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It’s been a few weeks since Lil Nas X made headlines for his controversial comeback single “J Christ,” and the singer is ready to talk frankly about the public’s reception of his latest track.
During his appearance on the podcast On Purpose with Jay Shetty, the rapper explained that he felt the messaging of his song was taken out of context. “[‘J Christ’] was this thing that artistically was just supposed to be like, I’m returning … I’m back like Him, you know what I mean?” he said. “It turned into this whole thing where it was me trying to dunk on Christians or something, and that was never what it was. Never.”

Lil Nas agreed with some of the backlash, saying that the anger over a video of him eating communion wafers “looks really bad on paper,” adding that he did properly apologize for releasing that video. “This [was a] thing that I thought was just like a little jokey fun video. I also had to think about how many of my family members are Christian, like my grandmothers and stuff, and like aunties and things like that,” he said. “And I’m like, ‘Wow, do they see this as that too?’ If they do, you know, that’s really messed up. And it makes me sad.”

But the rapper said the he did not apologize for the song or the music video because he stood by his intended messaging. “That message turned around and I didn’t know how to do anything with it. It wasn’t my chaos anymore. It was the world’s and anything anybody said was true because that’s who I am as a person,” he said. “I’m this troll and I want to make these people mad. And so everybody can run with that. And there’s nothing I can do about that. I can say as many things as I want, but knowing my history, they look right, I look wrong.”

The interview comes after Lil Nas X spoke publicly about the release of “J Christ” in a video posted to his Instagram. In the original clip, the rapper explained that those online claiming that he was insulting Christianity with his song were mistaken. “I knew there would be some upset people simply because religion is a very sensitive topic for a lot of people,” he said. “But I also didn’t mean to mock — this wasn’t a f— you to the Christians. It was literally me saying I’m back like Jesus.”

Elsewhere in his interview on On Purpose, Lil Nas said that he’s now reflecting on what his future releases will look like, where his music will go in the future. “You’ve been so focused and zoned in on what you’re doing, and you push your art out into the world and it’s kind of received negatively by the majority … but then also understanding why, you know, and having to see it through,” he said. “So I guess that’s where I’m at right now and my next move, you know, the things that I’m planning on right now, I feel like somewhere in here that’s gonna be this magical moment that I can’t even take credit for.”

Check out the full episode of On Purpose featuring Lil Nas X below:

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After bonding on The Apprentice back in 2007, Snoop Dogg and former one-term president Donald Trump have had an up-and-down relationship ever since. The nadir of their unlikely friendship came during the twice-impeached Trump’s term in the White House, during which Snoop released the Trump-bashing single “M.A.C.A. (Make America Crip Again).”

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The 2017 song featured the lines, “The president says he wants to make America great again. F–k that s–t, we going to make America Crip again… don’t you look strange having all that power but you won’t make change.”

“M.A.C.A.” was released seven months after Snoop parodied Trump in the video for “Lavender (Nightfall Remix),” which featured a clown version of the former reality star named Ronald Klump. The satire of current events had Clown-in-Chief Klump holding a press conference to announce the deportation of all dogs. In a Billboard interview at the time, Snoop ticked off a long list of problems he had with the real estate mogul who is currently making a third bid for the presidency. “The [Muslim] ban that this motherf–er tried to put up; him winning the presidency; police being able to kill motherf–kers… and get away with it (and) people being in jail for weed for 20, 30 years,” Snoop said at the time of Trump’s divisive actions and statements.

Trump, as is his wont, responded to the diss days later with an insult on his socials, referring to what he deemed the multi-platinum rapper’s “failing career.”

But in a weekend interview with the U.K.’s The Sunday Times (paywalled) it appears that one of Trump’s final acts in office before losing to President Joe Biden in the Nov. 2020 election left a lasting impact on Snoop. “Donald Trump? He ain’t done nothing wrong to me,” Snoop reportedly told the paper. “He has done only great things for me. He pardoned Michael Harris.”

