R&B/Hip-Hop
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Solange may be working on new music. The singer posted a picture of producer P’ierre Bourne in the studio that has fans thinking she’s finally ready to give them a follow up to 2019’s When I Get Home. The two were in Paris for Fashion Week as P’ierre has been in town also working on […]
Latto announced Monday (Jan. 27) that she’s linking up with Playboi Carti on the “Blick Sum” remix that’s dropping Tuesday, Jan. 28 at midnight ET. “I don’t trust no man without no blicky. ’Cause when sh– get sticky, where the f–k that blicky at,” she says in the intro with a distorted voice filter. The […]
Future may have another project on the way. The Atlanta rapper took to his Instagram and posted a highlight reel of Paris Fashion Week featuring Pharrell telling him that his project Mixtape Pluto “is the greatest sh–.” And the caption simply reads: “New Tape OTW.” Future had a better 2024 than just about anybody not […]
Will Smith and Big Sean are teaming up for their “Beautiful Scars” single later this week, and they raised hype around the track with a cinematic trailer turning back the clock. Explore See latest videos, charts and news See latest videos, charts and news Once upon a time, Smith declined the lead role in The […]
Drake is ready to make a splash in 2025. He shared a message with his Toronto faithful and also gave OVO fans an update on his joint album coming with PartyNextDoor in an Instagram Story on Sunday night (Jan. 26). “Love to all the 6’ers,” he captioned a photo of the CN Tower. “Winter months […]
With the back-to-back frenzy of Grammy Week and Super Bowl LIX officially at our doorsteps, all eyes are on Kendrick Lamar as he uses the two marquee events to segue into his forthcoming North American stadium tour. Last week (Jan. 23), the Compton rapper and Apple Music released a new teaser for his upcoming halftime performance; the clip found SZA, his Grand National tourmate, playfully dumping a container of blue Gatorade on Lamar, confirming her guest appearance during his Super Bowl set.
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Lamar, of course, KO’d Drake in last year’s seismic rap battle — and 2025 already has some sparring of its own. On Can’t Rush Greatness (Jan. 24), his long-awaited debut album, UK rapper Central Cee threw some shots at fellow British MC Aitch, spitting, “I felt like a p—k when I went to the BRITs and they gave the award to a guy called Aitch/ I had my acceptance speech prepared like, ‘Long live F’s,’ I’m goin’ insane.” Mere hours later, Aitch responded with a tract titled “A Guy Called?”; “Little boy is just there to be spun, gettin’ mad at the BRITs, there’s bare to be won,” the Manchester-based rapper snarled. Time will tell if the Cench-Aitch battle can hold a candle to the Kendrick-Drake one.
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In heavier news, the hip-hop community also spent the weekend mourning the losses of journalist and screenwriter Barry Michael Cooper and DJ Unk, the iconic voice behind Billboard Hot 100 hits like “Walk It Out” (No. 10).
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Youssoupha’s rousing call to action to BigXThaPlug and Jessie Murph’s new cross-genre duet. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Youssoupha, “Prose Combat”
As anxiety sweeps the U.S. — and as protests sweep the rest of the world — in the wake of a new American presidential administration, artists are continuing to use their music to speak truth to power. Across “Prose Combat,” a stunning lyrical exercise taken from Amour Supreme, his eighth studio LP, French rapper Youssoupha calls for liberation for oppressed people across the world, from Rwanda to Mali. “Besoin d’une vraie solution ou d’une révolution pour renverser le royaume de Macron/ Besoin de voir l’Afrique jamais résignée, qu’elle arrête de croire que Poutine est plus stylé,” he spits over Akatché & A2B’s gritty production, demanding the dissolution of invisible colonial empires before voicing his support for the Palestinian people at the end of the first verse. “Besoin de grandes gueules quand personne ne dit rien, besoin d’une terre pour l’État Palestinien/ Besoin d’éviter de gros scandales, toute ma vie, j’suis fatigué du prose combat, mais voilà.” — KYLE DENIS
Central Cee & Lil Durk, “Truth in the Lies”
Central Cee’s Can’t Rush Greatness album already gives the U.K. rhymer an early rap album of the year candidate. Cench and Durk connecting has been years in the making and the intercontinental duo didn’t disappoint. “Truth in the Lies” finds Cench and Smurk getting honest about their hesitancies about love in the spotlight over Ne-Yo’s “So Sick.” Central Cee details women switching up on him unless he’s supporting them financially while Durk lives by the famous “what happens in Vegas, stays in Vegas” adage. — MICHAEL SAPONARA
