Publishing
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Reservoir Media has acquired the publishing catalog of Lastrada Entertainment. Home to over 5,600 compositions, the family-run company publishes hits that span all genres from the 1960s to today, including songs recorded by Jim Croce, Glen Campbell, The Carpenters, Captain & Tennille, Neil Sedaka, Eminem, Dolly Parton, H.E.R., Leon Bridges, Notorious B.I.G., Eminem and more.
Lastrada Entertainment was founded in 1987 by Herb Moelis and has since been passed down to his children Stephen and Larry Moelis. As the company has grown over the last four decades, it has acquired evergreen hits like Jim Croce’s “Bad, Bad Leroy Brown” and “Time In A Bottle,” “Love Will Keep Us Together” by Captain & Tennille, “More Bounce To The Ounce” by Zapp, and The Whispers’ “And The Beat Goes On.”
Then, in the 1990s, the catalog was given new life when decade-defining rapper 2Pac sampled a Lastrada Entertainment song in his single “California Love.” Later, the catalog also benefitted from samples in “We Belong Together” by Mariah Carey, “Miami” by Will Smith and more.
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“We have long admired Lastrada and the incredible catalog that the Moelis family has curated over the years,” says Rell Lafargue, president and COO of Reservoir. “Stephen and Larry’s deep knowledge of the music and their dedication to innovative sampling and synchs have elevated this catalog to iconic status. We are honored that Reservoir is now the home to the songs of Lastrada, and we look forward to preserving the legacy the Moelis family has built and ensuring its continued success.”
Lastrada’s president of music publishing Stephen Moelis adds, “The Moelis family takes pride in the catalog of hits we were part of, and in the personal relationships we forged with our incredibly talented songwriters. Passing the creative torch to Reservoir is the natural next step to continue the work we started with our father 40 years ago, and we wish to thank Golnar Khosrowshahi, Rell Lafargue, and the entire Reservoir team as they become stewards of some of the great songs of all time.”
The Pacific Palisades fire destroyed the building housing Belmont Music Publishers, the exclusive publisher of physical works by early 20th century composer Arnold Schoenberg. The fire consumed Belmont’s entire inventory of sales and rental materials, including manuscripts, scores and other printed works, the publisher said.
“For a company that focused exclusively on the works of Schoenberg, this loss represents not just a physical destruction of property but a profound cultural blow,” said a press release written by Schoenberg’s son, Larry, who also lost his home in the fires, according to his nephew E. Randol Schoenberg.
Since the 1970s, Belmont has worked to preserve Schoenberg’s legacy, providing meticulously edited editions of his wide range of transformative compositions, including Verklärte Nacht and Pierrot Lunaire, to musicians and scholars.
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Despite the loss of its physical inventory, Belmont Music said it already has plans to rebuild the collection digitally, ensuring the music of Schoenberg — the author of the twelve-tone technique of composition — remains accessible to scholars, performers, and music enthusiasts.
“While we have lost our full inventory of sales and rental materials, we are determined to continue our mission of bringing Schoenberg’s music to the world,” the publisher said. “We hope to rebuild our catalog in a new, digital format that will ensure Schoenberg’s music remains accessible for future generations.”
The Belmont team added, “We are committed to rebuilding and adapting to the changing times. The community’s outpouring of support has been truly heartening, and we know that, with your help, we can ensure that Schoenberg’s legacy lives on in a way that is as dynamic and enduring as his music.”
Born in Vienna in 1874, the self-taught Schoenberg initially drew inspiration from German Romantic composers like Brahms but is most renowned for developing the twelve-tone technique, or serialism, which dispatched traditional tonality and treated all 12 notes of the chromatic scale equally.
As a teacher, Schoenberg mentored influential composers such as Alban Berg and Anton Webern, further cementing his legacy. Fleeing the Nazi regime in 1933, he emigrated to the United States, where he continued composing and teaching in Los Angeles until his death in 1951.
Several wildfires have broken out in Southern California since the beginning of the year, with the largest being in Pacific Palisades along the coast. The major fires have scorched more than 63 square miles, destroyed thousands of homes and killed at least 24 people. Here is a list of organizations providing relief for those impacted by the devastation, from families to first responders.
Songwriters Jessi Alexander, Amy Allen, Jessie Jo Dillon and RAYE will not be attending or performing at Spotify’s Songwriter of the Year Grammy party slated for Jan. 28, with Allen and Dillon citing Spotify’s treatment of songwriters as the reason for their absence. As a result, four out of five nominees in the Songwriter of the Year category at this year’s Grammys will be opting out of the event. (A representative for the fifth, Edgar Barrera, has not responded to Billboard‘s request for comment.)
