R&B/Hip-Hop
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Yesterday (Sept. 4), Lil Wayne posted a clip on Instagram of himself in the studio and confirmed that he’s done working on the latest installment of Tha Carter series.
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“I’m in the studio as usual,” he said as he sat near the boards as he enjoyed a nice cup of coffee. “Just finished working on a couple of features. I would tell y’all who it is, but you know I wouldn’t do that and f—k it up. Shout out to those artists…family. Just wanted to say, ‘Good morning, and how the f—k are you doing?’ If you’re not up, you’re down. And if you’re down, I’m here to pick you up.” He then added, “And I’m working on Carter VI. I just want you to know that, I just never finished. I’m lying, I’m working on Carter 26. I think you already know that.”
In 2023, the New Orleans rapper dropped the mixtape Tha Fix Before That VI (Bonus) featuring Jon Batiste, Euro, Cool & Dre, Fousheé, TheNightAftr, and DMX and he and 2 Chainz released Welcome 2 Collegrove, the follow-up to their 2016 collab album ColleGrove.
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While he hasn’t released a full-length project yet this year, the Young Money boss has been active feature-wise. He appeared on French Montana‘s “Splash Brothers” alongside Rick Ross, Flau’jae‘s “Came Out A Beast,” DJ Premier‘s “Ya Don’t Stop” with Ross again and Big Sean, and he was featured on Ye and Ty Dolla $ign‘s Vultures 2 song “Lifestyle.”
He also announced the 7th Annual Lil Weezyana Fest where the long-awaited Hot Boys reunion is supposed to be happening. “Lil Wayne embodies the spirit of New Orleans, and Lil Weezyana Fest is a stellar showcase of the city’s dynamic and flourishing music scene,” Live Nation Urban said in a press release. “Live Nation Urban celebrates this amazing event and is proud to continue to partner and cultivate the growth of this festival for years to come.”
Mannie Fresh and Rob49 are also going to make appearances, along with special surprise guests. Lil Weezyana Fest is set for Nov. 2 at the Smoothie King Center in New Orleans.
After the news of Rich Homie Quan’s sudden death on Thursday (Sept. 5), the rap world is in mourning. Jacquees and Boosie Badazz were the first artists to pay their respects to the Atlanta rapper on social media. “Rest in Peace my brother Rich Homie Quan. I love you for Life. #Richgang,” tweeted the R&B […]
Rich Homie Quan — born Dequantes Lamar — reportedly died Thursday (Sept. 5) at 34 years old. The cause of the Atlanta rapper’s death remains unknown.
TMZ first confirmed the news, citing family and the Fulton County Morgue, and Rolling Stone confirmed with a family member. Billboard has reached out to Quan’s manager and the Fulton County Morgue for confirmation.
Before the news reports, though, an abundance of artists paid tribute to Quan on social media, with Boosie Badazz, Jacquees and more sending their condolences to the “Type of Way” rapper.
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Boosie was one of the first to deliver the news on X. “JUST GOT WORD @RichHomieQuan JUST [DIED]. JUST TALK TO WUAN THE OTHER DAY,” he wrote. “JUST TALKED TO YOU BRA #tipQUAN Never go forget yo smile n the way talked n of course yo music.”
Jacquees, who has been a close collaborator of Rich Homie Quan’s for the last decade, wrote on X: “Rest in peace my brother Rich Homie Quan. I Love you for life. #Richgang,” he shared alongside a photo with Quan.
Fellow ATLien Playboi Carti also posted clips and photos to his Instagram Story on Thursday of Quan and Young Thug.
Quavo added in photos of the Migos with RHQ and Thugger to his IG Story and emotionally wrote in tribute to his late nephew TakeOff and Quan: “May god be with US never saw this as part of our journey.”
Rich Homie Quan emerged alongside Young Thug as part of a tidal wave that cemented Atlanta as the rap capital of the world in the mid-2010s. He made a splash with his debut on the charts in 2013 when his “Type of Way” anthem peaked at No. 12 on the Billboard Hot 100.
