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“Oh, you wish you were my Levi’s jeans,” Beyoncé sings on the chorus of the Post Malone-assisted “Levii’s Jeans.” Little did fans know, they may soon have the chance to zip up the same denim as Bey.
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Levi’s teased a collaboration with Beyoncé is on the horizon on Monday (Sept. 23). The famed denim clothing company posted an image on Instagram featuring what appears to be Bey riding a horse, à la Cowboy Carter, while rocking a cowboy hat.
Levi’s tagged Beyoncé in the photo on social media, and added a caption to the post hinting at the next era: “INTRODUCING: A New Chapter.” The account also teased fans regarding the collaboration. “Let the countdown begin,” the bio reads.
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“COWBOY CARTER WORLD TOUR SPONSORED BY LEVIIS,” one fan guessed on the Instagram post, while another is ready to hit the checkout button, writing, “sighs and pull out credit card.”
Others’ pockets are feeling stretched. Commented another, “I don’t have no more money, Beyoncé!”
Billboard has reached out to reps for Bey and Levi’s for additional information.
This would mark the first official collab between Bey and Levi’s. Following “Levii’s Jeans” arrival in March, the brand enjoyed a spike in sales and the company’s CFO, Harmit Singh, gave Bey her flowers for the uptick thanks to her The-Dream-produced ode to the jean maker. “There’s no better person than [Beyoncé], who we call the center of culture,” he said in April.
From the floor of the New York Stock Exchange, @LEVIS CFO boasts their recent uptick in impressions, customer traffic, revenue, and stock price since the release of Beyonce’s song “LEVII’S JEANS” on #COWBOYCARTER: “There’s no better person than [Beyoncé], who we call the center… pic.twitter.com/pahJT59aPZ— BEYONCÉ LEGION 𐚁 (@BeyLegion) April 9, 2024
Cowboy Carter debuted at No. 1 on the Billboard 200 earlier in 2024 with 407,000 total album-equivalent units. With the feat, Beyoncé became the first woman to debut her first eight albums at the chart’s apex.
The last week of September is proving to be a busy one for Beyoncé. She stunned in three different looks as part of a new promo video for her SirDavis American Whisky brand, which is cued to Betty Davis’ 1974 soul funk classic “They Say I’m Different.”
See Levi’s Beyoncé teaser post below.
Nicki Minaj is giving Eve her flowers. The Young Money rapper penned a heartfelt message to the Ruff Ryders’ first lady on Sunday (Sept. 22) for being a “trendsetter” and the “groundbreaking” level of “emotional and spiritual maturity” she displayed throughout her career.
Eve has been on a press tour in support of her Who’s That Girl? memoir, and she revealed that she joined therapy after finding out that Minaj was joining the Barbershop: The Next Cut cast in 2016, which seemingly prompted a response from the Barbz leader.
“Dear Eve, The various things you’ve shared recently, are groundbreaking (in my opinion) for so many reasons,” she began in her message posted to X. “First, thank you. The level of grace; the level of emotional & spiritual maturity it takes to be this vulnerable & transparent is a sign of TRUE peace, happiness, fulfillment, & mastery of self. Self reflection @ its height. I always say that I think accountability is the sexiest trait a person can have. I was one of the kids in NY watching Ruff Ryderz on TV.” ”
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Nicki reflected: “I DEFINITELY remember how when you took the game by storm, that there were some ppl who couldn’t hide their insecurities. Even tho it’s swept under the rug now, I remember that you handled it with grace but ALSO a big sprinkle of unapologetic TALENT & charisma. You soared & soared. Classic music w/the illest team, to the BIG SCREEN. And made it look easy, too. Trendsetter. The Eve blonde short cut, the Eve paw print tats on the chest…”
While they never released music together, the Queens artist recalled being on set with Eve for Barbershop and how they bonded amid women typically feeling the pressure to compete against one another. Eve later called Nicki a “good addition to the cast” during an interview with Larry King in 2016.
“I was so nervous coming onto that movie set every day,” Nicki added in her tweet. “You looked like a pro & I admired that so much. Thank you for trying to not do to me what was done to you. Women feel so much pressure to compete & it’s a shame b/c we usually have so much in common & could rlly benefit from one another just as human beings. We all share so many of the same experiences as artists, wives, moms, ups & downs, anxiety, etc. I remember telling a friend of mine that I didn’t think you liked me after our first day on set together.”
