R&B/Hip-Hop
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Lyric: “These h–s don’t be mad at Megan, these h–s mad at Megan’s Law/ I don’t really know what the problem is, but I guarantee y’all don’t want me to start/ B—h, you a p—y, never finna check me/ Every chance you get, bet your weak ass won’t address me.”
Everything was cool between Nicki and Megan when Minaj hopped on “Hot Girl Summer” to heat up 2019. The relationship appeared to get icy when Meg repeatedly worked with Cardi B on tracks such as “WAP” and the more recent “Bongos.”
“I didn’t feel like I had to call [Nicki] first. I mean, ’cause at the end of the day, I’m still an artist and I should be free to work with whoever I wanna work with,” Meg told Chicago’s 107.5 WGCI in 2020 of working with Cardi. “My personal relationship with anybody doesn’t affect what I choose to do as an artist.”
Nicki reportedly proceeded to unfollow Megan Thee Stallion on Instagram, and the two have exchanged subliminal shots in the years since. It all came to a head with “Hiss,” where Meg seemingly lambasted Minaj’s husband Kenneth Petty — who is a registered sex offender — while referencing Megan’s Law, which requires the public disclosure of some information about registered sex offenders so that the public may protect itself. The next few lines could be calling Minaj out for never publicly addressing her.
Well, the “Super Bass” rapper didn’t waste any time, hopping on Instagram Live minutes after “Hiss” arrived, and previewed an unreleased track firing back at Megan and referencing Lanez shooting her in the foot.
“Bad b—h she like six foot, I call her Big Foot/ The b—h fell off, I said get up on your good foot,” Nicki raps in the snippet.
Minaj had a chuckle at her slick wordplay and ran back the venomous track a few times before sniping at Meg for her rapping ability during the Live: “You have three Grammys and you have to learn how to rap on the beat and be comfortable in the music.”
She continued to tease Megan while posting a photo of her manicured feet and liking fan tweets dissing the Houston rapper.
All Megan could do was laugh at the storm created by the war of words between herself and Nicki. She ended up quickly posting a response to Minaj with a photo of her hysterically laughing to her Instagram Story.
In tandem with the approaching celebration of Black History Month, comes word about the premiere of A&E’s latest documentary: James Brown: Say It Loud. Described by A&E as a “definitive look at a complicated life and a reflection on the immense impact Brown continues to have on music and culture today,” the four-part documentary series will […]
Snoop Dogg always has 10 irons in the fire. But on Friday morning’s (Jan. 26) Good Morning America the Doggfather broke some news about the one iron his fans care about the most. “I can let the rabbit out the hat. I’ve been working on a record with Dr. Dre for the past 8 months. We’re about ready to drop a single in a couple weeks, so that’s what I’ve been cooking up,” Snoop told GMA‘s Michael Strahan while promoting his new Prime Video movie, The Underdoggs.
At press time there was no additional information on the unnamed project or timetable for release and a spokesperson for Snoop could not be reached for comment.
Back in Oct. 2022, Snoop said he was almost done with a Dre-produced sequel to his 1993 Dre-produced solo debut album, Doggystyle, with a release planned to celebrate that collection’s 30th anniversary. At the time, Snoop said he and Dre had been in the studio for two months and that they expected to be finished with the sessions for the LP he said would be called Missionary before the end of the year.
In keeping with his reputation as the world’s most productive stoner, Snoop told Strahan that he loves being busy, especially when it comes to a project like Underdoggs, which was inspired by his work with his Snoop Youth Football League.
“I’m mastering the craft of who I am, and to be the best who I am, is to do the things that make me feel good. And the main two things is fun, right? F-U-N and F-U-N-D-S, if it makes funds and it’s fun, I’m in,” Snoop said. “I started off as a underdog. That’s the best dog to ever be, because you’re the one they don’t pay attention to. So you gotta figure out how to master you, to where you become the greatest you that you can be.”
As for the film, Snoop said working with the kids in the league — whose most famous alumni include Houston Texans QB C.J. Stroud, winner of the 2024 offensive rookie of the year — has made him remember what a huge role the sport played in his youth. “I spent my money on brand new equipment, bought fields that we rented, referees, rule books, everything, we did it all the right way,” Snoop told Strahan. “Football was the best thing that ever happened to me as a kid. It taught me how to have discipline and have respect. So I wanted to give some of that back that was given to me.”