BigXthaPlug feat. Jessie Murph, “Holy Ground”
Dallas rapper BigXthaPlug just dropped the deluxe edition of Take Care featuring several new tracks, including the Jessie Murph-assisted “Holy Ground.” An anthem of resilience and self-empowerment, “Holy Ground” finds the two stars acknowledging life’s struggles while maintaining their pride and strength. Murph’s emotive chorus conveys how hardships become a part of us, with the “smoking gun” symbolizing the unavoidable challenges that shape our lives. BigXthaPlug’s verse reflects on the harsh realities of success — from betrayal to unmet expectations — while reinforcing that loyalty and hard work are the true measures of success. — CHRISTOPHER CLAXTON
Aqyila, “Focus”
Rising Canadian R&B artist Aqyila has been making steady waves for years with tracks like 2023’s JUNO Award-winning “Hello,” and she’s looking to maintain that momentum in 2025. Co-written with Sam Hook and produced by Monro, “Focus” finds Aqyila seductively cooing over a sultry uptempo R&B track that employs dancehall-adjacent synths and Afrobeats-nodding drum patterns. “I need you to focus, give me all your attention/ The slippery slope is when I get your attention,” she croons in the hook, sightly dipping into a bit of a staccato delivery that contrasts nicely with her airy, languid riffs in the pre-chorus. It’s the modulation in the final chorus, however, that really highlights how precise Aqyila’s vocal acrobatics are in the uppermost reaches of her voice. — K.D.
Jordan Adetunji & Bryson Tiller, “305”
“Kehlani” was just the tip of the iceberg for Jordan Adetunji, who showcases his range of flows and a blend of Jersey club, R&B and rap sounds throughout his A Jaguar’s Dream debut project. From Belfast to Miami, Adetunji and Bryson Tiller indulge in everything Vice City has to offer. “305” meshes moody R&B that The Weeknd would lend his croon to with an uptempo electronic twist that would make anyone floor the gas pedal cruising along Ocean Drive. — M.S.
Kacy Hill & 6LACK, “Time’s Up”
Kacy Hill joined forces with 6LACK on “Time’s Up”, a track she initially penned in 2019 and later brought to life by sliding into his DMs. Co-written with Ryan Beatty and produced by Jim-E Stack, the song explores the beauty of taking time in a relationship, valuing the moments spent together. The chorus, with its repeated theme of “takin’ my time,” emphasizes the intention to savor the connection and let things unfold naturally. 6LACK’s verse contrasts the natural high of love with the chaos in his life, touching on the complexities and vulnerabilities of intimacy. Kacy Hill’s verses highlight the clarity and joy the relationship brings, with everything else fading away in their shared moments. “Time’s Up” captures a peaceful contentment, reminding us of the importance of being present and truly appreciating those we care about. — C.C.
1900Rugrat & Kodak Black, “One Take Freestyle (Remix)”
1900Rugrat made some noise in Florida with his “U.O.E.N.O.”-sampling “One Take Freestyle” last year, and the burgeoning rapper is carrying his winning streak into 2025. Kodak Black took notice of Rugrat’s movement and hopped on the official remix for his fellow Sunshine State native. Yak tackles growing from his past, “I admit, I said a lot of dumbass shit when I was a youngin” and pushes back against colorist allegations. “I’m the one, lil’ b—h said I’m a colorist, how the f–k, b—h? I love my mother,” he snarls. — M.S.
Naïka, “Layers”
Naïka refuses to be boxed in. The French-Haitian singer grapples with her identity issues and the labels society continued to throw at her growing up on the soothing “Layers.” She cathartically flips the angst into a gentle guitar ballad while encouraging listeners to celebrate the beauty naturally within themselves. “I hate the boxes, they suffocate me,” she sings. “Baby, all these layers keep me warm and make me me.” — M.S.
Charlie Bereal, “Some People”
Charlie Bereal opens “Some People” with this ethereal chant: “Communicate/ Make a friend/ Teach someone/ Share with them/ Get together/ Start your own/ Build together/ Make it better.” More than a hook that perfectly complements his and Josef Liemberg’s lush, sweeping and soulful soundscape, it’s a much-needed reminder of what we can do on an interpersonal level to make the world an easier place to exist within. With a buttery falsetto that exudes the same warmth his lyrics exalt, Charlie Bereal emerges from his latest LP, Walk With the Father, as one of contemporary soul’s most exciting new artists. — K.D.
