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Rocker Dave Matthews joined the pro-Palestinian protests of Israeli Prime Minister Benjamin Netanyahu as he spoke before Congress in Washington D.C.
On Wednesday (July 24), Israeli Prime Minister Benjamin Netanyahu delivered a speech before a joint session of members of Congress at the U.S. Capitol. His appearance was denounced by a massive crowd protesting the treatment of the Palestinian people during the war in Gaza. They were joined by one notable figure – musician Dave Matthews. He spoke to a reporter from Al-Jazeera during the protests. “I just think it’s terrible when the majority of the world is looking at this man and what he’s doing in Gaza and then also what he’s overseeing in the West Bank and East Jerusalem [and] we’re welcoming [him] into the so-called sacred halls of our government,” he began.
“This has been an ongoing struggle for people that just want to have dignity and be able to live independent lives and dream of a better future,” he continued. “And this man is the pinnacle of the obstacle toward that freedom and that we have [him] visiting the country is obscene. It’s a disgusting show of support for someone that doesn’t deserve our support.” The “Crash Into Me” singer concluded: “I’m ashamed that my tax dollars are going to the brutalizing of an entire people. It’s shameful. And I’m ashamed that our government is welcoming him here.”
Netanyahu’s speech was controversial for multiple reasons. While he praised President Joe Biden initially, he soon turned to heap praise on former President Donald Trump “for all he’s done for Israel.” Netanyahu has long been a supporter of Republican and conservative causes. He also made no direct mention of ongoing efforts led by the U.S. to obtain a ceasefire with the Hamas organization and the release of hundreds of Israeli hostages or that he’d be willing to agree. Netanyahu also denounced the protests on college campuses against him, calling those involved “Iran’s useful idiots.” He also faced opposition from most of the Democrats, with Michigan representative and Palestinian-American Rashida Tlaib holding up a sign reading “War Criminal” throughout his speech.
Netanyahu is currently facing arrest warrants by the International Criminal Court for alleged war crimes against the Palestinians during the conflict, which began on Oct. 7, 2023, with over 1,200 Israelis and 39,000 Palestinians killed in addition to other foreign nationals working with the United Nations and Chef Jose Andres’ World Central Kitchen.
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An Iranian court issued a death sentence to a popular rapper who was jailed for over a year after backing nationwide protests.
On Wednesday (April 24), rapper Toomaj Salehi was sentenced to death by a court in Iran for his support of protests that swept through the country two years ago, according to his lawyer. “Branch 1 of Isfahan Revolutionary Court… sentenced Toomaj Salehi to death on the charge of corruption on Earth,” Salem’s lawyer Amir Raisian said in a statement, adding “that in an unprecedented move, emphasized its independence and did not implement the Supreme Court’s ruling”. Salehi had been imprisoned in Isfahan in solitary confinement after reportedly being violently rearrested by Iranian police last year for 252 days, according to a report from the Office of the UN High Commissioner for Human Rights (OHCHR).
The rapper has been highly critical of the Revolutionary Government in the past and was initially arrested in October 2022 for “assistance in sedition, assembly and collusion, propaganda against the system and calling for riots” after protests over the death in police custody of Mahsa Amini the month before. Amini, 22, was an Iranian-Kurdish woman who had been detained for allegedly flouting the Islamic Republic’s strict dress code for women. Raisian stated that “We will certainly appeal against the sentence”. Iranian state media reported that Salehi’s sentence would be subject to a reduction by a pardoning committee upon appeal. Kurdish-Iranian rapper Saman Yasin was also detained by Iranian police and given a prison sentence after the protests.
The news prompted multiple expressions of outrage. “We strongly condemn Toomaj Salehi’s death sentence and the five-year sentence for Kurdish-Iranian rapper Saman Yasin. We call for their immediate release,” the United States’ Office of the Special Envoy for Iran said in a post on X, formerly Twitter. “These are the latest examples of the regime’s brutal abuse of its own citizens, disregard for human rights, and fear of the democratic change the Iranian people seek.”
