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“I hate to stop the show like this again,” Monaleo quipped in frustrated jest. “But I’m bout to go slap the s–t out the sound guy!” During the sold-out New York stop on her Monaleo Like Monalisa Tour, the 22-year-old Houston rapper conquered severe technical difficulties — she was forced to stop her show and […]

Nothing stops New Music Friday — not even Grammy nominations.
Although 2023 MVPs like Ice Spice, 21 Savage, Drake and Nicki Minaj racked up the rap field nominations for the upcoming 66th annual Grammy Awards, last Friday (Nov. 10) offered a litany of music beyond those four 2023 Billboard Music Awards finalists. Last week saw new albums from the likes of Brandy, YoungBoy Never Broke Again and Kodak Black, but those weren’t the only notable releases to update your weekly playlists with.

With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from BADBADNOTGOOD’s gorgeous rework of an Elmiene standout to BJ the Chicago Kid and Chloe Bailey’s sultry, synthy link-up.

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Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: Sinkane feat. Tru Osborne, “Everything is Everything”

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For his first new song since 2019’s Dépaysé album, Sudanese-American singer Sinkane chose to ground his lyrics in the harsh realities of the Black living experience. Written and composed by bandleader Ahmed Gallab with vocal contributions from Harlem-bred artist Tru Osborne, “Everything Is Everything” is an amalgam of free jazz, Sudanese pop, gospel, funk and rock. A hearty choir provides a strong anchor for the arrangement, while Sinkane and Tru’s harmonies add splotches of color throughout the track. “The tides of change / Serve great purpose in our every day / My people, we will find our way,” Sinkane sings, with a hopefulness that consistently permeates the darker truths that the song explores.

Elmiene, “Marking My Time (BABDBADNOTGOOD Edit)”

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Elmiene dropped off his debut major label EP, Marking My Time, last month, and to continue his promotion of the project, he’s released a reworked version of the title track, helmed by Canadian experimental jazz collective BADBADNOTGOOD. Here, the group reimagines Elmiene’s original with heavy splashes of R&B and psychedelic, specifically of the ’70s persuasion. Elmiene’s vocal is predicated on allegiance to subtle dynamism, and it’s that steady build that grounds the winning remix.

Rick Ross, Meek Mill & Cool & Dre feat. BEAM, “Go To Hell”

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Hip-hop heavyweights Rick Ross and Meek Mill unleashed their highly anticipated Too Good To Be True joint album last week (Nov. 10), and this collaboration with BEAM and Cool & Dre is an immediate standout. Heavily nodding to Tears for Fear’s “Shout,” “Go To Hell” finds the two rappers deep in their braggadocio as they trade bars about their wealth, their escapes from the feds, and how much status and clout they have in whatever room they choose to walk into. “Bitch boys run to social media / Rich n—a, name in Wikipedia / If I f–k her once, she wanna f–k me twice / All the real n—as clique up, let’s get rich tonight,” Rozay raps.

Kevin Gates feat. B.G. & Sexyy Red, “Yonce Freestyle”

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In a way, Kevin Gates and Sexyy Red are perfect foils: two devil-may-care rappers who are unafraid to embody and celebrate the grimiest parts of sex and sexuality, with a healthy dash of humor to add some levity to the whole affair. On “Yonce Freestyle,” the pair’s new collaboration which also features NOLA rapper B.G., the two maximize their similarities — even if the end result is a bit tamer than what some may expect. “Yonce Freestyle” is a well-crafted club banger, with a murky Southern hip-hop beat courtesy of ProdByJM, EJ Grimes and Juko, and a perfect laid-back ratchet tone from Sexyy.

BJ the Chicago Kid feat. Chlöe, “Honey”

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BJ the Chicago Kid also released an album last week (Gravy), and that project featured loads of collaborations for R&B lovers. Among those impressive duets is the Chloe Bailey-assisted “Honey.” Landing squarely in the disco-tinged pop that has dominated mainstream top 40 for most of the young decade, BJ and Chlöe deliver a sexy, synth-laden collaboration that balances come-hither euphemisms with some outstanding harmonic choices. Between a surprisingly smooth vocal blend and a bright, clean mix, this just might be Chlöe’s best release of the year.

Ben Hughes, “What Was It For?”

