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There’s a lot going on in Camila Cabello’s life and she’s choosing to indulge in the chaos. The pop star joined forces with Playboi Carti for an unlikely collaboration titled “I Luv It,” which arrived on Wednesday (March 27).
Cabello has been teasing snippets of “I Luv It,” which samples Gucci Mane’s “Lemonade” and finds her interpolating Rihanna, over the last few weeks. She also reflected on exploring the rare human connection she has to select individuals, which makes her feel like she’s in “outer space,” while realizing that pace isn’t sustainable and she’ll eventually get burned out.

“Certain things in our human realm do make me feel like I’m in outer space, and the very rare few times where I’ve had incredible chemistry with someone is one of them,” she said in a statement about the track’s inspiration. “Part of that cocktail is also the emotional drama between you and that person, and the chaos and butterflies and nerves and passion. It’s unsustainable and not peaceful and exhausting, but also, I LUV IT.”

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Nicolas Mendez directs the pandemonium-filled clip that is sure to strike a nerve with viewers. Camila does it all from wrestling to climbing trees, eating cake, getting injured in a car accident and bizarrely sipping on liquid gas straight out of the station’s pump.

The Fifth Harmony alum steps out and dances while blindfolded before welcoming Playboi Carti into the fray. Carti is an agent of chaos, and the sensory overload is nothing foreign to him as he thrives in a situation where many of his peers would have faltered.

“All this Novocaine got me numb to the drugs now/ Movin’ on Mary Jane, I feel burnt out like the sun now,” he raps from the convenience store with his throaty flow while holding a Styrofoam cup.

Carti is currently riding a hot streak with his features, and he looks to bring that same Midas touch to “I Luv It” after assisting on Hot 100 No. 1 hit “Carnival” for Ye and Ty Dolla $ign as well as Future and Metro Boomin’s “Type S–t,” which should earn a lofty chart placement next week.

The Atlanta rapper and Cabello connected in the studio in December and posted a photo together to social media, where Carti referred to her as “Baby Girl.”

“I Luv It” ended up landing a few months later and will serve as the lead single for Camila Cabello’s fourth solo album, C,XOXO, which is slated to arrive this summer.

Watch the video below.

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Since the tipoff of the 2023-2024 season, women’s college basketball sensation Caitlyn Clark has been buzzing. Her historic play not only has her seated to be the future No. 1 pick in this year’s WNBA draft, but even maybe the next superstar of Ice Cube’s BIG3 league after the West Coast rap legend reportedly offered […]

With more than 15 years in the rap game, Big Sean has just about seen it all. The Detroit rapper brought his array of hits to NPR for his soulful Tiny Desk concert debut. Explore Explore See latest videos, charts and news See latest videos, charts and news Sean delivered one of the most expansive […]

With an uptick in gun violence plaguing the New York City area, LIFE CAMP Inc.’s co-founder and hip-hop community activist Erica Ford hopes to remedy the ongoing issues by holding the first annual Gaming 4 Peace NBA 2K Tournament on April 6 and 7 at York College. The tournament will feature appearances by Lola Brooke, […]

310babii’s “Soak City” douses the competition on two Billboard charts as it takes the throne on both Rhythmic Airplay and Rap Airplay. The new radio champ advances from the runner-up slot on both rankings to rule the lists dated March 30 and gives the rapper, who solely wrote the song, his first No. 1s on any Billboard charts.

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“Soak City” rises from No. 2 on Rhythmic Airplay after a 5% increase in plays that made it the most played song on U.S.-monitored rhythmic radio stations in the tracking week of March 15-21, according to Luminate. WHTP-FM, in Portland, Maine, led the way, with 140 plays, while three stations – WHZT-FM (Greenville, S.C.), KPHW-FM (Honolulu, Hawaii) and KHTN-FM (Modesto, Calif.) – shared second place after each registered 134 plays.

“Soak City” first caught viral attention through TikTok with the squabble dance, which soon became further popularized as multiple NFL players, including the Kansas City Chiefs’ Travis Kelce and Houston Texans’ C.J. Stroud, performed versions of it as an end-zone celebration. Thanks to the growth, the song reached a No. 17 peak on the TikTok Billboard Top 50 chart in November.

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The viral buzz fueled momentum for a radio campaign, and “Soak City” landed on Rhythmic Airplay in late November. In reaching the summit in its 19th week, it ties for the fourth-longest wait to the top spot in the chart’s 31-year history.

