R&B/Hip-Hop

Snoop Calls Drake & Kendrick Lamar His ‘Nephews’ & Thanks Them for ‘Raising the Bar’ in Rap Feud

Snoop Dogg has given his thoughts on the Kendrick Lamar and Drake beef. While promoting his role in The Garfield Movie during a recent interview with Entertainment Tonight, the Doggfather shouted out both rappers for setting a good precedent.

“Well, the only thing I want to say about that whole scenario is that I want to give both of them a shout-out for raising the bar as far as lyrics, as far as song making and writing because the writing has been upped since the confrontation,” he said. “Those are my nephews. I’m not in the middle of it. I support both of them and that’s personal business, not my business.”

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Finally, Snoop added, “As far as what they did for the industry and the rap game, they made you rap again. You can’t mumble your way and gimmick your way to a song no more, buddy. So thank y’all.”

If you remember, the West Coast legend was taken aback by Drake’s “Taylor Made Freestyle” in a video he posted on Instagram April 20, saying, “They did what? When? How? Are you sure? [Sighs] Y’all have a good night and too all … [Laughs]… Why everybody calling my phone, blowing me up? What the f—k? What happened? What’s going on? I’m going back to bed. Good night.” He then reposted a fan-made clip of the song on his IG Story.

Snoop saying he’s not in the middle of the beef is interesting, though, since his voice was used by Drake in a troll job gone awry as he tried to rush Kendrick into responding to “Push Ups.” The Toronto rapper was eventually forced to take down “Taylor Made Freestyle” by the Tupac estate after being threatened with litigation.

Shout out to Snoop for taking the high road. Watch his interview with Entertainment Tonight below:



Watch Cardi B Troll Body-Shamers by Devouring a Plate of Pancakes: ‘Everybody’s Saying I Look Fat …’

Cardi B is totally bothered by what haters have to say about her figure … not. In a newly shared video, the rapper trolls body-shamers by eating a plateful of syrupy pancakes, seemingly making fun of the negative comments she’s been receiving about a recent performance between bites. 

In the clip, Cardi wears a bathrobe while cutting up a stack of flapjacks, sarcastically pretending to cry. “I’m getting body-shamed, I’m so sad,” she says through a mouthful of pancake.  

“Everybody’s saying I look fat, that my a– is so fat,” she continues, piling on some whipped cream. “Everybody hates me.”  

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The “Up” musician’s comments appear to relate to her Memorial Day weekend performance at Drai’s Nightclub in Las Vegas (aka the site of her viral microphone-throwing incident last summer). Saturday night, Cardi fired up the crowd in a skin-tight leopard-print bodysuit. 

The concert came just a few days after the Bronx native stopped by Megan Thee Stallion’s show at Madison Square Garden, where the two women performed their 2021 Billboard Hot 100-topping smash “WAP” together. Later that night, GloRilla joined the pair onstage for “Tomorrow 2.” 

The triumphant reunion followed Cardi’s May 16 Rolling Stone cover story, in which she asserted her role in helping other women in hip-hop find success. “These labels was not believing in repping new rap artists,” she told the publication. “People from every single label have f–king told me this s–t in my face. They started signing new female rappers after I got signed.” 

Watch Cardi troll the haters below. 

21 Savage Brings Drake Out for Surprise Hometown Performance in Toronto: Watch

21 Savage invaded Canada for his first headlining show north of the border when he took over Toronto’s Budweiser Stage as part of his American Dream Tour on Monday night (May 27).

The Slaughter Gang honcho made it a night to remember as he brought out the king of the 6 and his Her Loss partner, with Drake making a surprise guest appearance, which sent to the crowd into a frenzy.

Drizzy set things off as they performed the menacing Project Pat-assisted “Knife Talk” from his 2021 Certified Lover Boy album.

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“One last time please, everybody in this city that we love so much, please make some noise for my motherf—-n’ brother 21 coming out here killing this s–t,” Drake said before letting Savage know Toronto was also his city. “You know I love y’all. I’ll see you soon. Give ’em one more. You home, right? It’s your city.”