Abir, “Butterflies”
The hiatus is over, Abir returns with her first single in four years with the intoxicating “Butterflies” — and she’s back in her R&B bag. The L.A.-based Moroccan singer makes her sweet escape as a fluttery Abir serenades a certain lover who completes her existence. “You’re supplying me with what I need to push the clouds away/ Even a knife is like a sunny day,” she admits while showcasing her mellifluous vocal range. — M.S.
Kai Cenat didn’t become the most popular Twitch streamer in hip-hop by holding back his real opinions. So while speaking to Billboard for his January cover story, he didn’t hold back when it came to his takes on the Drake vs. Kendrick Lamar rap war of 2024.
In conversation with Billboard‘s deputy editorial director Damien Scott, Cenat — who once FaceTimed Drizzy on his Twich livestream — began by saying, “I’m cool with Drake.”
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“So people would expect me to be on Drake’s side,” he continued. “But I’m not going to lie. Kendrick won that battle.”
Cenat was one of countless hip-hop fans who was locked in during the Toronto native and Dot’s musical conflict last spring, during which the two rappers lobbed searing diss tracks at each other throughout April and May. The streamer reacted to the drops in real time on his channel, with Drake notably instructing him to “stay on stream” before releasing “Family Matters” in May.
“I loved every second of it,” Cenat told Billboard of the musical back-and-forth. “I was just appreciating the moment. Like, bro, we got bangers right now that’s dropping back to back and everybody’s talking about them. It was definitely fire.”
Things took a turn in November, however, when Drake filed two legal actions against Universal Music Group over Lamar’s “Not Like Us” — the two-week Billboard Hot 100 chart-topper in which the Compton musician famously calls his opponent a “certified pedophile.” The “God’s Plan” artist accused the label of inflating the track’s streams through nefarious methods and cited defamation, alleging that UMG “could have refused to release or distribute the song or required the offending material to be edited and/or removed.”
Earlier this month, Drake escalated things further by launching a full-blown lawsuit against UMG; the label has denied the allegations in his suit and called it “illogical.” Cenat also just so happened to be mentioned in the filing. The Degrassi alum’s lawyers named him and a few other streamers who reacted to “Not Like Us” when it dropped as examples of UMG “whitelisting” the song, something Cenat also reacted to on a stream.
“Wait, why am I in this s–t?” he asked his viewers at the time, baffled. “Wait, hold on! Wait, what the f—? I’m getting sued?!”
See Cenat on the cover of Billboard below.
Snoop Dogg has been feeling the backlash after his performance at the Crypto Ball at Donald Trump’s inauguration earlier this month, and he appeared to clap back at the haters during a recent Instagram Live.
Snoop seemingly addressed the comments on Sunday (Jan. 26) while sitting in a car and sparking up. “It’s Sunday I got gospel in my heart,” he said in a video posted to his Instagram. “For all the hate I’m going to answer with love, I love too much.”
He continued to fire: “Get your life right, stop worrying about mine. I’m cool. I’m together. Still a Black man. Still 100 percent Black. All out ’til you ball out or ’til you fall out.”
Snoop wasn’t the only rapper in attendance, as Rick Ross and Soulja Boy also pulled up to the Crypto Ball in Washington, D.C., while Nelly performed at the Liberty Ball on Jan. 20.
He’s seen plenty of vitriol in his comments section on social media, as many have called him a “sellout.”
Over the weekend, Snoop addressed how he deals with the negativity while joining the R&B Money Podcast.
“You ‘gon deal with hate when you get to the top, no matter who you are. How do you deal with that hate? Do you answer it with hate, or do you answer with love and success?” he said. “Me, personally, I answer it with success and love. That’s my answer to any hate and negativity that comes my way, ‘cause it’s the strongest force that can beat it.”
Actor Marlon Wayans also came to the Death Row legend’s defense during a recent interview with 101.1’s The Wiz. “I know Snoop, and I know Snoop has always been a real one … I’m not gonna allow for public skewering,” Wayans said.
Snoop Dogg was previously very critical of Donald Trump, and he appeared to change his tune following Trump’s pardoning of Death Row co-founder Michael ‘Harry O’ Harris, who was behind bars on attempted murder and cocaine trafficking charges, before the twice-impeached president left the White House at the end of his first term.
“That’s great work for the president and his team on the way out,” Snoop Dogg reportedly said in 2021. “They did some great work while they was in there and they did some great work on their way out. Let them know that I love what they did.”