Quan netted a pair of top 20 Hot 100 wins with his assists on platinum records like YG’s “My Hitta” (No. 19) featuring Jeezy and Rich Gang’s ubiquitous “Lifestyle” (No. 16) with Thugger, which has earned 926.8 million on-demand official U.S. streams, according to Luminate.
RHQ earned his solo peak on the Hot 100 with “Flex (Ooh, Ooh, Ooh).” The smooth Nitti-produced banger hit No. 12 on the chart in July 2015 and has accumulated 608 million on-demand official U.S. streams, per Luminate.
Quan returned to the Hot R&B/Hip-Hop Songs chart this week thanks to his guest appearance on Travis Scott’s “Mamacita,” which hit No. 26 after being re-released to streaming for the first time in celebration of the 10th anniversary of La Flame’s 2014 Days Before Rodeo mixtape.
Motown Records came calling and inked Rich Homie Quan to a deal in 2017, where he released his Back to the Basics mixtape (No. 84 Billboard 200) and followed up with his Rich As in Spirit debut album (No. 32 Billboard 200) in 2018.
To date, according to Luminate, Quan’s catalog has compiled 3.34 billion on-demand official U.S. streams. More recently, he independently released singles such as “Ah’chi” with 2 Chainz and “Authentic” earlier in 2024. His last project came with Family & Mula – Reloaded in 2022 via Rich Homie Entertainment.
Jack Harlow recruited RHQ to perform at his debut Gazebo Festival, where he took the stage in Louisville back in May.
Find more tributes to Quan below.
JUST TALKED TO YOU BRA 😓 #tipQUAN Never go forget yo smile n the way talked n of course yo music 💯— Boosie BadAzz (@BOOSIEOFFICIAL) September 5, 2024
WE GOT SOME GOOD ASS MEMORIES TOGETHER N THAT GO ALWAYS BRING A SMILE TO MY FACE #restupquan WE WAS COOKING UP SOME SHIT TOO 🤘🏾— Boosie BadAzz (@BOOSIEOFFICIAL) September 5, 2024
Drake continues to let streamers premiere and preview new songs to their vast audience, a practice he’s been using since leaking the diss record “Push Ups” through DJ Akademiks. This time around, he let Adin Ross play a new song with Chicago rapper Lil Durk called “Discontinuing Wockhardt,” named after the Indian pharmaceutical company known […]
Megan Thee Stallion is wearing the crown as the queen gladiator and ruler of the Hotties kingdom. She stars in Pepsi’s Make Your Gameday Epic campaign, which plays out as more of a star-studded music video for her take on Queen‘s hit “We Will Rock You” than a commercial featuring some NFL titans.
The blockbuster ad arrived on Thursday (Sept. 5) with the NFL season set to kick off as Empress Meg is joined by football stars such as Travis Kelce, Josh Allen, Justin Jefferson and Derrick Henry.
“Silence! Open the gates,” Meg instructs to start the Gladiator-themed battles, as NFL stars tussle in the colosseum with tigers. Once the opposition is defeated, Thee Stallion heads down to greet the football warriors and cracks open a cold Pepsi. “Let game day begin,” she shouts.
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In addition to ruling the empire, Megan also provides the soundtrack with a remix to Queen’s legendary anthem, as the Houston Hottie puts her own rap spin on the iconic 1977 rock track.
“I don’t let haters stop me/ I do my big one every time because I know they watching/ I’m the one to beat, make ’em get on they feet/ I’m the one that got your best fighter losing sleep,” she raps. The full motivational “We Will Rock You (Megan Thee Stallion Version)” is now available on all major DSPs.
Sports fans will open the gates on their NFL fandom on Thursday night (Sept. 5) with the 2024 season kicking off in style with the defending Super Bowl champions the Kansas City Chiefs (for whom Kelce is the tight end) facing off against Lamar Jackson and the Baltimore Ravens at 8 p.m. ET on NBC.
It’s been a banner year for Megan Thee Stallion. From earning another No. 1 Billboard Hot 100 hit with “Hiss” to releasing her Megan album and launching a successful arena tour, 2024 has been good to the Hotties.