The 6 God continued to hype up the crowd while he and 21 ran into Her Loss smash “Rich Flex,” which had the fans singing bar for bar. The Tay Keith-produced banger reached No. 2 on the Billboard Hot 100 in 2022.

Drake and 21’s chemistry is still apparent after Savage joined Drizzy on the It’s All a Blur Tour last year throughout North America, including a show in Toronto.

It’s been a busy year for 21 Savage, who unleashed his Billboard 200-topping American Dream album in January, and the “Bank Account” rapper was also named to Time‘s TIME100 list of the world’s most influential people.

The 31-year-old is continuing to trek across North America for his American Dream Tour, which will make stops in Michigan, Ohio, NYC, Atlanta, Florida and more.

Watch Drake’s guest appearance at the show below.





Fat Joe Voices 2024 U.S. Open’s Spectacular Awaits Marketing Campaign

Fat Joe added to the excitement for the forthcoming U.S. Open on Tuesday (May 28) by joining forces with the U.S. Tennis Association and lending his voice to their “Spectacular Awaits” campaign. The video finds the Bronx rapper amplifying one of the sport’s biggest live events that will kick off this August. 

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“Get ready for the next level of spectacular,” begins Joe in the hype video. “Get your game face on, and your game day fit on, too. Get the squad together. Get another round and get ready. Get loud, no louder, and get legendary. Spectacular waits.” 

“Engaging a New York City and cultural icon like Fat Joe with our campaign is a great representation of the U.S. Open experience,” said Nicole Kankam, managing director, pro tennis marketing and entertainment, USTA. “His presence is undeniable, and he’s the perfect match for the growing energy, excitement, and profile of the U.S. Open.”

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The Spectacular Awaits campaign holds a special place in Fat Joe’s heart, as it resonates with his personal life. His son Joey, a tennis enthusiast, has been a source of inspiration for the Bronx MC. Last year, Joe celebrated Joey’s birthday and shared playful pictures of them with oversized tennis balls. Joey, who is 33 and lives with autism, has been a focal point of the musician’s efforts to raise awareness about the condition, notably in his 2023 memoir The Book of Jose.

“He inspires me. He’s such a blessing in our life. He’s almost like an angel,” Fat Joe said last year during an episode of The View. “It’s the gift that keeps giving, little Joey, and I’m so proud of him.”

The U.S. Open’s main draw will begin on Monday, Aug. 26, and conclude with the Women’s Singles Final on Saturday, Sept. 7, and the Men’s Singles Final on Sunday, Sept. 8. Tickets for the 2024 U.S. Open go on sale on June 3.

Watch Fat Joe’s videos for the USTA below:





Wu-Tang Clan’s ‘Once Upon a Time in Shaolin’ Will be Played at an Art Exhibition In Tasmania

The only existing copy of Wu-Tang Clan’s Once Upon a Time in Shaolin, one of the greatest collector’s items in recorded music history, will finally get its public debut.

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There is a catch: you’ll have to visit Tasmania next month to hear it.

The Museum of Old and New Art (MONA) in Hobart, the capital of the Apple Isle, has loaned the one-off record for its upcoming exhibition, Namedropping.

Mona’s Frying Pan Studios will host 30-minute listening parties twice-a-day from June 15-24, where a curated selection of tracks from the album will be played.

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“During Namedropping,” reads a statement, “the world’s only copy of the Wu-Tang Clan’s fabled seventh studio album will be on display in the museum. We’re giving you the chance to hear it, too. At least some of it.”

Tickets are free – if you are lucky enough to secure a ticket, the museum handily warns – and available only for over-18s.

“You hear talk about once-in-a-lifetime opportunities: this is probably one of them,” reads a statement.

The brief history of Once Upon a Time in Shaolin is so unusual, it’s worthy of its own feature film.

The hip-hop pioneers announced the secret, one-of-a-kind pressing in 2015, a rebuff to the digital world in which we now live. And put the record under the hammer.