Ye-One Rhie, a member of the German Parliament and Salehi’s sponsor, also called for Salehi’s release. “It is still completely unclear how this verdict came about,” she posted on X on Wednesday. “It is unbelievable how irresponsibly and arbitrarily the Iranian regime treats defendants. It is impossible to recognize the rule of law in the chaos of the courts in charge.”
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Student-led protests on college campuses over the Israel-Hamas war in Gaza have led to increased tensions with administrators and arrests.
Protests supporting the Palestinian people in the Gaza region of Israel during the nation’s conflict with the Hamas terror organization on college campuses such as Columbia University in New York City have become highly intense within the last few days. The school is the home of the “Gaza Solidarity Encampment,” erected last week by student protesters. The protests have riled up those for the Palestinians and those supporting Israel, leading Columbia President Dr. Minouche Shafik to initiate hybrid classes for the rest of the semester, which began Monday (April 22).
“Over the past days, there have been too many examples of intimidating and harassing behavior on our campus,” she wrote in a statement, calling for a “reset” due to the Passover holiday and citing the concerns of Jewish students who said that they were being intimidated by the pro-Palestinian protesters and were hit with antisemitic threats. “Antisemitic language, like any other language that is used to hurt and frighten people, is unacceptable and appropriate action will be taken,” Shafik continued. The Columbia Students for Justice in Palestine group issued their statement, saying that they “firmly reject any form of hate or bigotry” and their criticisms are of Israel’s government.
Tensions at the encampment hit a fever pitch over the weekend as the New York Police Department arrested close to 100 protesters at the encampment, with dozens of students at Columbia and Barnard being suspended and barred from school housing including Isra Hirsi, the daughter of Congresswoman Ilhan Omar. Barnard has since offered an olive branch to those suspended, offering to lift them for students, acknowledging many had “not previously engaged in misconduct.” Republican federal lawmakers and Jewish groups, however, are in opposition to these moves and are calling for stricter punishment and protection of Jewish students.
The spirit of the protests has spread to other colleges – New York University and Yale University also saw encampments go up in solidarity with those at Columbia and Barnard. To date, there are encampments of protesters supporting the Palestinian people at 15 university campuses nationwide. Faculty members at New York University and Yale were arrested after police said they denied requests to leave. There is also a growing shift in public opinion, as polls are showing most Americans disapprove of Israel’s handling of the war that began after Oct. 7, 2023.
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Protesters angry over the war in Gaza shut down the Golden Gate Bridge in San Francisco as part of a day of action worldwide.
On Monday (April 15), the famous Golden Gate Bridge in San Francisco, California, became the scene of a major protest by those opposed to the Israel-Hamas conflict in Gaza. Protesters accessed the bridge from the southbound side at 7:30 a.m. local time, blocking the travel lanes on the bridge by chaining themselves to each other, using tubes in what’s referred to as a “sleeping dragon” method. Some protesters held up a banner that read, “Stop the world for Gaza” in capital letters.
The morning commute was brought to a standstill, with law enforcement clearing the protesters and reopening the bridge at 12:15 p.m. Before it was cleared up, traffic was backed up into Marin County on the southbound 101 highway. The California Highway Patrol told members of the press that 26 of the protesters present were arrested for multiple charges, including unlawful assembly, false imprisonment, refusal to comply with a lawful order, resisting arrest and conspiracy.
Some drivers caught up in the traffic jam caused by the protest boiled over into frustration, with one confrontation being caught on camera. “We’re just trying to get home or work, everyone’s just mad,” said one driver, Aung Zin. “I think this is the only way people will listen but at the same time, I wish there was a resolution around it.” Another driver spoke about their frustration as the protests blocked them from arriving for a medical procedure. “I’m headed to the city for stem cell replacement. They’re frozen I have to get there before they thaw. I’m feeling frustrated, I support the right for people to protest but if It causes thousands of people disturbance, it isn’t the right way to go about it,” said Rachel McKim.
