R&B/Hip-Hop

Watch the Moment Eminem & Jelly Roll Met Prior to Their Surprise Performance in Detroit

Eminem and Jelly Roll linked up for a surprise performance of Slim Shady’s Aerosmith-sampling “Sing for the Moment” at the Live From Detroit: The Concert at Michigan Central show on Thursday night (June 6).

Prior to hitting the stage together, the Detroit legend and country star linked up outside the Michigan Central Station venue for a heartwarming interaction, which was shared by Bunny XO, who is married to Jelly Roll. She posted the exchange between Em and her husband on TikTok for the world to see. “When the goat meets THE GOAT,” she captioned the clip soundtracked by Eminem’s “My Name Is” anthem.

The exchange finds Jelly Roll in awe as Em approaches him, and he takes his hat off out of respect for the rap icon before they dap up.

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Their voices can’t be heard in the clip, but it looks as if Jelly Roll was giving Eminem his flowers as a longtime fan. They dap up again before going their separate ways, with Em in a black hooded jacket and sunglasses.

Fans really enjoyed seeing Em and Jelly Roll connect prior to making magic on stage, and let it be known in Bunnie’s comment section.

“I saw someone say ’eminem helped us get through our childhood and jelly roll is helping us get through adulthood’ so true,” one person wrote. Bunnie responded to the comment with the bawling and “100” emojis.

Another noted, “He took his hat off to shake Eminem’s hand hes so respectful even though he is a celebrity too.”

Some are hoping this could eventually lead to a collaboration between Em and Jelly. “Can we get a Jelly Roll featuring Eminem song soon, please,” they asked.

Eminem, who co-produced the concert with his manager Paul Rosenberg, sent the crowd into a frenzy when he performed a surprise four-track mini-set that included the live debut of his new “Houdini” single, which fans are hoping will be earning a lofty debut on the Billboard Hot 100.

Em was joined by the Detroit Symphony Orchestra, and also performed the aforementioned “Sing for the Moment” with Jelly, along with the Trick Trick-assisted “Welcome 2 Detroit” and “Not Afraid.”

Watch the moment Eminem and Jelly Roll met below.

Roc Nation Launches Campaign to Help Underprivileged Student Secure $300 Million in Scholarships

Roc Nation has spearheaded plenty of philanthropic initiatives in the past, and Jay-Z’s company’s latest campaign hones in on improving youth education for students in Philadelphia.

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The Roc announced an initiative on Friday (June 7) that will assist students with about $300 million in scholarships. The funding will give underprivileged kids in grades K-12 the opportunity to attend prestigious private schools and various educational institutions across Philly.

Roc Nation will look to spread awareness by hosting events running daily from June 10 to June 21 throughout the greater Philadelphia area. Those in attendance will have the chance to learn more about the PASS program (Pennsylvania Award for Student Success), which is also known as Senate Bill 757.

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“We have enjoyed such a special connection with Philadelphians, so we’ve made it our mission to invest in the long-term success of the city’s changemakers,” said Roc Nation Managing Director of Philanthropy Dania Diaz in a statement. “Impact starts with the students and with awareness. We want to empower the youth and families with the knowledge to pursue their scholastic dreams, make their voices heard and become the leaders of tomorrow.”

Scholarship amounts for students vary depending on their age group and education level. Half-day kindergarteners will receive $2,500, K-8th graders get $5,000, while high schoolers can secure $10,000. Special needs children of any age will be eligible to collect $15,000 in scholarship funding. For a student to be able to receive a scholarship, their family cannot make more than 250 percent of the federal poverty threshold, which currently sits at $75,000 for families of four.

Hov and Roc Nation are no strangers to uplifting and connecting with the Philadelphia community throughout the years. The Roc previously hosted the annual Made In America festival on the Benjamin Franklin Parkway, and the REFORM Alliance has assisted in passing legislation to help citizens on parole or probation in Pennsylvania.

Find the Roc Nation information schedule for the program below.