Back in Jan. 2021 — just weeks after a mob of Trump loyalists attacked the U.S. Capitol building in an attempt to stop the certification of Biden’s victory — Snoop thanked Trump for his last-minute grant of clemency to Death Row Records co-founder Michael “Harry-O” Harris amid a flurry of 140 commutations and pardons doled out on one of his last days in office.

“I have nothing but love and respect for Donald Trump,” Snoop told the Times about his apparent change of heart about the former president who was ordered last week to pay advice columnist E. Jean Carrol $83.3 million in a defamation trial that is one of a handful of cases Trump is facing in New York, Florida, Georgia and Washington that have led to four indictments and 91 felony charges.

Snoop was signed to Death Row at the beginning of his career in 1993 and the rapper acquired the label’s catalog in 2022. Harris served 30 years of a 25-to-life sentence for conspiracy to commit first-degree murder before his sentence was commuted.

After telling Big Boy’s Neighborhood in June 2020 that he planned to vote for the first time because he could not stomach “one more year” of Trump’s chaotic rule, the rapper was more circumspect about where his ballot might go in what is expected to be another showdown between Trump and Biden. “I may have to,” Snoop said about whether he feels pressure to declare for a presidential candidate. “Because there are mixed views on that, so I want to see what the people say.”

The Breakfast Club officially announced comedian Jess Hilarious as the newest co-host of the popular syndicated radio show on Monday (Jan. 29). Hilarious will be joining current stars, Radio Hall of Famers Charlamagne Tha God and DJ Envy as the third piece to their daily morning program. Explore See latest videos, charts and news See latest […]

As debate continues over contemporary hip-hop’s ability to top the charts, producer Sean Momberger reached into the past to help the genre regain its pop dominance — and score his first Billboard Hot 100 No. 1. “Lovin on Me,” which borrows from a 1990s Detroit hit, became Jack Harlow’s third Hot 100 leader, continuing the Louisville, Ky., rapper’s success […]

While things didn’t turn out the way he would have liked, Eminem had a positive message for his hometown NFL warriors on the Detroit Lions. “So proud of the @Lions,” the D-Town native of his favorite NFL team after the Lions fell to the San Francisco 49ers 34-31 on Sunday, spoiling the Motor City team’s bid to make it to their first-ever Super Bowl.
“Thanks 4 an amazing season!!!! We’ll b back!!!,” Eminem added about the team that put up a 12-5 season that tied the franchise record for most wins. It was a positive boost from one of the team’s most high-profile boosters, with Marshall, 51, showing his hometown pride during the game at Levi’s Stadium in San Fran in another picture captured by a fan in which the rapper — decked out in a Lions shirt and hat — holds up two middle fingers to a group of 49ers fans from his spot in a luxury box.

It was a playful gesture from the “Not Afraid” MC, who recently posted a jokey video aimed at Lions coach Dan Campbell offering to suit up if it would help the team reach the big game. “Yo Dan,” Eminem said in the video. “I’m reporting, I’m gonna report [in the] third quarter, I’m reporting, offensive line, eligible receiver, I’ll be the quarterback, the entire offensive line and the receiver, and I will throw it to myself and I will score a touchdown in the third quarter. Just give me a uniform, or at just least like a helmet. I already have a helmet, it’s not the one for football. It’s just a helmet. But yeah man, I’m here, bro. I’m gonna be there, I’m gonna be there that night, I will suit up and I will score us the winning touchdown.”

And while Em will have to wait another year to see if the Lions can come back stronger, another A-list, chart-topping NFL booster is potentially headed to the Feb. 11 Super Bowl in Las Vegas after the Kansas City Chiefs bested the Baltimore Ravens to advance from the AFC title game. In the family skybox for that one, of course, was Taylor Swift, who once again cheered on her boyfriend, KC tight end Travis Kelce, who had a monster day helping KC reach the Super Bowl for the fourth time in five years.

Because the Lions couldn’t overcome San Francisco QB Brock Purdy’s and company’s late-game surge, dreams of a superstar summit at Vegas’ Allegiant Stadium for the Super Bowl pitting Swifties against Stans will have to wait for a different year.