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For the opening track of his forthcoming Manha EP, UK musician Ben Hughes opts for a breezy guitar and drum-forward groove. “What Was It For” fits nicely in the landscape of contemporary British R&B, and Hughes’ careful vocal approach works alongside the instrumentation instead of towering over it. It’s a very soft and lush number — an air that offers a smart counterbalance to the melodrama of the lyrics. “Bring me peace / And heal my wounds / I’m bleeding out / Just for you,” he croons.

As we await both the fate of Kanye West’s long-teased comeback and Friday’s Grammy nominations announcement, the biggest names and fastest-rising stars across hip-hop and R&B have maintained a steady stream of new music for our listening pleasure. As per usual, last Friday (Nov. 3) flooded DSPs with a host of new tracks — including some fun takes on contemporary holiday music — to usher us into the final two months of the calendar year.
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Destin Conrad and Masego’s blistering duet to Azealia Banks’ long-teased drill anthem. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: Rapsody, “Asteroids”

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“My insecurity is the fear of being rejected / When you this raw they listen with an erection / Niggas pull the Drac’ before they rap about affection / There I go, hard to rap without a message,” Rapsody spits in the first verse of “Asteroids,” her new Hit-Boy-helmed single. With jazzy, percussive production, Hit-Boy provides Rapsody with ample room to lob some “asteroids” at the rest of the rap game. These aren’t direct, petty shots, but astute observations as to where the rap game is in relation to where it could and should be. Rapsody’s flow continues to be virtually peerless; she effortlessly switches between different pockets in the beat without ever making her transitions feel clunky or sloppy. From her slick punchlines to Hit-Boy’s wailing guitar, “Asteroids” is a winner.

UMI, “Why Don’t We Go”

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Over a breezy, dream-pop-inflected instrumental, UMI delivers a summery song about escaping into a physical and emotional space of intimacy with her special partner. “Why don’t we go somewhere we only know / Climb into me, into my waterfalls / Up in the clouds, yeah, we’ve been there before,” she croons. She opts for a no-frills vocal delivery, which allows for a greater focus on the heartwarming simplicity of her songwriting and the track’s overarching concept — it doesn’t actually matter where UMI and her lover are going, as long as they’re going together.

Ye Ali feat. RyFy & Dcmbr, “Zodiac”

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Joining a long line of horoscope-minded R&B joints, this new link-up between Ye Ali, RyFy and Dcmbr is a worthy addition to the lexicon. Steeped in neo-soul with a dash of alternative rock, “Zodiac” finds the three artists not-so-radically flipping the script on the star sign concept. Instead of whittling down the different signs and eventually landing on one that is inherently incompatible with them — they land on them all. “Virgos in LA, Capricorns make me stay / Leos can’t be tamed, but I like it that way / Taurus what I want, Scorpio’s what I need / Every damn day I need a zodiac freak,” Ye sings over the slinky arrangement, just barely reaching the deepest points of his breathy lower register in the process.

Doeboy, “Ain’t Bout Nun”

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For the latest taste of his forthcoming Ignorant EP, Doeboy joins forces with Tay Keith for a blistering warning to all his ops with “Ain’t Bout Nun.” Over skittering snares, Doeboy balances a carefully ambivalent main vocal, with ad-libs that add flashes of character dynamism, for a rap performance that captures every emotional shade of the taunting process. The hook is direct, but it’s that just-shy-of-monotone delivery that makes it feel all the more menacing. “You want war, b–ch, I want duck, it ain’t ’bout none / My ice on, you ain’t gon’ touch, it ain’t ’bout none / If I want her, then I’m f–kin’, ain’t ’bout none / What you want? Ain’t got no budget, ain’t ’bout nothin,’” he spits.

41, Kyle Richh & Jenn Carter, “Stomp Stomp (feat. TaTa & Dee Billz)”

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Having already scored some of the year’s defining regional hits in “Bent” and “Jenn Jenn Jenn,” 41 — the fiery Brooklyn drill collective comprised of TaTa, Kyle Richh and Jenn Carter — continue their real-time documentation of hip-hop’s evolution with “Stomp Stomp.” Drawing on elements of Soulja Boy’s eternal “Crank That,” 41 combines the brash, no-holds-barred delivery of DMX with the quick-based bullet point flow of contemporary New York drill stars like Fivio Foreign, for a track that sits at the center of sample drill’s danceability and genuinely impressive bars — an area in which Jenn Carter routinely shines brightest.

