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Fans had been calling for Azealia Banks to give her opinion on the vicious Nicki Minaj and Megan Thee Stallion feud sweeping the rap game.
After initially believing she was going to sit this one out, the “212” rapper delivered, to the tune of 30 posts on her Instagram Story early Thursday (Feb. 1), weighing in on the beef and even dragging Jay-Z into the mix.
“Originally I was just going to stay out of this because it’s another day, another rap beef — who really cares? But I think there’s some interesting parts to this that everyone’s missing. This isn’t about Meg [collaborating] with Cardi,” Banks began. “This is about Jay-Z. … Jay-Z has this way of presenting himself in the culture as a Daddy Warbucks type of figure.”
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The Harlem native hypothesized that a majority of female rappers lack a father figure and look to Jay for that kind of validation and guidance.
“When you really dig down deep into it, Nicki be sweating Jay in a different type of way,” she continued. “Low-key, she be on his di–. I’m really good at reading body language and I could see in the ‘Feeling Myself’ video, Beyoncé’s kinda like laughing at her.”
Banks, who has clashed with Minaj in the past, believes that Nicki ultimately wanted a co-sign from Jay and felt dissed when Hov threw his support behind Meg and brought her to Roc Nation.
“Jay-Z has kinda positioned himself in this way where almost every type of female urban artist feels she needs his approval of sorts,” Banks said. “I could just low-key feel she’s felt slighted by Jay. Just by his association with Meek Mill. But at the same time, Nicki wants to wiggle her way in bad. That’s what this beef is about. She wants to be a Roc Nation girl so f—ing bad.”
She continued: “It’s been years since Jay-Z publicly co-signed any female rapper, and the fact that it’s Megan — it could be anyone — the fact some female rapper that’s not Nicki got Jay-Z’s public co-sign makes Nicki jealous. … And I’m really not trying to diss Meg. She’s not a typical Roc Nation girl. She’s still ham hocks and hushpuppies.”
Further into the extended rant, Banks poked at Nicki for her financial situation and alleged issues with her butt implants.
“It’s pretty clear that Nicki’s f—ed. That she’s f—ed financially,” AB claimed. “I realized it when she was frying the can of cream corn in the Teflon pan. I was just like, ‘What in the welfare is happening right now?’ … You can tell by whatever keeps happening with Nicki’s butt that she’s f—ed right now. Because there’s something very f—ing wrong with the butt right now. I do know that the surgery to get that out of there is a pretty penny.”
Megan Thee Stallion lit the fuse when she jabbed Nicki and her husband Kenneth Petty — who is a convicted sexual predator — on her fiery “Hiss” track last Friday (Jan. 26).
Minaj didn’t waste any time attacking Meg on social media for a variety of things, ranging from her late mother to her rapping ability as well as the Tory Lanez 2020 shooting.
The Young Money rapper packaged those social media threats up and turned them into her “Big Foot” single, which served as a response to the Houston Hottie on Monday (Jan. 29).
Watch some of Azealia Banks’ Instagram Stories giving her take on the feud below.
Azealia Banks is just saying what we’ve been catching on too. Nicki is just mad that Jay Z co-signed another artist that isn’t her. 🗣️👇🏾 pic.twitter.com/pjE9qhPCxQ— CertifiedBloodyShoes (@bardigangontop) February 1, 2024
Azealia Banks finally speaks out about the whole Nicki Minaj and Megan Thee Stallion situation and calls Nicki broke + talks about her deflated butt. I love her so much 😭 pic.twitter.com/PQsV8OHNwP— bҽα 🫠 (@lsdchic) February 1, 2024
Don Toliver has a new rock edge to him with his brand-new single “Bandit,” which he released Thursday (Feb. 1) via Cactus Jack and Atlantic Records. The song, which samples Tame Impala‘s “One More Hour” from the 2020 album The Slow Rush, is Toliver’s first new music release since his 2023 album Love Sick, which […]
The wait is over for Schoolboy Q fans, as he’s officially announced his first project in five years. The Top Dawg Entertainment rapper revealed plans for his next LP with a cinematic trailer that arrived on Thursday (Feb. 1). Q’s sixth studio album — titled Blue Lips — is slated to arrive on March 1. […]
Usher has opened up about how he nearly formed a supergroup with Jay-Z, Pharrell and Diddy.