Meg detailed how “proud” she is of her abundance of lucrative partnerships and brand deals outside of music in her cover story with Billboard. “Everything I do is personal to me,” she said. “I put 100% into my partnerships, and I’m always so grateful when people want to step into my world. When I see a brand I f–k with and they want to come into the Hot Girl World, I’m like, ‘Thank you, this makes sense. I love that you’re recognizing me as much as I was already recognizing you.’”
Watch the commercial starring Megan Thee Stallion and Travis Kelce above, and listen to her “We Will Rock You” remix below.
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According to 50 Cent, marriage is good for thee, but not for he. The hip-hop mogul sat down with Stephen Colbert on The Late Show on Wednesday night (Sept. 4) to chop it up about his happily unwedded lifestyle, as well as doubling down on a vow of celibacy he claimed has allowed him to stay super-focused.
“Listen, when you calm down you can focus,” 50 said after Colbert read a recent magazine headline touting the near-billionaire’s sex-free lifestyle. “I’ve been good to me.” Colbert wondered what the money was for then if not to share with the love of his life, with 50 (born Curtin Jackson) explaining, “[Money is] when things start getting complicated, things start getting confusing, ‘cause people come in for different reasons.”
When Colbert asked the father of two if he’d ever been married, 50 snapped back with, “I’m safe. I’m not a happy hostage. I’m here. I’m free. I made some mistakes, just not that one.” Colbert, who often touts his endless love for his wife of 31 years, Evie, pivoted to asking what the life of an unmarried man is like, after explaining that his typically begins with the Wordle.
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50 said he goes to the gym or works out at home, while trying not to brag as he casually mentioned that he typically grabs 105-pound dumbbells. Colbert sweetly suggested that Curtis’ solitary lifestyle sounds, well, lonely. “I want you to have someone you can love in your life, Curtis,” Colbert said.
“I want someone I can love in my life too, just not right now, I’m fine,” 50 assured him.
Colbert also put up an adorable pic of 50 Cent chilling with his 12-year-old son, Sire Jackson, on the little man’s birthday this weekend. “What’s it like do you think to have 50 Cent as a dad?” Colbert wondered. “Great,” the rapper said with a wide smile, describing a special dinner at a steakhouse he had for his son that included a pop-in from Dr. Dre, which in typical tween fashion did not impress Sire as much as 50 thought it might.
The interview also featured 50 running down what the audience was like in Almaty, Kazakhstan when he performed there for the first time on his Final Lap tour last year. “They don’t know I’m not Michael Jackson… it was so cool. It was unbelievable,” 50 said, recalling how fans chased his car as if he was actually the late King of Pop.
Multi-hyphenate 50 was ostensibly in the house to promote his debut novel, The Accomplice, which the “In Da Club” MC said he essentially dictated to writer Aaron Philip Clark based on a rough outline he came up with. And, 50 being multimedia mogul 50, he said he’s already in talks with some TV networks about adopting the story about the first Black Texas Ranger on the hunt for master criminal Desmond Bell.
Watch 50 on The Late Show below.
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When Usher calls, you pick up. The pop and R&B deity ran into trouble just over a week out from his Super Bowl LVIII Halftime Show performance in Las Vegas when it came to the footwear portion of his Off-White glittery jumpsuit.
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Enter Dominic “The Shoe Surgeon” Ciambrone. The custom sneaker design savant has rose to prominence over the last decade as one of the most prolific cobblers in the world. Connected through mutual friend Lil Jon, Ciambrone was originally working with Usher on designing his deconstructed sneaker roller skates before the chaos ensued.
About a week before having to take the Allegiant Stadium stage on Feb. 11, Usher found out Jordan Brand wouldn’t be able to deliver the custom chrome Jordan 4s he was looking for, so the hitmaker turned to The Shoe Surgeon to work his magic in time for the Big Game.
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“I’m like, ‘Yeah, easy,’” he recalls in conversation with Billboard on Zoom. “[Jordan Brand] made it at a time they didn’t make a whole pair, and it was Chinese New Year so everything was closed and they couldn’t get it done. I think we had a week to do everything — and that shoe was incredibly difficult.”
Ciambrone continued: “The chrome material needed to shine so bright, and we remade that pair of shoes 20 times. We finished Saturday night before Super Bowl, and a friend of mine drove it from L.A. to Vegas straight to me.”