Minaj continued: “But you know something crazy? I swear. I KNEW that YOU could tell deep down inside that I really liked YOU. So you went easy on me. lol Loved the way the movie turned out. Blessings to you & your beautiful family. Congratulations on your new book as well as all your many accomplishments in Hip Hop & Film & TV. P.S. you STILL looK sooooo pretty.”
Eve’s Who’s That Girl? with Kathy Iandoli arrived earlier in September. The rapper’s memoir explores the depths of her decorated career and it previously made headlines when she recalled a phone call from Jay-Z where he tried to temper expectations when it came to Eve’s 1999 debut LP. However, Let There Be Eve…Ruff Ryders’ First Lady went on to top the Billboard 200 with more than 200,000 total album units sold in the first week.
As for Nicki, she’s trekking across North America for a second U.S. run of shows as part of the Pink Friday 2 World Tour. The rest of the month includes stops in San Diego, San Francisco and Las Vegas.
Nick Cannon, the Wild ‘N Out community and the city of Atlanta are all looking out for the family of Rich Homie Quan following the 33-year-old rapper’s death Sept. 5.
During the hip-hop comedy show’s recent tour stop through the Georgia capital Thursday (Sept. 19), the Masked Singer host brought a few of Quan’s family members on stage and presented them with $25,000, according to local news network WSB-TV. Fans of Wild ‘N Out, Cannon explained, had raised the first $10,000, which he then personally matched in full. The night’s venue, State Farm Arena, provided the final $5,000.
“That’s how much I love that dude,” Cannon said of the late Atlanta musician, who was born Dequantes Lamar. “We’ve got to support one another, because this is what community looks like.”
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Earlier in the night, the Drumline alum and his Wild ‘N Out castmates honored Lamar by performing a handful of Rich Homie Quan songs. The show came exactly two weeks after the “Flex” artist’s death sent the hip-hop world reeling, with Quavo, Playboi Carti, Jacquees and more artists posting condolences online following Lamar’s passing.
The cause of Lamar’s death has not yet been revealed. A memorial service was held for him Sept. 17 in South Fulton, Ga., near his hometown of Atlanta, where hundreds of people — including friends, family and industry peers such as Killer Mike and D.C. Young Fly — gathered to mourn the Rich Gang alum.
At one point, his father, Corey Lamar — who was also in attendance at Cannon’s Wild ‘N Out show two days later — shared some emotional remarks. “From the day I met Quan and I held him, my life changed,” he said. “I knew failure was not an option. But little did Quan know, he pushed me to be a dad, a role model and to be an example as what a man should be. Built upon integrity, morals and values.”
Watch Cannon present Rich Homie Quan’s family with $25,000 and honor the late rapper below.
Chow Lee is basking in the moment. Just a week shy of what was supposed to be the release date of his new album SEX DRIVE, he flashes a dimpled smile on a morning Zoom call before expressing his excitement: “I can’t wait to drop. I’m feigning to drop.”
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Although the 25-year-old Long Island native has recently ascended in the sexy drill wave he co-pioneered with Cash Cobain and Lonny Love, the newly released project SEX DRIVE marks his 12th album since 2018. After sample clearances delayed the album’s release date twice, he’s finally ready to introduce fans to his most versatile ensemble yet.
Like most Gen Z artists, the majority of his references trace back to the early ’00s, when hip-hop and R&B fusions were re-defining both genres. He cites Drake and his OVO imprint as early inspiration when he began rapping nearly a decade ago in high school. He released a string of albums and mixtapes before linking up with the Bronx hitmaker Cash Cobain in 2020. Their instant creative chemistry led to the successful 2 Slizzy 2 Sexy mixtape two years later. They buffed the rough-around-the-edges drill markers with sultry R&B samples and lusty pillow talk on popular tracks like “JHOLIDAY,” and “VACANT.” Not as sensual as R&B, but not as gritty as New York and Chicago drill, sexy drill was born.
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“People were like, ‘Sexy drill? What is that?,’” he recalls.