See Eminem’s tweet below..

So proud of the @Lions Thanks 4 an amazing season!!!! We’ll b back!!!— Marshall Mathers (@Eminem) January 29, 2024

Ice Spice be goin’ hard in Miami for her “Think U the S— (Fart)” music video released on Friday (Jan. 26), alongside the new single. In the clip, the 24-year-old is seen twerking and partying around the city, holding stacks of cash in high-end cars and vibing with her friends on boats. “B—-es be quick, […]

Lyric: “These h–s don’t be mad at Megan, these h–s mad at Megan’s Law/ I don’t really know what the problem is, but I guarantee y’all don’t want me to start/ B—h, you a p—y, never finna check me/ Every chance you get, bet your weak ass won’t address me.”

Everything was cool between Nicki and Megan when Minaj hopped on “Hot Girl Summer” to heat up 2019. The relationship appeared to get icy when Meg repeatedly worked with Cardi B on tracks such as “WAP” and the more recent “Bongos.”

“I didn’t feel like I had to call [Nicki] first. I mean, ’cause at the end of the day, I’m still an artist and I should be free to work with whoever I wanna work with,” Meg told Chicago’s 107.5 WGCI in 2020 of working with Cardi. “My personal relationship with anybody doesn’t affect what I choose to do as an artist.”

Nicki reportedly proceeded to unfollow Megan Thee Stallion on Instagram, and the two have exchanged subliminal shots in the years since. It all came to a head with “Hiss,” where Meg seemingly lambasted Minaj’s husband Kenneth Petty — who is a registered sex offender — while referencing Megan’s Law, which requires the public disclosure of some information about registered sex offenders so that the public may protect itself. The next few lines could be calling Minaj out for never publicly addressing her.

Well, the “Super Bass” rapper didn’t waste any time, hopping on Instagram Live minutes after “Hiss” arrived, and previewed an unreleased track firing back at Megan and referencing Lanez shooting her in the foot.

“Bad b—h she like six foot, I call her Big Foot/ The b—h fell off, I said get up on your good foot,” Nicki raps in the snippet.

Minaj had a chuckle at her slick wordplay and ran back the venomous track a few times before sniping at Meg for her rapping ability during the Live: “You have three Grammys and you have to learn how to rap on the beat and be comfortable in the music.”

She continued to tease Megan while posting a photo of her manicured feet and liking fan tweets dissing the Houston rapper.

All Megan could do was laugh at the storm created by the war of words between herself and Nicki. She ended up quickly posting a response to Minaj with a photo of her hysterically laughing to her Instagram Story.

In tandem with the approaching celebration of Black History Month, comes word about the premiere of A&E’s latest documentary: James Brown: Say It Loud. Described by A&E as a “definitive look at a complicated life and a reflection on the immense impact Brown continues to have on music and culture today,” the four-part documentary series will […]

Snoop Dogg always has 10 irons in the fire. But on Friday morning’s (Jan. 26) Good Morning America the Doggfather broke some news about the one iron his fans care about the most. “I can let the rabbit out the hat. I’ve been working on a record with Dr. Dre for the past 8 months. We’re about ready to drop a single in a couple weeks, so that’s what I’ve been cooking up,” Snoop told GMA‘s Michael Strahan while promoting his new Prime Video movie, The Underdoggs.
At press time there was no additional information on the unnamed project or timetable for release and a spokesperson for Snoop could not be reached for comment.

Back in Oct. 2022, Snoop said he was almost done with a Dre-produced sequel to his 1993 Dre-produced solo debut album, Doggystyle, with a release planned to celebrate that collection’s 30th anniversary. At the time, Snoop said he and Dre had been in the studio for two months and that they expected to be finished with the sessions for the LP he said would be called Missionary before the end of the year.

In keeping with his reputation as the world’s most productive stoner, Snoop told Strahan that he loves being busy, especially when it comes to a project like Underdoggs, which was inspired by his work with his Snoop Youth Football League.

