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by DJ Frosty

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T.I. appeared on DJ Whoo Kid’s SiriusXM Whoo’s House Podcast and naturally pulled out the thesaurus. The Atlanta rap legend called the beef between Kendrick Lamar and Drake “probably one of the more exacerbated beefs” he’s seen before suggesting the pair should do a tour together. “I got respect for both of them,” he said. […]

Random link ups are everywhere in rap these days — and the latest one sees Lil Baby flying across the pond to connect with London’s Central Cee for the song “BAND4BAND.” The UK drill beat — produced by Ghana Beats and Geenaro — is a certified trunk rattler with both Cench and Baby, as the […]

Future, Metro Boomin and Kendrick Lamar’s “Like That” adds two more Billboard airplay No. 1s to its collection, rising to the top of the Mainstream R&B/Hip-Hop Airplay and R&B/Hip-Hop Airplay tallies dated June 1.

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The coronation of “Like That” on both lists accompanies its continued reign on Rap Airplay for a fifth week and Rhythmic Airplay for a third frame.

“Like That” becomes the first song to rule all four charts since Drake and 21 Savage’s “Rich Flex” in 2023. “Rich Flex,” as with “Like That,” also reigned on all four simultaneously (Feb. 4, 2023).

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On Mainstream R&B/Hip-Hop Airplay, “Like That” is the sixth No. 1 for Future and first since “Wait for U,” featuring Drake and Tems, led for 16 weeks in 2022. He first led in 2014 as featured, with Chris Brown, August Alsina and Jeremih, on DJ Khaled’s “Hold You Down.” “Like That” is Lamar’s fifth No. 1 and first since 2017’s “Love.”; he first reigned with “Swimming Pools [Drank]” in 2012. Metro Boomin leads for the first time as a billed recording artist.

On R&B/Hip-Hop Airplay (which blends audience data on mainstream R&B/hip-hop and adult R&B stations), “Like That” leads with 17.5 million in reach, up 9%, May 17-23, according to Luminate. It becomes Future’s fourth No. 1 and first since “Wait for U.” It’s Lamar’s third (and first since “Love.”) and Metro Boomin’s first.

Concurrently, “Like That” debuts on Pop Airplay. While Future charted four titles at the format previously this decade and Metro Boomin reached the list twice in 2023, Lamar makes his first appearance on the ranking since 2018.

“Like That,” from Future and Metro Boomin’s collaborative album We Don’t Trust You (the pair’s first of two LPs in 2024), debuted at No. 1 on the Billboard Hot 100 dated April 6 and led for three frames. It ranked at No. 7 on the most recently published survey (dated May 25, reflecting data May 10-16).

We Don’t Trust You debuted at No. 1 on the Billboard 200 dated April 6 and has earned 809,000 equivalent album units to date.

All Billboard charts dated June 1 will update on Billboard.com Wednesday, May 29, a day later than usual due to the Memorial Day holiday May 27.

I was torn when snippets of Drake‘s new Sexyy Red feature started popping up on X (formerly Twitter) last night. This is the song he chooses to break his silence with? Was that really him rapping over “BBL Drizzy”? Nah, it couldn’t be. Not after Kendrick labeled him “the colonizer,” not after Kendrick spit those bars about the two rappers on “euphoria.”  In fact, some thought he should distance himself from Sexyy. The block is still too hot, they’d say. But the more I thought about it and the more I listened to “U My Everything” once it dropped, the more I now think it was a smart move on his part. 

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Why not be in on the joke? That’s a classic Drake move if you’ve followed his career. He’s never really been afraid to make fun of himself. He’s reposted memes of himself and poked fun at his background on SNL. Why not keep relevant while also continuing to show love to one of his favorite new artists? The collabs work both ways. There are times when I give Drake the Larry David stare when he rides certain waves, always remixing the hottest songs. But that’s his M.O., and he rocks with shorty, so why not come back on a song that’s directly in his wheelhouse — while still throwing subs and leaving the door open for more battling? This is rap music after all. Drake has no choice but to stand tall. And, not for nothing: This route is more interesting than waiting for Drake to come back with a song he hopes tops the Hot 100.