Representatives for Allen (“Espresso” by Sabrina Carpenter, “Adore You” by Harry Styles and “greedy” by Tate McRae) and Dillon (“10,000 Hours” by Dan + Shay, “Lies Lies Lies” by Morgan Wallen and “Am I Okay?” by Megan Moroney) confirmed to Billboard that they both made the decision not to attend due to Spotify cutting royalty rates on premium streams for songwriters and publishers in April of last year, which Billboard estimated will lead to a $150 million decrease in royalties over 12 months compared to how much they would have made had the royalty rate not been reconfigured.
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Spotify believes it qualifies for a lower mechanical royalty rate for songwriters and publishers because it has added audiobooks to its premium subscription tiers and reclassified those services as “bundles,” with multiple services included in one price. Now, the royalty originally intended for songwriters and publishers alone is split between paying for music and audiobooks.
“After some thought, I couldn’t in good conscience support this initiative given their approach to bundling royalties,” said Dillon in a statement to Billboard. “It is very nice to be individually honored, but it is better for me and my entire songwriter community to be paid fairly for our art. There are no songs without songwriters.”
A representative for RAYE (“Escapism.” by RAYE, “Dancing With a Stranger” by Sam Smith & Normani, “Secrets” by One Republic) says the singer/songwriter never committed to attending or performing at this event, so “there’s nothing for her to back out of at present,” but adds that RAYE has been “an outspoken advocate on behalf of songwriters’ rights igniting an industry-wide dialogue on the topic.” A representative for Alexander (“Ain’t No Love in Oklahoma” by Luke Combs, “The Climb” by Miley Cyrus, “You, Me and Whiskey” by Justin Moore & Priscilla Block) confirmed to Billboard that she will not be attending the event but did not provide a reason for dropping out.
A representative for Spotify declined Billboard’s request for comment.
Spotify started its Songwriter of the Year Grammy event to celebrate the nominees for the prestigious writing award, which the Recording Academy established in 2023. Each Songwriter of the Year nominee has been invited to take the stage at Spotify party and sing the songs they wrote for other artists in a room full of their peers.
Other songwriters have taken to social media to express their dismay about Spotify’s upcoming event after receiving Save the Dates from the streamer. Songwriter Ross Golan said, via an Instagram Story, “If you are a songwriter, you cannot go to this. Do not let Spotify f— you on bundling and then give you free booze.” A 2023 Grammy Songwriter of the Year nominee Laura Veltz said in her own Instagram Story, “Spotify is robbing you. Songwriters: do not fall for this horse s—.”
In April 2024, Spotify officially added audiobooks as an offering to its premium tiers (which include premium, family and duo plans). By adding audiobooks, the streaming service claimed it now qualifies to pay a discounted so-called “bundle” rate to songwriters for premium, duo and family tier streams.
At the time, a Spotify representative said that “changes in our product portfolio mean that we are paying out in different ways based on terms agreed to by both streaming services and publishers” and called its decision to reclassify premium tiers as bundles as “consistent” with “multiple [other] DSPs.” Other competitors like Apple Music and Amazon Music do have bundled offerings — including Amazon bundling Prime and Amazon Music and Apple bundling Apple Music and Apple News — but Spotify’s move to make its popular premium tiers into bundles has a much larger impact than its competitors, given that Spotify is the most popular streaming service in the U.S. and the premium tiers are a widely used offering.
“Spotify is on track to pay publishers and societies more in 2024 than in 2023,” the Spotify representative added at the time, citing the company’s Loud and Clear report that says the streamer has paid nearly $4 billion to publishers, PROs and collection societies in the last two years.
The National Music Publishers Association (NMPA), The Mechanical Licensing Collective (MLC), and various songwriters did not take the news lightly. The MLC filed a lawsuit against Spotify in May, claiming the streamer “improperly” classified its premium tiers as bundles. The NMPA’s CEO/president David Israelite said Spotify had “declare[d] war” on songwriters and launched a multi-faceted attack that included sending a cease-and-desist for unlicensed lyrics, video and podcast content; unveiling a legislative proposal; and filing complaints with the FTC and nine other consumer trade groups.
Israelite has also voiced his disapproval over Spotify’s Songwriter of the Year party, saying in an Instagram post: “Is this a joke? Spotify declares war on songwriters. Is attempting to gut what they pay them. Is being sued by the MLC. And they think they can throw a party honoring songwriters? I’m at a loss for words. Actually, I’m not. Hubris. Audacity. Crassness. Hypocritical. Cynical. Forward this and add your own word.”
