R&B/Hip-Hop
Page: 347
Polo G was arrested in Los Angeles on Wednesday (Aug. 23) while police raided his home, Billboard can confirm. It all started last week, on August 15, when Polo G’s brother Taurean Bartlett (a.k.a. Trench Baby) was identified as the suspect for a robbery in Granada Hills, Calif. According to LAPD reports, when the victim […]
Sixteen years after notching a Billboard Hot 100 No. 1 hit with “Give It to Me,” the trio behind that track is reuniting for a brand new single. On Wednesday (Aug. 23), Timbaland shared a teaser video announcing a new collaboration with Justin Timberlake and Nelly Furtado. “WE BACK,” Timbaland captioned the Instagram post, alongside […]
Trippie Redd extends his top-10 streak on Billboard’s Top R&B/Hip-Hop Albums chart, as his A Love Letter to You 5 debuts at No. 3 on the list dated Aug. 26. The mixtape opens with 37,000 equivalent album units earned in the U.S. in the week ending Aug. 17, according to Luminate.
Of the 37,000 starting sum, 26,000 units derive from streaming, a figure equaling 46.8 million official U.S. audio and video on-demand streams of the project’s tracks. Traditional album sales contribute 11,000 of the remaining units, with a negligible amount of activity from track-equivalent album units. (One unit equals the following levels of consumption: one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.)
With A Love Letter to You 5, which Trippie Redd stated is the last installment of his popular mixtape series, the rapper-singer banks his eighth consecutive top 10 release on Top R&B/Hip-Hop Albums. Here’s a recap of the eight projects’ chart results:
Album Title, Peak Position, Peak Date
Life’s a Trip, No. 4, Aug. 25, 2018
A Love Letter to You 3, No. 1 (one week), Nov. 24, 2018
!, No. 2, Aug. 24, 2019
A Love Letter to You 4, No. 1 (one week), Dec. 7, 2019
Pegasus, No. 1 (one week), Nov. 14, 2020
Trip at Knight, No. 1 (one week), Sept. 4, 2021
Mansion Musik, No. 2, Feb. 4, 2023
A Love Letter to You 5, No. 3 (to date), Aug. 26, 2023
Of Trippie Redd’s 10 appearances on Top R&B/Hip-Hop Albums chart, only the first two A Love Letter to You chapters missed the top 10. The first edition peaked at No. 32 in February 2018, while its follow-up reached a No. 19 best in October 2017.
Elsewhere, A Love Letter to You 5 starts at No. 2 on the Top Rap Albums chart and at No. 13 on the all-genre Billboard 200.
[embedded content]
As A Love Letter to You 5 launches, three of its tracks debut on Hot R&B Songs: “Take Me Away” with Corbin (No. 16), “Thy Motion” (No. 19) and “How You Alive” (No. 23). The album’s overall arrival helps Trippie Redd score a No. 33 re-entry on the Billboard Artist 100, which measures artist activity across key metrics of music consumption – album and track sales, radio airplay and streaming – to provide a weekly multi-dimensional ranking of artist popularity. The return gives Trippie Redd his first visit to the list since February, when he raced to No. 23 as Mansion Musik debuted.
Latto achieves her first No. 1 on Billboard’s Mainstream R&B/Hip-Hop Airplay chart as her Cardi B-assisted “Put It on Da Floor Again” tops the radio list dated Aug. 26. The track ascends from No. 2 after a 7% gain in plays that made it the most played song on U.S. monitored R&B/hip-hop stations in the […]
Add another entry to the list of events saluting hip-hop’s 50th anniversary. Rap legends Public Enemy and Ice-T will headline The National Celebration of Hip-Hop. The free concert and cultural event will take place in Washington, D.C. — at West Potomac Park on the National Mall — on Oct. 6-7.
Among the two-day event’s highlights will be DJ Hurricane’s Beastie Boys tribute set with special guests. Also joining the aforementioned headliners will be performers Kurtis Blow, Kid ‘n Play, Soulsonic Force, Roxanne Shante, CL Smooth, Melle Mel and Scorpio, The Sugarhill Gang, Peter Gunz, DJ Kevie Kev Rockwell, Mad Skillz, MC Sha-Rock, Busy Bee, Joe Ski Love, Positive K, Boogie Black, Mick Benzo, Gumbo and Donald D.