Last year, he performed on Rolling Loud Miami’s main stage and was recruited to open up for Sexyy Red’s Hood’s Hottest Princess Tour and Lil Tecca’s HVN ON EARTH Tour. He also teased the project with back-to-back one-offs like the TikTok viral hit, “swag it!,” a catchy melodic track with punchy bass.
His horny escapades are at full throttle on SEX DRIVE. He penetrates the sexy drill sound with Jersey club pulses and experimental regional mashups. An unlikely crew of features from AJ Tracey, Anycia, Flo Milli, and Roy Woods takes listeners on a sonic journey from the U.K. to a tropical escape. He links back up with Cash Cobain on tracks like the Bay Swag-assisted “act bad twin!,” a dance mix undergirded by PARTYNEXTDOOR’s “Resentment.”
He’s here for a good time, not a long time on sinful tracks like “ms. beautiful v!” and “im not really spiritual!,” featuring U.K. drill vet AJ Tracey. He cruises on loverboy mode on “Tequila Vacay” featuring OVO signee Roy Woods, but reverts back to his old ways on the “Swag it” remix featuring Flo Milli. On “Get Back,” he enlists Atlanta’s newest “It Girl” Anycia whose relaxed delivery is juxtaposed by his retaliatory actions. “Ten times out of ten if you f–king my mans, I’m f–king your friend,” he declares over flirty piano riffs.
A sonic tale of a reckless slizzy summer, Lee’s new album embodies the “love, sex and drugs”-fueled ambitions of a young rapper on the rise. He builds on the heavily sampled sexy drill niche while underlining not-so-guilty pleasures. Right before he headed back to his new home in Miami to celebrate the release of SEX DRIVE, Lee spoke to Billboard about his collaboration with Cash Cobain, expanding his sexy drill sound, and what makes a slizzy summer.
Tracks from the 2 Slizzy 2 Sexy mixtape like “JHOLIDAY” and “VACANT” led up to the sexy drill sound you’re experimenting with on SEX DRIVE. What inspired sexy drill? Was it from the natural creative chemistry that you both share?
It’s really a little bit of both. It was kind of a natural part of our creative process. We talk about women and Cash is the mastermind behind the beats. I’ll give him a song to sample or he’ll sample something. He’ll type in YouTube and ask like, “Give me a song to sample?’’ Then, he’ll sample it. Shit, we’ll just rap on it. That’s really the creative process. And we kept doing that. And we also worked with artists like Lonny Love. He also helped us create sexy drill too. It was all three of us.
You’re definitely making a statement with SEX DRIVE and the cover art. What was the creative process behind the album’s cover art?
We wanted to make it sexy and still be on brand. It’s kind of a high school vibe with the letterman jacket and the cool car. We shot it in Cali and had to get that old school car. I had to go with the American muscle.
You team up with a variety of artists on this album. What was it like to bring together all these different sounds and meld it with your sexy drill signature?
It’s a blessing. It shows that everyone from different places can get on sexy drill. Like [AJ] Tracey is on there. He’s from the U.K. It’s a universal thing. It’s past New York at this point.
Speaking of sexy drill being universal, “swag it” took TikTok by storm and was everywhere. Can you talk about linking up with Flo Milli on the remix?
It was a movie. We shot the video and it was mad cool. She came and loved the song. She made a TikTok to it, so we reached out to her and asked if she wanted to get on the song. She did that s–t mad fast. She was willing to shoot the video so we shot it in L.A. She was a great person to work with. Hopefully I can get her on more stuff and we can drop again.
One of my favorite songs on the album is “tequila vacay!”. What was the idea behind that direction with Roy Woods?
I made that song probably like a year or two years ago. I had contacted him because he was following me. He was like, “Yo send me some s–t and I’ll send you something.” That was the first song that came to my mind ‘cause you know how Roy Woods gets. I was like, “I have to switch it up.” I sent him some s–t I thought he would be good on and he went crazy. I was like, ”Nah, I needed this for the album. They not gon’ expect that one.”
You also enlist collaborators like Cash Cobain, Sleepy Hollow and Bay Swag for a few tracks on the album. Why is it important to show the flexibility of the sexy drill sound?
When you think outside the box, you get better results. You’re not going to get far if you keep doing the same thing. I take my creative process very seriously, and fans are already saying it’s a classic before the album drops. That matters to me.
