R&B/Hip-Hop
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Pop and R&B/hip-hop superstar Beyoncé made a surprise announcement during Super Bowl LVIII on Feb. 11, releasing two tracks noticeably different in sound from the bulk of her catalog: “Texas Hold ‘Em” and “16 Carriages.”
The former is officially being promoted to country radio, as announced in a Columbia Nashville email to stations Feb. 14 at 11 a.m. ET, and arrives as Beyoncé’s first entry on Billboard’s Country Airplay chart (dated Feb. 24), starting at No. 54 with 1.1 million in audience via 100 stations at the format in the tracking week ending Feb. 15.
The Country Airplay survey reflects songs’ audience impressions on nearly 150 U.S country radio stations as monitored by Mediabase and provided to Billboard by Luminate.
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“We immediately added it a sub-power rotation, which is where we put top-trending new music,” Alpha Media-owned KBAY San Jose, Calif., program director Bo Matthews tells Billboard of “Texas Hold ‘Em.” “I want people to hear it. One of the biggest artists in the world delivered a great country record for us to have fun with, and the song is really good. We are in the business of creating excitement for our listeners and I’m embracing the moment. Plus, there is plenty of room for great artists, even from other genres. It’s a big country tent.”
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Beyoncé has banked eight No. 1 songs on the Billboard Hot 100 and seven No. 1 albums on the Billboard 200 as a soloist, starting in 2003. Plus, Destiny’s Child, with her as a member, logged four leaders on the Hot 100 and two on the Billboard 200, beginning in 1999.
As a soloist, Beyoncé boasts 12 career No. 1s on the Mainstream R&B/Hip-Hop Airplay chart, 11 on Rhythmic Airplay, seven on Pop Airplay, five on Dance/Mix Show Airplay and three on Adult R&B Airplay.
Concurrent with its Country Airplay entrance, “Texas Hold ‘Em” opens at No. 38 on Pop Airplay, with its plays on 98 chart reporters translating to 1.3 million audience impressions at the format.
Notably, Rhiannon Giddens plays banjo and viola on “Texas Hold ‘Em.” She hit No. 6 on Country Airplay in 2017 as featured on Eric Church’s “Kill a Word.” (She has charted one No. 1 on the Americana/Folk Albums list, Tomorrow Is My Turn, in 2016, and, as part of Carolina Chocolate Drops, two leaders on Bluegrass Albums.)
“We put the Beyoncé directly into a strong rotation so it can be heard. I want the station to sound as interesting as possible, because the opposite is boring,” muses Dave Parker, pd of Sinclair’s WUSH Norfolk, Va. “This song is sounding great and doesn’t sound like anything else. Plus, the feedback from listeners and even fellow staffers so far has been very positive.”
Says Tim Roberts, pd of Audacy’s WYCD Detroit, of “Texas Hold ‘Em”: “I think it’s a good record, and country is so popular right now, it’s great that she wants to be here. Just like we do with any song on our playlist, now the listeners will decide.”
All charts dated Feb. 24 – including the Hot 100, reflecting songs’ streaming, airplay and sales Feb. 9-15 – will update on Billboard.com Tuesday, Feb. 20 (a day later than usual due to the Presidents’ Day holiday in the U.S. Feb. 19).
The rumors arrived on Thursday (Feb. 15) evening, and now everything is confirmed officially. Kanye West and Ty Dolla $ign will be in Italy next week to present their joint album Vultures 1 at two listening parties, one in Milan (Feb. 22) and another Bologna (Feb. 24). Explore See latest videos, charts and news See […]
Since February began, Megan Thee Stallion scored a No. 1 hit on the Billboard Hot 100, unveiled a partnership with Nike, inked a distribution deal with Warner Music and celebrated her birthday — that’s some serious hot girl s–t right there. And in honor of the Houston rapper turning 29 Thursday (Feb. 15), Billboard wants […]
Kanye West and Ty Dolla $ign’s Vultures 1 album has been removed from Apple Music after five days on the streaming service.
Vultures 1 was taken down from Apple Music on Thursday afternoon (Feb. 15) without any explanation as to why.