When 9-year-old Coco Jones was first trying to break into the entertainment world — auditioning and sitting in business meetings with strange executives — her mother would sometimes give her a secret signal.
“If my mom grabbed her earring, that meant, ‘You need to sing.’ And I’d sing,” Jones recalls with a laugh. “I spent a lot of time perfecting the a cappella.”
That early confidence-building lesson has served Jones well. At 12, she embarked on the path to tween stardom with roles on Disney Channel shows and films like So Random! and Let It Shine; more recently, she won the role of Hilary Banks on Peacock’s Fresh Prince reboot, Bel-Air. And now, it has helped her become one of R&B’s most promising rising stars, signed to High Standardz/Def Jam Recordings. “She’s one of the hardest-working artists that I’ve ever worked with,” Def Jam chairman/CEO Tunji Balogun says. “Coco is an artist with the confidence of a veteran but the energy of a newcomer.”
As Jones explains with characteristic conviction on the eve of her 26th birthday, she’s not simply an actress trying out a new side career. “I’m actually a singer who pursued acting at the same time,” she says. “But the acting caught on before the music did. Music has always been my comfort, my purpose — the driving force that has kept me in this industry.”
Powered by her compellingly soulful voice and self-assured moxie, the singer-songwriter had a major breakthrough in 2023. Her RIAA platinum-certified single, “ICU,” has now netted her Grammy Award nominations for best R&B song and best R&B performance — just two of five that Jones will vie for at this year’s event, along with best new artist, best R&B album for What I Didn’t Tell You (Deluxe) and best traditional R&B performance for her collaboration with Babyface, “Simple.”
“It feels surreal,” Jones says of her first-ever nominations. “And to see these other amazing women like [fellow nominees] Victoria Monét, SZA and Janelle Monáe who are paving different lanes for a modern R&B that can be so flexible and genreless … I commend us. But in another way, this feels like confirmation of my journey; that there can’t always be a storm. The weather has to change.”
Coco Jones photographed on January 5, 2024 in New York.
Jai Lennard
Jones began that journey 17 years ago in Lebanon, Tenn., as a kid auditioning and entering talent competitions, singing songs of raw emotion way beyond her years that her mother, Javonda — who, Jones says, studied music in school and did some background singing as well — introduced her to, like Aretha Franklin’s “Chain of Fools.”
In 2011, Jones landed a recurring role on Disney’s musical sketch-comedy series So Random! and the next year, she co-starred in the Disney film Let It Shine. Five Let It Shine tracks she sang on — “What I Said,” “Whodunit” (with Adam Hicks), “Me and You,” “Let It Shine” and “Guardian Angel” (the latter three collaborations with actor-rapper Tyler James Williams) — launched her onto the Billboard charts for the first time in 2012, as all made the Kids Digital Song Sales list.
But Jones wanted to be a singer-songwriter in her own right. And though Hollywood Records released her 2013 EP, Made Of (which reached No. 10 on the Heatseekers Albums chart), the label dropped her the following year. Two more independent EPs followed (2017’s Let Me Check It and 2019’s H.D.W.Y.); in between, Jones continued acting, including in the 2016 film Grandma’s House, the 2018 TV series Five Points and the 2020 film Vampires vs. The Bronx.
By the time she landed those projects, Jones had forgone college, moving to Los Angeles at 17 to further pursue her dream of becoming a singer-songwriter. “That was a key sacrifice: comfort,” Jones says of making the decision. “I didn’t choose the route that was expected and thought things would happen immediately. But it didn’t work out that way. Without a continuous source of income, I was living off my savings as a Disney kid. So [as a young adult] it was getting real. I could only be a young girl following her dreams for so long. But I got to live, make friends, fall in and out of love … be normal — which helped me find my own voice, my sound.”
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In 2020, a major turning point occurred when a fan from her Disney days asked on social media what was up with her career. Jones responded to the query on YouTube, sharing the struggles and second-guessing she had faced as a Black female artist while “opening doors for people to see me as an adult.”
“Instead of internalizing that comment, Coco made a video to give fans and others information and context [about her industry experiences],” Def Jam’s Balogun says. “Then she started doing covers of popular R&B records [Mary J. Blige’s “Real Love,” Brandy’s “Full Moon”] that she posted on TikTok and YouTube that started to reframe conversations about her as an artist. And when she got on Bel-Air, that gave her a new audience who may not have known she does music.”