  • June 10: 12 p.m. ET – 7 p.m. ET @ Hunting Park
  • June 11: 12 p.m. ET – 7 p.m. ET @ Olney-Feltonville
  • June 12: 12 p.m. ET – 7 p.m. ET @ Brewerytown
  • June 13: 12 p.m. ET – 7 p.m. ET @ Haddington
  • June 15: 12 p.m. ET – 7 p.m. ET @ East Passyunk/South Philly
  • June 17: 12 p.m. ET – 7 p.m. ET @ Hunting Park
  • June 18: 12 p.m. ET – 7 p.m. ET @ Olney-Feltonville
  • June 19: 12 p.m. ET – 7 p.m. ET @ East Passyunk/South Philly
  • June 20: 12 p.m. ET – 7 p.m. ET @ Brewerytown
  • June 21: 12 p.m. ET – 7 p.m. ET @ Haddington

Robert Glasper Wants Music Fans to ‘Let Go’ With New Apple Music Partnership

Coinciding with its Black Music Month celebratory focus on jazz this year, Apple Music and award-winning artist/producer Robert Glasper have partnered for the exclusive release of his latest album Let Go. (The Grammy- and Emmy-winning artist’s latest project is available on Apple Music now.)

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In a release about the new partnership, Apple Music global editorial head of hip-hop and R&B Ebro Darden said, “At Apple Music, we understand that jazz is not only foundational to Black music, but all popular music. So making sure we lean in and do more with jazz had to be a priority.”

As its title implies, Let Go is intended to help people recalibrate mentally in a world rife with challenges. Among the album’s few vocal moments is the track “Breathing Underwater,” which features a guest turn by artist/bassist Meshell Ndegeocello. Moving forward, the exclusive partnership between Apple Music and Glasper will include additional albums, a radio show and a live performance by the musician.

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“My whole career, everybody’s been saying my music is meditative,” Glasper said of Let Go in Apple Music’s announcement. “People say they study to my music, pray to my music, do yoga to my music; they just zone out. People have wanted me to do this for a long time. I wouldn’t call it the ‘meditation project’ or nothing like that, but it’s something you can put on that helps you find your center. It’s just something that quiets the world and allows you to see what’s within.”

Among the musicians who worked on the album’s instrumental tracks are drummer Kendrick Scott, bassist Burniss Travis and guitarist Chris Sholar, of whom Glasper noted, “The musicians are very, very important because they have to have that same flow and that same center. [For example], the drummer is a water sign. Everything he plays is water. He feels like water. And that’s what I wanted for this. I wanted it to be liquid.”

In honor of Juneteenth (June 19), Apple Music’s jazz focus will be supplemented by Freedom Songs 2024. The playlist of original songs and covers is performed by next-gen jazz musicians such as Lakecia Benjamin, Theo Croker, Savannah Harris, J. Hoard, Alexis Lombre, Endea Owens, Joel Ross, Cisco Swank, Kamasi Washington and Immanuel Wilkins. Apple is also offering curated collections of music spotlighting the role that jazz has played – and continues to play – in other genres like hip-hop, rock, R&B/soul, dance and electronic music through albums, playlists and radio episodes saluting the heroes of jazz then and now.

Glasper’s last formal release was 2022’s Black Radio III. The set featured a diverse mix of artists from R&B, hip-hop and jazz such as the aforementioned Ndegeocello, Esperanza Spalding, Killer Mike, Q-Tip, H.E.R. and Gregory Porter. The album won the Grammy for best R&B album last year.

Latto Taps Megan Thee Stallion & Flo Milli for ‘Sunday Service’ Remix: Stream It Now

Latto got the girls in the booth with her as she recruited Megan Thee Stallion and Flo Milli for the remix of “Sunday Service,” which arrived Friday (June 7).

They teased the remix a day prior, with Meg posting footage of her, Latto and Flo twerking backstage during her Hot Girl Summer Tour with GloRilla. During their New York City tour stop at Madison Square Garden, Meg and GloRilla revealed that Cardi B would be on the remix of “Wanna Be,” which reached No. 11 on the Billboard Hot 100 and No. 5 on Hot R&B/Hip-Hop Songs. It’s clear the rap girls are here to take over the summer — together!

“WHY TF U LET ME MEET YO N—A IF U KNO HE THIRSTY,” Flo Milli wrote on Instagram, while Latto commented, “‘Stupid btch’ on my mama u smoked this like wowowowowww.”

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Latto originally released “Sunday Service” in February via Streamcut and RCA Records, which reached No. 100 on the Hot 100 and No. 46 on Hot R&B/Hip-Hop Songs. She previously collaborated with Meg on “Budget” from the latter’s 2022 album Traumazine. Megan announced earlier this month that she’ll release her third studio album, Megan, on June 28 via her independent label Hot Girl Productions.

All three MCs made it on Billboard‘s recent 10 Hottest Female Rappers Right Now list, with Meg coming in at No. 3, Latto clocking in at No. 8 and Flo rounding out the list at No. 10.