More recently, Snoop stated he had “nothing but love and respect for Donald Trump” during an interview with the U.K.’s Sunday Times.
As “sexy drill” continues to solidify its place in the New York drill scene, frontrunners like Bay Swag are becoming synonymous with the subgenre’s success. With the forthcoming project Damaged Thoughts in the works, he isn’t letting the sexy drill wave fade out anytime soon.
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Last year, the Queens native teamed up with mini-genre architect Cash Cobain on his biggest hit, “Fisherrr.” Pronounced “fur-shur,” the sensual, R&B-meets-drill track achieves liftoff with a celestial melody and a pared-down flow. Fueled by a viral live performance and the Reemskii dance challenge (created by dancer and artist Kareem “Reem” Gadson), “Fisherrr” became an instant TikTok hit.
“We made the song at the end of 2023,” Bay tells Billboard. “We teased it, then it started going viral on TikTok. Then, me and Cash were like, ‘Yo, we gotta do [From the Block],’ he said, referring to the popular live music platform where up-and-coming artists perform viral songs in front of a suspended mic.
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Their live rendition for that series racked up 2.7 million views on Youtube — then in April, the pair followed up with a remix featuring Ice Spice to solidify the track’s slot in summer rotations. Operation: Slizzy Summer was in full effect.
Before Bay Swag helped spur a new wave in New York, he created local buzz at 16 years old with his debut “Rumors.” He followed up with “Saucin,” a track dedicated to his father, Bay Lloyd, who was sentenced to 85 years in prison for a second-degree murder charge from 2012. Lloyd built a reputation in Queens as a party promoter, and toured with the likes of A Tribe Called Quest and Swizz Beatz, eventually motivating his son’s musical aspirations.
In 2015, a chance meeting with Christian “King” Combs and Justin Combs during NBA All Star Weekend paved the way for him to join Christian’s rap collective, CYN. They collaborated on a handful of tracks, including Christian’s 2017 breakout single “Type Different,” featuring South Florida rapper Lajan Slim.
The track dropped during the same time Swag was introduced to an up-and-coming Bronx rapper and producer, Cash Cobain. The pair didn’t collaborate until 2021 when sexy drill infiltrated New York’s regional sound and TikTok. Swag’s playful, nonchalant style blends seamlessly into Cobain’s stripped-down R&B and drill samples. They proved an undisputed match on “Fisherrr,” and fanned Bay Swag’s momentum with their follow-up “Worldwide Sniper.” Cobain’s moody soundscape bolsters Bay Swag’s lothario tales. He curtailed the one-hit TikTok sensation curse with spontaneous one-offs, including “Nothing Last Forever,” “Patti Labelle,” and “Skims” featuring D Lou.
On his upcoming project, he navigates the emotional aftermath of a breakup on the Lil’ Mo-sampled “Make it,” while on “5 Star,” he reunites with Cobain and Chow Lee to put a “slizzy” spin on Selli Paper’s “5 Star Mami.” On the intoxicating club track “Drank,” featuring Detroit heavyweight 42 Dugg, he briefly departs from the project’s Y2K-inspired production into the menacing territory of Detroit drill. He stacks his carefree staccato bars with Dugg’s gravelly vocals and thumping 808s, boasting about the fast lifestyle, laced with sex and substances.
On the verge of dropping his first project in three years, Bay Swag spoke to Billboard on how sexy drill is uniting a new generation of drill artists, how “Fisherrr” came together and more.
Growing up with a father who was in the industry, which genres or artists initially influenced your interest in music?
My dad had me around [music] so much that I felt like it was the only thing for me to do. Being in the studio, in the car surrounded by music, that’s how I got the love for it. I grew up in a house full of women so my mom used to always play a lot of Keyshia Cole, Chris Brown, Trey Songz – a lot of R&B. My dad had me listening to rap [like] Future, Jadakiss, Juelz [Santana], Jim Jones, Biggie, stuff like that.
You made a splash with “Rumors” and “Saucin” when you were just a teenager, which also led to you joining King Comb’s collective, CYN. What were those earlier days in your career like and how did you link up with Christian Combs?
Around those times, I started taking music seriously. It was during the time my father got incarcerated, so I became the man of the household. That’s when I dropped “Saucin,” which was a song about my dad and him being wrongfully convicted.