Lucky Daye, “That’s You”

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The D’Mile Musical Universe just keeps getting more intertwined: “That’s You” — the new single from Grammy-winning R&B star Lucky Daye — finally marks the union of two D’Mile disciples, Daye and Bruno Mars. With the “Leave the Door Open” singer on co-production and co-writing credits, Lucky dives headfirst into ’70s-informed R&B songcraft — a notable departure from the more contemporary stylings of Candydrip, his most recent LP. “I been numb, so numb / Spendin’ every dime to gеt everything I want / Therе’s only one thing missing in life / That’s you,” he croons, positioning himself squarely in the “sing-pleading in the rain” era of male R&B.

Shenseea feat. Lola Brooke, “Beama”

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Just as rap is a child of rock-n-roll, it’s also a child of reggae, as Shenseaa reminds us with her new Lola Brooke team-up, “Beama.” It’s a smart collaboration, considering that Brooke already has some West Indian-adjacent inflections in her voice thanks to her hometown of Brooklyn’s position as a major Caribbean immigration hub. With production contributions from London On Da Track, Dready and Philip Cornish, “Beama” finds Shenseea and Brooke getting serious. While both artists have dropped party tracks this year, “Beama” — with its hard-hitting drill-inflected beat — is all about putting the opps on notice. “VVS so cold, straight out of my freezer / Me nuh play, like the dealers, top shottas and squeezes / Me nuh talk to bum bitch bottom feeders / Hot head fever, top model diva,” the Jamaican dancehall artist spits.

“F— Kenny G!” Action Bronson playfully exclaimed halfway through his performance at New Balance‘s TCA New York City Marathon Kick-Off Party on Friday night (Nov. 3). The Queens rapper wasn’t really throwing shots at the Grammy-winning smooth jazz saxophonist, he was simply singing the praises of Matt Carrillo (aka Young Mexico), the incredibly impressive saxophonist and keyboardist that served as one of the main anchors of the band’s whimsical set.
At New Balance’s TCA New York City Marathon Kick-Off Party, sports and hip-hop continued their decades-long convergence as Action Bronson helped celebrate the imminent 26.2-mile race, as well as the latest evolution in his partnership with sports footwear giant New Balance.

After Adidas unexpectedly canceled his UltraBOOST collaboration back in 2019, Bronson teamed up with New Balance, officially announcing a new multi-item collaborative capsule with the brand back in March. Among the items in the capsule were the New Balance 990v6 “Baklava” sneaker. A few months later, a second 990v6 sneaker — named “Lapis Lazuli” — arrived exclusively on Bronson’s specializinginlife.com website (Jun. 22), receiving a global release on Jun. 30.

“I’m just enchanted by nature,” Bronson mused backstage before his performance. “Nature’s beauty. It’s natural beauty. It’s whimsical. It’s like stranger than fiction.”

Given the forest green hues and deep blues that appear across his different colorways, Bronson’s relationship with all of nature’s gifts truly inspired the design of his New Balance collaborations. Finding a home with New Balance was a special journey after the less-than-favorable way his Adidas partnership dissolved, but “I’ve been a New Balance guy for years, way before any of this other s—,” Bronson explains. “I’ve come from a family of f—ing chubby feet, flat feet, where you need a good walking shoe and something with stability and comfort as well as performance. This provides all three for my type.” To further explain, Bronson likened his foot type to “a triangle slice of pizza.”

During his set, Bronson tore through lively renditions of “Latin Grammys,” “DMTri,” and “Baby Blue,” allowing his five-member band to riff to both their heart’s desire and the audience’s pleasure. Embodying the whimsy he attributed to nature, Bronson delivered a characteristically charismatic stage show that even featured him literally touching his toes onstage and adding idiosyncratic percussion flourishes.

Cocodrillo Turbo, Bronson’s last studio effort, arrived last year, but the Billboard Hot 100 hitmaker is already formulating his next LP, although he’s purposely keeping his plans lowkey. “Lots of things [are] coming in the new year,” he teased. “Exciting things if you can’t tell how excited I am. I’m just stoned!”

The TCS NYC Marathon launches on Sunday (Nov. 5) at 8:00 a.m. EST.