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We knew a Sexyy Red feature was coming sooner or later; the two have taken multiple pictures together, she was featured on “Rich Baby Daddy,” he’s appeared in the “Get It Sexyy” video, and they’ve been at the center of fan theories about their connection to gamma boss Larry Jackson. One person asked, “are you f–king Drake for features?” to which she sarcastically replied, “yes.” 

And I’m gonna just say it: I like the song. I don’t know what to tell you, man. Sue me. “U My Everything” shows Sexyy Red at her most charming. The beat is soulful and so is her hook. This is the type of chorus you find yourself singing randomly throughout the day. I’m willing to bet the Drake stimmy check will get this high on the charts. There are too many factors at play. The St. Louis rapper is a hitmaker in her own right, with “Get It Sexyy” creeping into the top 20 of the Billboard Hot 100. Then there’s the guy in Toronto who has made a home for himself on the charts. Why wouldn’t this song do numbers? It’s fire, and there was already conversation and lore around it just off the snippet. 

nigga popped back out on a song with the same artist Kendrick mentioned in the diss track while using the “BBL Drizzy” beat lmao we never seen a bigger troll than Drake https://t.co/C1gbLQAaD0— A ✩ (@adryanashton) May 24, 2024

This is clearly a calculated move by the Toronto MC. He references the beef multiple times. First, he raps, “You know the timin’ we on when my n—as start lurkin’ and tyin’ they hoodies and s–t/ Soon as this sh—t get resolved, I’ll turn to librarian for you, I’m bookin’ that sh—t.” Then there’s the lines, “Maybe we go to Saint Lucia, I been there, so I’ll introduce you/ Or maybe you go to Saint Martin with me if these n—as take break and quit startin’ with me.”

But then, the beat switches to “BBL Drizzy” and your ears perk up. You think you can’t be hearing what you’re hearing. He then starts going in with a machine gun flow: “BBL Drizzy, they want a new body, they ask me for it/ The last one, Jung, he did it for free ’cause I sent over so many past ones for him.” (I Google’d “jung bbl” and what do you know? Dr. Calvin Jung — @drjungmoney on Instagram — popped up.)

Sometimes you just gotta sit back and laugh. Drake is a smart guy. You gotta love when a rapper leans into villainy like a pro wrestler. Drake is trying to pull a Hollywood Hogan, the beloved institution who turned heel. Can this s–t backfire? Of course it can, but I still applaud it.  

Sean Kingston was arrested on fraud charges in California on Thursday (May 23). A spokesperson for the Broward Sheriff’s Office confirmed to Billboard on Friday morning (May 24) that the “Beautiful Girls” rapper — born Kisean Anderson — was apprehended without incident on a warrant from Florida in Fort Irwin, Calif., which is about 150 miles northeast of Los Angeles.

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Kingston’s arrest came mere hours after his South Florida mansion rental was raided by Davie Police SWAT team members on Thursday, with officers taking his mother, Janice Turner, into custody and hitting the 61-year-old with fraud and theft charges.

The raid allegedly came in response to a lawsuit filed by attorney Dennis Card, who claimed that Kingston demands items and doesn’t end up paying for them, says NBC Miami.

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“He’s got basically a script, he says that he works with Justin Bieber, and that he obviously puts on a big show here, this is a rental house, he doesn’t own it, and he lures people using his celebrity into having them release things without him paying for it and then he simply never pays,” Card claimed of the 34-year-old singer.

“This evening, police in Fort Irwin, CA, arrested Kisean Anderson, aka Sean Kingston (2/3/1990) without incident on a Broward Sheriff’s Office arrest warrant for numerous fraud and theft charges,” read a statement from the Broward Sheriff’s office, which noted that, according to investigators, the singer was slated to be booked into jail in San Bernardino, Calif.

