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Drake extends his record for the most No. 1s in the history of Billboard’s Streaming Songs chart, as “First Person Shooter,” featuring J. Cole, debuts atop the Oct. 21-dated tally.
The song reigns with 42.2 million official U.S. streams earned in its first week (Oct. 6-12), according to Luminate.
Drake adds his 19th leader, more than three times the amount of the next-closest acts dating to the survey’s 2013 inception; he’s followed by Justin Bieber and Taylor Swift, with six apiece. Of Drake’s No. 1s, he has logged 15 in a lead role.
Most No. 1s, Streaming Songs:19, Drake6, Justin Bieber6, Taylor Swift5, Travis Scott4, Cardi B4, Miley Cyrus4, Ariana Grande4, Lil Baby
As for featured act J. Cole, “First Person Shooter” is his second Streaming Songs No. 1, following the one-week rule of “Interlude” in May 2021.
Drake now boasts four Streaming Songs rulers in 2023, with his latest preceded by “Search & Rescue” in April, Travis Scott’s “Meltdown” (on which he’s featured) in August and “Slime You Out,” featuring SZA, in September.
Drake first reigned in 2016 as featured on Rihanna’s “Work,” an eight-week No. 1 beginning that March. His first lead No. 1, “One Dance” (featuring WizKid and Kyla), followed that May.
The entire top 11 of Streaming Songs comprises songs from Drake’s new album For All the Dogs, which concurrently premieres atop the Billboard 200. “First Person Shooter” is followed by “IDGAF,” featuring Yeat, at No. 2, with 40.8 million streams.
It’s the third time that a single act has occupied the top 11 or more on Streaming Songs. Drake did so first – claiming the top 14 spots – on the Sept. 18, 2021, ranking with music from his LP Certified Lover Boy. Swift followed on Nov. 5, 2022, taking the top 13 via material from her album Midnights.
Thanks to his latest haul, Drake now boasts 96 Streaming Songs career top 10s, over double the amount of the next-closest act, Swift, with 39.
Most Top 10s, Streaming Songs:96, Drake39, Taylor Swift34, Lil Baby30, The Weeknd28, 21 Savage28, Travis Scott25, Future24, J. Cole24, Kanye West
All 23 tracks on For All the Dogs make Streaming Songs, all the way down to “Screw the World Interlude,” at No. 33, with 11.8 million streams.
As previously reported, “First Person Shooter” also starts atop the multi-metric Billboard Hot 100, becoming Drake’s 13th leader – tying him with Michael Jackson for the most leaders among solo men – and J. Cole’s first No. 1.
Through the ups and downs, Offset’s marriage with Cardi B has persevered, and in a new Call Her Daddy episode, the Migos rapper opened up about re-establishing trust with his Grammy-winning wife after he was caught cheating.
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“First off by like respecting her position, right?” Offset told host Alex Cooper of his process of healing his relationship. “We’re both public figures, we’re both in the eyes of people. Stop being selfish. You’re married to this woman, be dedicated to this woman. And also, just like being more communicative about s—. Like, we just talk more and, because, you know, work was getting in the way, sometimes and it was like, [phew] and we would talk all the time but communication is key. If you don’t like some s—, tell me, and if I don’t like some s—, I’ll tell you. We talk and communication is key. Not communicating f—s s— up.”
Elsewhere in the interview, Offset sweetly shared the qualities that drew him to the Bronx rapper in the first place. “I had seen her online, and I just loved the way how raw she was and how confident she was,” he shared. “She didn’t give a f— what nobody thought, nobody think, nothin’. And it’s just like damn, that’s fire. Funny, great personality, from what I could see, you know I’m saying? Like that’s a funny girl, she’s a cool girl, and then I shot my shot and I swished it.”
Listen to the full Call Her Daddy episode here.
Back in 2017, just two months after Offset proposed to Cardi, a video surfaced of what appeared to be Offset with another naked woman in a hotel. The Migos rapper reportedly claimed that his iCloud was hacked. Days later, a model named Celine Powell claimed to be pregnant with Offset’s baby.
