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Sexyy Red isn’t concerned with chasing hits. “I’m not even trying,” she tells Billboard over Zoom. “You just gotta be yourself and then they gonna f–k with you.”
She’s living proof: the 25-year-old (born Janae Wherry) is currently enjoying a breakout year thanks to her sexually explicit, Tay Keith-produced “Pound Town.” Since the trap single arrived in January, Sexyy Red has formed bonds with some of R&B and hip-hop’s biggest names, befriending Travis Scott and Drake (the latter has posted a picture with her on Instagram, and Sexyy Red has teased music together), and collaborating with Summer Walker and Nicki Minaj.
Her “Pound Town 2” remix with Minaj dropped in late May and became Sexyy Red’s first entry on the Billboard Hot 100 the following month, debuting at No. 66. Still, she remains blasé toward her A-list interactions. “I already know I’m a cool, f–k-witable person,” she says.
It’s not surprising that the St. Louis native has maintained her nonchalant attitude amid her rise. After all, it’s what helped put her on the map: According to co-manager Caprie Poe — who is also general manager at Miami-based label Rebel Music — Sexyy Red first caught the attention of an A&R rep at the label in 2021 with her 2018 single “Free Smoke.” “[She] was super raw and authentic,” says Poe. “She always says what’s on her mind.” Case in point: the “Pound Town” lyric that has taken the internet by storm (“I’m out of town, thuggin’ with my rounds/My c–chie pink, my booty h–e brown”).
Cartier eyewear from Spencer Shapiro.
Devin Christopher
The rapper signed to Rebel Music and released her debut project, Ghetto Superstar, that December to local acclaim. But co-manager and Rebel Music founder/CEO Javier “Jay” Sang says the team was dedicated to growing her national audience: “We treat Sexyy Red as a 24-hour, seven-days-a-week business.”
Their strategy paid off last fall, when they encouraged Sexyy Red to follow up with Tay Keith (who she was acquainted with), leading the Grammy-nominated producer to send her the beat to what became “Pound Town.” Soon after, she was freestyling about a sexcapade with an ex-boyfriend during a Miami studio session. She remembers laughing with her friends throughout — but her team was more earnest. “They was like, ‘You playing on this man’s beat,’” she says. “I’m like, ‘Ain’t nobody trying to be serious all the time.’ Finally, they [said], ‘I understand your vision.’”
By February, she released a music video inspired by the reality show Cheaters, followed by a Miami spring break edition of the clip in March. The track has also found success on TikTok having been used in over 250,000 clips. There’s even a mashup of the song called “Frontin’ x Pound Town Simmy Mix,” where Chicago native DJ Simmy overlaid Red’s vocals on Pharrell and Jay-Z’s “Frontin’” beat. But the original song needed a final push to become a hit.
Sexyy Red photographed July 24, 2023 in Miami.
Devin Christopher
From left: Sexyy Red and co-manager Caprie Poe photographed July 24, 2023 in Miami. Cartier eyewear from Spencer Shapiro.
Devin Christopher
Around the same time, industry veteran Larry Jackson launched Gamma — a media company specializing in distribution, creative guidance, marketing and more — and signed Sexyy Red while building a roster that includes Snoop Dogg and Usher. (Sexyy Red also remains signed to Rebel Music.) “She immediately became a priority,” says Sang. “I know Larry for moving mountains and he was like, ‘What do you think about Nicki on the record?’ It was a no-brainer.”
As the song continues to grow, Sexyy Red knows that it’ll “never get old,” but is ready for people to start focusing on her other music. “SkeeYee,” another Tay Keith-produced track — and popular greeting call in St. Louis — on her June mixtape Hood Hottest Princess, has been gaining momentum of late.
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This summer has also included a Rolling Loud performance, and soon, a few opening slots for Moneybagg Yo on tour. She’ll eventually embark on her first headlining trek, with dates and locations yet to be announced, but for now, she’s letting her team handle her business affairs. “I’m just the artist and they do what they do to make it happen for me,” she admits. “They ain’t trying to stress me out because I don’t even want to deal with no s–t like that.”
Instead, she’s focusing on what she does best: releasing one salacious, unapologetic song at a time, she says. “People think I’m crazy, but I feel like I’m just myself.”