Here’s a review of the songs that required the most weeks to attain the No. 1 rank on Rhythmic Airplay:

Weeks to No. 1, Song Title, Artist, Date Reached No. 1

24, “Waterfalls,” TLC, Aug. 5, 1995

20, “Day ‘N’ Nite,” Kid Cudi, May 23, 2009

20, “Sky Walker,” Miguel featuring Travis Scott, Feb. 3, 2018

19, “Don’t Let Go (Love),” En Vogue, Feb. 15, 1997

19, “Work Out,” J. Cole, Dec. 31, 2011

19, “Soak City,” 310babii, March 30, 2024

On Rap Airplay, “Soak City” steps 2-1 following a 4% improvement in audience in the latest tracking week. As with its Rhythmic Airplay rise, patience was rewarded – “Soak City” leads in its 17th week, becoming the 14th of 217 No. 1s to need at least that much time to complete a chart-topping trek.

If the dual radio coronations weren’t enough, “Soak City” is already looking to expand to a third radio ranking soon. The track climbs 3-2 on Mainstream R&B/Hip-Hop Airplay, where it added 11% more plays in the most recent tracking window.

Nearly nine months since arriving on the Adult R&B Airplay chart, Maeta’s “Through the Night,” featuring Free Nationals, finally reaches No. 1 on the list dated March 30. By reaching the summit in its 35th week, it completes the second longest trek to the top in the chart’s 30-year history.

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“Through the Night,” released on Roc Nation, captures the flag after a 6% jump in plays that made it the most-played song on U.S. monitored adult R&B radio stations in the tracking week of March 15-21, according to Luminate.

Singer-songwriter Maeta achieves her first Adult R&B Airplay No. 1 through her third chart appearance. Her first, “Bitch Don’t Be Mad,” peaked at No. 14 in 2023, while 2023’s “(S)EX,” went one rank higher.

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Featured artist Free Nationals, who frequently perform as a backing band for Anderson .Paak, claim their initial Adult R&B Airplay leader with their first try.

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With its 35-week journey to its coronation, “Through the Night” wraps the second longest trek, in terms of weeks on the chart, to reach No. 1. It trails Snoh Aalegra’s “I Want You Around,” which crowned the list in its 43rd chart week, in March 2020.

Here’s a look at the songs with the longest marches to reach No. 1 on Adult R&B Airplay:

Weeks to No. 1, Song Title, Artist, Date Reached No. 1

41, “I Want You Around,” Snoh Aalegra, March 14, 2020

35, “Through the Night,” Maeta featuring Free Nationals, March 30, 2024

34, “Step in the Name of Love,” R. Kelly, Nov. 1, 2003

33, “Love Calls,” Kem, Sept. 13, 2003

32, “Permission,” Ro James, Sept. 10, 2016

31, “Please Don’t Go,” Tank, May 19, 2007

31, “For the Rest of My Life,” Robin Thicke, Jan. 11, 2014

31, “I’m Baby,” Ambre featuring Jvck James, May 6, 2023

30, “Anything,” Jaheim featuring Next, June 22, 2002

30, “Never Would Have Made It,” Marvin Sapp, July 26, 2008

Elsewhere, “Through the Night” slips from 21-22 from its peak on R&B/Hip-Hop Airplay, which ranks songs by combined audience from adult R&B and mainstream R&B/hip-hop radio stations. Despite the position drop, the single improved to 5.1 million in audience, a 6% gain over the prior week.

New snippet alert! Kehlani teased their upcoming single “After Hours” Monday (March 25), and it sounds like the perfect vibe for being outside. She reshared a TikTok video on Instagram of the Grammy-nominated singer-songwriter getting amped in the gym but getting her knees ready for the club. “We don’t gotta take it slow/ I’mma hit […]

After his Los Angeles and Miami homes were raided by law enforcement on Monday (Mar. 25) following his involvement in an ongoing federal sex traffic investigation, Sean ‘Diddy’ Combs’ attorney, Aaron Dyer, sent Billboard a statement calling the raid an “unprecedented ambush” and labeling the takedowns against his client as a “witch hunt.” Explore Explore […]

Sean “Diddy” Combs has reportedly agreed to a deal to sell his stake in Revolt TV after stepping down from his role as chairman in November amid sexual assault allegations.
According to TMZ, Combs sold his remaining shares of Revolt to an anonymous buyer. The report notes that the company will remain Black-owned. Financial terms of the deal were not disclosed.

Revolt TV’s new owner is reported to be keeping their identity hidden for the next few weeks but will eventually have a formal introduction as the head of the media company at a later date.

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The deal was reportedly finalized this week; Revolt’s current CEO, Detavio Samuels, and chief brand officer, Deon Graham, will remain in their roles for the time being.