The project was also wiped from iTunes and scrubbed from the Apple Music charts, where the Rich The Kid and Playboi Carti-assisted “CARNIVAL” had held the No. 1 slot on the Top 100: Global chart. However, “CARNIVAL” has since been added back as a single to Apple Music and YouTube Music.
Earlier on Thursday (Feb. 15), Billboard reported that the album’s distribution company FUGA — a business-to-business tech and distribution platform for labels — had plans to work with DSPs to take the project off streaming in its entirety.
“Late last year, FUGA was presented with the opportunity to release Vultures 1,” a FUGA spokesperson said in a statement to Billboard. “Exercising our judgment in the ordinary course of business, we declined to do so.”
The spokesperson continued: “On Friday, Feb. 9, 2024, a long-standing FUGA client delivered the album Vultures 1 through the platform’s automated processes, violating our service agreement. Therefore, FUGA is actively working with its DSP partners and the client to remove Vultures 1 from our systems.”
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The FUGA spokesperson didn’t clarify whether the company would help facilitate a transfer to another distributor.
While Apple Music has removed the project, Vultures 1 remains on other streamers like Spotify and Amazon Music as of press time.
However, the project faced its first streaming issues on Wednesday (Feb. 14) when Spotify removed “Good (Don’t Die)” from its platform due to claims of “copyright infringement” made by Donna Summer’s estate. The electro-pop deep cut appears to interpolate elements of Donna Summer‘s 1977 hit “I Feel Love” on the pensive chorus, and the estate says it didn’t approve of its use.
“Kanye West… asked permission to use Donna Summer’s song I Feel Love, he was denied… he changed the words, had someone re sing it or used AI but it’s I Feel Love… copyright infringement!!!” the estate wrote in an Instagram Story on the official Donna Summer account Saturday (Feb. 10).
Amazon Music followed suit with the removal of “Good (Don’t Die)” on Thursday (Feb. 15), and it appears more Vultures fallout is on the horizon.
Billboard has reached out to Apple Music and West’s reps for comment.
Kanye West is returning to Rolling Loud. After bailing on his headlining set in 2022, West is set to perform at the California festival‘s newly-announced Thursday night (March 14) kick-off date. Ye broke the news himself when he revealed Vultures would be coming to Rolling Loud on Thursday (Feb. 15) with an Instagram post showcasing […]
Drake has entered his suburban dad phase — at least artistically speaking. The 6 God helms the “Rich Baby Daddy” music video — which arrived on Valentine’s Day (Feb. 14) — for which he serves as the vintage clip’s director and co-star. Explore See latest videos, charts and news See latest videos, charts and news […]
Streams and sales of Usher’s sizable catalog of music rose amid and following his performance at the halftime show of Super Bowl LVIII on Feb. 11.
From Feb. 11-12, consumption of Usher’s music totaled 35.9 million official on-demand U.S. streams, up 46% from 24.6 million between Feb. 9-10, according to initial reports to Luminate.
Additionally, his music accumulated 27,000 downloads Feb. 11-12, a 210% jump after accruing 9,000 Feb. 9-10.
The gains come despite higher-than-usual totals for the singer on streaming services thanks not just to buzz around his performance, but also the premiere of Coming Home, Usher’s ninth studio album, which was released on Feb. 9. Comparing the two-day period of Feb. 11-12 to the Sunday-Monday stretch of a week before (Feb. 4-5), the percentage gain is even higher – 299%, up to 35.9 million from 9 million. Download-wise, it’s a leap of 1,685% from 2,000 downloads to 27,000.
Leading the way is “Yeah!,” featuring Lil Jon and Ludacris, which accumulated 4.8 million official on-demand U.S. streams Feb. 11-12. That’s up 105% from Feb. 9-10, when the song earned 2.3 million streams.
Some of Usher’s biggest gainers were, like “Yeah!,” performed during the halftime show. The same can be said for “My Boo,” Usher’s duet with Alicia Keys (who made a cameo during the medley). The tune vaults 158% to 3 million streams Feb. 11-12, up from 1.2 million the previous two days.
“Love in This Club” (which features Jeezy) follows with 2.4 million streams Feb. 11-12, a 147% boost from 961,000, and then comes “DJ Got Us Fallin’ in Love” (featuring Pitbull) via 2.1 million streams, up 83% from 1.2 million.