The protest was part of A15, a day of action initiating a worldwide economic blockade to display solidarity with the Palestinian people in Gaza who have suffered over 30,000 lives lost and to call for the end of aid to Israel by the United States. It was set for Monday to coincide with it being the final day for U.S. citizens to submit their taxes. Other protests occurred on the Brooklyn Bridge in New York City, as well as at O’Hare International Airport in Chicago and Seattle-Tacoma International Airport.
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New York City Mayor Eric Adams was met with displays of disapproval at a law school graduation, with some publicly turning their backs on him.
Last Friday (May 12th), Sudha Setty, the City University of New York School of Law dean, introduced Mayor Adams to the crowd of graduates and families. As she made note of his record as a police officer, boos steadily rose from the crowd. As he took to the stage to speak, many of the graduates visibly turned their backs on him. Others present at the closed-door event stated that there were more boos and derisive words shouted, with one source claiming to see a couple of raised middle fingers directed towards him.
Adams seemed undeterred by the protests. “We have a lot of challenges, a lot of things that it needs discipline. And just as you see these graduates here, I know what it is to protest,” he said, which was met by yells from the crowd. As he concluded his remarks which at some points were met by applause, he did note the backlash. “We’re watching a clear lack of desire to even participate in healthy dialogue,” he said. “My message today to the graduates,” Adams continued, “my message to those who believe that their beliefs are the only beliefs in a diversified city like New York, my message to you, instead of being a detached spectator in the full contact sport called life, get on the field and participate about improving the lives of the people of this city.”
The protests against Adams, reminiscent of how New York Police Department officers visibly shunned then-Mayor Bill de Blasio at a police funeral, come as he faces high criticism for refusing to condemn the murder of Jordan Neely by a white ex-Marine, Daniel Penny on a subway train. Adams also has been blasted for presenting a city budget that would cut 235 faculty and staff positions from CUNY’s network, which has been rallied against by students and professors.
“He’s committed to carceral discrimination against the poor, even if he was an internal reformer when he was in the police,” said Genevieve Ward, a second-year student who saw a video of the speech. “It’s disingenuous for himself to align his interest in police with the interests of what we’re taught at CUNY,” she continued. “And also just the timing of it, with the killing of Jordan Neely and his absence of talking about it until two days ago.”
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Activists and other social justice groups have begun a planned “week of action” to protest the construction of a project known as “Cop City” outside of Atlanta, Georgia.According to reports, multiple activists and environmental and social justice groups from across the United States have initiated a week of protest actions against the building of a training center complex for law enforcement in a forest area south-east of Atlanta which has been dubbed “Cop City”.
The planned actions come a little less than two months after the death of Manuel Paez Terán, an activist known as “Tortuguita”. Terán was shot and killed by a Georgia State Trooper on January 18th in the midst of a violent raid by a combined force of state troopers, officers from Dekalb County & Atlanta, and the Georgia Bureau of Investigation on a protest encampment in the South Forest area.
Protesters are seeking to block the construction of the militarization and training complex which was launched by the Atlanta Police Foundation. With an estimated price tag of $85 to $90 million, the site would be the largest of its kind in the nation once completed. Many have complained about the environmental impact, as the entire forest is slated to be razed for the project. The planned week of action will include a march among other protests. “The idea is to have a march with Black-led groups, centered in Atlanta history, and the protest movements we’ve always been a part of,” said Community Movement Builders leader Kamal Franklin. A “National Day of Action Against Police Terror” is slated for this coming Thursday (March 9th), with a music festival and a “know your rights workshop” also included in the actions.
These initiatives by protesters are meant to quash the narrative promoted by Georgia Governor Brian Kemp and Atlanta Mayor Andre Dickens that the protests have been dominated by outside agitators bent on violence. On Sunday (March 5th), 35 people were detained by police at the site after a construction vehicle was set ablaze and rocks were being hurled at officers as a protest was taking place. Franklin said to CNN afterward that the arrests were “indiscriminate”, and didn’t represent the majority of those protesting who are from the Atlanta area. “These are big-tent protests. We don’t expect incidents beyond standard civil disobedience. We hope the police will act accordingly and not in violent ways that exacerbate the situation,” he stated.