A few months later, in April 2018, Cardi opened up about her situation with Offset with Cosmopolitan. “It’s like everybody is coming down my neck like, ‘Why are you not leaving him? You have low self-esteem.’ I don’t have low self-esteem … I know I look good,” Cardi said in the interview. “I know I’m rich, I know I’m talented. I know I could get any man I want — any basketball player, football player. But I want to work out my s–t with my man, and I don’t got to explain why. I’m not your property. This is my life … I’m going to take my time, and I’m going to decide on my decision … it’s not right, what he f–king did — but people don’t know what I did, ’cause I ain’t no angel.” She wrapped up with a hilarious question for her haters: “Since when are all these women dating pastors and deacons?”
What’s poppin’ in Las Vegas during big race weekend? A major performance from Jack Harlow. The six-time Grammy nominee will be kicking off the Formula 1 Grand Prix in Las Vegas this year with an exclusive concert on Nov. 16 for SiriusXM and Pandora inside The Chelsea at The Cosmopolitan hotel. SiriusXM and Pandora Present […]
Early into Sly Stone’s memoir, Thank You (Falettinme Be Mice Elf Agin) — released this week (Oct. 17) — the music icon recalls collaborating with the late Billy Preston on the song “Advice” from the former’s 1966 solo album Wildest Organ in Town!
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“Billy went hard on organ, churching it up, over lyrics about taking the crowd higher,” remembers Stone. “That’s what I wanted music to do, to elevate whoever heard it. I reminded myself to return to that attitude, and that altitude.”
That same year, Stone made good on his promise when he brought together his brother/guitarist Freddie Stone, sister/keyboardist Rose Stone, trumpeter Cynthia Robinson, drummer Gregg Errico, saxophonist Jerry Martini and bassist Larry Graham as the seminal rock/funk band Sly and the Family Stone. Together with author Ben Greenman, Stone — born Sylvester Stewart — chronicles his journey from gospel choir and doo-wop singer, record producer and radio DJ (San Francisco R&B station KSOL) to front man/creative guru of the racially and gender-diverse band whose game-changing musical vision has influenced multiple generations of artists, such as Prince, D’Angelo and Erykah Badu.
Named after one of the band’s many hits, a lengthy list that includes “Everyday People,” “Sing a Simple Song,” “Dance to the Music” and “I Want to Take You Higher,” the memoir is the first title from AUWA Books, an imprint with MCD/Farrar, Straus and Giroux launched by Questlove who also penned the foreword.
Beyond reflections on the band’s music, Stone takes a no-holds-barred approach to the memoir as he tracks the other ups and downs throughout his storied life from his and Kathy Silva’s famous 1974 wedding and concert at Madison Square Garden (“$8.50 for a wedding and a concert both. A bargain.”) and the birth of his beloved son Sylvester Jr. and daughters Phunne and Novena to various business ventures and finally overcoming his drug addiction. Stone, now 80 and suffering from COPD, writes, “Then came the Four Visits. Fifty years of drugs, plus age, plus stress, made the hospital a regular stop.” His stream of consciousness recall of life experiences, coupled with colorful turns of phrase, makes Thank You a fun and insightful read.
Sly Stone (right) with Kathy Silva and Freddie Stone.
Family photograph / courtesy of the author
Speaking of his children, the three don’t fall far from the tree. Sylvester Jr. does lighting design for film and television, while Phunne continues her late mom Cynthia’s legacy as a member of the band Family Stone with Jerry Martini and Novena hosts the radio show “Morning Becomes Eclectic” on KCRW in Los Angeles. Both daughters shared memories of their dad during a recent phone interview with Billboard.
What’s one of your favorite memories of being with your dad?
Novena: I didn’t get to see my dad a whole lot growing up. But one day, when I was around eight years old, he picked me up in his cool car and he got me a Game Boy — which I really wanted — and some video games to go with it. Then we went to a magic store because he was really into magic stuff too. And he got me this magic penny thing, which was really cool. So we were kind of like being kids together. After that, we went to a boxing match, which was really random. But it actually was really smart that he got me the Game Boy first, because I just played with my Game Boy while he enjoyed the boxing match.
Phunne: I’m going to fast forward to when I was a little older, early 30s. I’d come to town to visit him. He picked me up in his van and he’s just driving and driving. I’m on crutches because I’d just had a surgery on my ankle. So I’m ready to go and put my foot up. I’m like, “Where are we going?” And he says, “Don’t worry about it…” And he’s dressed all weird in a black vest, no shirt, boxing shorts, boxing shoes and this Shirley Temple wig. I was confused. [Laughs.]