Sexyy Red photographed July 24, 2023 in Miami.
Devin Christopher
A version of this story will appear in the Aug. 5, 2023, issue of Billboard.
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As Billboard reported on Monday (July 10), Lil Uzi Vert’s Pink Tape enters the Billboard 200 at No. 1 in the issue dated July 15. That’s the latest in the calendar year we’ve had to wait to see a rap album at No. 1 since 1993, when Cypress Hill’s Black Sunday rang the bell on Aug. 7.
In every other year since 1989, the first album to reach No. 1 did so in the first half of the year.
Beastie Boys’ Licensed to Ill was the first rap album to top the Billboard 200, reaching No. 1 on March 7, 1987. No rap albums reached No. 1 in 1988, the last year that that has been the case.
2Pac had the year’s first rap album to reach No. 1 four times, more than any other rapper. He had the first rap album to reach No. 1 in 1995 and 1996, while he was still living, and in 2001 and 2005, after his death. The rapper was killed in a drive-by shooting in September 1996 at the age of 25.
DMX had the first rap album to reach No. 1 three times – in 1998, 1999 and 2000. He’s the only rapper to have the year’s first rap album to reach No. 1 in three consecutive years. The rapper died in April 2021 at age 50.
Rick Ross and Nicki Minaj each had the first rap album to reach No. 1 twice. Ross scored in 2008 and 2009; Minaj in 2011 and 2012. Minaj is the only female artist to have the first No. 1 rap album of a year.
One soundtrack was the first rap album to hit No. 1 in a calendar year. That was Gridlock’d (1997), which featured such stars as 2Pac and Snoop Doggy Dogg (as he was then billed).
One supergroup collective has had the first No. 1 rap album of the year. That happened in 2020 when Jackboys achieved the feat. The group comprised Travis Scott, Sheck Wes, Don Toliver and Chase B.
Five times, a rap album was the first album to top the Billboard 200 in a calendar year. Once, this was true in back-to-back years. The first album to reach No. 1 in 2018 was Eminem’s Revival. The first to achieve the feat in 2019 was 21 Savage’s I Am > I Was.
Here’s a complete list of the first rap albums to reach No. 1 in each calendar year:
1987: Beastie Boys, Licensed to Ill (March 7)
1988: none
1989: Tone Lōc, Lōc-ed After Dark (April 15)
1990: MC Hammer, Please Hammer, Don’t Hurt ’Em (June 9)
1991: Vanilla Ice, To the Extreme (Jan. 5)
1992: Kris Kross, Totally Krossed Out (May 23)
1993: Cypress Hill, Black Sunday (Aug. 7)
1994: Snoop Doggy Dogg: Doggystyle (Jan. 15)
1995: 2Pac, Me Against the World (April 1)
1996: 2Pac, All Eyez on Me (March 2)
1997: Soundtrack, Gridlock’d (Feb. 15)
1998: DMX, It’s Dark and Hell Is Hot (June 6)
1999: DMX, Flesh of My Flesh, Blood of My Blood (Jan. 9)
2000: DMX, …And Then There Was X (Jan. 8)
2001: 2Pac, Until the End of Time (April 14)
2002: Big Tymers, Hood Rich (May 18)
2003: 50 Cent, Get Rich or Die Tryin’ (Feb. 22)
2004: OutKast, Speakerboxxx/The Love Below (Jan. 10)
2005: 2Pac, Loyal to the Game (Jan. 1)
2006: Juvenile, Reality Check (March 25)
2007: Nas, Hip Hop Is Dead (Jan. 6)
2008: Rick Ross, Trilla (March 29)
2009: Rick Ross, Deeper Than Rap (May 9)
2010: Ludacris, Battle of the Sexes (March 27)
2011: Nicki Minaj, Pink Friday (Feb. 19)
2012: Nicki Minaj, Pink Friday: Roman Reloaded (April 21)
2013: ASAP Rocky, Long.Live.ASAP (Feb. 2)
2014: Schoolboy Q, Oxymoron (March 15)
2015: Drake, If You’re Reading This It’s Too Late (Feb. 28)
2016: Future, Evol (Feb. 27)
2017: Migos, Culture (Feb. 18)
2018: Eminem, Revival (Jan. 3)
2019: 21 Savage, I Am > I Was (Jan. 5)
2020: Jackboys, Jackboys (Jan. 11)
2021: Playboi Carti, Whole Lotta Red (Jan. 9)
2022: Gunna, DS4Ever (Jan. 22)
2023: Lil Uzi Vert, Pink Tape (July 15)
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Lil Nas X showed up to Jack Harlow‘s premiere for White Men Can’t Jump on Thursday sporting a T-shirt specially dedicated to his pal. Emblazoned with the “They Don’t Love It” rapper’s name in bold, white letters, the black tee featured an image of Harlow as well. But that wasn’t all: On the graphic, Harlow […]
G-Eazy is back. The Bay Area artist caught up with Billboard about his time away from the music scene, his come-up and his upcoming album.