On Friday (Nov. 3), Megan Thee Stallion made her solo return to the music scene with “Cobra,” her first unaccompanied non-soundtrack single since Tory Lanez was sentenced to 10 years in prison for shooting her in July 2020.
The new song and video are packed with serpentine imagery, with Megan literally “shedding” her skin in the track’s Douglas Bernardt-helmed clip. Over a beat punctuated by rock guitars, the H-Town Hottie spits, “At night, I’m sittin’ in a dark room thinkin’ / Probably why I always end up drinkin’ / Yes, I’m very depressed / How can somebody so blessed wanna slit they wrist?”

Since the song’s release, fans have latched onto Megan’s intensely vulnerable and revelatory lyrics, commending the Billboard Hot 100 chart-topper for her honesty and bravery. “Megan is being extremely vulnerable with this record & I hope we give her, as a Black woman, a safe space that she deserves for sharing this with us through her art form,” wrote one user on X (formerly Twitter). Another user pointed out that “Cobra” follows a long line of emotional deep cuts from Megan, writing, “I’m crying at ppl acting like this Megan first vulnerable song ever made. This how I know yall not listening to her albums.”

“Cobra” boasts two particular revelations that have dominated the social media conversation. First, the “Savage” rapper reveals that she has recently been battling suicidal ideation and alcohol abuse, spitting, “Shit, I’d probably bleed out some Pinot / When they find me, I’m in Valentino / He pourin’ me shots, thinkin’ it’s lit / Hah, little did he know” and “Damn, I finally see it / I’m killin’ myself when b—es would die to be me.”

The other shocking revelation is her claim that one of her ex-partners cheated on her in her own house. “Pulled up, caught him cheatin’, gettin’ his d–k sucked in the same spot I’m sleepin’ / Lord, give me a break, I don’t know how much more of this s–t I can take,” she raps. With some simple calendar math and a bit of sleuthing, Meg’s Hotties seem to think that the cheating ex-partner in question is Pardison “Pardi” Fontaine, a Grammy-winning rapper and songwriter who dated Megan from 2020 to the top of 2023.

Pardi appeared to respond to the infidelity allegations via his Instagram Story, sharing a meme clip of Future saying “It’s an evil world we live in,” followed by an image of a laughing Tristan Thompson. He then limited the comments on his main feed.

See what fans had to say about Megan Thee Stallion, Pardison Fontaine and her new song below.

If you’re thinking about suicide, or are worried about a friend or loved one, contact the National Suicide Prevention Lifeline, available 24 hours, at 1-800-273-8255. Reach the Substance Abuse and Mental Health Services Administration National Hotline at

pardi cheating on megan in her own house while she was going through her lowest moments. y’all i’m about to get violent . like i need that nigga gone pic.twitter.com/lUvvJRP7tF— keke⁷ 🤍 (@stallseok) November 3, 2023

I actually respected Pardi and bought his whole feminist schtick. But, he’s dead to me.It’s obvious he cheated on her in her own house because Megan Thee Stallion has the rap career he wishes he had. That’s why he’s relegated to being a ghostwriter with flop albums. He knew…— Ola Ojewumi (@Olas_Truth) November 3, 2023

I knew Pardi didn’t stand on business when rappers half his height and weight was clowning Megan for being shot and not one swing was swung.— mina (@MinaLioness) November 3, 2023

I fell asleep before midnight so I’m a little late……but Pardi cheating on Megan in her own bed while the public was dragging her to hell and back because she was shot? And to then get with a supporter of the man who shot her? Pardison Fontaine, the bitch you are…. pic.twitter.com/N0TCP2OZn0— Dumpster Baby 👶🏽 (@makeupbyjoxlyn) November 3, 2023

Not Pardi cheating on our sister Megan. Men will go out of their way to hurt and embarrass us. Smh— 𝙱𝚎𝚌𝚌𝚊 ⚡️ (@MJFINESSELOVER) November 3, 2023

Pardi was getting the gobble gobble by another woman in Megan’s BED?! On top of the cheating itself, she was shot by her former friend and torn down by the public for it during this time. Cut the fucking “FEMINIST” tattoo off his body.— Mo 🌹 (@flwrchldtweets) November 3, 2023

With new albums from City Girls and Sampha and a pair of big announcements from Megan Thee Stallion and Ty Dolla $ign & Kanye West, it’s been a characteristically busy week for hip-hop and R&B. New Music Friday (Oct. 20) unleashed a fresh batch of new R&B and hip-hop tracks to sort through as we count down to the announcement of the 2024 Grammy nominations on Nov. 10.