It took us probably 45 minutes to get through traffic. But we’re in a residential area up in the hills. We park and all these people start rushing to the van. I’m like, “What is this, dad?” And he says [mimicking Stone’s voice], “We’re at Eddie Murphy’s house. We’re going to watch the fight.” [Both sisters laugh.] And we sat next to Louis Farrakhan. I met a lot of people and bumped into a lot of people because of my crutches. That was a very interesting and fun day.
When did you understand that your dad was Sly Stone?
Phunne: I was fairly young, four or five. I can remember being at a show. I think Bootsy Collins was opening that for my dad. And mom had to go back to the hotel and grab something. She never left me with people. But she left me with Jerry Martini. So I was having a fit, because I want my mommy. So finally the show begins and Bootsy Collins is on stage. I’m on stage left behind the curtains. But I can see all the way across to stage right and I see my mom is back. I’m screaming “Mommy, mommy,” but the music is loud. But I could see her saying, “Noooooo.” But I just shot across the stage, zigzagging around the dancers. So I knew then that [he] was big, given all the people there.
Novena: For me, it was more so connected to having his albums at home. It was mostly me and my mom spending a lot of time at home in Sausalito (Calif.) And because she loves music, the centerpiece of the living room was pretty much the record player, [with] albums by like Michael Jackson, Guns N’ Roses, Stevie Wonder and then Sly & the Family Stone. I always remember knowing that [those wore] my dad’s records. And maybe actually a little earlier too. I have like a faint memory of being in a limousine with him and my mom — and you know, limousines aren’t a normal way to travel. So I was like, “This is special; he’s important.” You start piecing things together little by little.
Sly Stone photographed in 2021.
Family photograph / courtesy of the author
Is there a surprising revelation in the book that you didn’t know beforehand?
Novena: I feel like the conversations that I have with him haven’t been really long and detailed. It will usually be a quick answer. Then that’s it. So it was cool for me to see what felt like him sitting down and talking for a really long time, and telling stories back to back to back. He has a way with words. I don’t know if “surprise” is the right word. But it just struck me a something that I don’t really get to experience, as far as like a vibe.
Also interesting is his version of how he met my mom, which was different than what she told me. It was just a sample of how different people have different memories of how something went down or add different things to it. That’s an overall theme of the book, which he keeps bringing up: A memory is not necessarily like the truth. It’s like a story. And everybody has different stories, depending on how they look at things.
Phunne: I just started reading it, because I’ve been super busy. But I was there during a lot of the interviews done for the book. And I’ve heard a lot of those stories over the years, through my mom and other band members. So I was already shocked. I haven’t been shocked again yet. [Both laugh.]
Do you have a favorite Sly song?
Phunne: I always say “Thank You…” That’s one of my go-to songs and brings me back to my childhood. We played that a lot in the house. But “I’m a Poet” is one of my favorites too.
Novena: The music is way too good for me to pick one favorite. I can tell you my favorite line in a song. It’s from “In Time,” which is on the Fresh album. And the song plays with the concept of time. When he says the word procrastinating in the line, he says “procrasti” [she pauses] then “nating.” So he procrastinated on saying the word procrastinating, which, I’m always in my head, saying, “Whoa, that is so cool.”
What would you like readers to take away about your dad’s legacy?
Novena: As far as Sly and the Family Stone’s music legacy, the most important thing to me is: How does it make you feel? I think part of the reason that he wrote the book is to tell his story from his perspective and clear a lot of things up. But today, as more and more people learn about the band’s music for the first time, the root of the music is an important takeaway: what they did as a band and how does that make you feel?
Phunne: A lot of people like to [make a superhero out of] my dad. But I want people to also take away that he is just a man, flesh and blood, and he ain’t perfect. I know the music felt perfect. But he’s just a simple human being.