Jones’ work ethic, focus and determination are what initially impressed Jeremy “J Dot” Jones (no relation) — the founder and CEO of High Standardz, a joint venture with Def Jam — who signed her in summer 2021, before her audition for Bel-Air.
“Before I even got to the music, I saw how professional and on point she was about her vision for what she wanted to do and how she wanted to do it,” J Dot recalls of first meeting Jones. “And then there was the voice, which blew me away. So I felt that with the right plan, the right producers and time to grow in the marketplace, she would have a strong opportunity to stake her claim in the game. Between the loyal Disney fan base, the R&B covers, Bel-Air and seeing how much she has grown artistically from being a child star, I definitely think fans who felt like Coco didn’t get a fair shot early on were ready to see her win.”
With the breakout success of “ICU” from her What I Didn’t Tell You EP, Jones has finally graduated from Disney star to adult singer-songwriter on the rise. “This is who I am offscreen, without a script,” Jones says of the EP’s songs about relationships, love and heartbreak. “These are my own secrets, my own life.”
Coco Jones photographed on January 5, 2024 in New York.
Jai Lennard
The pureness and clarity of Jones’ full-bodied vocals call to mind R&B’s traditional soul roots and its 1990s heyday, but she puts a modern spin of her own on the proceedings. “ICU,” her aching examination of the painful withdrawal and residual feelings after a romantic split, spent four weeks at No. 1 on the Mainstream R&B/Hip-Hop Airplay chart; it also reached No. 6 on Hot R&B Songs and has earned 175.6 million official U.S. streams (through Jan. 4), according to Luminate.
Follow-up single “Double Back,” which samples the SWV hit “Rain,” reached No. 21 on Mainstream R&B/Hip-Hop Airplay. And Jones is on the road to becoming an in-demand collaborator as well: She guested on Brent Faiyaz’s summer 2023 top 10 R&B hit, “Moment of Your Life,” and more recently paired up with ascendant pop singer and fellow actress Reneé Rapp on the remix of Rapp’s “Tummy Hurts.”
“Def Jam and High Standardz wanted to make sure the R&B audience understood, accepted and championed Coco,” says Balogun, whose roster also includes rising R&B stars Muni Long and Fridayy. “We also focused on making sure people saw her perform live [either] on her tour, the Soul Train Awards [or] other shows. The report card in R&B is live performance and what matters to the core base is, ‘Does it sound and feel as good as the album?’ She has been able to live up to that.”
With filming of season three of Bel-Air starting at the end of January, Jones is also working on her debut album, due later this year. But she says fans shouldn’t simply assume it will be part two of the EP.
“That story has been told,” Jones says. “Between this taste of success and being on tour, I’ve learned so much that I can’t be anything that I was. The most raw and authentic version of whatever you’re doing is going to win. You just have to be willing to bare your spirit.”
This story will appear in the Jan. 27, 2024, issue of Billboard.
“Think you the sh–, bi—? You not even the fart (Grrah),” Ice Spice raps on her latest single “Think You the Sh– (Fart)” that she released on Friday (Jan. 26) via 10K Projects and Capitol Records. Her first single of the new year comes three months after her last release, “Pretty Girl” with Afrobeats star […]
Let the snake saga continue. Just two months after launching her new era with the rock-tinged “Cobra,” Megan Thee Stallion has returned with her first solo offering of 2024: “Hiss.” Co-produced by LilJuMadeDaBeat and Bankroll Got It, “Hiss” addresses all of the unwarranted opinions on her life and image that have hounded her for the […]
21 Savage had everyone fooled when he announced plans for his American Dream biopic starring Donald Glover earlier this month. However, the bogus film won’t be materializing, as 21 confirmed during his Club Shay Shay interview on Wednesday that The 21 Savage Story trailer was just a “parody” and served as promotion for his new […]
Coi Leray is entering a new phase of her career, as the 26-year-old has welcomed her “grown and sexy” era into the fold for 2024. The “Players” rapper unleashed her first single of the new year on Thursday (Jan. 25), as she tapped Ear Drummers veteran Mike Will Made-It on the production side for the […]
Over the course of a few years, Lil Nas X went from a college kid scared about his future to an internationally-acclaimed, record-breaking star. His fans know him as the funny, terminally online, occasionally controversial pop-meets-rap-meets-country artist next door. They even know a bit about Montero Lamar Hill, the man behind the moniker, thanks to more than a few revelatory lyrics on his debut album.
