye’s many antisemitic comments that year, and in late January, he tweeted, “kanye on bleachers release date is hilarious little cry baby b-tch.” (The rapper’s Vultures 2 and Bleachers’ self-titled album are both scheduled to arrive March 8.) 

To the L.A. Times, Antonoff reiterated that West “just needs his diaper changed so badly.” 

“It’s been a long time since I would’ve taken Kanye’s call,” he added when asked about whether he’d want to work with Ye in the future. “I’m so incredibly bored when someone doesn’t have the sauce anymore, so they go elsewhere to shock. It’s just a remarkable waste of space.” 

TikTok Thinks Beyoncé’s ‘Texas Hold ‘Em’ Sounds Like This Classic Canadian Children’s Show Theme Song

Beyoncé is already making history with her swerve into the country lane. But after scoring a surprise No. 1 hit with “Texas Hold ‘Em,” some of Queen Bey’s Canadian fans think her new two-step has a familiar ring to it.

A week after TikTok videos pointed out that the tune’s bouncy finger-picked intro bears a striking resemblance to the theme song from the late 1990s/early 2000s children’s cartoon Franklin, the musician behind that show’s iconic opening track, “Hey, It’s Franklin,” says he’s just fine with the comparisons.

According to TMZ, veteran Canadian rocker Bruce Cockburn, 78 — best known for his 1984 hit “If I Had a Rocket Launcher” — told the outlet that he is honored by the many side-by-side videos. “I think Beyoncé’s ‘Texas Hold ‘Em’ is a good record. Unfortunately, I can’t claim to have any part in writing it,” he said.

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“The rhythmic feel is similar to my theme song for the Franklin TV series, but to my ears, that’s where the similarity stops. ‘Texas Hold ‘Em’ is her song, and I wish her success with it!” Cockburn added.

It appears the resemblance was first pointed out by TikTok user Ashleigh Aedan on Feb. 18, when she played a bit of the Bey song and captioned her video, “Now go listen to the Franklin theme song and tell me these are the same”; that clip ha since racked up more than 3.5 million views. The post began making news in Canada soon after, with a radio DJ doing a mash-up that boosted the notion that the songs share a similar git-up.

A music expert told CBC News that the comparisons make sense since both use fingerstyle plucking, instead of strumming, with Beyoncé’s opening with a banjo played in the Clawhammer style. Musicologist Claire McLeish said the Franklin theme opens with a style called Travis picking, with a “strong Clawhammer influence.” McLeish also pointed out that both are played in the key of D, with the instruments tuned in a similar style, which is what McLeish said people are picking up on.

And while they sound similar, McLeish said “they don’t sound alike in a way that would cause any legal problems” because you cannot copyright an “idea,” and the Travis picking style is a common idea used in country and folk music all the time. In fact, McLeish compiled a playlist of songs in a similar style, including ones by Johnny Cash, Led Zeppelin and Cockburn, noting that since Beyoncé isn’t using the same melody or lyrics that are close to the Franklin theme it’s probably safe from any legal issues.

Last week, Bey became the first Black woman to top the Billboard Hot Country Songs chart, followed by the track topping the Billboard Hot 100, giving the singer her ninth leader on the list.

Listen below and see if you hear the similarities.





Cardi B Teases Fiery New Track on Instagram

Cardi B’s new album era is seemingly upon us (finally!).

The rapper took to her Instagram Stories to re-share a fan’s post, in which a snippet of an upcoming song is teased. “I ain’t even got dressed / Any L that I took come after YS / Oh man, oh man, oh man, oh man,” she declares on the track. Check out the Instagram Story before it disappears here.

The teasers comes just a week after Cardi’s estranged husband Offset took to his own Stories to encourage the “Bodak Yellow” rapper to drop her new music. In the video, the Migos star is seen bobbing his head and loving the music with a satisfied stank face on, and since the video had no audio, viewers were left to their imagination in interpreting the caption. “Stop being scary and drop the album” it read, along with “s–t goes crazy [fire emoji],” he wrote.

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A new Cardi album would mark her first since 2018’s Invasion of Privacy. The album spawned two No. 1 Billboard Hot 100 singles, the diamond-certified “Bodak Yellow” and “I Like It.” She also won the Grammy for best rap album for Invasion of Privacy, topping Pusha T, Mac Miller, Travis Scott and Nipsey Hussle. 

Back in August, Cardi promised that she was not going to release any more collaborations until she dropped her next solo single. Of course, her hit collaboration with Megan Thee Stallion, “Bongos,” dropped a month later, but Cardi insisted that she’s focused on her sophomore project.

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“I’m going to put out my next solo single. Right now, I’m working on the cover art and ideas for the next record because it’s definitely coming up,” she said at the time. “Everyone always tells me I should put the record out now. They did when I released ‘WAP’ [with Megan Thee Stallion] and when I released ‘Up,’ but I always let them know I’m not going to wait long after all these singles. So stay tuned because it’s coming out very soon.”

Watch DJ Khaled’s Security Guards Carry Him to Keep His J Balvin-Designed Air Jordans Clean

Sneakerheads know the importance of going the extra mile to keep footwear spotless. Some might wear bags over their kicks in the rain, while others will spray pairs with a protective sealant.