Listen to the “Sunday Service” remix below.


https://youtube.com/watch?v=6oclE_vMMCw&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Are the Drake Vocals on ‘Wah Gwan Delilah’ an AI Deepfake?

When Snowd4y, a Toronto parody rapper, released the track “Wah Gwan Delilah” featuring Drake via Soundcloud on Monday (June 3), it instantly went viral.

“This has to be AI,” one commenter wrote about the song. It was a sentiment shared by many others, particularly given the track’s ridiculous lyrics and the off-kilter audio quality of Drake’s vocals.

To date, the two rappers have not confirmed or denied the AI rumor. Though Drake posted the track on his Instagram story, it is hardly a confirmation that the vocals in question are AI-free. (As we learned during Drake’s recent beef with Kendrick Lamar, the rapper is not afraid of deep-faking voices).

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To try to get to the bottom of the “Wah Gwan Delilah” mystery, Billboard contacted two companies that specialize in AI audio detection to review the track. The answer, unfortunately, was not too satisfying.

“Our first analysis reveals SOME traces of [generative] AI, but there seems to be a lot of mix involved,” wrote Romain Simiand, chief product officer of Ircam Amplify, a French company that creates audio tools for rights holders, in an email response.

Larry Mills, senior vp of sales at Pex, which specializes in tracking and monetizing music usage across the web, also found mixed results. He told Billboard the Pex research and development team “ran the song through [their] VoiceID matcher” and that “Drake’s voice on the ‘Wah Gwan Delilah’ verse does not match as closely to Drake’s voice…[as his voice on] official releases [does], but it is close enough to confirm it could be Drake’s own voice or a good AI copy.” Notably, Pex’s VoiceID tool alone is not enough to definitively distinguish between real and AI voices, but its detection of differences between the singer/rapper’s voice on “Wah Gwan Delilah” and his other, officially released songs could indicate some level of AI manipulation.

A representative for Drake did not immediately respond to Billboard’s request for comment.

How to Screen for AI in Songs

There are multiple types of tools that are currently used to distinguish between AI-generated music and human-made music, but these nascent products are still developing and not definitive. As Pex’s Jakub Galka recently wrote in a company blog post about the topic, “Identifying AI-generated music [is] a particularly difficult task.”

Some detectors, like Ircam’s, identify AI music using “artifact detection,” meaning they detect parts of a work that are off-base from reality. A clear example of this is seen with AI-generated images. Early AI images often contained hands with extra or misshapen fingers, and some detection tools exist to pick up on these inaccuracies.

Other detectors rely on reading watermarks embedded in the AI-generated music. While these watermarks are not perceptible to the human ear, they can be detected by certain tools. Galka writes that “since watermarking is intended to be discoverable by watermark detection algorithms, such algorithms can also be used to show how to remove or modify the watermark embedded in audio so it is no longer discoverable” — something he sees as a major flaw with this system of detection.

Pex’s method of using VoiceID, which can determine if a singer matches between multiple recordings, can also be useful in AI detection, though it is not a clear-cut answer. This technology is particularly helpful when users take to the internet and release random tracks with Drake vocals, whether they’re leaked songs or AI deepfakes. With VoiceID, Pex can tell a rights holder that their voice was detected on another track that might not be an official release from them.

When VoiceID is paired with the company’s other product, Automatic Content Recognition (ACR), it can sometimes determine if a song uses AI vocals or not, but the company says there is not enough information on “Wah Gwan Delilah” to complete a full ACR check.

Parody’s Role in AI Music

Though it can’t be determined without a doubt whether “Wah Gwan Delilah” contains AI vocals, parody songs in general have played a major role in popularizing and normalizing AI music. This is especially evident on TikTok, which is replete with so-called “AI Covers,” pairing famous vocalists with unlikely songs. Popular examples of this trend include Kanye West singing “Pocket Full of Sunshine” by Natasha Bedingfield, Juice WRLD singing “Viva La Vida” by Coldplay, Michael Jackson singing “Careless Whisper” by George Michael and more.

Most recently, AI comedy music took center stage with Metro Boomin‘s SoundCloud-released track “BBL Drizzy” — which sampled an AI-generated song of the same name. The track poked fun at Drake and his supposed “Brazilian Butt Lift” during the rapper’s beef with Lamar, and in the process, it became the first major use of an AI-generated sample. Later, Drake and Sexyy Red sampled the original AI-generated “BBL Drizzy” on their own song, “U My Everything,” lifting “BBL Drizzy” to new heights.