The news broke as Combs’ Miami and Los Angeles homes were reportedly raided by federal agents on Monday (March 25). The raids were executed by Homeland Security “in connection” with an ongoing federal sex trafficking investigation, according to reports.

TMZ reported on Monday that Homeland Security of New York launched an ongoing investigation linked to Combs and that the case is being handled out of the Southern District of New York.

With officers swarming the Los Angeles property, video footage appeared to show individuals being detained, two of whom appeared to be Diddy’s sons, King Combs and Justin Combs. It’s unknown whether the elder Combs was at either home during the raids.

Combs has been the subject of numerous sexual assault-related civil lawsuits over the past several months. Ex-girlfriend Cassie lit the fuse in November 2023 when she filed a lawsuit accusing Combs of physical abuse and repeated sexual assault while they were dating. The two parties agreed to settle the lawsuit less than 24 hours later.

Later in November, after being accused of sexual abuse by two more women, Combs stepped down as chairman of Revolt, which he helped launch in 2013. In the months since, he has been accused of sexual assault in two additional lawsuits: one filed by a Jane Doe who claimed he “sex trafficked” and “gang raped” her and another by a music producer who allegedly worked with Combs on his 2023 album, The Love Album: Off the Grid.

The Bad Boy CEO has denied any wrongdoing and attempted to clear his name with a post on social media in December.

“ENOUGH IS ENOUGH,” Combs wrote at the time. “For the last couple of weeks, I have sat silently and watched people try to assassinate my character, destroy my reputation and my legacy. Sickening allegations have been made against me by individuals looking for a quick payday. Let me be absolutely clear: I did not do any of the awful things being alleged. I will fight for my name, my family and for the truth.”

Billboard has reached out to representatives for Combs for comment on this story.

The hip-hop world has been in flames since the Friday (Mar. 22) release of Future & Metro Boomin’s “Like That,” featuring an incendiary Kendrick Lamar verse taking thinly veiled shots at “First Person Shooter” co-stars J. Cole and Drake. Rap traditionalists are unsurprisingly clamoring for a response record from both MCs — but which of the two has the most to gain by jumping into the fray, or the most to lose by staying out of it?

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Below, two Billboard Hip-Hop writers present the case for each artist being the one who most needs to get in the game ASAP.

WHY DRAKE MOST NEEDS TO RESPOND

When Drake graced the cover of Billboard in August 2013 ahead of his acclaimed Nothing Was the Same album, he brushed off Kendrick Lamar’s genre-shaking “Control” verse, referring to the atomic bomb Lamar dropped on rap as an “ambitious thought.”

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“That’s all it was,” he said dismissively. “I know good and well that Kendrick’s not murdering me, at all, in any platform. So when that day presents itself, I guess we can revisit the topic.”

Just over a decade later, that day has presented itself. Lamar has dropped the gloves and scorched Drizzy and J. Cole, with a scathing verse aiming at his supposed “Big Three” running mates on Future and Metro Boomin’s “Like That” (“Think I won’t drop the location? I still got PTSD/ Motherf–k the Big Three, n—a, it’s just big me”), which had hip-hop in a tizzy over the weekend.

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Actually, it extended well beyond the rap world: debates about the simmering feud between Drake, Kendrick and Cole extended far outside the genre, with even the likes of ESPN’s Stephen A. Smith spitting bars from Eminem’s final 8 Mile battle on his show while discussing the potential clash of the “Big Three.”

Drake has scoffed in the past at disses from rappers whom he didn’t deem worthy of his time. Some he’d address with subliminal jabs when he felt suitable, on his terms, while others beneath him on the food chain never even got half an OVO bar. It’s an opportunity he’s earned, as one of hip-hop’s titans with a battle-tested past where he’s repeatedly proven to be a formidable opponent – including battles with Joe Budden, Diddy and most notably Meek Mill in 2015, when he ethered the Philly rapper with “Back to Back” and put the ghostwriting claims to rest. After most battles, Drizzy has emerged stronger from his battle scars.

However, there’s always going to be a stain on Drake’s decorated resume that no record amount of Hot 100 hits could remove when it comes to his 2018 feud with Pusha T. Drizzy backed down following Pusha’s scintillating “Story of Adidon” exposing his child, Adonis, at the advice of Rap-A-Lot co-founder and consigliere J. Prince – who claimed his response would have “hurt families.”

This isn’t a situation Drake can rightly shrug off as beneath him, though. While Kendrick Lamar only stands at 5’5”, the West Coast legend sees eye-to-eye with the 6 God – one of his few true peers in rap, with comparable levels of commercial appeal, critical acclaim and years in the game.