But with Lil Nas X: Long Live Montero, the new documentary debuting on HBO this Saturday (Jan. 27), the “Industry Baby” singer is done trying to prove anything — he’s simply letting the audience see him in all lights possible.
The 95-minute feature follows Lil Nas X over the course of 60 days as he embarks on the North American leg his first-ever headlining tour in late 2022. Unlike Renaissance: A Film By Beyoncé and Taylor Swift: The Eras Tour before it, the documentary gives fans only a peek into the star’s live show, occasionally showing off minute-long snippets of the titular concert before cutting away to backstage footage.
The rest of the movie, though, serves as a glimpse inside the mind of a blossoming artist looking to manage his impact on a career he crash-landed into. Hill opens up about everything from his upbringing, to his start in the industry, to the grueling process of putting together a tour . But most of all, Lil Nas X: Long Live Montero watches Hill learn, in real time, what it means to be one of the most publicly visible members of the LGBTQ+ community, and how that public perception impacts his own search for meaning.
“Some people think my music is dope, but they think I do too much as far as videos and the things I do online go. And some people think the things I do online are cool, but they don’t like my music. Some people still see me as the kid-friendly artist, and some people see me as this Satanic devil that’s gonna ruin the world, or who’s part of some big agenda,” he says at one point in the documentary. “People feel a lot of things about me. But me? Boy, do I love this kid.”
Below, Billboard takes a look at five of the biggest revelations throughout Long Live Montero, from the rapper opening up about his relationship with his family, to a tribute for the music icon that continues to inspire him to this day.
Lil Nas X: Long Live Montero premieres on HBO Saturday, January 27 at 8 p.m. ET.
The ‘Ghost’-ly Sample Haunting ‘Old Town Road’
Kanye West has shown the late J Dilla a ton of love throughout his career, but it isn’t widely known that the hip-hop production icons had the chance to actually meet in person before Dilla’s death.
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Common pulled up to Hot 97 on Wednesday (Jan. 24) and recalled a time in the early 2000s when he and Dilla lived together, and Kanye came through to their crib one Mother’s Day, and the Detroit native gave West some of his signature drums.
“Kanye would sample some of Dilla’s drums off his beat tapes,” Common began. “Anyway, Ye came over and it was Mother’s Day. We were going to Mother’s Day brunch with his mother and my mother. Dilla was at the crib and Ye came in and Dilla was talking to him and they was just bonding.”
“Then Dilla gave Ye these drums on a record. He’s like, ‘Take these drums.’ I promise you Ye was like, it was like the golden chalice. We went to the studio later that day and Ye was telling G and all them, ‘Yo, Dilla gave me these drums.’ I forgot what song it ended up being, but as soon as we got there, he was working on those drums.”
Hot 97 co-host Peter Rosenberg briefly interjected to make sure he heard the “Faithful” rapper right when it came to Kanye and the Slum Village member hanging out together in Los Angeles.
“It was in our front room,” Common confirmed. “It was love. Dilla had a lot of love for Ye, and Ye had love for Dilla. It was great to see somebody who is great as Ye just be like, ‘D–n, Dilla gave me these drums.’ The reference and love.”
J Dilla — born James Yancey — passed away in February 2006 due to a combination of TTP and lupus.
Kanye has previously reflected on meeting J Dilla in an unearthed 2013 interview from part of the Stones Throw documentary Our Vinyl Weighs a Ton and compared him to Quincy Jones.
“I met J Dilla at Common’s crib just down the street here in L.A.,” West said. “They were staying together, and I just remember looking at that MPC. And those drums came out of that MPC, arguably the best drums in hip-hop history. I just remember vibing with him and having so much respect, and just wanting to work with him more.”
“He had the organic feel, but still, the sonics were breakthrough, and he could give you a warm sound that still cut through speakers. It’s like he was making Quincy Jones production sessions inside his MPC.”
Watch Common recall the Ye-Dilla meetup at the 19:30 mark below:
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