Reporters on the scene at the Southwest Ranches residence in Florida noticed officers loading vans with various items from the artist’s rental home following his mother’s arrest. Kingston attempted to calm fans’ worries in a since-deleted post to his Instagram Story on Thursday. “People love negative energy! I am good, and so is my mother! … My lawyers are handling everything as we speak,” he wrote.

Sean Kingston stormed onto the music scene as a teenager when his “Beautiful Girls” single topped the Billboard Hot 100 in 2007. His most recent project arrived in 2022 with Road to Deliverance. At press time a spokesperson for Kingston had not returned Billboard‘s request for comment.

Beyoncé is teaching her daughter Blue Ivy Carter one of the most important lessons a budding musician can learn: how to turn haterade into Gatorade to fuel your performance. Bey’s mom, Tina Knowles, revealed how the singer helped her 12-year-old daughter with husband Jay-Z deal with negative comments after Blue performed on stage with her mom during the Renaissance tour.
While appearing on this week’s episode of Vogue‘s The Run Through podcast, Tina Knowles described how blown away she and Jay were by Blue Ivy’s dancing onstage during “My Power” and “Black Parade” on her mother’s sold-out Renaissance world tour. She told Chloe and Vogue beauty commerce writer Kiana Murden that Blue’s moves were “the best” and that “every night her dad and me would get on this platform out there and we would just be screaming our heads off, like, with no shame at all.”

That joy was tempered, however, by some negative comments Blue Ivy read after the shows, which led to BeyoncĂŠ sharing some sage advice for her daughter about brushing that dirt off your shoulder.

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“One of her friends came back and showed her some negative comments and it was a great life lesson because her mom basically said, ‘Listen, if you let this get you down, then they won. So you should go and work harder. And, you know, just work harder and get your skills together and go out there and blast it,’” Knowles said BeyoncĂŠ told Blue. “So it actually worked in Blue’s favor because she was only supposed to do it one time. But now her mom was, that mama bear was on to it. It was like, she was like, ‘You go out there and kill it,’ and she did. She just grew so much from that experience.”

In her Renaissance: A Film By Beyoncé concert doc, Bey revealed that Blue Ivy fought for her space on the tour after what was supposed to be a one-off appearance. “She told me she was ready to perform, and I told her no,” Bey said in the movie, in which she also noted that the tween was devastated after reading comments criticizing her initial performance.

Bey added in the film that she was proud of Blue Ivy for training harder for future appearances rather than giving up. That pride (and good advice) clearly soaked in, because Blue was featured alongside her mom in the recently revealed trailer for the upcoming Disney Lion King prequel, Mufasa. Mother (Nala) and daughter’s (Kiara) voices will appear alongside Aaron Pierre, Kelvin Harrison, Jr., John Kani, Seth Rogen, Billy Eichner, Mads Mikkelsen and Thandiwe Newton in the film.

Listen to the episode here (Blue Ivy bit begins at 39-minute mark).

Music industry legend and Motown Records founder Berry Gordy Jr. has pledged $5 million to establish The UCLA Berry Gordy Music Industry Center. The center  — launched in affiliation with The UCLA Herb Alpert School of Music — will open during the 2024/2025 academic year.

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“I’m thrilled to create a center that provides opportunities for students at UCLA to prepare for careers in the music industry,” said Gordy in a news release. “Music is powerful, inspiring, universal, crossing over political, cultural, social and economic barriers.  It reaches ALL people and has been the guiding force in my life. These students will be the future innovators, artists, and executives that will lead us through the twenty-first century.”

“This center will position The UCLA Herb Alpert School of Music to become the leading music industry program in the world,” stated Eileen Strempel, inaugural dean of the school of music. “It will help empower us to recruit and attract the best faculty and students, and to conduct research in cutting-edge fields. Thanks to Mr. Gordy’s gift, our program will be the leading force in shaping the twenty-first century music industry.”