You’ve been on tour for the past year from performing at Rolling Loud in Miami last summer to opening for Sexyy Red’s tour. What is it like to bring the energy of your songs to the stage?
It’s a movie. You can go on stage and perform your songs, and people will like it and not really know it — but that means something. It’s not that hard to go on stage, you just have to bring that energy. The songs are already getting them lit. It can be a curse sometime, cause some people will be like, “Listen, we wanna see Sexyy Red. Get off stage already.”
Are there any standout songs for you? Any artists in particular who you just had to work with and you got them on the album?
Definitely Roy Woods and AJ Tracey. I always used to bump Roy Woods. I never got a chance to make a song with someone who can sing like that. Usually, I’m making songs with the guys or another rapper. I never got to do a song with someone who can sing. I wanna sing like that, but I can’t.
Take me through your songwriting process. When you’re getting ready to record, are you inspired by a night out or is this just coming off the dome?
It depends on the mood I’m in. I can think about a scenario and write about that and fabricate it or I can talk about something that actually happened with a girl. Or I can make some whole s–t up and write about it. I’ve watched enough movies. I may get drunk and freestyle and say some bulls–t.
How does SEX DRIVE embody a slizzy summer?
A slizzy summer is being outside. It’s a lifestyle. It’s catering to the women, having fun and being yourself. Not being a bozo while handling your business at the same time. SEX DRIVE is just…SEX DRIVE. Keep that sex drive up because we outside. I’m trying to keep it PG-13, but it speaks for itself.
Macklemore continued his support for the Palestinian people over the weekend when he dropped “Hind’s Hall 2,” the sequel to his May song of the same name whose proceeds are aimed at the United Nations Relief and Words Agency (UNRWA), which provides assistance to Palestinian refugees. He also shouted a provocative slogan calling out the United States during a hometown Seattle show on Saturday at the Palestine Will Live Forever Festival.
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The original song expressing solidarity with the Palestinian people has been updated with new vocals from Gaza-bred rapper MC Abdul, Palestinian-American singer Anees, author Amer Zahr the L.A. Palestinian Kids Choir, Tiffany Wilson and friends and the Lifted! Youth Gospel Choir. In the final verse, the rapper drops a caustic couplet taking aim at Israel’s nearly year-long war in Gaza sparked by the Oct. 7 raid by Hamas militants on Israel that resulted in the killing of more than 1,200 and the kidnapping of more than 250 men, women and children.
“Long live the resistance if there’s something to resist/ Had enough of you motherf–kers murdering little kids/ PC for a minute, I was tryna be a bridge,” the “Thrift Shop” MC raps before lashing out at Democratic presidential candidate and current VP Kamala Harris with a warning about potentially losing the large Arab-American/Muslim vote in Michigan if she continues to administration’s support for Israel.
“But there’ll never be freedom by pleading with Zionists/ World screaming Free Palestine/ We see the manual, we know how you colonized… Hey Kamala, I don’t know if you’re listening/ But stop sending money and weapons, or you ain’t winning in Michigan/ We uncommitted, and hell no we ain’t switching positions/ Because the whole world turned Palestinian,” he raps.
The song also features the antisemitic chant “from the river to the sea/ Palestine will be free,” a phrase the American Jewish Committee says has been a “rallying cry for terrorist groups and their sympathizers… [as well as] a common call-to-arms for pro-Palestinian activists, especially student activists on college campuses. It calls for the establishment of a State of Palestine from the Jordan River to the Mediterranean Sea, erasing the State of Israel and its people.”
Macklemore took to the stage with his message of solidarity with the Palestinian people and disdain for current American policy in support of Israel’s war against militant group Hamas during the debut performance of “Hind’s Hall 2” at the Palestine Will Live Forever Festival at Seward Park Amphitheatre in his hometown over the weekend.
“Straight up, say it, I’m not gonna stop you,” Macklemore, 41, says in fan video from the show after the crowd shouts unheard slogans at him. “I’m not gonna stop you… yeah, f–k America,” he adds to loud cheers from the audience, later adding “it’s a genocide and it has been since 1948” in reference to the year the state of Israel was established. The original “Hind’s Hall” and its sequel were named in honor of a young girl named Hind Rajab who was killed in Gaza in a shooting Palestinians have blamed on Israeli forces.