The current images of Iran on the news and social media are of impassioned protests from a resilient people who’ve had enough of their country’s oppressive Islamic regime. Most recently, the regime’s brutal retaliation methods have taken center stage, yet the Iranian people continue to resist.
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These uprisings, which have rippled across the globe and ignited similar protests among the Iranian diaspora in U.S., throughout Europe and beyond, were sparked by the murder of 22-year-old Mahsa Amini on Sept. 16, 2022. Her death was the result of beatings by the Islamic regime’s morality police, given as a punishment for her insufficient hijab — in this case, her head covering.
In the nearly four months since Amini’s death, the Center for Human Rights in Iran reports the wrongful imprisonment of more than 18,000 protestors and over 500 government-sanctioned murders, including barbaric public hangings. Among the prisoners facing possible execution are doctors, journalists, athletes, actors, directors, poets and musical artists. These include rappers Toomaj Salehi, Saman Yasin and Behrad Ali Konari, who are charged with “corruption on earth,” a capital offense in Iran. Per Newsweek, Yasin was convicted of this crime October, with a petition to save his life garnering thousands of signatures.
Early in the protests, Iranian musician Shervin Hajipour was also arrested for his song “Baraye.” Hajipour took the song’s heart-wrenching lyrics from online messages posted by Iranians speaking about what they are protesting, his emotional delivery resonating whether listeners understood the Farsi-language lyrics or not. In October, Coldplay performed a version of the song with Iranian actress Golshifteh Farahani at the band’s two stadium shows in Buenos Aires. And 95,000 of 115,000 submissions to the Recording Academy for its new special merit award, song for social change, were for “Baraye.” (The Islamic regime forced Hajipour to take down the song — although it lives on via social media.)
Since October, when Hajipour was released on bail to await trial, there has been no news on the musician’s whereabouts. Still, “Baraye” is the movement’s unofficial anthem — and is sung at global Iran protests, which continued this week (Jan. 8), as thousands of people marched in solidarity in London, Lyon and Rome.
This Iran of today stands in sharp contrast to the Iran of less than 50 years ago. At that time, under the rule of the country’s monarch, or shah, Iran was thriving in industry, healthcare and education. It was a progressive country becoming a player on the global stage — yet there was dissatisfaction among Iran’s lower classes.
Tapping into this longstanding discontent, the Islamic Revolution took place over the course of less than three months. The Islamic Republic of Iran was established by referendum on April 1, 1979. Overnight, the country rewound back 1,357 years to the time of the Prophet Muhammed and fundamentalist Islamic laws. Gone were all the entertainment venues. Artistic voices were silenced. Women were required to shroud themselves. The excitement of having a new regime that promised freedom of expression was quickly replaced with cowering fear.
As hardstyle queen Lady Faith puts it, “On one hand, you had so much history on display at all times, a representation of an advanced cultural history full of color and happiness. On the other hand, you have a regime that did everything in their power to cover the people in darkness, stamp out individual lights and force an entire population to live in the past.”
Many families fled the country, including that of house music stalwart Dubfire, who left with his family during the Islamic Revolution when he was seven years old, settling in Washington D.C. Dubfire – who won the Grammy for best remixed recording (non-classical) in 2002 – didn’t get immersed in Western music until he moved to the U.S., but was always drawn to the “atmosphere and sonic power” of traditional Iranian instruments.
Other families, like that of Faith, remained in Iran. Faith was born after the Islamic Revolution and grew up surrounded by art, in the form of the music and fashionable creations of her clothing designer mother, both of which were hugely influential on her. While she was gestating as an artist at home, nonconformist Faith was a misfit at school and a target for the morality police. In part to protect Faith’s safety, her family eventually moved to Portland. Her songs “Speak My Mind,” “We the People” and “Different” carry direct links to her teenage experiences in post-revolution Iran.