The 45-year-old singer stopped by Shannon Sharpe’s Club Shay Shay podcast Wednesday (Jan. 31), where he made the revelation about the talented group that never was.
“Jay-Z, Pharrell, Diddy and me were supposed to be a group,” he said. “Yeah, that’s crazy. I didn’t say ‘No.’ I didn’t say ‘Yeah.’ I think that we just got caught up. I think we all got caught up in the moment.
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“We was talking about it and having secret meetings about it. We were talking about music and how we gon’ flip it and the business of it. And somehow, man, we just got distracted and it never happened.”
Usher added that this is one of his career’s biggest regrets along with turning down starring in 2006’s Dreamgirls: “That’s the one I actually wish would have happened.”
It’s a busy time for Usher, who will be performing at the Super Bowl LVIII Halftime Show in Las Vegas on Feb. 11 at Allegiant Stadium. To capitalize on the momentum of the Sin City SB performance, the “Yeah” hitmaker also has a new album on the way, titled Coming Home, which will arrive on Feb. 9, ahead of the big game.
Coming Home serves as Usher’s ninth studio album, and it’s a star-studded affair. Across the 20 tracks, he’s recruited Latto, Burna Boy, 21 Savage, The-Dream, H.E.R., Summer Walker and BTS’ Jung Kook to join him on the journey.
Watch Usher speak with Shannon Sharpe about the potential supergroup falling through the cracks below.
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Katt Williams certainly set the tone for 2024. Less than a week after the Emmy-winning comedian fired shots at peers such as Rickey Smiley and Tyler Perry on Shannon Sharpe’s Club Shay Shay podcast, two of contemporary dancehall’s leading ladies launched their own lyrical battle.
Funnily enough, the two major January dancehall clashes — Jada Kingdom v. Stefflon Don and Teejay v. Valiant — center around the two biggest dancehall crossover smashes of 2023: Teejay & DJ Mac’s “Drift” and Byron Messia & Burna Boy‘s “Talibans II.” Thankfully, both clashes were kept on wax, as all artists involved participated in the battles for fans’ entertainment and the greater dancehall culture over anything else.
“This is dancehall music, and once it is [a] lyrical battle, I am down for it,” Teejay told DancehallMag. “Nothing violent; nothing out of the studio, nothing outrageous… just music, and if it seems like it’s getting too far, I will definitely wrap this up, because you know we have to get back to the money at times— that’s the bigger picture… for now, we have to just entertain people but nothing serious. I don’t know about the next side, but on my side I am positively sure that it is just music.”
While the hip-hop world is frenzied with haphazard rap beefs peppered with days of spiraling in lieu of actual good music, dancehall’s clash culture is still going strong and further emphasizing the global reach of this iteration of the genre — especially considering how much these battles dominated online conversations in January. If you’re not already familiar with the details, here’s a primer on both of them.
Jada Kingdom v. Stefflon Don
As the old saying goes: Think of the messiest person you know. It’s a man, ain’t it?
At the eye of the hurricane that was Jada Kingdom and Stefflon Don’s five-song clash lies Grammy-winning Afrobeats crossover star Burna Boy. The “Last Last” singer is an ex of Stefflon Don’s, and once pictures of Jada and him started making the rounds on social media, tensions began to rise. Before the ladies took it to the booth, Steff threw some vague Instagram Story shade that she later clarified as directed towards her former managers. The “Hurtin Me” singer would soon throw more shade that eventually sparked the first track in her clash with Kingdom.
Before that moment, however, Burna’s remix of Byron Messia’s breakout hit, “Talibans,” hit the airwaves. In verse three of the song — which hit No. 99 on the Billboard Hot 100 — Burna croons, “All of the best pumpum deh yah Kingston/ So me buy a Birkin fi Jada Kingdom.” Burna wasn’t just bragging about his new fling; the line is also a play on the “You gon need a Birkin if you wanna show me off” lyric from Jada’s “Turn Me On” (with The 9ine).
By autumn, Jada — also known as Twinkle — was seen with Pardison Fontaine, Grammy-winning songwriter and former beau of Megan Thee Stallion. But with the rumor mill swirling about a December reconciliation between Steff and Burna, the timeline between the two flings started to look a bit funky.