Additional artists will be announced soon. Rounding out the celebration will be various activities including guest speakers, comedians and public figures, as well as interactive events and exhibits.
The National Celebration of Hip-Hop is presented by executive producers Nathan Parienti and Lauren Bissell of Chasing Live. They’re working collaboration with producer Mickey Bentson’s The Art of Rap, which features Ice-T.
“We are honored to continue to celebrate the 50th anniversary of hip-hop against the backdrop of America’s capitol with a free event for everyone,” said Public Enemy’s Flavor Flav in a statement. “I can’t wait to get on stage and do our thing.”
Added fellow Public Enemy member Chuck D, “Hip-hop is beyond, not just a musical genre. It’s a cultural movement that has dominated art, fashion, politics, poetry, academia, film and every corner of the world for the past 50 years. This National Celebration brings it all together in one place for the people, by the people.”
Noted Ice-T, “We are coming to the National Mall itself to bring you authentic hip-hop for the 50th celebration!”
VIP pay and travel packages will be available for purchase. And sign-up for free general admission begins Wednesday (Aug. 23). More information can be found on the event’s website.
Courtesy Photo
It’s a sweet gesture familiar to any fan who regularly attends concerts: a star hands their microphone to an enthusiastic audience member who is visibly psyched to show off their knowledge of the artist’s songs by crooning a few lines. And, if they’re lucky, that fan might just surprise them by actually killing the vocal. […]
Babies get wild at concerts too! Flo Rida was performing CelebrateErie festival in Pennsylvania over the weekend, where he’s seen in a viral video posted by TMZ motioning a parent to send their baby over to the stage. Within seconds, the infant is crowd-surfing to the front, with fans gently moving the baby up over the […]
Leave it to Diddy to reassure fans that “R&B is alive.” On Tuesday (Aug. 22), the Grammy-winning producer and rapper announced his latest record, The Love Album: Off the Grid. The new album is slated for a Sept. 15 release.
The Love Album marks Diddy’s first solo studio LP since 2006’s Press Play, which spawned the hit singles “Tell Me” (with Christina Aguilera) and “Last Night” (with Keyshia Cole). Diddy, who currently goes by Love, announced the news with a lavish trailer posted to his social media accounts. “Why am I doing this? Especially with the success that I’ve had, especially where my life, how stressful and treacherous this music business is,” he ponders. “My heart has been broken. I still have that question of, like, ‘Will I ever love again?’”
Based on the rest of the nearly four-minute trailer, it appears that The Love Album: Off the Grid is Diddy’s way of finding answers to those questions. Throughout the teaser, clips of him dancing with his late longtime partner Kim Porter and bonding with the newest addition to his family, daughter Love Sean Combs (10 months, with cyber security specialist Dana Tran), are interspersed with a healthy dose of behind-the-scene footage of the album’s recording process and some doe-eyed R&R with Yung Miami of City Girls. On Instagram, Diddy tagged a number of artists, some of which appear in the trailer, including Justin Bieber, Swae Lee, Mary J. Blige, Babyface, Jozzy, Yung Miami, French Montana, DJ Khaled, Teyana Taylor and 21 Savage.
As much as the trailer provides some glimpses into the creation of The Love Album, the new clip also finds Diddy navigating the pressures of fame and his overwhelming world of entertainment and business. From isolating on a private island without his phone to hitting exercises wherever and whenever he can, themes of health and wellness across the physical, mental and emotional realms loom over the Love Album trailer.
The announcement of The Love Album: Off the Grid comes on the heels of a string of recent singles from Diddy. Last year, he released the Bryson Tiller-assisted “Gotta Move On,” which peaked at No. 79 on the Billboard Hot 100, as well as the PARTYNEXTDOOR-featuring “Sex in the Porsche.” This year, he teamed up with City Girls and Fabolous for “Act Bad,” and guested on the official remix of Metro Boomin’s “Creepin’” (with The Weeknd and 21 Savage). Both “Creepin’” (best collaboration and best R&B) and “Gotta Move On” (best collaboration and best hip-hop) received nominations at the 2023 MTV Video Music Awards.
Watch the trailer for The Love Album: Off the Grid above.