“I’m mastering the craft of who I am, and to be the best who I am, is to do the things that make me feel good. And the main two things is fun, right? F-U-N and F-U-N-D-S, if it makes funds and it’s fun, I’m in,” Snoop said. “I started off as a underdog. That’s the best dog to ever be, because you’re the one they don’t pay attention to. So you gotta figure out how to master you, to where you become the greatest you that you can be.” 

As for the film, Snoop said working with the kids in the league — whose most famous alumni include Houston Texans QB C.J. Stroud, winner of the 2024 offensive rookie of the year — has made him remember what a huge role the sport played in his youth. “I spent my money on brand new equipment, bought fields that we rented, referees, rule books, everything, we did it all the right way,” Snoop told Strahan. “Football was the best thing that ever happened to me as a kid. It taught me how to have discipline and have respect. So I wanted to give some of that back that was given to me.” 

When 9-year-old Coco Jones was first trying to break into the entertainment world — auditioning and sitting in business meetings with strange executives — her mother would sometimes give her a secret signal.
“If my mom grabbed her earring, that meant, ‘You need to sing.’ And I’d sing,” Jones recalls with a laugh. “I spent a lot of time perfecting the a cappella.”

That early confidence-building lesson has served Jones well. At 12, she embarked on the path to tween stardom with roles on Disney Channel shows and films like So Random! and Let It Shine; more recently, she won the role of Hilary Banks on Peacock’s Fresh Prince reboot, Bel-Air. And now, it has helped her become one of R&B’s most promising rising stars, signed to High Standardz/Def Jam Recordings. “She’s one of the hardest-working artists that I’ve ever worked with,” Def Jam chairman/CEO Tunji Balogun says. “Coco is an artist with the confidence of a veteran but the energy of a newcomer.”

As Jones explains with characteristic conviction on the eve of her 26th birthday, she’s not simply an actress trying out a new side career. “I’m actually a singer who pursued acting at the same time,” she says. “But the acting caught on before the music did. Music has always been my comfort, my purpose — the driving force that has kept me in this industry.”

Powered by her compellingly soulful voice and self-assured moxie, the singer-songwriter had a major breakthrough in 2023. Her RIAA platinum-certified single, “ICU,” has now netted her Grammy Award nominations for best R&B song and best R&B performance — just two of five that Jones will vie for at this year’s event, along with best new artist, best R&B album for What I Didn’t Tell You (Deluxe) and best traditional R&B performance for her collaboration with Babyface, “Simple.”

“It feels surreal,” Jones says of her first-ever nominations. “And to see these other amazing women like [fellow nominees] Victoria Monét, SZA and Janelle Monáe who are paving different lanes for a modern R&B that can be so flexible and genreless … I commend us. But in another way, this feels like confirmation of my journey; that there can’t always be a storm. The weather has to change.”

Coco Jones photographed on January 5, 2024 in New York.

Jai Lennard

Jones began that journey 17 years ago in Lebanon, Tenn., as a kid auditioning and entering talent competitions, singing songs of raw emotion way beyond her years that her mother, Javonda — who, Jones says, studied music in school and did some background singing as well — introduced her to, like Aretha Franklin’s “Chain of Fools.”

In 2011, Jones landed a recurring role on Disney’s musical sketch-comedy series So Random! and the next year, she co-starred in the Disney film Let It Shine. Five Let It Shine tracks she sang on — “What I Said,” “Whodunit” (with Adam Hicks), “Me and You,” “Let It Shine” and “Guardian Angel” (the latter three collaborations with actor-rapper Tyler James Williams) — launched her onto the Billboard charts for the first time in 2012, as all made the Kids Digital Song Sales list.

But Jones wanted to be a singer-songwriter in her own right. And though Hollywood Records released her 2013 EP, Made Of (which reached No. 10 on the Heatseekers Albums chart), the label dropped her the following year. Two more independent EPs followed (2017’s Let Me Check It and 2019’s H.D.W.Y.); in between, Jones continued acting, including in the 2016 film Grandma’s House, the 2018 TV series Five Points and the 2020 film Vampires vs. The Bronx.