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See latest videos, charts and news

See latest videos, charts and news

With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Yuna’s bilingual rumination on a relationship’s demise to Rick Ross & Meek Mill’s latest taste of their forthcoming collaborative project. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: Wu-Tang Clan feat. Method Man, Ghostface Killah, Nicole Bus & Mathematics, “Claudine”

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The 30th anniversary of Wu-Tang Clan’s landmark debut album, Enter the Wu-Tang (36 Chambers), is less than a month away, and the hip-hop legends are ringing in the celebration with a gorgeous new track. Featuring a pair of emotive, nuanced verses from Meth and Ghostface, “Claudine” recalls the chugging, introspective relationship-minded songs that peppered the tracklists of Wu-Tang’s classic records. A weighty hook from Billboard chart-topping R&B singer Nicole Bus brings things full circle; her soulful, raspy vocal evokes the Southern R&B records RZA used to sample to create some of the most intricate Wu-Tang beats.

Yuna, “Bad Intentions”

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With this smooth combination of dembow, soul, and bossa nova influences, Malaysian R&B crooner Yuna delivers a bilingual ode to the all-consuming vengeance, hurt, confusion, and attachment that linger at the end of a relationship. The sparse production effortlessly embodies the emptiness that permeates the lyrics — from the devastatingly lush post-chorus to the hook, where she sings, “I know you love her/ Your new lover/ Will be the end of me/ It’s a cruel world.”

Q, “Hello”

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Earlier this year, Q dropped off one of R&B’s best 2023 offerings with his stunning Soul, Present project. For his first single release since that set, Q has released “Hello” — a delightfully funky track about choosing to be your best and most authentic itself no matter what seemingly insurmountable challenges are thrown at you. “Feels like a million years since I got out of bed/ My brain’s fried from the lies I’ve been tellin’ myself,” he sings over an instrumental arrangement that further explores his penchant for Prince’s amalgamation of soul, rock, and funk.

Arin Ray, “Moonlight”

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It’s been a banner year for raucous, sexually explicit music, but Arin Ray opts for a softer, more sensual angle for this cut from his new Phases III EP. With light vocal layering and an alluring tone, he’s able to bypass the innate raunch in lyrics like, “Put that a– on me, it’s ’bout to go/ I wanna see a f–kin’ show/ Baby been a freak/ See she came here in with no panties on.” It’s nice to hear Arin holding it down for R&B’s bachelors in a sea of toxic lovers and sad boys.

Rick Ross & Meek Mill, “Lyrical Eazy”

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With a new joint project on the way, it’s only right that these two rap titans put their best foot forward. Enter: “Lyrical Eazy.” The follow-up to last month’s “Shaq & Kobe,” “Lyrical Eazy” finds Ross and Meek trading verses that flaunt their wealth and success while also reiterating why they believe they are at the very top of the hip-hop ecosystem. “N—a diss, I ain’t respondin’, I’m like, “Y’all ain’t even poppin’/ ‘Cause we’ve been mobbin’, flyin’ private, different hours/ And I ain’t lyin’, I got this money shit to a science/ Got your baby momma in the Bahamas actin’ different and she wildin’,” Meek raps over a beat that reimagines the same sample (Stanley Clarke’s “Got to Find My Own Place”) from Jay-Z’s “Breathe Easy (Lyrical Exercise).”

Lola Brooke & French Montana, “Pit Stop”

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As she readies the release of her forthcoming Dennis Daughter project, Brooklyn rapper Lola Brooke has unveiled her new French Montana collab “Pit Stop.” Featuring her trademark playful intonation — which pulls from both Lil’ Kim and Foxy Brown on this track, with a healthy dose of Lola’s own humor — “Pit Stop” is flirty back-and-forth between the two New Yorkers, one that plays on the city’s unique courting dynamics. “Ask me where my man at, n—a, I don’t know/ Say you wanna risk it all, I hope/ Could never play with ‘nani, mm, no-no-no/ Said he like me more than his b–ch, ooh, oh, no,” Lola spits.

Terrace Martin & Alex Isley, “2 Step in the Living Room”

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Every week R&B’s brightest stars continue to prove that the genre is unquestionably alive and well. In this mid-set cut from the pair’s new joint I Left My Heart in Ladera project, this duo perfectly captures the lightweight, love-drunk mood of grooving in the living room to the soulful soundtrack of your life alongside the people you love the most. With a dash of vocoder towards the outro, the song pulls from Parliament’s most subtle funk-indebted tracks to create something a bit more subdued and hazy, all anchored by Alex Isley’s warm tone.