DJ Khaled was on his way to a Miami Beach performance over the weekend and before hopping out of his custom cream-colored Mercedes-Maybach, the We The Best mogul thought twice about having his unreleased Black solar J Balvin x Air Jordan Retro 3s touch the sand.

Khaled instructed his pair of security guards to pick him up and drop him into the back of a golf cart so he wouldn’t scuff his rare Jordans, which made for a hilarious visual and a situation that all sneakerheads could relate to.

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The mission was successful, as Khaled’s Jordans remained crisp and sand-free. He made sure to personally thank both members of his security team and shake their hands before taking the South Beach stage.

Being the ultimate hypeman for himself, Khaled didn’t waste a second and immediately warmed up the crowd with anthems like “All I Do Is Win.”

“Take care of them,” J Balvin wrote in DJ Khaled’s comments section regarding his sneakers.

The Air Jordan 3 “Rio” marks the Colombian superstar’s fourth collaboration with Jordan, which will reportedly hit Nike retailers and the company’s online shop May 22.

The sun-kissed sneakers are set to retail for $250. J Balvin’s 2-year-old son, Rio, inspired the design as the pair is named after him.

As for Khaled, he’s teasing a brand-new album in 2024, which will be his first since announcing his partnership with Def Jam Records last year.

Til Next Time is also slated to feature another pair of anthems with Drake, and Khaled hasn’t been shy about letting people know about his collabs with The Boy.

Watch the video of DJ Khaled being carried to the stage below.

Can Ty Dolla $ign Finally Become the Star of His Own Show?

On Sunday (Feb. 25), Kanye West and Ty Dolla $ign narrowly squeaked by Yeat to maintain their reign on the Billboard 200 for a second consecutive week with their collaborative Vultures 1 album. For Mr. West, this feat marks the first time since 2011’s Watch the Throne that he’s been able to have multiple weeks at No. 1, while for Ty, it’s the first No. 1 of any duration on the chart in his career. 

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As Yeezy continues to post star-level numbers, despite the backlash to his many recent controversies, this is new territory for his veteran crooner collaborator. After nine mixtapes, three collaborative EPs, and two solo albums, Ty finally has a No. 1 album on his resume. With nearly 15 years in the game, it’s a landmark win for Ty – but can it also be the start of something more for him as a solo star? 

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Throughout his career, Ty has proven himself to be the quintessential hook man, deftly elevating rap songs with his silky vocals and pinch of bravado. His first assist came in 2010 when he aided Cali cohort YG with his Def Jam debut single “Toot It and Boot It.” The record peaked at No. 67 on the Hot 100 and No. 12 on the Rap Songs charts, eventually earning platinum status from the RIAA. Following that early win, Ty showed he could also be a solo threat as a lead artist, scoring his first Hot 100 top 40 single in 2013 with “Paranoid” alongside producer DJ Mustard and guest rapper B.o.B. The combination of Mustard and Dolla $ign wreaked havoc again when partnered up on the titillating “Or Nah,” which peaked at No. 48 on the Hot 100 and saw The Weeknd and Wiz Khalifa join in on the remix. These singles were packaged into his excellent 2014 EP, Beach House – a filling appetizer, including notable features from a rookie-era Travis Scott and bubbling French Montana. 



During the mid-2010s, Mustard dominated radio and the clubs with his bouncy West Coast production; Ty was a massive beneficiary of that success, doing features for his Taylor Gang captain Wiz Khalifa, Travis Barker, Chris Brown, Big Sean and more hitmakers. He even showed that he could provide a spark on the pop side when plugged in alongside acts like Fifth Harmony and Post Malone, with both records becoming top five hits on the Hot 100, and the latter becoming his first Hot 100-topper.

The West Coast singer also continued to show promise on the solo side, notably on his debut album, Free TC, in 2015. When paired with singers like Brandy and James Fauntleroy (“LA”), Babyface (“Solid”), and Jagged Edge (“Straight Up”), Ty held his own and created memorable moments without being washed away by the featured artist. Then, when paired with rappers, Ty’s swagger provided enough heat to stand alongside some of the toughest cats of the time, including Kendrick Lamar, Future and Kanye. Although he didn’t land a high Billboard 200 peak, Free TC shined on many year-end lists and solidified Ty as a formidable lead artist. 

But Ty began stretching himself too thin, releasing one too many projects at a time. Following Free TC, he dropped his mixtape Campaign a year after its release and delivered his sophomore album, Beach House 3, in 2017. That’s three projects in two years. While BH3 had noteworthy features, including Lil Wayne, Pharrell, and Future, it failed to get Ty his first top 10 album on the Billboard 200, forcing him to quickly swim back to the features well. Though he secured great album-cut looks as a co-star on Kanye West’s “Real Friends,” Drake’s “Jaded,” and The Carters’ “Boss,” instead of using that momentum to release a solo album, he paired up with Jeremih for their joint album Mihty in 2018. After coming off a Hot 100 No. 1 with Post Malone in “Psycho” that year, it would have been the ideal time for Ty to be a little more selfish and release an album on his own. But the reception to MihTy was mild, as it failed to gain velocity on the Billboard 200, peaking at No. 60. 