Up-and-coming producer Starfari, on the other hand, was born and raised in the U.S., long after the establishment of the Islamic regime. He visited Iran for the first time when he was 16, experiencing the country as a tourist.
In many ways, the oppression of the Islamic Republic has impacted these artists and their styles, with electronic music functioning as both a release for their challenging experiences and as a platform to pay homage to their homeland. Here, the three discuss how this heritage has helped shape their work, along with their feelings about the current protests.
What are your thoughts and feelings about what’s been happening in Iran since Mahsa Amini’s murder?
Starfari: My thoughts and feelings are mixed. I think it’s horrible what’s happening now, and especially what’s been happening the last 40 years, but I think it’s incredible that people are coming together to fight for what they believe. It’s surprising and remarkable how the people have held up, worked together, helped each other, and stayed resilient through it all. They’ve had enough. They have nothing to lose. The courage of the people of Iran should be praised. Since the beginning, I was optimistic that the people would be successful — even though my older relatives and parents weren’t. Regardless, Iran will never be the same.
Dubfire: Even though I never returned, I still feel a strong connection to my birthplace and people. Like most Iranians scattered around the globe, I too feel incredibly inspired by the brave youth, especially women, who are leading the movement for change. Their slogan “Woman, Life, Freedom,” as well as the protest song, “Baraye,” by Shervin Hajipour, has captured the hearts and minds of Iranians and non-Iranians the world over, including many of my artist friends. While the resistance to the Islamic Regime is not a new topic in Iran, the sheer energy and intersectionality of this current movement — along with the immediate access to online information — make it the [Iranian people’s] most promising crusade for change to date.
Lady Faith: The world is so colorful these days, and this Iranian regime is working overtime to keep its population isolated from having dreams and believing their lives could be better. This regime is determined to impose their will on everybody, because without the suppression, freedom for the people ends their corruption. Change, however, is inevitable sometimes.
Dubfire
Esteban Starfish
What are your impressions of the musical artists that have been arrested by the Islamic regime?
Dubfire: I was not familiar with any of these artists prior to the protests. Toomaj had previously been jailed [Salehi was arrested in September 2021 for speaking against the regime], yet he had the courage to once again openly criticize this regime from the streets of Iran. Despite the regime’s attempts to silence these pivotal artists, what we are witnessing is the opposite effect: They have been propelled into the international spotlight and are fueling much stronger opposition to this regime and its atrocities.
Lady Faith: One of the most effective ways to communicate is through music, and great Iranian artists such as Shervin and Toomaj have done just that. The Iranian regime knows the power of music to a population that wants to dream of a better future. Music is more powerful than guns, batons, pepper spray or even the most fearsome Basiji.
“Baraye” has received global attention including a 2023 nomination for the special-merit best song for social change Grammy. What do you think it will mean for Iranians across the globe if it wins?
Dubfire: Music has always been in part political, and so I’m thrilled to see Shervin’s beautiful and haunting “Baraye” resonating with so many people around the globe. As an Iranian Grammy-winning artist myself, I feel proud that his protest song has flooded the organizations’ submission box in an important new category, which is bound to be a highlight of all future awards and will undoubtedly embolden the revolutionaries in Iran.
Lady Faith: A Grammy for Shervin will be a powerful acknowledgment by the Western community of our struggles and sacrifices. Global attention will bring about change.
Starfari: It would show that the power of art extends beyond just personal enjoyment, to its strength in providing a lasting human connection around the world. It will also show that the music and art world stand in solidarity with the people, most importantly the women, of Iran.
What are some of your own experiences in Iran?
Dubfire: Most of what I recollect from those early childhood years [is] a bit hazy, but I was very happy and free, surrounded by the love I felt around my extended family. Our gatherings always involved the most lavish display of Persian cuisine one could imagine, and poetry readings backed by live instrumentation.