The wait for City Girls’ new album is almost over, and this new snippet is sure to carry us through the home stretch. On Wednesday (Oct. 18), the “Act Up” rappers took to their official Instagram page to upload a video featuring a snippet of a new song. “Flashy Ft. @KimPetras FRIDAY 10/20 📸✨🩷 #RAW,” […]

Between a rumors of joint album from Kanye West & Ty Dolla $ign, several revelations from Jada Pinkett Smith’s memoir, and a surprise freestyle from Drake’s son, Adonis, the hip-hop world has been in a tizzy for the past week. In the midst of all of these cultural conversational touchstones, a bevy of hot new music also made its way to streaming platforms on Friday (Oct. 13).

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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Naomi Sharon’s smooth ode to unconditional love to Young Thug’s heartfelt response to Mariah the Scientist. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: Ken Carson feat. Destroy Lonely, “Paranoid”

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The umpteenth reunion of Playboi Cart’s two biggest signees was bound to produce a banger — and Ken Carson & Destroy Lonely do not disappoint. In a nod to the everlasting cultural impact of Barbie, Ken raps, “I f–k Barbie b–ches, yeah, yeah, all my hoes plastic/ All my hoes know how to act, all my hoes classy,” over a skittering trap beat crafted by F1LTHY, Lukrative & Lucian. Both rappers employ madcap flows that cover hip-hop’s most stories tropes (wealth, women, guns, etc.) with an air of wariness that plays into the concept of paranoia that guides the track.

Westside Gunn & Stove God Cooks, “House of Glory”

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And Then You Pray For Me may stand as Westside Gunn’s final studio effort, but the Griselda God left us with an incredibly consistent project. One of the record’s standouts is a RZA-produced collaboration with Stove God Cooks titled “House of Glory,” which finds the pair trading verses laden with biblical imagery over a soulful, almost drumless beat that pulls from a Tchaikovsky sample. “Seen Chanel five hundred dollar plates, she in the county/ She pulled up on Tiffany, shot out the Audi/ Another palm angel gained new wings/ Valentino down to my shoestrings,” he spits.

Jay Worthy, Kamaiyah & Harry Fraud feat. Ty Dolla $ign, “Pull Up”

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On this cut from Jay Worthy, Kamaiyah & Harry Fraud’s terrific The Am3rican Dream collaborative album, the trio calls upon Ty Dolla $ign to help inject some extra West Coast bounce and flair into the track’s soulful production. It’s a tribute to Black wealth as it relates to the concept of the American Dream through the lens of the contemporary entertainment industry. When Ty and Jay trade the “It go money, hoes, fancy s–t/ Let the ho choose up, don’t ask the b–ch” lines in the hook and pre-chorus, there’s a glint of irony in their delivery that takes the whole thing up several notches.

Naomi Sharon, “Regardless”

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As OVO’s First Lady continues to tease her forthcoming debut album, she delves even deeper into her Sade influences on this new acoustic track. “Regardless,” a straightforward track that finds Naomi yearning for truly unconditional love, balances her smooth, seductive timbre with sparkling, subdued keys for a track that understands the beauty of letting the music breathe.

Veeze, “Amusing”

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Over a subtly menacing K Money-helmed beat, Veeze delivers a verse-long stream-of-consciousness tirade in this new track from the deluxe version of his acclaimed Ganger album. He does a lot of typical street posturing on the track — “Doin’ deals neat, this the corner suite trap spot/ I done grew a lot, servin’ n—as I could slime out/ Do the drill on feet, take that boy ID, face shot/ All my n—as stand over shit, we don’t do drive-bys,” he raps — but it’s his laidback cadence that every so often bubbles over into a new level of assertiveness that makes “Amusing” such a dynamic and intriguing listen.

Hunxho feat. Dej Loaf, “Make Time”

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In this delectable slice of trap&B yearning, rising Atlanta rapper Hunxho and Dej Loaf trade verses about straightening up their ways and doing the work to prove to a potential significant other that they are both ready for a proper relationship. Murky trap drums and slurred flows add to the muddy kaleidoscope of emotions that both artists cycle through in the song. “I wish I could love myself/ Like I love you and nobody else,” Dej croons.