Surely you weren’t expecting Eminem to get all soft and sentimental on his 51st birthday? Marshall Mathers, born on Oct. 17, 1972, celebrated his half century plus one with a classic Slim Shady-ish post on Tuesday in which he posed in a black t-shirt and matching pants in front of a black background with a […]
Who would’ve thought that a WNBA mascot has some serious moves? The New York Liberty’s beloved elephant mascot Ellie took TikTok by storm this week by performing the “Bongos” challenge set to the tune of Cardi B and Megan Thee Stallion’s latest collaboration. In the clip, the mascot is backed by two dancers as all […]
Mobb Deep is facing a lawsuit over a recent collaboration with streetwear brand Supreme. Filed by a New York City hardcore punk band Sick of It All, the suit claims that Mobb Deep members Havoc and the late Prodigy stole their dragon-shaped logo.
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In a lawsuit filed Friday, the band accused both Supreme and Mobb Deep of infringing its trademarks with a line of T-shirts launched this summer. The case claims that Mobb Deep’s emblem, featured on the shirts, is “virtually identical” to a logo that Sick of It All has used since 1987.
“This case arises out of defendants’ improper and illegal use of a nearly identical logo mark to plaintiff’s inherently distinctive, incontestable, and famous logo,” wrote lawyers for Bush Baby Zamagate Inc., the company that owns Sick of It All’s intellectual property. “Defendants’ adoption and use of their knockoff logo … is not just reckless and inexplicable — it is willful infringement and unfair competition.”
As defendants, the lawsuit named Chapter 4 Corp., the owner of Supreme; Kejuan Muchita Inc., a corporate entity owned by Havoc; and the estate of Prodigy (Albert Jackson Johnson), who died in 2017.
Back in June, when Supreme launched the Mobb Deep shirts, the website Hypebeast tried to explain the origins of the duo’s logo. The “tribal tattoo-style dragon,” the site claimed, had been “borrowed” from Sick of It All — “who, like Mobb Deep, is from Queens, New York.”
Turns out, Sick of It All doesn’t see the story quite the same way.
In Friday’s lawsuit, their lawyers say that, over the course of three decades, they have repeatedly demanded that Mobb Deep stop using the dragon design, first in 1997 and again in 2003. The new complaint included a copy of a cease-and-desist that the band sent in 2003, after a version of the dragon logo was used in an insert included in Mobb Deep’s Free Agents: The Murda Mixtape.
“This is not the first time that plaintiff has objected to Mobb Deep’s use of a logo substantially identical to plaintiff’s mark,” the new complaint reads. “Immediately prior to the institution of this lawsuit, plaintiff demanded that defendants cease use of their infringing logo and provide an accounting to plaintiff of sales of the infringing goods. Defendants refused to comply with those demands.”
In 2011, Mobb Deep spoke about the logo in an interview with clothing brand Mishka NYC. In it, Prodigy explained he basically picked the image off of a tattoo parlor wall when he was a teenager and got it inked to his hand.
“Basically, when I was 14 or 15, there was this tattoo parlor in Elmart off Hemstead turnpike and I had walked in there to get my first tattoo,” he said. “There was this dragon on the wall and I didn’t know what it was, I just thought it looked ill, I was mad young and I had always wanted something on my hand. I prolly seen it on some of those L.A. gang movies like Colors. I thought’d be cool, it’d look like some tough shit. So I told the dude put that on my hand. When me and Hav started Mobb Deep, we turned it into the lil clique thing.”
Prodigy went on to say, “We wanted to turn it into the logo for Mobb Deep, but, then we got a cease and desist letter in the mail…. That was just some random sh–! We didn’t even know, we was just young kids.”
Representatives for Supreme and Mobb Deep did not immediately return requests for comment.
Read the entire complaint here:
Drake has yet another massive week on Billboard’s charts (dated Oct. 21), as all 23 songs from his new studio album For All the Dogs land in the top 50 of the Billboard Hot 100, led by “First Person Shooter” featuring J. Cole new at No. 1.
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The album debuts at No. 1 on the Billboard 200 with 402,000 equivalent album units earned in its opening week, according to Luminate. That’s the fourth-biggest week of the year, after the first frames of Taylor Swift’s Speak Now (Taylor’s Version) (716,000 units), Morgan Wallen’s One Thing at at Time (501,000) and Travis Scott’s Utopia (496,000).