Ty’s last solo album came in 2020, Featuring Ty Dolla $ign, which earned the highest Billboard 200 debut of his career (No. 4), with a bloated effort consisting of 25 songs. The glossy guest list was good, as he nabbed familiar faces like Kanye, Nicki Minaj, Post Malone and Kid Cudi, but it again proved the less-is-more adage needs to be a greater focus for Ty in the future. In 2021, he released another collaborative album with DVSN titled Cheers to the Best Memories – which didn’t move the needle for either party commercially, peaking at No. 139 on the BIllboard 200. The album was also panned by fans and critics, who yearned for more from the two respected acts. 

But the door is open again for Ty to re-establish himself as a solo star, following the release of Vultures 1. The chart-topping LP features a masterclass performance by Ty Dolla $ign, doing what he does best — being the assist man. With Kanye helming the production and serving as the lead artist, Ty colored between the lines and kept the songs rock steady despite Ye’s radioactive raps. Songs like “Burn” and “Back to Me” showed flashes of vintage Yeezy but are anchored by Ty’s hooks and songwriting abilities. Though Mr. West was undoubtedly the conductor, Ty’s smoothness rounded out this project greatly, which makes one wonder: What if Ty recorded his next solo album with Kanye as the executive producer? 

Or, to take things further, Ty can take a page out of Pusha T’s book and have two producers helm his new album. He could tap his old friend in DJ Mustard to do half the album while Mr. West takes on the second half, providing fans a look at the past and the present since, he has done his best work with both behind-the-scenes maestros. Fans adore him for his collaborations, but seeing more of Ty on the solo front could benefit him as a lead artist, considering there’s some stagnancy on the male side of R&B, with no definitive leading man at the moment. 

While Ty has enjoyed a fruitful career and will become one of this generation’s most important featured artists, he hasn’t always needed to share the spotlight. But if Ty finishes all three Vultures installments with Kanye (with 2 and 3 currently slated for March 8 and April 5, respectively), it will propel him even higher – and hopefully, he can one day use the momentum to become the star of his own carnival.

Mike Dean Set for Live at The Wiltern Concert in L.A.

Mike Dean is preparing to take fans on an out-of-this-world, synth-powered journey this Friday night (March 1) during his Live at The Wiltern concert.

“Witness the maestro behind the scenes step into the spotlight, showcasing not only his own original compositions but also delivering special renditions of the iconic hits he’s crafted over the years. It’s a once-in-a-lifetime opportunity to experience the genius behind the music, as Mike Dean weaves together a tapestry of sound that spans genres and generations,” reads the show flyer he shared on Instagram.

Tim Henson and Scott LePage of Polyphia will be opening for Dean. Tickets are available here.

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The super producer previously opened for his frequent collaborator The Weeknd on the After Hours til Dawn Tour. The two executive produced Dean’s last album 4:23, which was released last April via MWA Music. In 2021, he performed two sold-out solo shows at the Echoplex following the release of his second studio album 4:22. Dean also starred as himself in HBO’s The Idol, which was created by The Weeknd, Sam Levinson and Reza Fahim. He also created most of the songs and the score for the show, including co-writing and co-producing “Popular” by The Weeknd, Madonna and Playboi Carti, which recently got the music video treatment.

Dean has credits on three Billboard Hot 100 No. 1 hits: Travis Scott‘s “Highest in the Room,” “Sicko Mode” (featuring Drake) and “The Scotts” with Kid Cudi. He’s also worked on multiple Billboard 200 No. 1 albums, including Scott’s Utopia, Beyoncé‘s Renaissance, Kanye West‘s Donda, Pusha T‘s It’s Almost Dry and MigosCulture II.

Latto to Headline Super Saturday Concert Before NCAA’s Women’s Final Four Championship Game

Latto is bringing her “Big Energy” to the court.

The Grammy-nominated rapper is set to be headlining this year’s Super Saturday Concert presented by AT&T, which will take place on April 6 in Cleveland, Ohio, the night before the NCAA’s Women’s Final Four Division I Championship Game. The event is free to the public, with the link for fans to register here.

“I am excited to bring the energy to Cleveland and perform at the NCAA Super Saturday Concert Presented by AT&T. I’m looking forward to supporting the growth of women’s basketball and continue to empower the entire female community,” Latto said in a press statement.

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In the music world, it’s been a big year for the “Lottery” rapper. She took home a Billboard Music Award for Top Global K-pop Song in November for her record-breaking collaboration with BTS’ Jung Kook. The song also became the fastest song to reach 1 billion streams in Spotify history.

That’s hardly the first record Jung Kook’s Latto collaboration has broken, as it landed upon its release at No. 3 on the Official U.K. Singles Chart, published July 21, for the highest-charting debut by a solo Korean act. Additionally, “Seven,” launched at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts (dated July 29). The song marked the first leader on the lists for a member of BTS as a soloist, as well as Latto’s first No. 1.

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