Andra Day Teams Up With Amazon Music’s Rotation for ‘City Sessions’ Los Angeles Concert

In celebration of Black Music Month, Andra Day will be bringing her luscious vocals to Los Angeles for a concert, which will be broadcasted live courtesy of Amazon’s Rotation.

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The powerful singer will hit the Warwick stage on Friday night (June 7) as part of City Sessions from the streaming giant’s Forever the Influence series.

Tickets are still available for the L.A. show through Dice for $15 retail. Doors for the 21-plus event open at 5 p.m. PT with the concert starting at 6 p.m. PT. For those who can’t attend, fans will be able to live-stream it on Amazon Music’s Twitch channel.

There will be plenty of more programming courtesy of Amazon Music’s Rotation in the coming weeks. “In June, we celebrate Black Music Month by honoring Black artists whose works are potent reminders that Black music is the American songbook across a multitude of genres,” said head of hip-hop and R&B for Amazon Music, Sierra Lever.

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She continued: “With Forever the Influence, fans around the world will have a front-row seat to live performances from artists who are continuing to expand the reach of Black music and cultural influence across generations.”

Andra Day is set to be performing soothing cuts from her CASSANDRA album, which will be followed by a Q&A with the audience.

The Golden Globe-winner’s CASSANDRA album arrived on May 10 and served as Andra Day’s first solo LP since her debut in 2015. “I just named it after myself, interestingly to ground myself again in who I was designed and made to be,” she told Billboard of the project at the 2024 Women in Music event in March. “I want it to just be a little less apologetic and raw about my experiences.”

The “Cheers to the Fall” singer also recently sat down with amNY where she promised fans it won’t be another nine years before her next album.

“I do want to put together more music, more consistently,” she said. “I’ll take another break at some point. It won’t be another nine years. I really want to make EPs with artists that I love. Just drop a whole bunch of EPs. All types of genres. All types of styles. I want to bolster other producers that worked on this album.”

Mustard Rides ‘Not Like Us’ Momentum, Announces New Album

After netting his first No. 1 record with “Not Like Us,” Mustard is dropping his first album since 2019’s Perfect Ten.

The Los Angeles producer announced his new album Faith of a Mustard Seed on social media where he posted a trailer along with the message, “FAITH OF A MUSTARD SEED SUMMER 2024 A GIFT FROM ME TO YOU. LOVE Y’ALL. SEE YOU SOON.”

ScHoolboy Q has already heard the project apparently and retweeted Mustard’s post with the quote, “Heard it. S— go dumb. LA bout to do it again… LA up this year.” That’s very high praise coming from someone that has already released one of the better rap albums of the year so far with Blue Lips.

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The trailer is a collection of behind the scenes studio footage, photos from his childhood, recent civil rights protests and glimpses into his personal life with a speech from Louis Farrakhan serving as the soundtrack. In the speech, the minister quotes a verse from Matthew 17:20 in which Jesus says, “Because you have so little faith. Truly I tell you, if you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move. Nothing will be impossible for you.”

The producer has had five songs hit the top 10 in the Hot 100 before with Ella Mai’s “Boo’d Up,” Jeremih’s “Don’t Tell ‘Em” feat. YG, Rihanna’s “Needed Me,” Tyga’s “Rack City,” and Lil Dicky’s “Freaky Friday” feat. Chris Brown.

Mustard’s critically acclaimed Perfect Ten album featured the smash hits “Pure Water” featuring the Migos and “Ballin” featuring Roddy Ricch. As of today, both videos have 500 million views on YouTube between the two.

Be sure to keep it locked as we wait for a release date and track list.

Eminem’s ‘Houdini’ Backlash, Drake’s ‘Wah Gwan Delilah’ Feature, Cardi B vs. Bia | Billboard Unfiltered

In the fifth episode of Billboard Unfiltered, Billboard staffers Damien Scott, Trevor Anderson and Carl Lamarre break down Cardi B & Bia’s beef from verses to allegations made. They also discuss Eminem’s return to rap with “Houdini,” the backlash he’s receiving with the Megan Thee Stallion reference, and how his career has evolved with age. The trio also dives into Drake’s music post Kendrick feud and more!

Damien Scott:
Cardi is so big. To me, her going on live and doing all this is like, it’s, like, so messy.

Carl Lamarre:
Are you guys checking for an Eminem album 2024?

Damien Scott:
Yeah. I listen to every Eminem album. 

Carl Lamarre:
Wow!

Trevor Anderson:
Drake jumped that thing into the top 10.

Carl Lamarre:
It slid pretty …

Trevor Anderson:
We’re not talking about slides.