For All the Dogs tallied 514 million on-demand official streams for its tracks in its opening week, the fourth-highest single-week sum ever for an album. The biggest streaming weeks were achieved by the first weeks of Drake’s Scorpion (745.9 million, 2018) and Certified Lover Boy (743.7 million, 2021) and Swift’s Midnights (549.3 million, 2022).
All 23 songs from the new album land on the latest Hot 100. Of those, 22 debut, while “Slime You Out” featuring SZA ranks at No. 6 after debuting at No. 1 three weeks ago.
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“First Person Shooter” featuring J. Cole debuts as Drake’s 13th Hot 100 leader, and Cole’s first. Now with 13 No. 1s, Drake ties Michael Jackson for the most among solo males.
Here’s a recap of every Drake song on the latest Hot 100, all of which are debuts except where noted. He charts 24 songs overall, including one in a featured role.
Rank, Artist Billing, Title:
No. 1, Drake feat. J. Cole, “First Person Shooter”
No. 2, Drake feat. Yeat, “IDGAF”
No. 3, Drake, “Virginia Beach”
No. 5, Drake feat. 21 Savage, “Calling for You”
No. 6, Drake feat. SZA, “Slime You Out” (up from No. 18; peaked at No. 1)
No. 8, Drake, “Daylight”
No. 10, Drake, “Fear of Heights”
No. 11, Drake feat. Sexyy Red & SZA, “Rich Baby Daddy”
No. 12, Drake feat. Bad Bunny, “Gently”
No. 15, Drake feat. Teezo Touchdown, “Amen”
No. 16, Drake, “7969 Santa”
No. 17, Drake, “8am in Charlotte”
No. 18, Drake, “What Would Pluto Do”
No. 20, Drake, “Bahamas Promises”
No. 21, Drake, “Tried Our Best”
No. 24, Drake feat. PARTYNEXTDOOR, “Members Only”
No. 26, Drake feat. Chief Keef, “All the Parties”
No. 27, Drake, “Drew a Picasso”
No. 29, Drake feat. Lil Yachty, “Another Late Night”
No. 32, Drake, “Away From Home”
No. 36, Drake, “BBL Love Interlude”
No. 37, Drake “Polar Opposites”
No. 42, Drake, “Screw the World Interlude”
No. 59, Travis Scott feat. Drake, “Meltdown” (down from No. 40; peaked at No. 3 in August)
This week marks the sixth in which an artist has tallied at least seven songs in the Hot 100’s top 10 simultaneously. Here a look at every occurrence:
Total Songs in the Hot 100’s Top 10, Artist, Chart Date:
10, Taylor Swift, Nov. 5, 2022
9, Drake, Sept. 18, 2021
8, Drake, Nov. 19, 2022
7, Drake, July 14, 2018
7, 21 Savage, Nov. 19, 2022
7, Drake, Oct. 21, 2023
This is also the ninth week in Hot 100 history that an artist has charted at least 24 songs on the chart in a single week. Here’s a look at every such instance.
Total Songs on the Hot 100, Artist, Chart Date:
36, Morgan Wallen, March 18, 2013
28, Morgan Wallen, March 25, 2023
27, Drake, July 14, 2018
26, Taylor Swift, Nov. 27, 2021
25, Lil Baby, Oct. 29, 2022
25, Taylor Swift, July 22, 2023
24, Drake, April 8, 2017
24, Drake, July 21, 2018
24, Drake, Oct. 21, 2023
Drake also extends many of his Hot 100 chart records, including the most top five hits (41), top 10s (76), top 20 entries (132), top 40 hits (199) and overall charted titles (320). He becomes the first artist to tally at least 300 total entries on the Hot 100. The only other acts with at least 200 are Taylor Swift (212) and the Glee Cast (207).
Congratulations are in order for Sexyy Red, who surprised fans on Sunday (Oct. 15) when she revealed on Instagram that she’s pregnant. In a series of photos, the “SkeeYee” rapper poses with SZA, who is seen kneeling next to her and showing Red’s baby bump, which is seen peeking out through a black, deep-V neck […]
Between a rumors of joint album from Kanye West & Ty Dolla $ign, several revelations from Jada Pinkett Smith’s memoir, and a surprise freestyle from Drake’s son, Adonis, the hip-hop world has been in a tizzy for the past week. In the midst of all of these cultural conversational touchstones, a bevy of hot new music also made its way to streaming platforms on Friday (Oct. 13).