I have scattered memories of the revolution. My mother worriedly turning off all the lights in our home and holding my brother and I in the darkness while peering out at the madness in the streets. The fires, marches, chants and random acts of violence on full display. And me yearning for my father’s protection, absent at the time, as he was pursuing his doctorate in Washington, D.C.
Lady Faith: I was born in Tehran and the Islamic Republic of Iran is all I had ever known. It was adherence to a strict interpretation of Islamic law. For me, this was life as normal, but for my parents, it was a transitional time where everything changed and there was societal pressure to conform.
I developed a pretty rebellious spirit. It wasn’t long before I attracted the attention of the morality police, or Basij. These radicals, either plainclothes or covered in head to toe, were constantly chasing me and my friends. It was a lifelong game of hide-and-seek. I was never caught, but for those that were, the punishments were severe. I personally was threatened at gunpoint for playing Metallica within earshot of the Basij. It’s sad that almost every group of Basij had a conservative female or two with them. Women suppressing other women. Shameful!
Starfari: [When I visited], Iran had a much more somber feel at times than the photos. It was cold and rainy in Tehran. There were soldiers on many corners wielding automatic weapons. The energy I felt in homes of friends and family and in restaurants or out and about from the people was warm and welcoming. The people of Iran are how I had expected, at least the ones I met. I even went snowboarding! It seems to surprise people that Iran isn’t a desert.
Lady Faith
Courtesy of Lady Faith
What was it like assimilating to American culture? How did music help you in that process?
Dubire: The biggest challenge for my parents, brother and I was that we suddenly found ourselves in a strange and unfamiliar place, isolated from our relatives, most of whom stayed behind. Soon after, we were subjected to a great deal of hostility due to the prevailing hostage crisis. Intense images of Ayatollah Khomeini and his followers chanting “Death to America” were all over the media, and we watched in horror as life back home became even more foreign to us. And though we didn’t really feel welcome in our new home, we had no choice but to stay and rebuild our lives from scratch.
This was especially hard on my parents who had to work odd, low-paying jobs and long hours. Since I didn’t speak the language, I spent a great deal of time expressing myself through drawing, which in later years extended to photography and music. I quickly realized that I had a deep passion for the creative arts.
Lady Faith: The journey was not easy. It was a complex time, and music became my salvation. I had a passion for heavy metal and gangster rap, and while my family was very musical, these styles were taboo in Iran. I would listen with my friends behind closed doors. Music helped blunt the transition from the negative and colorless things that surrounded me wherever I went out in public. I was particularly rebellious during my teenage years. I am so lucky that my family was able to bring me to America. I truly understand the suppression going on among the youth and females in Iran. It breaks my heart to see their struggles.
Starfari
Priscilla Anne
Have the uprisings in Iran and the murders of Iranian people by the Islamic regime served as inspiration for you to create anything of your own?
Dubfire: Yes of course, but perhaps there is a different angle or approach I can take, musically speaking, which isn’t obvious and would resonate deeper into the fabric of the global electronic music community to galvanize the masses towards a specific goal. I will actually find out once I dive back into the studio [early this year.]
Lady Faith: The situation in Iran right now is very stressful and has great impacts on all Iranians. It is a cause that is very important, and I am still processing my feelings. When the time is right, I will consider making a musical contribution to the cause — but right now I do not wish to make any promises to my fans that I may not fulfill.
Starfari: I think what’s most important as far as my involvement in providing a response is my connection to people here in the States. When they can see something they have a connection to, it’s easier to make the horrors be more tangible.
What is your hope for the future of Iran?
Lady Faith: I hope and pray that there is major change in Iran, where its amazing people can become individuals living their own lives how they want and are allowed to dream of things that are not forced upon them. I have been blessed to be a part of the American society where freedom is something we take for granted — but I have lived in both environments, and I truly hope that more Iranians get to experience just a touch of what we get to take for granted.
Dubfire: We can all contribute by shining a spotlight on, and echoing the voices of, the brave protesters in Iran who are risking their lives for basic freedoms and democracy.
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