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Dedicated to expanding Gordy’s legacy of teaching and mentoring, the center will support the development of new courses and offer a specialized curriculum in songwriting and production. To further raise awareness about careers in the music industry, the center will provide funding to create partnerships with primary and secondary schools. It will also sponsor research for explorations into technology, streaming algorithms and social justice.

“Berry Gordy is an American treasure,” said fellow music industry veteran Michael Ostin who is also a member of the dean’s advisory board. “What he created at Motown was truly remarkable as he combined creative and business acumen in a way that it had never been done before. He represents everything we want to embody in our music industry program. He is also known for his generosity. It is no surprise that Berry would make such a benevolent and transformative gift to help educate and train our next generation of industry leaders.”

Under Gordy’s direction, Motown Records became one of the music industry’s most successful and influential independent record companies. Its legendary roster of hitmakers includes Smokey Robinson, The Miracles, Diana Ross, The Supremes, The Temptations, Marvin Gaye, Michael Jackson and The Jackson Five, among a host of others. 

“I’ve always known Berry as generous and gracious,” commented Robinson. “At the start of my career, I benefitted from Berry’s mentorship. He was always a teacher at heart. What I love about this center is that it is guided by his philosophy that truly great music comes from nurturing young talent and getting them to think holistically about their art and their careers.”

Drake is embracing Metro Boomin’s “BBL Drizzy” diss. The 6 God flipped the troll against Metro and rapped over the soulful production during his guest appearance on Sexyy Red’s “U My Everything.”

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The Tay Keith-produced Drizzy and Sexyy collaboration arrived as part of the St. Louis native’s surprise In Sexyy We Trust project on Friday (May 24).

The OVO boss lists off some of his favorite tropical getaways before leaning into the BBL Drizzy nickname and running with the persona since he’s paying for girls’ surgery enhancements, but doesn’t want Sexyy to cave to the trend.

Trending on Billboard

“Me and the surgeon got history/ I changed a lot of girls’ lives for real/ They need a new body, they hittin’ me, ayy/ BBL Drizzy, they want a new body, they ask me for it/ The last one, Jung, he did it for free ’cause I sent over so many past ones for him/ But Red, don’t even worry about all of that shit/ Just keep it natural for ’em, I swear,” he raps.

Fans seemed to salute Drake for embracing the “BBL Drizzy” diss — which features an AI sample crafted by comedian King Willonius — and lent their stamp of approval for what he did to the comedic beat.

“Flipping BBL Drizzy into him rapping about paying for BBL’s is something even Metro will laugh at,” one person wrote to X.

“U My Everything” serves as Drake’s first offering since the dust settled on the explosive rap war between the 6 God and Kendrick Lamar earlier in May.

Sexyy Red’s 14-track In Sexyy We Trust landed on streaming services on Friday (May 24) with frequent collaborator Tay Keith serving in the role of executive producer. “We got a genuine brother-sister relationship. I f— with her heavy,” Keith told Billboard of his relationship with Big Sexyy in April. “We just continue to keep it going. Every time we get in the studio we make a hit.”

Drizzy and Sexyy Red previously connected on For All The Dogs standout “Rich Baby Daddy” with SZA. Outside of Drake’s assist, other features on the project include Mike Will Made-it, Lil Baby and more.

Listen to “U My Everything” below.

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New York’s Cash Cobain continues his impressive hot streak with a new version of his song “Dunk Contest.” Renamed “Grippy,” this new song serves as somewhat of a remix and features J. Cole, making for an unexpected pairing. Cole starts things off rapping about a shorty he put in his phone as Grippy, rapping, “She […]

PinkPantheress wants fans to “Turn It Up” just in time for the summer. The British pop star dropped off her first single of 2024 with the starry “Turn It Up” on Friday (May 24). Explore Explore See latest videos, charts and news See latest videos, charts and news Sampling the keys from Selena’s crown jewel […]