Naturally, months of tension gave way to Steff putting her feelings to wax. At the top of the new year, the award-winning Brit shared a teaser of a new song on Rvssian’s “Dutty Money” riddim, in which she threatens to “box” an unspecified woman who messed with her man. In total bad gyal realness, Jada not only confirmed a casual fling with Burna Boy, but she also pressed Steff to clarify just who was going to get boxed. After a bit more back and forth, Steff’s “Dat a Dat” arrived and the clash ensued, eventually ending after two tracks from Jada and three from Steff.
“For everyone who’s saying ‘war start’, war jus done! Well, for me that is,” Jada Kingdom wrote in an Instagram Story (Jan. 9). “I’m in a happy and healthy relationship now, I won’t be prolonging this nonsense.”
Teejay v. Valiant
Teejay & DJ Mac’s “Drift” was one of the defining global hits of 2023 — and debate over which artist is more responsible for the song’s success is the basis of this clash. During an Instagram Live a few months ago, Teejay blasted Mac for allegedly trying to swindle Panda out of production credits on the hit song.
On his October DJ Mac-produced “Beer & Salt” single — which was featured on that month’s Reggae/Dancehall Fresh Picks column — Valiant jabbed, “Mac them a link when them can’t find a hit song,” a clear hit at Teejay, who recently repped dancehall on one of Billboard‘s five Genre Now cover stories this month (Jan. 10). In a Jan. 14 interview on the Let’s Be Honest podcast hosted by Jaii Frais, Teejay acknowledged the shade, and soon enough, Valiant responded to the acknowledgement via Instagram, spurring Teejay to preview a diss track shortly thereafter.
Nonetheless, the clash stayed on social media for a bit longer. Valiant responded to Teejay’s preview with a message on his Instagram Story that read, “Me naah give you no strength for you EP sir, go work and promote it.” I Am Chippy — Teejay’s first project since signing to Warner Records last year — is slated for a Feb. 2 release. Right after the IG Story jab, Valiant then went live with DJ Mac himself as the “Drift” riddim played in the background. After one more Instagram Live from Teejay’s side, in which he doubled down on his DJ Mac’s disses, the musical phase of the clash began.
After two tracks each from both Teejay and Valiant, the two artists put their beef to bed. While all four songs are currently available on their respective official YouTube pages, both dancehall stars have since removed the songs from their respective official Instagram pages out of respect for one another.
Without any further ado, here’s a ranking of the eight songs that made up two of the biggest contemporary dancehall clashes of the young decade.But first be sure to check out our Spotify playlist highlighting January’s hottest new tracks across reggae, dancehall, soca, calypso and more.
Teejay, ‘Chapter 2’
Kanye West made a surprise appearance at Travis Scott’s Circus Maximus Tour stop in Orlando on Wednesday (Jan. 31). La Flame promised a special night and he delivered as word spread about West — who now goes by Ye — performing when he was spotted in the Orlando airport rocking a Jason Voorhees hockey mask […]

Usher finally unveiled the tracklist for his upcoming ninth studio album, Coming Home, revealing features from Latto, Burna Boy, 21 Savage and many more. The 20-song album due out on Feb. 9 — two days before Ush takes the stage at Allegiant Stadium in Las Vegas to perform the halftime show at Super Bowl LVIII — also boasts features from The-Dream, H.E.R., Summer Walker and Usher’s BTS pal, Jung Kook.
“U been asking… so I had to deliver,” Usher said in the caption to a post on Wednesday (Jan. 31) featuring the song list. The album opens with the title track (featuring Burna Boy), followed by “Good Good” (with 21 Savage and Walker), “A-Town Girl” (with Latto) and “Cold Blooded” (with The-Dream).
Among the songs that don’t have features are: “Kissing Strangers,” “Keep On Dancin’,” “Bop,” “Stone Kold Freak,” “BIG,” ” On the Side,” “I Am the Party,” “I Love U,” “Please U,” “Luckiest Man,” “Margiela,” “Room in a Room” and One of Them Ones.”
The album ends with the remix of Jung Kook’s “Standing Next to You.” H.E.R. appears on the song “Risk It All” — which was featured on the soundtrack to The Color Purple — and Pheelz is featured on “Ruin.”