The Shoe Surgeon and his team worked overtime at his 20,000 square-foot L.A. studios finding the right chrome materials to match the proper Jordan 4 sole, while replacing the signature heel Jordan Jumpman with a bedazzled “U” for the man of the hour in Sin City.
Ciambrone handcuffed himself to the precious cargo’s carrying case while transporting the kicks to personally deliver them on game day to Usher himself hours before kickoff. After seeing his blood, sweat and tears in the form of the chrome 4’s on the Allegiant Stadium field, that’s when everything hit him at once.
“I was crying,” he admits. “It was a beautiful moment for me and my team, because we work so hard on these projects. I don’t think people understand how difficult this is.”
It was also a full-circle moment for Ciambrone, whose prom suit inspiration came from Lil Jon’s “Yeah!” video camouflage outfit. Find the rest of our interview with The Shoe Surgeon below, where he details the entire story of collaborating with Usher at the Super Bowl, teaming up with Drake and other projects he’s currently working on.
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The first time Shoe Surgeon was on my radar was the Nike “Misplaced Checks” with John Geiger almost a decade ago.
I kept hitting [Geiger] up, and finally he was like, “I got three shoes I want to do.” He’s like, “Yo, I want a Gucci swoosh on the wheat Air Force Ones and swooshes all over my Air Force Ones.” I cut a bunch of colors and put them on, and he wore it to Agenda. Nice Kicks hit him up, “You should release those.” He hit me up, “Can we release those?” I was doing everything by myself out of a garage, so I was like, “Hell no!” Then I was like, “Let’s try it.” Then we kept doing it and it shifted customs and releases.
Take me back to saving the Super Bowl Halftime Show for Usher, with the Air Jordan 4 you made for him.
I had become friends with Lil Jon over the years and he’s been a client for a while. I hit him up and he was like, “I’m in Vegas because I’m gonna be in the Super Bowl show.” This was weeks before the [game]. I was like, “Hit Usher and I can do his whole outfit.” He put me in touch and Usher was like, “Yo, I’m in L.A. I want to come by.” I have two 20,000 square-foot studios. One has a full basketball court and a bar and there was a class going on. He was blown away, like, “You could do more.” He was hyped and we talked about his skates.
Off-White was already doing his outfit. We kept designing stuff back and forth, and he was so busy preparing for the show it was hard to get information out of him. I was sending designs blindly.
A week before, he hits me up, “What are we doing?” I was like, “You tell me.” He was like, “Could you remake this?” And sent me a photo of the silver Jordan 4.
While we’re making that shoe, we’re making the skates. Finding the material was hard. We made it so many times, and it was coming out wrinkled. I think that’s also why it feels like they didn’t want to make that shoe. Even if they’re Air Force 1s, that material creases really easy. The material is so iconic. The team was working late to get it done, making it over and over. It was getting stressful, because he was like, “Did you get it done?” We’re like, “We’re gonna bring it.”
It got delivered the morning of Super Bowl at 3:00 a.m., and as soon as we woke up, we went straight to the Super Bowl, and I had it handcuffed to my wrist. We figured out a way to walk straight in — which is very tough to do. We walked straight back to Usher and gave him the shoes and saved the moment. It was a blessing. Lil Jon and Usher inspired me my senior year of high school, when I made a camouflage prom tux based off of Lil Jon’s camo tux in the “Yeah!” video.
What was the feeling when you finally finished and what did he say when you delivered them?
It was amazing. Once you saw the halftime show, that’s when it all came up for me. There’s no money to be made with how much time and material we spent, and how many times we made the shoe — that costs us a lot of money. But to see him perform in them after, I could’ve left the Super Bowl at that point. I’m done.
Have you guys been in contact since?
We been working on a few other things. We talked to Reggie Saunders at Jordan Brand, and they thanked us for getting it done. For us, it’s being able to create something quickly to help the brands capture those moments. There’s a lot of times where they can’t get things done.
Was it weird to connect a roller blade bottom to a sneaker sole and making it work?