“When you buy a painting or a sculpture, you’re buying that piece rather than the right to replicate it,” says RZA in a Q&A on the online auction site. “Owning a Picasso doesn’t mean you can sell prints or reproductions, but that you’re the sole owner of a unique original. And that’s what Once Upon a Time in Shaolin is. It’s a unique original rather than a master copy of an album.” The Clan delivered the coup de grâce on the project by deleting all digital files.

The winning bidder was Martin Shkreli, the notorious so-called “pharma bro” who went on a headline-dominating rampage when he both hiked up prices of the HIV/AIDS drug Daraprim and purchased the unreleased double-disc for a cool $2 million.

He continued to capture headlines when promised to share the album publicly, but only if Donald Trump was elected as president. That happened, and Shkreli shared a small series of videos, all of which featured him with snippets of the album playing in the background – despite being under orders from the Clan to not play the album for 88 years.

Shkreli attempted to sell the album on eBay, chastened by the backlash he’d received from a member of the Clan and the music world. The sale didn’t go through and, in 2018, following Shkreli’s conviction for securities fraud, he was forced to part ways with the album under a federal court-ordered seizure of assets.

In 2021 the US Department of Justice reportedly sold the album for $4 million to digital art collective PleasrDAO, its current owner.

5 Best Moments From Jack Harlow’s First-Ever Gazebo Festival

On Saturday (May 25), Jack Harlow kicked off his inaugural Gazebo Festival in his hometown of Louisville, Kentucky. Though the “Lovin’ on Me” MC didn’t enjoy the whole experience because the second day of Gazebo Fest was canceled due to inclement weather, he reveled in the event’s escapades during its opening day. 

Whether parked at Rich Homie Quan’s set, singing “Lifestyle” in animated fashion or crooning his heart out to Majid Jordan, Harlow immersed himself in the experience as one of the fans. “What he’s done for the city is amazing,” Faith, an Uber driver and long-time Louisville resident, told Billboard.

Slated to have 26 performers, Gazebo Festival was Harlow’s brainchild, which he first announced last February. Harlow’s musical adventure featured him and SZA as headliners while boasting a formidable crew of performers, including Vince Staples, Larry June, Veeze, Pink Panthress, Amaraee and more. 

Harlow’s vision to give back to the city that raised him seemed promising after an impressive first day that was diverse. Unfortunately, Gazebo Festival couldn’t make it to Day 2 due to unforeseen circumstances. A tornado watch was issued, which posed a significant risk to the safety of performers and attendees. This decision, though disappointing, was made in the best interest of everyone involved. 

“Well. We have to cancel day two of Gazebo,” Harlow wrote. “We are currently on a tornado watch. I know things cleared up a little bit, but the bad weather has damaged the site and there’s more storms and dangerous winds on the way. This means everyone on Day 2, including myself, won’t be performing anymore. I’m trying to focus on the positive because all I felt was happiness yesterday. I’m grateful for our flawless first day and for the way this city came together. Thank you so much. I’m sorry.” 

Despite the cancelation, Billboard was on-site to capture the five best moments from the first day of Harlow’s Gazebo Festival.

Jack Harlow’s Gazebo Festival: Day 2 Canceled Due to Inclement Weather

Due to inclement weather, the reminder of Jack Harlow‘s inaugural Gazebo Festival was canceled on Sunday (May 26). The Louisville, Kentucky, festival released a statement early Sunday afternoon after deliberating the day’s event’s status, opting to call things off for the safety of everyone involved. 

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“The safety of our patrons, artists, and staff is paramount. Due to continuing hazardous conditions throughout the early afternoon and a second wave of weather expected this evening, we have made the very difficult decision to cancel the remainder of Gazebo Festival,” reads the statement. “All Sunday ticket holders will receive a refund in full. All Weekend ticket holders will receive a 50% refund. Refunds will be issued within 30 days.”