By the time she landed those projects, Jones had forgone college, moving to Los Angeles at 17 to further pursue her dream of becoming a singer-songwriter. “That was a key sacrifice: comfort,” Jones says of making the decision. “I didn’t choose the route that was expected and thought things would happen immediately. But it didn’t work out that way. Without a continuous source of income, I was living off my savings as a Disney kid. So [as a young adult] it was getting real. I could only be a young girl following her dreams for so long. But I got to live, make friends, fall in and out of love … be normal — which helped me find my own voice, my sound.”

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In 2020, a major turning point occurred when a fan from her Disney days asked on social media what was up with her career. Jones responded to the query on YouTube, sharing the struggles and second-guessing she had faced as a Black female artist while “opening doors for people to see me as an adult.”

“Instead of internalizing that comment, Coco made a video to give fans and others information and context [about her industry experiences],” Def Jam’s Balogun says. “Then she started doing covers of popular R&B records [Mary J. Blige’s “Real Love,” Brandy’s “Full Moon”] that she posted on TikTok and YouTube that started to reframe conversations about her as an artist. And when she got on Bel-Air, that gave her a new audience who may not have known she does music.”

Jones’ work ethic, focus and determination are what initially impressed Jeremy “J Dot” Jones (no relation) — the founder and CEO of High Standardz, a joint venture with Def Jam — who signed her in summer 2021, before her audition for Bel-Air.

“Before I even got to the music, I saw how professional and on point she was about her vision for what she wanted to do and how she wanted to do it,” J Dot recalls of first meeting Jones. “And then there was the voice, which blew me away. So I felt that with the right plan, the right producers and time to grow in the marketplace, she would have a strong opportunity to stake her claim in the game. Between the loyal Disney fan base, the R&B covers, Bel-Air and seeing how much she has grown artistically from being a child star, I definitely think fans who felt like Coco didn’t get a fair shot early on were ready to see her win.”

With the breakout success of “ICU” from her What I Didn’t Tell You EP, Jones has finally graduated from Disney star to adult singer-songwriter on the rise. “This is who I am offscreen, without a script,” Jones says of the EP’s songs about relationships, love and heartbreak. “These are my own secrets, my own life.”

Coco Jones photographed on January 5, 2024 in New York.

Jai Lennard

The pureness and clarity of Jones’ full-bodied vocals call to mind R&B’s traditional soul roots and its 1990s heyday, but she puts a modern spin of her own on the proceedings. “ICU,” her aching examination of the painful withdrawal and residual feelings after a romantic split, spent four weeks at No. 1 on the Mainstream R&B/Hip-Hop Airplay chart; it also reached No. 6 on Hot R&B Songs and has earned 175.6 million official U.S. streams (through Jan. 4), according to Luminate.

Follow-up single “Double Back,” which samples the SWV hit “Rain,” reached No. 21 on Mainstream R&B/Hip-Hop Airplay. And Jones is on the road to becoming an in-demand collaborator as well: She guested on Brent Faiyaz’s summer 2023 top 10 R&B hit, “Moment of Your Life,” and more recently paired up with ascendant pop singer and fellow actress Reneé Rapp on the remix of Rapp’s “Tummy Hurts.”

“Def Jam and High Standardz wanted to make sure the R&B audience understood, accepted and championed Coco,” says Balogun, whose roster also includes rising R&B stars Muni Long and Fridayy. “We also focused on making sure people saw her perform live [either] on her tour, the Soul Train Awards [or] other shows. The report card in R&B is live performance and what matters to the core base is, ‘Does it sound and feel as good as the album?’ She has been able to live up to that.”

With filming of season three of Bel-Air starting at the end of January, Jones is also working on her debut album, due later this year. But she says fans shouldn’t simply assume it will be part two of the EP.

“That story has been told,” Jones says. “Between this taste of success and being on tour, I’ve learned so much that I can’t be anything that I was. The most raw and authentic version of whatever you’re doing is going to win. You just have to be willing to bare your spirit.”

This story will appear in the Jan. 27, 2024, issue of Billboard.