It was different, because it was a super hightop skate, and we haven’t done that yet — but we’ve done so many football cleats, soccer cleats and all types of stuff. We also made George Kittle’s cleats that he played in at [the Super Bowl]. We did a gold-and-tan Chunky Dunks, but a Jordan 1 version.
Was this the most gratifying experience for you?
It was one of the first moments — I’ve been working on my emotional intelligence and allowing myself to feel these moments. Everything at an early stage in my career was numb to me. Allowing myself to feel those emotions and cry was really good to feel. It was gratifying, but I wouldn’t say most challenging.
Do you take a loss to make the kicks?
For me, it’s worth it. It’s about creating something going above and beyond. So many people would’ve said no. We wanted to get it done, at the best quality possible. We bought multiple pairs of Jordan 4s to redo the sole. There are so many details we had to get right. I wouldn’t even know the math of the actual cost of this to do.
What was the toughest part of this?
The chrome material is definitely the toughest part. Then it was the logo on the back. We made it slightly different than Jordan Brand did, based on time constraints. You couldn’t even tell. There’s so many details — but that chrome material is very unforgiving, especially when you make it by hand.
What are some projects you’re working on? I saw you working with [tennis star] Frances Tiafoe.
This was a lifestyle shoe. I think there’s still a lot to be done in the tennis space. I think Frances Tiafoe is doing a lot for the game in growing it. I believe all sports need to evolve. Whether [or not] it’s Frances, I think there’s a big opportunity to do their shoes.
What are some great stories on the rapper side that come to mind? I’ve seen you work with Drake, Fat Joe, Nelly and more.
I have a cool story with Drake. This was about four years ago, and I saw he was really into Stone Island. He was with Jordan Brand, so he had his own OVO Jordan 12. I was like, “Let me create a Jordan Brand x Stone Island x OVO Jordan 12.” I did it based on how I saw it. We made one — a blue one, because I loved how blue looked with Stone Island material. The shoe is sick, because we used the collar from the jacket into the ankle collar of your foot. Nobody asked me to do it. And it went viral. Then Drake hit me up and he was like, “Yo, I need Black!” I’m like, “Of course, I got you.” I find some Black denim from Stone Island and nylon and I make the shoe.
They hit me up saying they were in town and asked me to go to Dave Chappelle’s show at the Peppermint Club. I pull up to Peppermint Club and nobody’s outside. I pull up with the box and I got to the front and there’s a guy working the front. I’m just like, “I’m here to deliver some shoes for Drake.” They’re like, “I don’t know what you’re talking about.” I’m walking back to my car because I valeted it, and Drake’s security walks from the back like, “I know who you are. Come with me.”
I walk through the back door with Drake’s security and hand-delivered the shoes to Drake. Everyone takes their phones at Dave Chappelle’s shows, and I’m in there videotaping everything and everyone’s looking at me like I’m not supposed to. I’m like, “Why is the security looking at me?” Oh, because my phone’s out. It was a funny experience. Drake was like, “You want a drink?” I was so nervous at that time I’m like, “I don’t drink.” Because at the time, I wasn’t drinking. He got on stage with Dave Chappelle and it was a fun night. It was a cool Drake experience to have.
Any NFL players you’re working with for this season on their cleats?
Working with Justin Jefferson, always Odell [Beckham Jr.], George Kittle. Recently, George called out the staff for wearing crappy shoes, and I was like, “Let’s fix that problem.” I do all of Jake Paul’s outfits and boots, but I’m working on getting Mike Tyson. Personally, [I’m] working on some music as a creative outlet for me. Getting into different art forms to express myself.
What do you think is the biggest difference in sneaker culture now compared to 10 years ago?
That’s a huge jump, because right now, it’s messed up. 10 years ago would be close to Misplaced Checks. Around that time is when customs started becoming more cool and shoes were at the peak still and getting hotter. Now I think it’s super oversaturated. Whether that’s for resale or just too many of them. It’s kind of boring and tired. Most kids want the Travis Scott lows. There’s gonna be a big shift and it’s already happening.
When you brought up that question, I’m thinking of the Cali Dunks. I remember going to a skate shop to get these Cali Dunks. That was the peak of it, because a lot of people didn’t know what they were, but it was hard to get. I remember having those and none of my friends had them. Everyone had the Jordans and Iversons, but nobody had the skate Dunks like I did.