Young Thug, “From a Man”

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Over a surprisingly smooth beat courtesy of Turbo and London On Da Track, among other contributors, Thugger delivers a freestyle-evoking track that details his personal and romantic commitments to R&B singer-songwriter Mariah the Scientist, who released her own “From a Woman” track on Friday (Oct. 13) as well. It’s Young Thug’s first new song (as a lead artist) since he dropped off his Business Is Business album earlier this year. The rap great is still behind bars as he awaits the resolution of his RICO case, but “From a Man” proves that he’s still capable of being as prolific as ever.

Drake’s For All the Dogs album — and his subsequent back-and-forth with Joe Budden — took up a lot of airtime this weekend, but the rest of the music world was just as active. As usual, New Music Friday (Oct. 6) unleashed a fresh batch of new R&B and hip-hop tracks to sort through as we count down to the BET Hip-Hop Awards on Tuesday (Oct. 10).

Explore

See latest videos, charts and news

See latest videos, charts and news

With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Fivio Foreign’s fiery new drill anthem to Megan Thee Stallion’s swing at hip-hop musical theatre. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: Fivio Foreign, “Why Would I?”

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For his first unaccompanied release in several months, Fivio delivers a biting piece of authentic New York drill. With pop-drill — a subgenre that Fivio helped pioneer — topping Top 40 radio and soundtracking the Barbie movie, the skittering snares and staccato flows of New York drill have reached the apex of pop culture. With “Why Would I,” Fivio goes back to basics, as he flexes his real-life successes and achievements in the face of Internet haters, over a menacing drill beat crafted by LS Da Producer and FritzThaProducer.

Megan Thee Stallion, “Out Alpha the Alpha”

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After making a return to the rap scene alongside Cardi B with “Bongos,” Megan Thee Stallion commemorates her foray into film acting with a new song for D—ks: The Musical, a musical comedy based on Josh Sharp and Aaron Jackson’s off-Broadway musical of the same name. More Hamilton than Traumazine, “Out Alpha the Alpha” finds the Hot Girl Coach delivering familiar rhymes serenading women’s independence and power — but this time she adds an extra dose of comedy in her delivery to play on the arrangement’s jaunty piano and horns.

Connie Diiamond & Jenn Carter, “Ghetto & Ratchet (Remix)”

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As two of the buzziest names coming out of the New York rap scene, it’s no surprise that Connie and Jenn have found their way on a track together. On the remix to Connie’s fast-rising “Ghetto & Ratchet,” Jenn delivers a characteristically rambunctious verse full of bars flexing both his street cred and his status as one of his city’s hottest rappers. His high-octane delivery offers a smart complement to the smoothness of Connie’s tone.

Digga D, “TLC”

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On this tender G-funk-inflected track — which incorporates a well-known guitar lick from Soul Mann & The Brothers’ “Bumpy’s Lament,” by way of Dr. Dre’s “Xxplosive” — British rapper Digga D offers an introspective number in which he waxes poetic about needing something a bit more real and human in the face of his fast-moving career. “I know it’s insane / I’m grateful, but I’m kinda tired of fame / I need some TLC, I’m drained,” he spits.

Majid Jordan, “Hands Tied”

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For the latest taste of their forthcoming Good People album, Majid Jordan delivers a vibe in the spirit of Sade. Steady percussion and twinkling keys soundtrack a love story concerned with two loves, for whom risk is the reward itself. “Suspicious, suspicious, dismissive, dismissive, dismiss us, dismiss us/ Love is the answer, love is the message, you know it,” they croon. On this smooth, quiet storm-evoking track, the duo makes the smart choice to prioritize singing straight, instead of over-embellishing the song with runaway riffs.

Mannywellz, “Serious”

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On “Serious,” ManNywellz continues his soulful blend of Afrobeats and R&B. Here, Manny extends the spirit of “no weapon formed against me shall prosper” for a war-ready anthem of resilience steeped in faith. He waltzes across the peppy, percussive beat with swagger and confidence, sourced from his knowledge of God’s protection over his life. “I identify as God’s n—a / No weapon can dance with us / Can’t compete, I got stamina,” he proclaims.

Another day, another Drake album. After nearly 10 months of teasing, delays, and an album campaign characterized by his first poetry book and a 21 Savage-assisted tour equally focused on music and bras, Drake has finally unveiled For All the Dogs. Arriving on the heels of three consecutive Billboard 200-topping projects that were all received […]