Sony Music Publishing Nashville has renewed its publishing agreement with GRAMMY-winning country singer/songwriter Lainey Wilson. Also a CMA and ACM Entertainer of the Year winner, Wilson is one of the most popular voices in Nashville today with hits like “Watermelon Moonshine,” “Heart Like A Truck” and collaborations with other top talents like Cole Swindell, Jelly Roll and HARDY. Wilson is also known for her role on the hit Paramount + series Yellowstone.
Warner Chappell Music Benelux has signed Australian DJ CYRIL. One of Australia’s fast rising stars in electronic music, CYRIL hit the scene as an instant sensation with 2023’s “Sumblin’ In.” He continued the momentum in 2024 with a remix of Disturbed’s “Sound of Silence.”
Kobalt has signed a global publishing deal with acclaimed Mexican folk artist Kevin Kaarl. From Meoqui, Chihuahua, Mexico, the 24-year-old artist and songwriter already has three albums out to date, and he has done it all independently. Now, Kaarl is putting the finishing touches on his fourth album Ultra Sodade, expected to release later this year.
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Concord Music Publishing has signed Justin Donahue to a global co-publishing agreement. Professionally known as Jung Youth, the singer/songwriter/producer’s deal will include his full catalog and all future works. Over the last few years, Jung Youth has established himself through credits on tracks like NCT 127m Tomee Prott, CHERUB, Social Club Misfits Devon Again and Snow Wife, and he also has his own solo artist project dating back to 2017.
Splice is launching the country music genre in its Create AI tool, which allows producers, songwriters and instrumentalists to easily search for samples among Splices multi-million track catalog to use in their original songs. This tool also uses AI to create stacks of samples from the Splice library that work well together, allowing creatives to kick start the songwriting process in a new, user-friendly way. While AI is used to aid in searching and pairing up sounds, all the samples available in Splice Country (and in Splice overall) are human made. Splice Country samples include performances from Nashville musicians like Devin Malone (Jelly Roll, Carrie Underwood) and Kate L. Malone (Sam Hunt, Emma White)
Story House Collective has launched a joint venture with Essential Music Publishing. As part of the partnership announcement, the two companies have jointly signed songwriter and producer Matt Armstrong, best known for working with Christian hitmakers like Casting Crowns, Passion, Bethel Music, Chris Tomlin and more.
Warner Chappell Music and Ned Cameron have signed Nashville-based talent HALLIE to a global publishing agreement. HALLIE’s work as a producer and songwriter spans many genres, including pop, country, rock, hip-hop, k-pop and more. “I’m thrilled and honored to begin this journey,” she says of the new deal.
Centricity Music has signed Rachel Purcell to an exclusive record and publishing deal. From Muscle Shoals, Ala., Purcell has seen success as an artist, recording under her maiden name, Rachel Wammack, but she is ready to reintroduce herself — this time as a faith-based artist and songwriter. Now that she is fully stepping into the realm of Christian songwriting, she says it has all felt “very divine… The songs would finish themselves before I could even get it all out.”
Kobalt has tapped Rani Hancock to be its new executive vp/head of U.S. creative. In the role, Hancock will lead the company’s creative teams in New York, Los Angeles and Nashville, and she will report to Kobalt’s president/chief commercial officer Jeannette Perez. This marks Hancock’s first foray into publishing after spending her career as a […]
Two-time Grammy winner Dennis Scott is the 15th recipient of The ASCAP Foundation’s Joe Raposo Children’s Music Award. Honoring the best in children’s music since 2010, the award is presented by the family of Joe Raposo, one of the co-creators of Sesame Street and the show’s longtime musical director. “I feel honored to be among […]
BMI honored Graham Lyle with the BMI Icon Award at the 2024 BMI London Awards. The private event, held at The Savoy in London on Monday, Dec. 9, was hosted by BMI president and CEO Mike O’Neill.
As part of the tribute, Rich Soul Ensemble performed a medley of some of Lyle’s most popular songs including “What’s Love Got to Do With It” and “We Don’t Need Another Hero,” both originally performed by Tina Turner, and “Just Good Friends,” originally performed by Michael Jackson and Stevie Wonder.
Upon receiving the award, which was previously announced, Lyle thanked people who have supported him over the years, including his longtime co-writer Terry Britten; his former McGuinness Flint bandmates Hughie Flint and Tom McGuinness; and Paul McCartney. He then played acoustic renditions of “Heart on My Sleeve,” originally performed by Ringo Starr, and “Something Beautiful Remains,” originally performed by Turner.
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“Creepin,” written by Enya, Nick Ryan, Roma Ryan, Carlos “Lo” Jones and Mario Winans, was named London song of the year. This award is given to the most performed song of the previous year in the BMI repertoire by UK or European writers.