With all that Drake has accomplished in his Hall-of-Fame career, it’s rare for an artist of his caliber to have an opportunity to elevate their legacy and wipe away some of the years-old stench leftover from the botched Pusha T feud that OVO detractors still bring up to this day.

Rising to Lamar’s challenge — and potentially emerging victorious — could wash out the bad taste Drake opting out of that beef left in fans’ mouths a half-decade ago.

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The “Poetic Justice” collaborators have been entrenched in a Cold War of digs since “Control” and K. Dot’s BET Hip-Hop Awards cypher dissing the “sensitive” Toronto star months later. Drake has jabbed back on records like Future’s “Sh!t” remix and “The Language,” but they’ve never met head-on for a collision on the throne.

Showing out in such a showdown could have a profound effect on Drake’s legacy. To spell it out in sports terms Drake would appreciate, longtime New England Patriots quarterback Tom Brady didn’t cement his GOAT case until completing the 28-3 comeback at Super Bowl LI in 2017 against the Atlanta Falcons. Similarly, many already labeled LeBron James as the best player of the 21st century, but pulling off the improbable 3-1 comeback against the 73-win Golden State Warriors in the 2016 NBA Finals launched his legacy into the same stratosphere as Michael Jordan. 

Both were undoubtedly seminal moments in the careers of those all-time legends, and took place well over a decade after they entered the league. A line could be drawn to Drake possibly getting the best of Lamar in this rap version of the ultimate game.

While “Like That” is a response to Cole and Drake’s “First Person Shooter,” it’s Drake that most of Dot’s smoke is specifically directed at. After dismantling the “Big Three” argument, Kendrick takes aim at Drake with a For All the Dogs reference, and snarlingly compares their relationship to iconic rivals Michael Jackson and Prince: “And your best work is a light pack/ N—a, Prince outlived Mike Jack’/ N—a, bum/ ‘Fore all your dogs gettin’ buried/ That’s a K with all these nines, he gon’ see Pet Sematary.”

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With Kendrick and Drake’s icy relationship taking shots at one another dating back to 2013’s “Control,” it’s imperative for the 6 God to step up and be first in line rather than J. Cole, who has had an admirable relationship with Lamar from a distance over the years. There’s been way less friction between the Dreamville boss and Compton native, as they were even rumored to be working on a joint project at one point. 

All that said, Drake could end up falling back and avoiding the fray, maybe addressing K. Dot down the line with a series of jabs after he goes on hiatus following his Big As the What? Tour wrapping next month. He’s already allegedly liked a comment saying he’s not taking K. Dot’s threats “seriously,” and is still posting selfies to his IG Story in an unbothered fashion. 

Not all hope is lost for a quicker response, though, as Drizzy appeared to respond to Lamar’s threats sweeping the rap world with a chest-puffed rant during a recent tour date. “I’m 10 f–king toes down in Florida or anywhere else I go – and I know that no matter what, there’s not a n—a on this earth that could ever f–k with me in my life,” Drake confidently told a Florida crowd while on stage over the weekend.

In a genre with a dwindling number of A-list stars, the Drake-Kendrick Lamar tussle gives rap a rare monocultural moment, and a chance for the 6 God to etch another chapter in the hip-hop history books. The ball’s bouncing inside Drake’s home court – but will he put a shot up or leave the gym and retreat to the wine cellar of his Toronto estate? — MICHAEL SAPONARA

WHY COLE MOST NEEDS TO RESPOND

Let’s keep it all the way honest: It’s scary hours. The rap civil war is upon us, and the best man to spar with Kung Fu Kenny is his one-time brother-in-arms, Jermaine Lamarr Cole. 

This part of rap is largely unfamiliar territory for Cole: though he’s had words for 6ix9ine, Lil Pump, and the Soundcloud generation, he’s never engaged in true one-on-one combat, making this potential battle with Kendrick Lamar an even more important one. Rather than let Drake stand ten toes down and attempt to get the pinfall on K. Dot, Cole needs to tag in, earn the W to get out of the shadows of both men, and show why he’s indeed not the two or the three when speaking on this rap hierarchy. 

In truth, there hasn’t been a time in Cole’s career when he was undoubtedly “the one.” When Cole entered the fray in the late 2000s, fans immediately pitted him against Drake because both were spry and capable lyricists with booming potential to push the genre forward. Going into it, Drake had the leg up after his seismic mixtape So Far Gone rocketed him to the moon in 2009. The following year, he instantly became the go-to guy with debut album Thank Me Later, netting close to 500,000 units sold during its opening week. 

