R&B/Hip-Hop

A triad of star-studded events dominated the worlds of hip-hop and R&B over the past week — the 55th NAACP Image Awards, Rolling Loud California and the final weekend of SXSW. At the NAACP Image Awards — which was hosted by Grammy-winning Kennedy Center honoree Queen Latifah — Chris Brown dominated with three wins, including two trophies for “Sensational,” his hit collaboration with Davido and Lojay. Victoria Monét followed with two wins — outstanding album for Jaguar II and best new artist — while Usher took home outstanding male artist, entertainer of the year and the President’s Award. Of course, The Color Purple movie musical cleaned up with a staggering 12 wins, including outstanding motion picture, outstanding soundtrack/compilation album and four individual acting awards.

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Outside of the awards circuit, hip-hop and R&B had impressive showings at both of March’s marquee music festivals. At SXSW (March 14), PARTYNETDOOR launched his new single “Real Woman,” the first taste from his forthcoming LP, PartyNexxtDoor4, whose release date (April 26) he revealed during his headlining performance at Billboard’s annual THE STAGE at SXSW concert series. A few states over in California, Nicki Minaj turned Inglewood into Gag City, Kanye West and Ty Dolla $ign performed some Vultures cuts without actually performing at all and Metro Boomin and Future previewed some exciting new tracks from their two forthcoming joint albums.

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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Sexyy Red‘s latest head-banging anthem to Maxo Kream‘s reflective tribute to his late father. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: Rapsody, “Stand Tall”

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As she continues to gear up for the release of her forthcoming fourth studio album, Please Don’t Cry, Rapsody is taking some time to address those who are obsessed with the details of her personal life. “Judgment’s on me, they wondering if I’m a ‘Eat the c—chie’ fan/ All because I choose to style in sneakers and some baggy pants/ Used to make me aggy, wanna black out like the Aggie fans,” she spits over a contemplative Eric G-helmed production that’s delicately tempered with twinkling piano keys.

The hat trick of “Stand Tall,” however, is that Rap isn’t giving the messiest people among us the satisfaction of seeing her dedicate an entire song to their speculation. Instead, she flips the script and uses “Stand Tall” to recenter the conversation around the sanctity of family, learning to live with anxiety and a cheeky reminder to read up on the architects of Black political thought. “Navigating through this business, tryna find some decency/ But you only wonder if I eat c—chie or like some d—k in me/ Y’all need to read Dick Gregory, b—tches,” she rhymes before launching into a chorus that has the charming quality of a letter postscript.

Sexyy Red, “Get It Sexyy”

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For most of 2024 so far, Sexyy has been laying low. Outside of a few shows, she’s been enjoying time with her new baby and the continued success of her smash SZA-assisted Drake collab “Rich Baby Daddy.” With “Get It Sexyy,” Sexxy Red SZN is officially in full effect: Over a characteristically rapturous head-knocking beat — courtesy of go-to collaborator Tay Keith and Jake Fridkis — Sexyy delivers a familiar barrage of irresistible catchy couplets (“Booty shorts, c—chie swole/ Thong all up my booty hole”), hilarious background ad-libs (“I’m his favorite hoe!”) and an ingenious interpolation of the “Little Sally Walker” nursery rhyme — “Little miss Sexyy walkin’ down the street/ I don’t know what to do ’cause the n—as after me/ I’m so f—kin’ sexy, yeah, my skin is bustin’ it/ Diamonds hittin’ hard, n—as wanna drive my tank.”

Maxo Kream, “No Then You a Hoe”

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“No Then You a Hoe” is yet another strong addition to Maxo’s recent stream of standalone singles, but it’s also using that position to mask it being a loving tribute to his late father. “Papa Maxo was a soldier and through me forever livin’,” he proclaims in the song’s final line, but not before a pair of harrowing verses that recount the cyclical nature of the dynamic between family and mortality. Across an incredibly sparse Nascent-produced beat, Maxo spits, “Got a call the other day big brother diagnosed with Lupus / He told me he might die soon, I told him, ‘B—ch, you stupid’/ Cause real gangsters live forever.” Maxo’s delivery is caked in grief, the kind that bubbles under the surface while the person it resides in tries their best to hold themselves together. Equal parts reflective and healing, “No Then You a Hoe” is a home run for Maxo.

MaKenzie & TA Thomas, “Maybe”

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For her first official release under Warner Records, MaKenzie taps TA Thomas for a rousing duet that embodies the hallmarks of ’90s and ’00s R&B vocal collaborations without feeling trapped in a corny pastiche of those eras. “Why can’t you look at me in my eyes?/ Believe me, swear that I’m never gon’ make you cry/ Lately, you keepin’ me up at night/ Runnin’, runnin’ through my mind,” they croon harmoniously in the second verse. Their joint affinity for dizzying descending riffs pairs well with the Rob Knox- and Darryl Pearson-crafted beat, which incorporate warped strings and subtle, grounding percussion.

Elmiene, “Crystal Tears”

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Marking his first new single of 2024, Elmiene’s “Crystal Tears” is a winning collaboration with Grammy-winning R&B savant D’Mile. “I apologize for leaving, and I know that/ If I curse my ways/ Won’t mean you might stay,” he croons in his trademark honeyed tone. The British R&B breakout artist’s voice sounds right at home over D’Mile’s sultry guitar-centric arrangement; he dips into his delicate falsetto to convey the most painful parts of his introspection before bringing in his immersive background harmonies to pair with the introduction of twinkling synths and earthy drums. “My dreams are dragged on/ Dеspite of my home/ I might be alonе,” he sings.

Chief Keef & Mike WiLL Made-It Feat. 2 Chainz, “PULL UP GHOST-CLAN”

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The Trap-A-Holics tags pack Chief Keef and Mike WiLL Made-It’s Dirty Nachos with a dose of 2000s mixtape nostalgia that’s lacking in today’s rap landscape. Sosa pours up and slithers in for a syrupy verse on standout track “PULL-UP GHOST-CLAN” before adding a lean PSA for listeners. “N—as drinking brown lean, actin’ like a sipper/ Be careful, ’cause that s–t will probably f–king kill you,” he contests. 2 Chainz invades the party as the perfect guest star, utilizing elementary rhymes that just wouldn’t work if they were spit by just about any other rapper outside of the Drench God. “Don’t try to compare, I’m in a whole ‘nother category/ Everybody know, my flow is nastier than a lavatory/ I’m straight out the laboratory,” he boasts. Dirty Nachos sets the stage for what should be a banner year for both Mike Will and Sosa.

Don Toliver, “Deep in the Water”

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Building off the success of “Bandit,” Don Toliver delivered the woozy “Deep in the Water” in the middle of the week to stand out from the clutter of New Music Friday. The Cactus Jack artist dives headfirst into an emotional kaleidoscope on “Deep in the Water,” which finds him getting candid about his intimacy with girlfriend Kali Uchis as he attempts to curb the vices throwing hurdles into their relationship. “You said you wanna take control of me but I got all the answers/ You want me done with the strip club, you know I’m done with them dancers,” he croons. An accompanying blue-tinted music video gives fans a first glimpse at Toliver in dad mode; Uchis gave birth to the couple’s first child – a baby boy – earlier this year.