At press time a spokesperson for Macklemore had not returned Billboard‘s request for comment on his statement at the Seattle show.
Last month, the rapper canceled a planned show in Dubai on Oct. 4 over the UAE’s role in support of the RSF, one of the warring parties in the country’s devastating civil war.
Listen to “Hind’s Hall 2” below.
Call it the “Three Faces of Bey.” Beyoncé tries on a trio of distinctive looks in a new promo video for her SirDavis American Whisky brand. The nearly two-minute ad cued to Betty Davis’ 1974 soul funk classic “They Say I’m Different” opens with the singer in a long platinum wig and black cocktail dress […]
Jay-Z and Roc Nation teamed up with SL Green and Caesar Entertainment in late 2022 to launch a bid to open New York City’s first full-scale casino in Times Square. With a finite amount of licenses expected to be granted by New York State in 2025, Roc Nation is looking to improve their bid’s attractiveness […]
Moms in Music recently saluted the empowering and inspirational balancing act that comes with the dual demands of motherhood and career at its second annual brunch. This year’s quintet of honorees included Grammy winners Melanie Fiona (the Essence Award) and Makeba Riddick-Woods (Visionary Award), Freebandz COO Dr. Stephanie Jester (Leading Lady Award), MBK Entertainment president Jeanine McLean (Breaking Ground Award) and wardrobe stylist-author Tameka Foster Raymond (Perseverance Award).
Moms in Music founder Brittney King Brock, who hosted the event on Sept. 13 at The Buckhead Club in Atlanta, noted, “We are honored to recognize these extraordinary women who have not only excelled in their careers, but have also served as examples for the future generation of moms navigating the complexities of the music industry. Their stories reflect the perseverance, creativity and heart that define our community.”
“Success isn’t just measured by what you achieve, but by how you give back and uplift others along the way,” said honoree Jester, who is also the business manager and mother of Grammy-winning hip-hop star Future. “As a mother, I’ve learned that true fulfillment comes from nurturing the next generation and empowering other women to rise, thrive, and find their own purpose and passion. That’s the legacy I’m most proud of.”
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While accepting her award, singer-songwriter Fiona commented, “I’ve been blessed to receive many awards in my career, but this one means the most to me — being honored as a mom. There’s nothing more rewarding than this role, and it’s one of the greatest achievements of my life.”
Fellow singer-songwriter Riddick-Woods said of her own balancing act, “Songwriting isn’t only about creating hits — it’s about telling stories that resonate with people’s hearts. I’ve learned the importance of balancing creativity with nurturing, and how powerful it is to lead by example for the next generation. Being a mom has deepened my purpose, and I’m committed to using my voice to inspire and empower women, both in music and in life.”
Moms in Music welcomed more than 125 attendees to its brunch, sponsored by Amazon Music with Billboard as a media partner. On behalf of Amazon Music, the division’s head of culture amplification, Ida Kay, said of supporting inclusive spaces within the industry, “We believe in the power of amplifying diverse voices, and the Moms in Music Brunch reflects that commitment. It’s inspiring to see how these honorees continue to push boundaries and create meaningful art while balancing the demands of motherhood.”
LL COOL J and Usher were among the honorees saluted Thursday night by the Black Music Action Coalition at the organization’s fourth annual BMAC Gala. As BMAC co-founder/president/CEO Willie “Prophet” Stiggers noted, the event isn’t about “celebrating record sales, streaming numbers or other accolades. It’s the intersection of activism and music.”
As Stiggers further explained, “When most are turning down the volume around social, racial and economic justice, we’re doubling down on efforts and spotlighting the positive and meaningful impact that the music industry has made on society, which is what we hope to inspire with this event.”
Chief among the highlights inside the packed ballroom at Los Angeles’ Beverly Hilton Hotel were the presentations of the Clarence Avant Trailblazer and Quincy Jones Humanitarian Awards to LL COOL J and Usher, respectively. Surprised onstage by attorney Benjamin Crump, who presented the award, LL noted to exuberant audience applause and cheers, “You must continue to believe in the beauty of your dreams. If I can come all the way here from Queens and do the things that I’m doing, then anything is possible.”