Harlow chimed in on the difficult decision of canceling the remainder of the festival via an Instagram Story. “Well. We have to cancel day two of Gazebo,” he wrote. “We are currently on a tornado watch. I know things cleared up a little bit, but the bad weather has damaged the site and there’s more storms and dangerous winds on the way. This means everyone on Day 2, including myself, won’t be performing anymore. I’m trying to focus on the positive because all I felt was happiness yesterday. I’m grateful for our flawless first day and for the way this city came together. Thank you so much. I’m sorry.” 

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Day one of Gazebo Fest featured several exciting performances headlined by SZA, Vince Staples, Majid Jordan, Larry June, Raven Lenae, Jordan Ward and a DJ’ing set by James Blake. With a blend of hip-hop, R&B and DJ sets, Gazebo Fest was off to a promising start, as the two-day event brought in thousands of fans, especially out-of-towners, excited to see Harlow’s vision come to life. 

“It sucks. I always wanted to see Jack Harlow in person, and I was excited to see him. I’m pretty disappointed that the concert was canceled. Still, I understand that our safety comes first,” Olujimi Awoliyi, a fan who traveled from New York to see Harlow perform this Memorial Day Weekend, tells Billboard.

Sunday’s lineup initially featured a headlining performance by Harlow and buzzing acts such as Pink Pantheress, Amaraee and Omar Apollo, continuing the “Lovin on Me” star’s theme of eclecticism. And though Harlow didn’t exactly get to put a proper bow on his first festival tonight, he still thanked his city for showing out with him as he posted a picture of himself enjoying yesterday’s festivities on his Instagram Stories.

“Yesterday was a perfect day. Thank you, Louisville,” he wrote. 

 

T.I. Says Kendrick Lamar & Drake Should Go on Tour

T.I. appeared on DJ Whoo Kid’s SiriusXM Whoo’s House Podcast and naturally pulled out the thesaurus.

The Atlanta rap legend called the beef between Kendrick Lamar and Drake “probably one of the more exacerbated beefs” he’s seen before suggesting the pair should do a tour together. “I got respect for both of them,” he said. “I think they’re both phenomenal hitmakers and I’m just waiting on the tour. That’s the only thing. Listen, after the disagreement, the only thing that’s gon’ sell is the reunion.”

While he isn’t wrong, a tour featuring the two is probably not in the cards right now. If you recall, Drake famously brought Kendrick along during his Club Paradise Tour in 2012, something the OVO captain mentioned in his “Buried Alive Interlude” parody he posted on his Instagram.

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Last week, T.I. stopped by Real 92.3 in L.A. to talk to Big Boy when he was asked about the beef. He admitted that it’s good for the game in general, however, Tip felt the battle could be holding back other artists from dropping. “They done kinda f—ed it up for some other people who were planning to drop in this period. I think some people were like, ‘Damn, I was gon’ drop, let me see this through.’”

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T.I. isn’t wrong. Taylor Swift found herself in the middle of the beef when Drake mentioned Lamar needed permission from Swift to drop a diss record on “Taylor Made Freestyle” and in turn K. Dot tapped Taylor’s producer Jack Antonoff to help out on the diss track “6:16 in LA.” Whoo Kid is slightly involved in this feud on Drake’s side as he lent his legendary DJ drop to the Toronto rapper for his diss track “Push Ups.” There were also rumors swirling about a Whoo Kid hosted disstape that never surfaced.

If you’re wondering why outlets want to know T.I.’s thoughts on this particular rap battle, it’s because the Grand Hustle boss has seen his fair share of rap ways, most notably when he pulled up to the late Shawty Lo’s house back in 2008 for the “What Up, What’s Haapnin‘” video.

We won’t hold our breath when it comes to the tour he suggested, though.

Watch Central Cee & Lil Baby Go ‘BAND4BAND’ In Fiery New Video

Random link ups are everywhere in rap these days — and the latest one sees Lil Baby flying across the pond to connect with London’s Central Cee for the song “BAND4BAND.” The UK drill beat — produced by Ghana Beats and Geenaro — is a certified trunk rattler with both Cench and Baby, as the title suggests, going band for band.