“Creepin,’” performed by Metro Boomin, The Weeknd and 21 Savage, reached No. 1 on Billboard’s Hot R&B/Hip-Hop Songs Chart in December 2022 and peaked at No. 3 on the Billboard Hot 100 in February 2023. The song is a partial remake of Winans’ 2004 hit “I Don’t Want to Know,” featuring Enya.
During the ceremony, BMI Million-Air Awards were presented to the songwriters and publishers whose works have achieved the rare feat of surpassing one million broadcast performances on U.S. radio, or multiples thereof. Among the hit songs honored were “Every Breath You Take” written by Sting with 19 million performances, “Another One Bites The Dust” by Queen (10 million), “Here I Go Again,” by Bernie Marsden of Whitesnake (9 million), “I Melt With You” by Modern English (8 million), “Listen to Your Heart,” by Roxette (7 million), “Islands in the Stream” written by Barry, Maurice and Robin Gibb (6 million) and “Someone You Loved,” written by Tom Barnes and Sam Roman (5 million).
Awards for the most-performed pop, film, television, cable and streaming songs were also presented throughout the ceremony. For pop, LiTek and whYJay accepted an award for “Doja” performed by Central Cee; Blush Davis and Chris James were honored for “Like Crazy” by Jimin of BTS; and Ari PenSmith, Believve, Jack LoMastro, Olmo, rayo and Sammy SoSo were presented an award for “Water” by Tyla.
Among the composers honored, Atli Örvarsson won six BMI Network Television Awards for his work on Chicago Fire, Chicago Med, Chicago P.D., FBI, FBI: International and FBI: Most Wanted. Tom Howe received three awards for his work in streaming in both film and TV series categories for The People We Hate at the Wedding and Apple’s Shrinking and Ted Lasso, respectively.
A complete list of 2024 winners will soon be available on the BMI London Awards’ website.
Sony Music Publishing (SMP) has announced the opening of a new office space and creative hub for songwriters in Hollywood. The new location is in the heart of Hollywood’s historic media district and minutes from the city’s old vinyl district. It’s also just down the road from Kobalt and SiriusXM’s offices, making the area a […]
Reservoir has acquired the rights to composer Lebohang Morake, professionally known as Lebo M. Lebo, who is best known for his work on The Lion King franchise. From South Africa, the renowned composer, arranger, producer and performer first broke through as a collaborator of Hans Zimmer, who has also sold part of his catalog to Reservoir, on the soundtrack for The Power of One (1992). He then reunited with Zimmer on The Lion King two years later, writing and performing songs like “Circle of Life” for the legendary Disney film. He has also worked on the soundtracks for many of the subsequent films in The Lion King franchise. This includes his soundtrack for the upcoming prequel Mufasa: The Lion King, which was co-composed by Lin Manuel Miranda. His other contributions to film soundtracks include Dinosaur, Back on the Block, The Life of Quincy Jones, Congo, Long Night’s Journey into Day, Tears of the Sun, The Legend of Tarzan, and The Woman King.
OTM Music has announced new publishing deals with Hemlocke Springs, Erick the Architect and Leon Michels, a touring member of The Black Keys and producer for Clairo, Norah Jones and Lee Fields. The company is also bringing on a new U.S. Head of A&R, Emmy Feldman, to the OTM Music team. Launched in 2017 by CEO Alex Sheridan, OTM Music is a fast-growing boutique publisher that serves a diverse array of songwriting talent, including Sudan Archives, Metronomy, Still Woozy, HONNE, Dot Da Genius and Sub Focus.
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Kobalt has signed rising Latin artist Ela Taubert and her longtime producer KEVN to global publishing agreements. Hailing from Colombia, Taubert announced her deal with Kobalt just a month after winning the Latin GRAMMY Award for Best New Artist and performing her hit “¿Como Paso?” with Joe Jonas at the ceremony.
Warner Chappell Music and All Time Low’s Alex Gaskarth have signed a joint venture publishing agreement with musician, songwriter and producer Dan Swank. Over the years, Swank has played a crucial role in the writing, producing and mixing of releases by Pale Waves, Knox, Taylor Acorn, Mitchell Tenpenny, Charlotte Sands and more.
Berlin-based Bosworth Music GmbH, part of Wise Music Group, has announced the signing of Janus Rasmussen to a global publishing deal. A producer, composer and artist, Rasmussen hails from the Faroe Islands and is based in Reykjavik. An accomplished producer, composer and artist Rasmussen started his career with the Nordic Music Council Prize-nominated debut album “Vín,” which saw him honing his minimal techno chops into an hour-long exploration of acoustic textures and electronic sound design. Aside from his own music, Janus performs alongside Ólafur Arnalds as one half of Kiasmos. Arnalds was also recently signed to the same company.
As 2024 comes to a close, Billboard looks back at the most consequential music publishing stories of the year.