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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Naomi Sharon’s smooth ode to unconditional love to Young Thug’s heartfelt response to Mariah the Scientist. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Ken Carson feat. Destroy Lonely, “Paranoid”
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The umpteenth reunion of Playboi Cart’s two biggest signees was bound to produce a banger — and Ken Carson & Destroy Lonely do not disappoint. In a nod to the everlasting cultural impact of Barbie, Ken raps, “I f–k Barbie b–ches, yeah, yeah, all my hoes plastic/ All my hoes know how to act, all my hoes classy,” over a skittering trap beat crafted by F1LTHY, Lukrative & Lucian. Both rappers employ madcap flows that cover hip-hop’s most stories tropes (wealth, women, guns, etc.) with an air of wariness that plays into the concept of paranoia that guides the track.
Westside Gunn & Stove God Cooks, “House of Glory”
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And Then You Pray For Me may stand as Westside Gunn’s final studio effort, but the Griselda God left us with an incredibly consistent project. One of the record’s standouts is a RZA-produced collaboration with Stove God Cooks titled “House of Glory,” which finds the pair trading verses laden with biblical imagery over a soulful, almost drumless beat that pulls from a Tchaikovsky sample. “Seen Chanel five hundred dollar plates, she in the county/ She pulled up on Tiffany, shot out the Audi/ Another palm angel gained new wings/ Valentino down to my shoestrings,” he spits.
Jay Worthy, Kamaiyah & Harry Fraud feat. Ty Dolla $ign, “Pull Up”
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On this cut from Jay Worthy, Kamaiyah & Harry Fraud’s terrific The Am3rican Dream collaborative album, the trio calls upon Ty Dolla $ign to help inject some extra West Coast bounce and flair into the track’s soulful production. It’s a tribute to Black wealth as it relates to the concept of the American Dream through the lens of the contemporary entertainment industry. When Ty and Jay trade the “It go money, hoes, fancy s–t/ Let the ho choose up, don’t ask the b–ch” lines in the hook and pre-chorus, there’s a glint of irony in their delivery that takes the whole thing up several notches.
Naomi Sharon, “Regardless”
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As OVO’s First Lady continues to tease her forthcoming debut album, she delves even deeper into her Sade influences on this new acoustic track. “Regardless,” a straightforward track that finds Naomi yearning for truly unconditional love, balances her smooth, seductive timbre with sparkling, subdued keys for a track that understands the beauty of letting the music breathe.
Veeze, “Amusing”
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Over a subtly menacing K Money-helmed beat, Veeze delivers a verse-long stream-of-consciousness tirade in this new track from the deluxe version of his acclaimed Ganger album. He does a lot of typical street posturing on the track — “Doin’ deals neat, this the corner suite trap spot/ I done grew a lot, servin’ n—as I could slime out/ Do the drill on feet, take that boy ID, face shot/ All my n—as stand over shit, we don’t do drive-bys,” he raps — but it’s his laidback cadence that every so often bubbles over into a new level of assertiveness that makes “Amusing” such a dynamic and intriguing listen.
Hunxho feat. Dej Loaf, “Make Time”
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In this delectable slice of trap&B yearning, rising Atlanta rapper Hunxho and Dej Loaf trade verses about straightening up their ways and doing the work to prove to a potential significant other that they are both ready for a proper relationship. Murky trap drums and slurred flows add to the muddy kaleidoscope of emotions that both artists cycle through in the song. “I wish I could love myself/ Like I love you and nobody else,” Dej croons.
Young Thug, “From a Man”
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Over a surprisingly smooth beat courtesy of Turbo and London On Da Track, among other contributors, Thugger delivers a freestyle-evoking track that details his personal and romantic commitments to R&B singer-songwriter Mariah the Scientist, who released her own “From a Woman” track on Friday (Oct. 13) as well. It’s Young Thug’s first new song (as a lead artist) since he dropped off his Business Is Business album earlier this year. The rap great is still behind bars as he awaits the resolution of his RICO case, but “From a Man” proves that he’s still capable of being as prolific as ever.