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Co-Founder and Chair of the The Black Music Action Coalition, Willie “Prophet” Stiggers, Honoree of the Clarence Avant Trailblazer Award, LL COOL J, and Benjamin Crump attend Black Music Action Coalition’s 4th Annual BMAC GALA at The Beverly Hilton on Sept. 19, 2024 in Beverly Hills, California.
Johnny Nunez/Getty Images for Black Music Action Coalition (BMAC)
After receiving his award from fellow artist Bobby Brown and briefly teasing the crowd with one of his patented dance moves, Usher segued into a heartwarming 15-minute acceptance speech. He said, in part, “Aside from just being Usher, the performer, the entertainer, I strive every day to just be Usher, the human; who has the means and the power to inspire and bring awareness to the issues that we face as Black men and women in this country.”
Actress Taraji P. Henson presented the BMAC Social Impact Act to the BET Media Group. The company’s executive honorees included president/CEO Scott Mills; president, media sales Louis Carr; executive vp of specials, music programming & music Constance Orlando and executive vp/chief marketing officer Kimberly Paige. The BMAC Change Agent Award was given to Ivy McGregor, CEO of Beyoncé’s BeyGOOD foundation. And the BMAC 365 Award was presented to Live Nation.
Rapper/activist Gunna received a special commendation from the Mayors of Guaranteed Income, an organization comprised of more than 170 mayors from across the country. “I’m here to make sure my community is uplifted – this GI program is going to help change a lot of lives,” said Gunna. He recently partnered with BMAC to launch the BMAC 30349 Guaranteed Income initiative, which will provide a $1,000 monthly stipend to 30 families residing in the artist’s hometown of South Fulton, Georgia.
Co-Founder and Chair of the The Black Music Action Coalition, Willie “Prophet” Stiggers, Honoree of the BMAC Social Impact Award and Executive Vice President of Specials, Music Programming & Music Strategy, BET, Constance Orlando, Honoree of the BMAC Social Impact Award and Executive Vice President and Chief Marketing Officer, BET, Kimberly Paige, Taraji P. Henson, Louis Carr, and Co-Founder of the The Black Music Action Coalition, Shawn Holiday attend Black Music Action Coalition’s 4th Annual BMAC GALA at The Beverly Hilton on Sept. 19, 2024 in Beverly Hills, California.
Johnny Nunez/Getty Images for Black Music Action Coalition (BMAC)
Hosted by Kenny Burns, the gala also featured BJ The Chicago Kid, who set the evening’s tone with his interpretation of the Black National Anthem. Taking the stage later in the evening were Anthony Hamilton and The Hamiltones, who performed a soulful medley. This year’s gala also marked the inaugural BMAC auction, hosted in partnership with Julien’s Auctions. Among the offerings that attendees were vying for: a Flavor Flav clock necklace and sunglasses owned by music legend James Brown.
Dr. Remus E. Wright, Honoree of the BMAC Change Agent Award and Executive Director of BeyGOOD, Ivy McGregor, and Mia Wright attend Black Music Action Coalition’s 4th Annual BMAC GALA at The Beverly Hilton on Sept. 19, 2024 in Beverly Hills, California.
Johnny Nunez/Getty Images for Black Music Action Coalition (BMAC)
In the walkup to its gala, BMAC hosted a series of other events. In partnership with The Revels Group, BMAC co-hosted the Black Future Now brunch (Sept. 15), which honored Jhené Aiko, Cash Cobain and artist manager Rachelle Jean-Louis. Two days later (Sept. 17), BMAC’s Stiggers accepted SESAC’s Visionary Award. Then the next evening (Sept. 18), Stiggers sat down with BMI president/CEO Mike O’Neill to discuss the advantages and challenges of AI during a panel also co-hosted by BMAC.
Co-Founder of the The Black Music Action Coalition, Caron Veazey, Naima Cochrane, Honoree of the BMAC 365 Award, Live Nation, Omar Al-Joulani, Co-Founder and Chair of the The Black Music Action Coalition, Willie “Prophet” Stiggers, Jamil Davis, and Damien Smith attend Black Music Action Coalition’s 4th Annual BMAC GALA at The Beverly Hilton on Sept. 19, 2024 in Beverly Hills, California.
Johnny Nunez/Getty Images for Black Music Action Coalition (BMAC)
09/20/2024
Mixtape Pluto has made his triumphant return.
09/20/2024