After that, it was All Star Weekend. Me and my cousins were in the car and I had actually met Justin [Combs] a couple years before that at a club in Queens. Fast forward to All Star Weekend, we seen they were out here, and my cousin was like, “Yo. I bet you I hit him and he’ll answer before you.” So I hit him and he hit him and Justin ended up answering me. We had a connection because one of my homies from Queens was running with them. He hit me and asked what I was doing. He was like, “Yo. We about to go to the club, but I’ll link you with my little brother.”
So he sent me a driver to go to his little brother, which is Christian — and my cousin stayed with him, since they’re the same age. Literally, I just walked in. I don’t know these people from a hole in the wall. I walked into the restaurant and was like “Wassup.” We clicked just like that. From there on, history. [Laughs.] Isn’t that crazy though?
How did you transition from making music in Miami with the Combs brothers to linking up with Cash Cobain, Chow Lee, and the Sexy Drill cohort?
Queens is small. Everyone knows everyone. I had a buzz and [Cash] had a buzz in our younger days. One of my homies would always tell me he got this producer, so one day he came into the studio with me and brought some beats. That’s how we met.
Was this around his 2 Slizzy 2 Sexy era?
This was a while ago. Way before that. Like around 2017. Fast forward, I opened up a studio in New Jersey and he used to come to the studio. That’s how we really clicked. Him and Chow. That was around 2020-2021. We started making music and hanging with each other.
What was it like to see “Fisherrr” all over social media and blow up on TikTok?
We knew it was a fire song, but we didn’t know it was going to be the way it is. I feel like you never know. The songs you think is a hit don’t do nothing, but the songs you least expect [end up being] the one. It’s a blessing seeing all the kids, dancers and influencers dancing to it and having a good time. It really started a whole new dance. Shoutout Reemo. He started that s–t. It’s a whole new wave of music. It’s a whole new energy.
How did the feature with Ice Spice happen? Was it intentional to have a female rapper on the remix?
It just made sense. She’s the Queen of New York. I was super excited. I wanted to hear how she would come on it because that’s not the typical music she be dropping. She did her thing. Shout out Ice Spice.
Over the last year, you’ve been consistently releasing singles and helping spur this sexy drill wave. How are you putting your signature spin on this sound?
I call it being myself — and that’s a problem, too. A lot of people will try to do sexy drill and try to sound like someone, when you can just be yourself and that’ll make a difference. That’s why people will say it all sounds alike.
You’ve also mentioned in past interviews that New York artists are more united. How is it making music in this era of New York?
It’s good vibes. Especially right now, sexy drill is good energy. Even when we’re recording the music, it’s good energy. We’re dancing and we’re just having fun together.
In the past, drill has been criticized for its violent lyrics. How are you, Cash and Chow helping to rewrite that narrative?
We’re talking to the women. We’re telling them how pretty they are and how sexy they are. It’s a big difference. It’s fun. It makes you want to dance. We got the kids, elders, and the women, of course. We are trying to separate ourselves from that. We don’t want violence. We just want good vibes, good energy and good parties.
From your new project, it’s interesting you chose to release “Not Like Me,” because it’s the opposite of sexy drill and more vulnerable. What inspired that track?
On that song I was talking about the relationship I just got out of. I was rapping about how I felt when the relationship was ending. It lasted for like seven years, so I was describing how I was feeling during, after, and how I feel now.
How are you feeling now?
Amazing!
You also linked up with Sheff G for one of your features on the new project? How did you two meet?
I think it was on Instagram. One of us hit each other up. He told me to come to the studio and that’s how it happened. It was bound to happen because we were on a lot of the same shows together and would see each other a lot.
Are there any artists out right now that you want to collaborate with in the future?
I want to do music with a female artist. I like Latto. I like the music she drops. I like Sexyy [Red], SZA, Summer Walker. I really really like Dej Loaf. The female artists are doing their thing right now. I have to salute them.
You’re coming off a really big year. What do you have in store for fans this year?
I have merch coming with Barriers [Worldwide] and a lot of new music coming. I’ve worked with a lot of dope artists and I can’t wait for the world to hear it. I have a label called Nothing About Us Regular. And in 2025, 2026, 2027, 2028, 2029, I want all my artists to be huge. I want my producers to have a great year. I’m building my label. I’m a young CEO. I want my artists to be bigger than me. I have so much in store for 2025.
While Diddy remains behind bars at the Metropolitan Detention Center in Brooklyn awaiting his day in court, many of his alleged victims and those who knew him best throughout the rise and fall of Combs’ Bad Boy empire are speaking out. Investigation Discovery’s The Fall of Diddy docuseries premieres on Discovery+ at 9 p.m. on Monday […]