Cardi B has fired back at detractors who have been critical of her when it comes to labeling herself as a light-skinned woman. The Grammy-winning rapper got into a heated debate with fans on X earlier this week over the “light skin” label being used for people who are not Black, as she pointed out Dominicans have all different shades of people.
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“Dominicans are so diverse when it comes to skin color Dark, brown, tan, light, white,” she wrote on Wednesday (Sept. 4) in a series of tweets captured by Complex. “So what am I supposed to say when I’m describing my complexion….I’m Dominican skin?”
Cardi clapped back at another user: “What you saying is automatically invalid. The fact you use whites… WHITES IS A COLOR AND A RACE.. DOMINICANS ARE A NATIONALITY WITH PEOPLE that are different COLORS AND SHADES.. NOT A RACE.. Get your glitter hole out of here wit this fake rule you just came up wit.”
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She then brought out her dictionary and looked up the definition of “light skinned” and posted it in a since-deleted tweet. “The term light skin is adjective to describe skin complexion… it is not exclusvie to a single race,” Cardi continued. “I guess Jamaicans, Haitians and West Indians can’t say they got brown skin, light skin or dark skin because just like Dominicans they are also a nationality.. now move JAWS.”
Cardi B’s skin has been a topic of conversation in recent weeks as she faced allegations of bleaching, which she quickly shut down on X. She explained that her pregnancy has her just looking more pale than usual.
“Bleaching while pregnant?” Cardi asked. “Why must yall be so dumb? Actually NO! I’m pregnant I’m slightly anemic, this baby suckin all the energy off my body to the point I’m pale, eyes sunken, veins green ASF, can’t tan under the sun cause I get hot super fast and dizzy …. PLEASE STOP THINKIN WITH YOUR A–HOLE!”
Bleaching while pregnant 😒😒😒? Why must yall be so dumb ? Actually NO ! I’m pregnant I’m slightly anemic ,this baby suckin all the energy off my body to the point I’m pale,eyes sunken ,veins green ASF,can’t tan under the sun cause I get hot super fast and dizzy ….PLEAE STOP… https://t.co/S4IVLZ4WAv— Cardi B (@iamcardib) August 21, 2024
Cardi is currently working in the studio on her long-awaited sophomore album. She has continued to tease the LP and even recently joked about it, laughingly comparing the studio to “Atlantic Records Correctional Facilities.”
It’s been more than six years since Invasion of Privacy‘s April 2018 release. The LP debuted atop the Billboard 200 and every song on the project is at least certified platinum.
Travis Scott rounds up his fourth consecutive No. 1 project on Billboard’s Top R&B/Hip-Hop Albums chart as Days Before Rodeo debuts atop the list dated Sept. 7. The mixtape, which received its first commercial and wide streaming release for its 10th anniversary, opens with 361,000 equivalent album units earned in the U.S. in the tracking week of Aug. 23-29, according to Luminate.
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Of Days Before Rodeo’s starting total, 331,000 units come through album sales, giving the mixtape the best sales week for any R&B/hip-hop title (either that has appeared on or is eligible for Top R&B/Hip-Hop Albums) in more than seven years, since Kendrick Lamar’s Damn. sold 353,000 copies in its debut week of April 14-20, 2017. It also rewriters Scott’s personal best sales week for an album, eclipsing Astroworld, which opened with 270,000 copies in 2018.
The sales avalanche was aided by eight different editions of the Days Before Rodeo digital album, six of which were exclusively sold through Scott’s official webstore. Besides the standard 12-song version, the seven variants contained assorted bonus tracks, such as previously unreleased and teased studio cuts and chopped and screwed remixes of the album’s songs. All variants sold via Scott’s webstore were priced at $4.99, while versions available in the iTunes Store were also available for $4.99 at the end of the tracking week.
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Thanks to its six-figure arrival, Days Before Rodeo launches at No. 1 on the Top Album Sales chart.
Streaming activity contributes 30,000 units to Days Before Rodeo’s first-week sum, which represents 40.6 million official on-demand streams of the 12 songs on the album’s streaming edition. Track-equivalent albums comprise a negligible amount of activity.