Sales-wise, “Yeah!” also paces the pack, racking up 7,000 downloads Feb. 11-12. In the previous frame of Feb. 9-10, it earned 1,000 downloads, giving the song a 424% leap.
“U Got It Bad” boasts the next highest sales count at 3,000 Feb. 11-12, a 349% jump from 1,000 Feb 9-10.
The full breadth of Usher’s catalog gains will be noted on the Billboard charts dated Feb. 24, which cover streams, sales and airplay accrued during the Feb. 9-15 tracking week.
02/15/2024
This year’s list is dominated by artists who encompass versatility from the worlds of hip-hop, R&B, and African music.
02/15/2024
As the entire world already knows, Beyoncé is in her country era. After hard-launching her new album — the as-yet-untitled second part of the three-act project she began with the Billboard 200-topping Renaissance back in 2022 — during the 2024 Super Bowl via a Verizon commercial, Queen Bey has released two new versions of the […]
Kanye West is trying to lead with love as he clarified that name-dropping Taylor Swift on Vultures 1 standout “Carnival” came with no ill will. “I mean since Taylor Swift, since I had the Rollie on the wrist/ I’m the new Jesus b—h, I turn water to Cris,” he raps on the anthem.
West posted a photo to Instagram on Wednesday (Feb. 14) screenshotting a fan’s tweet calling for Swifties to support Beyoncé’s pair of singles to help block Kanye from debuting at No. 1 on the Billboard Hot 100 with “Carnival.”
“WHEN I SAID THAT I’M THE NEW JESUS B—H I WASN’T EVEN THINKING ABOUT TAYLOR SWIFT THAT WAS A WHOLE LINE BEFORE BUT I APPRECIATE THE FREE PROMO,” he wrote.
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The Chicago-bred rapper — who now goes by Ye — went on to explain that he actually had Swift’s back when Scooter Braun purchased the masters to the pop star’s first six albums through a 2019 deal. (West dissed Braun on “Vultures,” with the rapper claiming that he had been intimate with the record exec’s wife in one lyric.)
“REMEMBER I WAS ON TAYLOR’S SIDE WHEN SCOOTER BOUGHT HER MASTERS BEHIND HER BACK,” he continued in his post. “SHE AND BEYONCÉ ARE BIG INSPIRATIONS TO ALL MUSICIANS WE ALWAYS SAY HOW BOTH SELL OUT TOURS AND MOVIES.”
Ye believes he’s been more “helpful” to Swift’s massive career as a pop titan than “harmful,” but wouldn’t exactly call himself an ally to the Swifties.
“ALSO, I’M SURE I’VE BEEN FAR MORE HELPFUL TO TAYLOR SWIFT’S CAREER THAN HARMFUL,” he added. “TO ALL TAYLOR SWIFT FANS I AM NOT YOUR ENEMY UUUM IM NOT YOUR FRIEND EITHER THOUGH LOL.”
Ye and Swift have a complicated history, to say the least. Their relationship is famously headlined by the infamous 2009 MTV Video Music Awards moment when the rapper crashed the stage during Swift’s acceptance speech to highlight Beyoncé’s video. He also took credit for making her “famous” on a The Life of Pablo track in 2016.
In the same IG post, West reflected on the turbulence of the last year caused by his antics and antisemitic remarks, which saw just about every brand associated with the rapper sever ties.
“LAST YEAR WAS INCREDIBLY CHALLENGING FOR ME, MY WIFE, MY CHILDREN, FRIENDS AND FAMILY. I’VE BEEN BANNED FROM HOTELS, KICKED OUT OF COMPANIES, AND EVEN NOT ALLOWED TO EAT IN SOME RESTAURANTS,” Ye penned. “EVERYONE SAW VULTURES 1 GET TAKEN OFF OF PLATFORMS TO LIMIT OUR FIRST WEEK NUMBERS. THIS REMINDS ME OF THE MISTREATMENT OF MY PEOPLE BECAUSE OF THE COLOR OF OUR SKIN.”
Even through all of the controversies, Yeezy is vying for what could be his 11th album earning the No. 1 spot atop the Billboard 200 after this week thanks to Vultures 1.
See West’s post below.