Cole’s road to success was more arduous, as he struggled to put together a favorable single to please radio and his boom-bap audience. “Who Dat” failed to catch traction, and though “Work Out” became his first breakout hit, peaking at No. 13 on the Hot 100, skepticism surfaced because Cole had to dumb down its lyrics a little and rely on a borrowed Paula Abdul hook and Ye sample for radio approval. He later admitted to his missteps on the 2013 Born Sinner standout song “Let Nas Down” when he revealed Nas’ displeasure over the record. Still, Cole notched his first No. 1 album and mostly evaded further criticism until the mainstream arrival of Kendrick Lamar. 

Cole and Kendrick’s friendship goes back to the days before the Compton rapper was signed. “Before my album was even out, before he even had a deal, I was making sure to stamp him,” Cole told Elliott Wilson during his CRWN interview in 2014. “Kendrick was one I saw right away and said, ‘This kid is special.’” Cole even entertained the idea of wanting to sign Kendrick to Dreamville. That’s how real the brotherhood was. 

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Lamar’s ascension into Rap God status wasn’t an overnight success. Like Cole, he played the long game, releasing mixtapes and EPs. While Section 80 was lauded in the underground as a classic, it wasn’t until his 2012 major label debut, good kid, m.A.A.d city, that he was dubbed as a generational talent. By then, Lamar also received an extended Drake co-sign, as he worked with the 6 God on Take Care for his “Buried Alive Interlude,” opened up for him during his Club Paradise tour, and collaborated on “Poetic Justice.” 

Kendrick’s career crescendoed from there with classic album after classic album, spanning from good kid, m.A.A.d city to To Pimp a Butterfly, to his game-changing opus, 2017’s DAMN. Suddenly, most conversations about the best MC weren’t between Drake and Cole anymore. The narrative shifted to Drizzy and Kenny, with Cole sliding to third. Despite his superstar growth, Kendrick and Cole remained allies, with rumbles of a collaborative album brewing after they freestyled on each other’s tracks in 2016. 

During this time, Kendrick and Drake have sent shots at each other for title contention – most notably Kendrick’s “Control” verse and his BET Cypher freestyle in 2013 – while again, Cole quietly chipped away with No. 1 album after No. 1 album. The Cole and Kendrick joint album never happened, with the two’s lone team-up on record remaining their Born Sinner collab “Chaining Day.” And then, last year, Cole and Drake — who were once pitted against each other at the early stages of their careers – unleashed their For All the Dogs Hot 100-topper “First Person Shooter.” They would up the ante by teaming up again for Drake’s indelible gem “Evil Ways” on his Scary Hours Edition of Dogs and later going on tour together, where the love fest was inescapable. 

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Was this a case of sour grapes for Kendrick? Of course. His old buddy is siding with the opps. So because of his allegiance to Drake, Dot brought the Uzi out on Cole and had no issues hosing him down. Now, even though Cole shouted Kendrick out on “First Person Shooter,” rhyming “Love when they argue the hardest MC Is it K-Dot? Is it Aubrey? Or me?” – realistically, in Kendrick’s mind, he consistently lapped Cole. And for quite some time, Cole believed it too, rapping on “Heavens EP” about how “They threw the bronze at me/ Behind Drake and Dot, yeah, them n—as is superstars to me/ Maybe deep down, I’m afraid of my luminosity.” But those words pierce harder when heard aloud from Cole’s competition. Kendrick essentially said it’s never been us; it’s always been me against me. 

Cole, who has cemented himself as one of the best feature artists of all time after constructing two hellacious runs in 2018 and 2023 – even being named Complex’s Rapper of the Year for ’23 without releasing any new music of his own – boasted about being on top of his game. If you’re feeling that froggy, then Cole, you have to leap – and do it over the biggest amphibian in the pond? If you’re tired of being the little bro, being told you’re not top-10 all-time material, a win against Lamar at your lyrical peak could shift your story considerably. The narrative wouldn’t be about you being the third-best; it’d be about the quiet giant who chose violence and defeated the Boogey Man when no one else could. 

All the rap greats have beefed at one time or another. A heavyweight battle between Cole and Kendrick would be must-watch material and could alter Cole’s all-time ranking. For many, he’s currently just outside that all-time top 10. Having a memorable feud and outlasting Kendrick could change his trajectory because he already has the stats of an all-world performer. Now, as the underdog, if he could slay the beast and be the last man standing, then he could finally be the No. 1 we all knew he was capable of being. — CARL LAMARRE