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With Days Before Rodeo, Scott lands his fourth straight chart-topper on Top R&B/Hip-Hop Albums. The streak began with 2016’s Birds in the Trap Sing McKnight, a one-week leader, and continued with ASTROWORLD (five weeks, 2018) and Utopia (seven weeks, 2023). Of his five appearances, only Rodeo missed the top spot – debuting and peaking at No. 2 in 2015.
Days Before Rodeo was first released as a free mixtape on Aug. 18, 2014, and the 12-track set received its first commercial and official streaming release for its 10th anniversary, on Aug. 23. The night before the release, Scott celebrated with a concert at The Masquerade in Atlanta, where he performed 10 of the project’s songs among other tracks.
Elsewhere, Days Before Rodeo begins at No. 1 on the Top Rap Albums chart, where it becomes Scott’s fifth champ – the entirety of his charting releases.
Seven Days Before Rodeo tracks reach the Hot R&B/Hip-Hop Songs chart, led by “Drugs You Should Try It” at No. 13. Here’s a full review of the cuts:
No. 13, “Drugs You Should Try It”
No. 26, “Mamacita,” featuring Young Thug & Rich Homie Quan
No. 28, “Skyfall,” featuring Young Thug
No. 36, “Days Before Rodeo: The Prayer”
No. 38, “Don’t Play,” featuring Big Sean + The 1975
No. 39, “Quintana Pt. 2”
No. 46, “Backyard”
Beyond his new additions, Scott appears on two more tunes on Hot R&B/Hip-Hop Songs this week: “Parking Lot,” his collaboration with Mustard, slides 21-23 after previously getting to a No. 17 best, while prior No. 2 hit “Type Shit” with Future, Metro Boomin and Playboi Carti slips 15-16.
In late May, Teezo Touchdown — clad in all-black leather, spiky silver nails piercing his shoulder pads — leaped across the stage of Los Angeles’ Fonda Theatre. As he performed his groovy 2023 song “Mood Swings,” he screeched helium-pitched “Wee!” ad-libs mid-air, and a vibrant flower bouquet encasing his microphone swung along with him.
“A night at Lil Yachty’s house” inspired his mic setup, Teezo says today as he periodically munches on a raw orange carrot that matches the couch he’s lounging on. Teezo and Yachty were marathoning Morrissey music videos, and the way the former Smiths frontman nonchalantly swung a bouquet of flowers in the “This Charming Man” video “really influenced” Teezo — so much so that the avant-garde 31-year-old rapper-meets-rock star eventually made it his own.
He has now whirled that microphone onstage at the country’s biggest arenas and stadiums, thanks to opening gigs for Tyler, The Creator in 2022 (after featuring on Tyler’s “RunItUp”) and Travis Scott in 2023 (after appearing on Scott’s UTOPIA track “Modern Jam”). “Being an opener is so hard,” Teezo admits — but he gained valuable perspective playing for early arrivers interested in the main act.
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“I’m like the doorman welcoming you into Tyler’s crib, Travis’ crib: ‘Can I grab you anything? He’ll be down shortly. But while you here, let me entertain you,’ ” he explains. That attitude has also informed Teezo’s recent guest appearances on tracks by artists including Drake, Doja Cat and Don Toliver — A-list collaborations that launched him onto the Billboard Hot 100 with “Amen,” from Drake’s 2023 album, For All the Dogs, marking Teezo’s highest-charting entry, at No. 15.
“Teezo is your favorite artist’s favorite artist,” says his manager, Amal Noor, who has worked with him since 2019. “He respects these artists’ careers, and to know that they love him creatively is an amazing feeling.”
Jean Paul Gaultier top, Diesel jeans, Athanasiou bracelet.
Ariel Fisher
Teezo Touchdown photographed on July 18, 2024 in Los Angeles. Vintage Jean Paul Gaultier top, Louis Vuitton belt and jeans, Prada shoes.