Normally, when Drake pulls up to a venue the room belongs solely to him for the night. But on Monday (Aug. 21) when the Six God’s It’s All a Blur tour touched down at Los Angeles’ Crypto.com Arena, he was more than happy to share the spotlight with the venue’s resident big dog: LeBron James. […]
As Southern California braced for its first tropical storm in 84 years, Salt-N-Pepa’s Cheryl “Salt” James made history as the first female keynoter at the Guild of Music Supervisors’ (GMS) ninth annual State of Music in Media Conference (Aug. 19). Her invigorating speech fittingly kicked off the daylong event at The Los Angeles Film School in Hollywood.
In addition to a suite of panels celebrating the 50th anniversary of hip-hop, the conference schedule — a collaboration between GMS and L.A. Film School — was packed with sessions ranging from “Music Clearance 101” and “The Global Craft of Music Supervision: We Are Worldwide!” to “AI and the Art of Music Supervision: Finding Harmony in the Age of Automation” and “The Ethics of Music Supervising Projects That Tell Diverse Stories.” Among the host of industry participants and guests: rap pioneer/Public Enemy frontman Chuck D, Joel C. High of Creative Control Entertainment (a GMS founder and its outgoing president), Stax Records icon/Songwriter Hall of Famer David Porter, Format Entertainment’s Julia Michels, producer Steve Schnur (Star Wars Jedi: Survivor), Singularity Songs founder/president Andre Marsh and Cue the Creatives founder Qiana Conley Akinro.
Lindsay Wolfington and Joel C. High
Khalid Farqharson
Just before the keynote speech, the ongoing challenges facing music supervisors during the WGA/SAG-AFTRA strike were addressed by incoming GMS president Lindsay Wolfington and High. Speaking to the attendees, the pair referenced a page in the conference booklet featuring a list of resources for strike-impacted workers. The intro to the page said in part, “Music supervisors do not have a union and the AMPTP and Netflix continue to refuse to recognize a Music Supervisior union. We continue in our fight … and GMS fully supports this mission.”
It was also announced that Heather Guibert is the GMS board’s new vp.
Here are a few more highlights from GMS’ 2023 State of Music in Media Conference:
‘The Showstopper’
Walking onstage to rousing applause, James riffed on a phrase from the Salt-N-Pepa classic “Shoop” (“Here I go, here I go …”) then asked the audience a question. “Can we not call me the keynote speaker?” said a smiling James. “That makes me nervous. I just came here to talk to you.”
And that she did, taking the audience back to her growing up on Motown and jazz in Brooklyn. Then she heard The Sugarhill Gang on the radio in 1979. Before segueing into an impromptu audience rap-along to that group’s “Rapper’s Delight,” James said, “I fell in love even more [with the fledgling genre]. There was something about it that just grabbed me deep in my heart.”
After sharing milestones that the Grammy Award-winning group has achieved during its barrier-breaking 38-year career, starting with 1986 debut single “The Showstopper,” James noted, “I remember the question journalists used to ask in the beginning, ‘Will hip-hop last?’ Now we’re here 50 years later, growing from a novelty genre into a whole entire culture. Hip-hop started a whole movement from fashion, movies, politics and beyond to becoming the music of a generation. I would go so far as to say it’s actually shaping generations.”
Drawing a through line between hip-hop’s evolution and that of music supervision, James concluded her keynote by adding, “I know we all can relate to having good intentions and then possibly becoming jaded in our different vocations or callings. But when something is our calling and it gets hard, we have to just put one foot in front of the other and keep going because this is what we’re called to do.”
The Next 50
“The Global Impact of Hip-Hop: Passing the Torch for the Next 50 Years” was the first in the day’s quartet of sessions dedicated to the genre and the fact — as noted in the conference booklet — that “hip-hop has proven itself to be a soundscape for any genre of music and can be used to tell any story.” Kobalt Music Publishing’s senior vp of global creative Chris Lakey moderated this panel, orchestrating a conversation between artist Igmar Thomas, Peermusic Publishing vp of A&R Tuff Morgan, En Homage artist/producer Camille “Ill Camille” Davis and artist/educator Medusa aka The Gangsta Goddess.
Lakey questioned the panelists on a variety of subjects from their first inkling of hip-hop’s international reach beyond its Bronx birth to trends/hybrid sounds they’re seeing on the horizon. Asked to share some of the hottest areas they’re most excited about in terms of hip-hop’s evolving sound, the panelists shouted out locales such as Ghana, Nigeria, Johannesburg, London, Mexico City and Jamaica. “Every single piece of music that’s out today has undertones of hip-hop,” said Morgan. “It’s influenced every genre at this point.”