In the lead-up to the big game, Usher received the second most nominations in the music/recording categories for the 2024 NAACP Image Awards with five nods, just behind Victoria Monét’s six noms. Usher also recently previewed his plans for his Super Bowl, revealing that his plan to pack his entire career into 13 hard-hitting minutes has to be “perfect… I’ve been doing this for 30 years. I want people who have been a part of that journey to feel like it’s a celebration for everybody, for all of us, from the beginning up until this point.”
At press time no specific details were available about the set list, but usher promised that it would contain some of his signature moves, including roller skating, awesome choreography, a major costume change and some special guests.
Check out the tracklist for Usher’s Coming Home below.
If you asked 310babii what school was like after he nailed his first Hot 100 hit, he would probably say it was just another day.
“It wasn’t too crazy,” he says months after watching his viral song “Soak City (Do It)” climb the charts. “Underclassmen would sing my lyrics in the hallway and be childish, but everybody else would be chill to the point where they didn’t make it weird. They knew what was going on with my music, but they didn’t like to fan out to me and yell. They were pretty regular and chill.”
Released last June, “Soak City” became an instant favorite on TikTok, courtesy of 310’s buoyant energy and simple dance instructions. Encouraging listeners to showcase their best moves, all that’s required is footwork and attention to detail. “Left, do it. Right, do it,” chants 310 on the hook like a playful drill sergeant on the playground. Football stars Travis Kelce and CJ Stroud joined in on the action by performing an adapted version of the Squabble Dance during their respective football games. The earworm also got the stamp of approval from LeBron James, Travis Scott and famous Twitch streamer Kai Cenat.
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“When I saw CJ Stroud dancing after scoring and they put my song behind him doing The Squabble, I was like, ‘Oh. I think it’s out of here,’” says 310. “That was the first big step to being a hit record. I just needed that push.”
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According to 310, the whole creative process only took him 15 minutes.
“I was making songs in my room, doing my regular recording like I would everyday at that time and I just felt good about the song at the moment,” he remembers. “It seemed like everything I said was butter. I wouldn’t say that it seemed like ‘the one,’ but I thought that it seemed like a song that was going to be good. I didn’t think it was going to be on the Billboard Hot 100 and change my life the way it did, but I knew it was a good song. It’s catchy.”
310 also didn’t use fancy studio equipment to make “Soak City.” All he needed was his phone, as he used the app BandLab, a straightforward music recording program, to create the track. According to him, the song wasn’t mastered until months after its release. “Soak City (“Do It”) debuted at No. 100 in September and currently sits at No. 61 on the Hot 100 this week, a new peak.
“I feel like BandLab offers exactly what the kids want and wanna hear,” says 310. “Right now, I’m speaking on behalf of my generation; we don’t want the million-dollar mixes or the Drake mixes. We want s–t that’s not low quality, but it doesn’t need to be too crisp and epic. Sometimes, the 808s are gonna be a little distorted, or the voice is going to sound like [it came from] a cheap mic, but that’s the beauty of it. I think that’s what it was for me,” he says.
He adds: “For so long, the kids didn’t even hear the mixed version of the song, bro. It was just straight off the phone, and that’s what they like. BandLab is just the new wave. They have some presets on there that big industry guys are aware of. It’s for sure a hidden gem.”
“Soak City (Do It)” received the remix treatment with West Coast all-stars Tyga, DJ Mustard, Blueface, OhGeesy and BlueBucksClan jumping on the song. The track’s popularity also allowed 310 to meet Texans quarterback CJ Stroud, the athlete who made him first realize that his music was gaining traction. They met before the Texans’ AFC Divisional Game in Baltimore this month.
“I’m motivated after seeing my song on the Hot 100,” he relays to Billboard. “My mental is just like, ‘Keep going.’ If I can get that one, I can get another by working hard. [It’s] motivation for working on my album and having the determination and work ethic to keep going harder and trying to improve.”
Megan Thee Stallion’s “Hiss” just got a bit louder as she released a pair of new versions of her vengeful first solo offering of 2024. In a salute to her Houston roots, a chopped ‘n screwed edition as well as the official instrumental — which is co-produced by LilJuMadeDaBeat and Bankroll Got It — hit […]
Lil Pump is Team MAGA forever. The “Gucci Gang” rapper and devoted follower of former president Donald Trump proved his fealty to the one-term Republican party leader once again by getting one of the most famous images of the one-time Apprentice star inked onto his leg. In an Instagram post on Tuesday (Jan. 30) Pump […]