Ariel Fisher
Following his own first headlining tour last spring, which came on the heels of his 2023 debut album, How Do You Sleep at Night?, Billboard’s 2024 R&B/Hip-Hop Rookie of the Year is still coming to terms with his current level of stardom. “I can still go to Whole Foods and grab my six hard-boiled eggs or go to Paris and walk the streets, and no one bats an eye,” he says. “But on the other end, I’m on the biggest albums in the world, biggest tours.”
Long before he became Teezo Touchdown, the artist born Aaron Lashane Thomas followed in the footsteps of his father, a DJ and avid music collector, and started DJ’ing in the second grade, performing at friends’ parties, weddings and graduations in his hometown of Beaumont, Texas. “Every year, I would get something music-related for Christmas, but in seventh grade, I got this small box. There was a key inside to the studio that my dad had built for me upstairs,” he says. Teezo made his first song ever that day — and he still plays the piano riff at studios he visits “to call back to that kid on Christmas, like, ‘Look where you at right now.’ ”
Tragedy affected his trajectory early on. After his girlfriend was fatally shot in 2016, Teezo channeled his grief into his art, and in February 2019, he dropped the somber single “100 Drums,” which decried gun violence over a sample of Panic! at the Disco’s emo smash “I Write Sins Not Tragedies.” Chance the Rapper and Trippie Redd both noticed, and the latter flew him out to L.A. for the first time the following month. Noor noticed, too: After seeing a clip of the “100 Drums” music video on a meme page, she also reached out to Teezo.
While spending time at his childhood home afterward, Teezo stumbled upon his father’s toolbox. “Punks are usually spiky. My dad had nails around the crib, and I was like, ‘This is going to be my spike,’ ” he says. In March 2020, Teezo asked his best friend to braid the nails into his hair for the first time, for his “Strong Friend” music video. “I think I was meant to find [the nails],” Teezo says, adding that he has comfortably slept with them in his hair multiple times.
Ariel Fisher
His unorthodox image complemented his developing sound, which he now describes as “R&B with the boom of rock.” He didn’t think he could meld those genres until he saw the Afropunk festival’s Instagram post about Black rock band Living Colour and his producers, Brendan Grieve and Hoskins, played him a mashup of Craig David and metalcore band Killswitch Engage.
How Do You Sleep at Night? (released last September on Not Fit for Society/RCA Records) showcases Teezo’s genre-defying talents — from the garage punk-meets-R&B anthem “Too Easy” to the guitar-driven indie-rock jam “Impossible.” It failed to crack the Billboard 200, but Teezo only cares about the numbers for one reason: “I’m so obsessed with numbers because I just want to make my team proud. I’m proud because I’m making music and one person knows who I am.”
Drake called How Do You Sleep at Night? “some of the best music ever” when Teezo played it for him a month early. But ironically, Teezo’s profile expanded even further when Kendrick Lamar name-dropped him in the opening lines of his Hot 100 No. 1 Drake dis track, “Not Like Us” (“Nail a n—a to the cross/He walk around like Teezo”). Having just started his own tour (a “little bubble” filled with “loving fans”) at the time, “I made a decision that I wasn’t going to listen to any of the back-and-forth,” says Teezo, who claims to have somehow avoided listening to the inescapable “Not Like Us” in its entirety. “I’m seeing a mob mentality, and I don’t like division. Sorry I’m so kumbaya, but it’s all love over here.” The simple fact that both Drake and Lamar “know who I am… it’s still one of those moments where you have to pinch yourself. The kid in Beaumont, I’m pretty sure he’s jumping through the roof right now.”
Vintage Jean Paul Gaultier top, Louis Vuitton belt and jeans, Prada shoes.
Ariel Fisher
Vintage Jean Paul Gaultier top.
Ariel Fisher
Come October, Teezo will hit the road again on Don Toliver’s North American arena tour — an opportunity he initially hesitated to take because he wanted to focus on making his next album. But “[Don] was like, ‘Teezy, I’m telling you. If you know you got a tour coming up, it’s going to make you lock in.’ I needed a fire under me, and that was the fire.”
And it’s working: Teezo has already started on his next project. “The word that [we] keep bringing up is ‘undeniable.’ Everything that we’re making, is it undeniable?” he says. “If it’s not, put a red mark on it and let’s move on to the next.”
This story appears in the Aug. 31, 2024, issue of Billboard.