Global Impact of Hip Hop
Jay Farber
Medusa and Davis also advocated for more female presence in the hip-hop arena. “I definitely want there to be more reverence for female producers and MCs,” said Davis. “I want more women to experiment with the music. There are women that I revere, the same way that I revere [late hip-hop producer] J Dilla, who are constantly making music but you don’t hear about them. I would like more women to make DJ and MC collectives. I just want more of that energy where we take more ownership, and autonomy over the sound, the brand, the look; you feel us and see us in everything. I want more women in hip-hop to put their flag down.”
Lorrie Boula, Chuck D and Carol Dunn
Jay Farber
Rounding out the day’s quartet of hip-hop sessions: “Fight the Power: How Hip-Hop Changed the World” featuring Channel Zero.net co-founders Chuck D and Lorrie Boula with Human Worldwide’s Carol Dunn as moderator; “The Origins of Hip-Hop” featuring James, Berklee College of Music’s John Paul McGee, artist/Likwit Radio’s King T, Salamani Music’s Amani “Burt Blackarach” Smith and composer Jae Deal; and “The Golden Age of Hip-Hop: A Cultural Phenomena” with moderator/Moonbaby Media’s Angela “Moonbaby” Jollivette, television host/activist Ananda Lewis, veteran A&R executive Dante Ross, Universal Hip-Hop Museum OM/curator SenYon Kelly, DJESQ’s Paul Stewart and Rich + Tone Productions’ Rich & Tone Talauega.
Close-Up on Daisy Jones
One of the afternoon’s popular offerings was the session spotlighting the hit television series Daisy Jones & the Six, adapted from Taylor Jenkins Reid’s novel of the same name about a ‘70s band. The session centered on what’s involved in “preparing for successful on-camera performances” as outlined in the conference program. Moderator/music supervisor Amanda Krieg Thomas of Yay Team Inc. was joined by Daisy Jones’ music supervisor Frankie Pine of Whirly Girl Music and Lauren Neustadter, president of film & TV for Reese Witherspoon’s Hello Sunshine production company. Among the show’s nine 2023 Emmy Awards nominations are nods for outstanding limited or anthology series, outstanding music supervision and outstanding sound mixing.
Neustadter spoke first about the show’s origin and the challenge of doing on-camera performances. “My husband read the book and created the show. But we had no idea really of how to do a project that was music driven in the way that this is. But we also knew that we had carte blanche from Taylor. She said, ‘I’m excited for you guys to work with experts in the music field to actually bring the soundtrack and the different albums in the book to life on screen.”
So the next move was to bring in showrunner Will Graham. “We chose him for a bunch of reasons,” said Neustadter. “But one of them was he had worked on Mozart in the Jungle, so he knew how to do a show that had a huge music component. And the first person that Will introduced us to was Frankie.”
Picking up the story, Pine said, “The first thing that I did was put together a list of executive music producers that I thought would be right for the time period; to be able to give us that ‘70s vibe, but also not pigeonhole us too much into that world where these songs [can] kind of live outside of the ‘70s. After reading the book, the one thing I wanted … was for this to feel organic and real. I wanted everybody that watched it to think literally in their minds, ‘This band was in the ‘70s? I swear I missed this band.’”
Pine also shared a major lesson from her experience. “The sooner you can get [started] with an on-camera project the better. Because that gives you all kinds of time to curate and work not only on the music but to also take your time in assembling the right music team and giving your actors [enough] time. That really is the key to a successful run.”
Hired in March 2019, Pine initially wanted to spend four months with the actors. Then she and Neustadter received an unexpected extension when their April 2020 shoot start was delayed by the pandemic. So music lessons were done instead over Zoom. In addition to explaining the genesis of the on-camera performances in two show clips that were shown, Pine and Neustadter touched on several other topics such as Pine collaborating in the casting and writing process as well, mic tips and why trust is an important factor.
“What we witnessed was these actors becoming musicians and these musicians becoming a band,” said Neustadter. “It was totally awesome.” She also noted that Pine will be working with Hello Sunshine on two more productions, one of which is Run, Rose, Run. Starring Dolly Parton, the upcoming show is an adaption of the same-titled book by Parton and James Patterson. Parton also released a companion album to the book in 2022.