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Directed by Wowa, the video shows their respective teams riding through London in back-to-back Lamborghini Urus’ in different colors looking very presidential. Central Cee sets things off and quickly loses his mind spitting, “I’m not in the mood ’cause my flight delayed/ So I jumped on a private jet and I’m askin’ the pilot the ETA/ Lambo’ parked on the landin’ strip, everyone in my gang and my DJ paid/ Why’s my man talkin’ ’bout Insha’Allah? These times, he don’t even pray.”

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Then, Lil Baby comes through to calm things down in his signature style of rapping like he’s never lied about anything a day in his life. “Bro’ll do it for some shoes and some clothes, you’ll see what he’ll do for a necklace/ ‘Rari truck, it look like a spider, it’s crawlin’ a dollar on just accessories (Damn)/She made me wanna go harder, I like her whole aura, I think I’m obsessed with her,” he spits like a character of an Iceberg Slim novel.

It’s always dope when unexpected collabs turn out to be bangers. Play this in the whip this Memorial Day weekend and make the trunk rattle on that reasonably priced sedan while going back and forth like Cench and the Hero.

While Baby has been relatively quiet this year, Central Cee has been active. He dropped the R&B-leaning “I Will” back in February and recently dissed old foe Digga D on “CC Freestyle.”


https://youtube.com/watch?v=WKuzQhQdQMs&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Maybe all this activity means he’s gearing up to drop the rumored Can’t Rush Greatness album this year. We sure hope so.

Future, Metro Boomin & Kendrick Lamar’s ‘Like That’ Tops Two More Airplay Charts

Future, Metro Boomin and Kendrick Lamar’s “Like That” adds two more Billboard airplay No. 1s to its collection, rising to the top of the Mainstream R&B/Hip-Hop Airplay and R&B/Hip-Hop Airplay tallies dated June 1.

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The coronation of “Like That” on both lists accompanies its continued reign on Rap Airplay for a fifth week and Rhythmic Airplay for a third frame.

“Like That” becomes the first song to rule all four charts since Drake and 21 Savage’s “Rich Flex” in 2023. “Rich Flex,” as with “Like That,” also reigned on all four simultaneously (Feb. 4, 2023).

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On Mainstream R&B/Hip-Hop Airplay, “Like That” is the sixth No. 1 for Future and first since “Wait for U,” featuring Drake and Tems, led for 16 weeks in 2022. He first led in 2014 as featured, with Chris Brown, August Alsina and Jeremih, on DJ Khaled’s “Hold You Down.” “Like That” is Lamar’s fifth No. 1 and first since 2017’s “Love.”; he first reigned with “Swimming Pools [Drank]” in 2012. Metro Boomin leads for the first time as a billed recording artist.

On R&B/Hip-Hop Airplay (which blends audience data on mainstream R&B/hip-hop and adult R&B stations), “Like That” leads with 17.5 million in reach, up 9%, May 17-23, according to Luminate. It becomes Future’s fourth No. 1 and first since “Wait for U.” It’s Lamar’s third (and first since “Love.”) and Metro Boomin’s first.

Concurrently, “Like That” debuts on Pop Airplay. While Future charted four titles at the format previously this decade and Metro Boomin reached the list twice in 2023, Lamar makes his first appearance on the ranking since 2018.

“Like That,” from Future and Metro Boomin’s collaborative album We Don’t Trust You (the pair’s first of two LPs in 2024), debuted at No. 1 on the Billboard Hot 100 dated April 6 and led for three frames. It ranked at No. 7 on the most recently published survey (dated May 25, reflecting data May 10-16).

We Don’t Trust You debuted at No. 1 on the Billboard 200 dated April 6 and has earned 809,000 equivalent album units to date.

All Billboard charts dated June 1 will update on Billboard.com Wednesday, May 29, a day later than usual due to the Memorial Day holiday May 27.