Carl Lamarre:
We are back with a fresh episode of Billboard Unfiltered. We have Mr. Trevor Anderson back with us. 

Damien Scott:
Welcome back, Trev.

Trevor Anderson:
Yo, what’s up? It’s pretty good to be back.

Carl Lamarre:
How was Paris? 

Damien Scott:
Was it a vacation? 

Trevor Anderson:
Yeah, it was. 

Damien Scott:
Passport on pivot?

Trevor Anderson:
Yeah, you know.

Damien Scott:
As they used to say. 

Trevor Anderson:

Yeah, but it was nice. It was a good time. I appreciate y’all. Yeah.

Carl Lamarre:
This week, pretty formidable. You know, in terms of what we got going on. First off, Cardi B versus Bia. Cardi B last week, she jumped on GloRilla’s and Megan Thee Stallions remix for “Wanna Be,” had, you know, some things to say about Bia, which she threw a little bit of shots.

Damien Scott:
Can you break down this beef? Do you understand how this beef started?

Carl Lamarre: 
So, I think, this is just like, guilt by association type s–t, because, you know, Bia’s team Minaj right? Team Nicki. So you know.

Keep watching to learn more!

Drake Posts Cryptic ‘Yes Man’ Caption After Removing Kendrick Lamar Disses from Instagram

On Wednesday night (June 5), Drake removed the rest of his Instagram posts related to the Kendrick Lamar beef and posted a carousel of stoic contemplative pictures of himself.

The photos came with a vague caption that read, “The only yes man around me is my Rolex dealer.” While it looks like it’s back to business for Drake as he seems to be moving on and focusing on what’s next, the post does leave us with more questions than answers.

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Since the battle with Lamar has died down, the Toronto rapper has been featured on two songs. First, he assisted friend Sexyy Red on her song “U My Everything,” which debuted on the Billboard Hot 100 at No. 44, where he raps over “BBL Drizzy” for a portion of his guest verse. Then, he gave Canadian parody rapper Snowd4y the greenlight to release their Plain White T’s “Hey There Delilah” Toronto slang remix “Wah Gwan Delilah.”

Recently, Gordo aka DJ Carnage posted a picture on social media with Drake asking, “you guys ready for summer 2024…”

However, the DJ and producer walked that photo back in an interview with Complex claiming it was a troll job. “I am being completely honest, I went over to his house cause I ran out of milk, so I went and got 2%, whole, Goat milk. He has everything. So I went & I just took that photo just to f—k with people,” he told the outlet. Gordo worked closely with Drake on his dance-adjacent album Honestly, Nevermind where he produced five of the project’s 14 tracks.

Kendrick, on the other hand, still has links to his diss tracks up on his X and Instagram, and just announced a concert in LA for the upcoming Juneteenth.

Will Smith Ranks His Mount Rushmore of Acting Performances While Tearing Up on ‘Hot Ones’

Will Smith made his Hot Ones debut on Thursday (June 6), and while it was a struggle, the multi-hyphenate superstar got through the finish line, albeit with some tears in his eyes.

The musician-actor is currently on a press tour with Bad Boys: Ride or Die set to hit theaters across the globe on Friday (June 7).

After chewing through the final steaming wing with his “brain slow-roasting in hot sauce,” as host Sean Evans fittingly put it, the “Gettin’ Jiggy Wit It” rapper revealed his Mount Rushmore of movie performances that best define his career as an actor.

“I think the individual best movie all-around that I’ve ever made is The Pursuit of Happyness. I think that’s the one,” he said while wiping away spicy tears. “Right behind that is the first Men in Black.”

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Smith got off-track briefly to also give credit to Bad Boys and Aladdin for being the blockbusters that he had the most fun starring in.

He continued: “If I had to put four of them in a time capsule it would be Pursuit of Happyness, the first Men in Black, it would be I Am Legend, and probably King Richard.”

Of the four blockbusters handpicked by the four-time Grammy winner, I Am Legend and Men in Black are two of the most dominant at the box office in his Hall-of-Fame career, as the pair of films grossed $585 million and $589 million globally.

While the Academy Award winner is no stranger to topping the box office as one of the highest grossing actors of the last 30 years, Smith’s also had commercial success on the music side in his career.

The 55-year-old boasts a pair of Billboard Hot 100 No. 1 hits on his résumé from the late ’90s. “Gettin’ Jiggy Wit It” spent three weeks atop the chart in early 1998 and the Dru Hill and Kool Mo Dee-assisted “Wild Wild West” reached No. 1 the following year.

Watch Will Smith’s Hot Ones episode below.