“I went through some personal things with losing my mom and there was just a bit of an overall burnout,” he told Billboard R&B/hip-hop reporter Neena Rouhani. “We started aggressively trying to tour and release music independently. That level of grind catches up to you.”
After a soul-searching hiatus, the 33-year-old rapper is back in motion and has no plans of letting up. “I just needed that step back. Once that spark hit it was like, ‘Yeah, it’s over. We found it. Now y’all are in trouble.’”
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His latest single “Tulips & Roses” is all about giving flowers while someone is still here to receive them. The track centers on “human vulnerability,” G-Eazy says, adding, “People put artists on this pedestal where you’re supposed to be the superhero and invincible. But at the end of the day, anybody could have a bad day or catch an L.”
The rapper is pleased with the fan reaction to “Tulips & Roses,” which has over 1 million views on YouTube. “When you make music, you’re making it in the studio with your closest team. When you put it out, all of a sudden, it has this life because it’s impacting all these people,” he says.
G-Eazy reflected on his journey, from a 13-year-old kid who bumped Too $hort, Mac Dre and E-40 in his bedroom to a world-famous artist playing arena shows. “I started making beats and the beats were trash. I started like writing little raps in my notebooks, I didn’t know how to like structure a song or even how to count bars,” he explains of his early years. “I’m just 14 in Oakland, in size 36 jeans and baggy white tees.”
But one day, while listening to Jay-Z’s critically acclaimed The Black Album, everything changed. “I was like, if we’re gonna do this, I want to chase him. I want to aspire to that,” he says today. “If I could go back in time and tell that 14-year-old version of me that we’d be sitting here doing this or that I’ve done these arenas, that’s unfathomable.”
Call her Kim Petty! On Tuesday (May 2), Kim Petras unveiled the music video for “Alone,” her new single with Nicki Minaj.
In the clip, the German pop princess steps into a number of provocative roles, from a, err, clarinet enthusiast in a marching-band uniform to a hip-thrusting fitness lover who knows her way around an exercise ball to a full-blown naughty nurse as she sings, “I been tryna give it to you all night/ What’s it gonna take to getcha all alone?/ I just want you here by my side/ I don’t wanna be here, baby, on my own.”
Meanwhile, the queen of the Barbz pops up halfway through the visual to join forces with Petras in matching, all-black latex ensembles as she delivers her signature, swaggering guest verse. “It’s Barbie and it’s Kim Petras/ Main character syndrome, they extras/ We ain’t answerin’ questions/ Click on a bi— ‘fore she finish her sentence,” she raps over the track’s sample of Alice Deejay’s 1999 club classic “Better Off Alone.”
In a recent sit-down on Minaj’s Queen Radio, Petras gushed over collaborating with the Pink Friday star, calling their duet the “biggest thing in the world that could ever happen to anyone.”
“It doesn’t feel real still,” she added in an earlier interview with Apple Music’s Zane Lowe. “I love her and I’m so inspired by her always, it’s crazy to me. I don’t know how she does it, but she’s just the greatest ever.”
Debuting at No. 55 on the Billboard Hot 100 dated May 6, “Alone” has already become the trans pioneer’s second career entry on the chart following the success of “Unholy,” her Grammy-winning No. 1 smash with Sam Smith. It’s expected to be included on the tracklist for her upcoming major-label debut album out later this year.
Watch Petras and Minaj in the music video for “Alone” below.
The rapper cozied up to Bad Bunny, Billie Eilish, Doja Cat, Paris Hilton and more.
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