R&B/Hip-Hop

As per usual, it’s been a busy week in the world of hip-hop and R&B. With exactly one week to go before Christmas, the worlds of hip-hop and R&B extended their stay in Gag City. Nicki Minaj — who recently clinched her historic third Billboard 200 chart-topper — dropped off another version of Pink Friday 2, this time featuring collaborations with 50 Cent (“Beep Beep”) and Monica and Keyshia Cole (“Love Me Enough”).
The “Super Freaky Girl” rapper also dominated the news cycle with a pair of iHeartRadio Jingle Ball performances, a record-breaking stream with Kai Cenat, and her decision to brush off Kanye West‘s request to clear her beloved “New Body” verse for his and Ty Dolla $ign’s imminent Vultures album. Speaking of Vultures, that album never arrived. Nonetheless, we were treated to new LPs from Bas and YTB Fatt, as well as the highly-anticipated Color Purple soundtrack, which features new original songs by Halle Bailey, Fantasia, Jennifer Hudson, Mary J. Blige, Usher, Coco Jones, H.E.R., Megan Thee Stallion, Missy Elliott, Shenseea and more.

With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop. From A$AP Twelvyy’s heart-warming A$AP Mob reunion to Madison Ryann Ward’s gorgeous amalgamation of gospel and acoustic R&B, get into these six new picks and be sure to check out the rest of our recs in the Spotify playlist below.

Freshest Find: Fantasia, “Superpower (I)”

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There was simply no way to bring The Color Purple from Broadway to the silver screen without a show-stopping new end-credits song. Leave it to Fantasia and The-Dream to deliver that and then some with their rousing “Superpower (I).” Anchored by ethereal strings and the driving melodies of Negro spirituals, Fantasia croons lyrics that beautifully capture the arc and triumph of both Celie and herself. “I pray you see past my scars/ And assumе all the joy inside/ We all got our own mountains to climb/ Wе’ll take our time goin’ down the sweeter side,” she sings. Known and beloved for her powerhouse vocals, Fantasia plays with her dynamics here, carefully oscillating between soft coos and levee-breaking belts that add new layers of intention and storytelling to The-Dream’s lyrics.

A$AP Twelvyy feat. A$AP ANT, A$AP Rocky & A$AP Ferg, “Yams Day”

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For this loving tribute to A$AP Yams — the late New York rapper who formed A$AP Mob — four of the collective’s brightest stars team up for three minutes of tender nostalgia. Built around a sample of DJ Zirk’s “Ana 4 Ya Hoez,” “Yams Day” draws from the same Southern hip-hop influences that inform Rocky’s sound. The track is the first of five new tracks on the deluxe version of Twelvyy’s Kid$ Gotta Eat and it aptly functions as both a memorial and a victory lap. Between Rocky’s refrain and Ferg’s hook — not to mention the strong verses from Ant and Twelvyy — “Yams Day” captures the beautiful synergy of A$AP Mob, one that feels renewed after some time to heal from Yams’ passing.

Fivio Foreign & 41, “Get Deady”

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Brooklyn rap trio 41 has enjoyed a breakout year in 2023, and they’ve capped off their run with a new Fivio Foriegn collaboration. Steeped in both acts’ Brooklyn drill sound, each rapper delivers a high-octane, punchline-ridden verse over a skittering beat courtesy of AyoAA, Lawyered Beats & Verbxse. “Like, okay, who tryna cyph’?/ Who tryna smoke on a body tonight?” Kyle Richh quips. The chemistry among 41’s members remains palpable (just check out the gusto that namedropping TaTa brings to the end of Jenn’s verse), but their ability to showcase their idiosyncrasies while holding space for Fivio’s dynamism is what really makes this track such a winner.

X4, “Call My Bluff”

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For his latest release of the year, LA rapper X4 opts for ominous synths and laid-back finger snaps to provide the foundation for “X4,” a brooding invitation for his opps to, well, call his bluff. The texture of X4’s voice is what elevates the track, equal parts whispery and hoarse, his tone is a stark contrast to gruff growling that’s currently dominating hip-hop on the other side of the country. He sounds unfazed on “Call My Bluff,” almost purposely monotone. In a way, his delivery underscores the mundanity of the scenes he raps about, and who are we to call his bluff?

Madison Ryann Ward, “Calling My Name”

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With a delicate timbre that recalls Yebba’s, Madison Ryann Ward unleashes an unbelievably tender amalgam of acoustic R&B, gospel, and pop. Her saccharine melodies immediately lodge themselves in your ear, but it’s her fluttery harmonies — ones that find her warping her malleable head voice — that add some intricacies to the melody’s broad strokes. Of course, there are also the lyrics: heartfelt couplets that exalt God and thank Him for being a constant presence in her life. The chorus interpolates portions of “Amazing Grace,” which pairs nicely with the apprehension and self-doubt that courses through her verses: “Help me with my unbelief/ This gonna preach, say I’m forgiven and free/ This is another degree, who, me?/ You really talkin’ to me?” she croons.

Bas feat. Blxckie & A$AP Ferg, “U-Turn”

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The late-night driving crowd is a silent but mighty segment of music listeners, and Bas may have just gifted them their newest anthem. Assisted by South African rapper Blxckie and A$AP Ferg in his second appearance in this week’s column, Bas coasts over ​mOma+Guy’s luscious production with inimitable sensual swagger. The smooth Afrobeats-inflected beat soundtracks his ode to spinning the block on a lover that you just can’t get out of your head and heart. While he’s present throughout the track, Bas doesn’t have a verse of his own, making “U-Turn” not just an enjoyable song, but also a deft showcase of his curatorial abilities.