quebec

Taylor Swift began her two-week Eras Tour run in Toronto Thursday night (Nov. 14), and the city is going all out. 
Before she hit the stage, footage circulated of her arriving with a whole police cavalcade on the Gardiner Expressway – which is normally filled with traffic during rush hour.

There were plenty of Swifties seen following the Taylor Swift Way signs throughout downtown. Only ticketholders could get near the Rogers Centre before the show – including the city’s unhoused population, who were cleared from encampments and compelled to move to shelters. 

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An official Taylgate event took place at the nearby Metro Toronto Convention Centre with photo ops, silent discos and friendship bracelet making stations. A similar “Swift Station” activation offered similar experiences on Queen Street while decked out to look like a subway station. 

News stations broadcast live from outside the stadium throughout the night, while Swift took the stage inside. Stories abounded about fans who tried and failed to get tickets, or who ended up getting scammed (the Canadian Anti-Fraud Centre issued warnings as they were overloaded with complaints). Ticketmaster did, however, release some last minute tickets on the day of the show, though they were gone quickly. 

Inside at the concert, Taylor Swift made some nods to the Canadian crowd. “Doesn’t it seem like the entire Folklore era just belongs in Canada?” she asked before launching into that section of the show. “The place that I envisioned in my mind where Folklore took place, it’s very natural, wilderness, beautiful, forests that have been there since the beginning of time. And it just kind of feels like we’re returning the Folklore era to where it belongs anyway.”

Her dancer, Kam, also added a Canadian touch during “We Are Never Ever Getting Back Together,” with an exaggerated “Soorry aboot it!” during his line. 

There are two more Eras Tour shows this weekend, on Nov. 15 and Nov. 16, before she returns to Rogers Centre next week for shows on Nov. 21, 22 and 23. – Richard Trapunski

Canadian Songwriters Earn Grammy Nominations for Beyoncé’s Cowboy Carter

The 2025 Grammy nominations were announced last week, and Beyoncé leads the list — along with her Canadian collaborators.

“Texas Hold ‘Em,” co-written by three Canadians, has been nominated for two of the biggest awards, Record of the Year and Song of the Year.

Writers Nathan Ferraro, Lowell, and Megan Bülow all picked up nominations for Song of the Year, which is awarded to the writers and composers behind the track, as well as Best Country Song. Ferraro talked with Billboard Canada earlier this year about his Canadian writing team. 

“[The collaboration] works well for us,” Ferraro told Billboard Canada. “We’re such good friends and we know each other’s strengths and weaknesses. I think we all have a lot of mutual respect, so we have a lot of confidence together and that allows us to take risks.”

Lowell, meanwhile, won the inaugural Billboard Canada Non-Performing Songwriter Award this summer.

Beyoncé’s country album Cowboy Carter is also nominated for Album of the Year with Canadian Dave Hamelin (formerly of Montreal indie rock band The Stills and now a regular collaborator with 070 Shake) named in the nomination for his work as a producer and songwriter across the album.

In total, Beyoncé picked up a whopping 11 nominations for her history-making Cowboy Carter, which features a slew of Canadian contributions.

Serban Ghenea, meanwhile, racked up the highest number of Canadian nods: a grand total of five nominations, for his work with a trifecta of pop stars: Sabrina Carpenter, Taylor Swift, and Ariana Grande. 

Other Canadian nominees included The Weeknd, Kaytranada, Charlotte Day Wilson, Spiritbox and Cirkut, for his work on Charli XCX’s cultural phenomenon, Brat.

Read about all the Canadian nominees here. –Rosie Long Decter

Quebec Government Pursues Action Against Ticket Resale Site Billets.ca

The Quebec government is taking action against ticket resales.

The province’s Office of Consumer Protection announced Wednesday, Nov. 13, that the Director of Penal and Criminal Prosecutions has served 26 statements of infraction to Billets.ca.

If proven guilty, each infraction could merit a fine between $2,000 and $100,000 for the company, and between $600 and $15,000 for President Éric Bussières.

The Office is accusing Billets.ca of reselling tickets at higher prices than those advertised by authorized salespersons. It also charges that the site is reselling tickets it does not possess. The infractions took place between November 2022 and September 2023.

Ticket resales have become an increasingly hot topic in the industry. Ticketmaster issued a warning in advance of Oasis’ North American tour dates going on sale, advising consumers not to trust resale sites that were already advertising tickets. The ticketing giant has also faced allegations in the past of working with resale sites.

Earlier this year, over 250 artists signed a letter titled Fix the Tix, addressing American legislators. “Predatory resellers have gone unregulated while siphoning money from the live entertainment ecosystem for their sole benefit,” the letter stated.

Quebec’s Loi sur la protection du consommateur forbids sellers from boosting prices during resales without express permission from the original authorized vendor. It also prohibits the use of technology to bypass controls on obtaining tickets. Sites like Billets.ca have often skirted these rules by acting as a broker for individual sellers, instead of selling the tickets themselves.

Quebec music association ADISQ welcomed the news.

“It’s a relief to see charges finally laid against Billets.ca and the practice of fraudulent ticket resale,” says Eve Paré, Executive Director of ADISQ, in French.

ADISQ states that it has made numerous complaints to Quebec’s Office of Consumer Protection regarding unauthorized ticket resales.

ADISQ notes that it is also eagerly awaiting the outcome of a class action lawsuit filed against Billets.ca on October 13, 2023. –RLD