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Sam Smith’s tour in support of his forthcoming fourth studio album, Gloria (via Capitol), will have a 2023 swing Down Under.
The superstar British singer and songwriter adds arena dates in five cities, kicking off Oct. 28 at Adelaide Entertainment Centre in South Australia.
Produced by Frontier Touring, the Australasian leg of GLORIA the tour travels to Rod Laver Arena, Melbourne; Qudos Bank Arena, Sydney; Brisbane Entertainment Centre; and skips the Tasman for a concert Nov. 11 at Spark Arena, Auckland.
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Smith made something of a reconnaissance trip to Adelaide last week, the first stop on their next tour to these parts. South Australia Tourism hosted the “Unholy” singer for a winter sun escape, during which Smith cuddled a koala, met with local media and performed a one-off exclusive winery show at d’Arenberg Cube, at McLaren Vale.
“It’s so good to be back after so long,” they told the gathering of 300 VIPs and competition winners, after opening with “Stay With Me.” “Are you pissed yet?” Adelaide, the so-called City of Churches, they enthused, is “so beautiful. I can’t believe it. It’s like Italy. It’s stunning.”
Australia and NZ will cap a full run of dates across the U.K., Europe and North America, slated to start April 23 at Motorpoint Arena in Sheffield, England.
Work has begun on the marathon that awaits.
“I start rehearsals in March,” Smith tells Billboard. “I’m starting to prep now, really. I’m starting to watch what I eat, what I’m drinking, starting to move my body more, train my voice, just getting ready for the year ahead.”
On this occasion, “I’m not doing as many gigs this time as last time, when I hit nearly 130 gigs. That was really intense. We’re doing a little less, keeping an eye on my mind and my body.”
With Gloria, which is due out Jan. 27, Smith is four albums deep into a career that has yielded four Grammys, three BRITs, a Golden Globe, one Oscar, some 50 billion multi-platform streams, and a coveted James Bond theme.
Smith knows what to expect from the road ahead. “I think I’ll always feel fatigued after a tour, it’s an intense job. The jetlag and the adrenaline crash you go through every night when you walk off stage, it’s very intense. I plan my breaks, so it’s not going to be impossible. It’s just about getting used to jetlag. Every time I do it, I know how to look after myself more and more.”
Gloria, the followup to 2020’s Love Goes, features the previously-released singles “Love Me More,” “Gimme” and the Kim Petras-assisted hit “Unholy,” which logged a single week atop the Billboard Hot 100 last October. “Unholy” is nominated for best song at the 2023 Brit Awards.
Smith’s three studio albums all crashed the top 5 on the Billboard 200, with 2017’s The Thrill of It All hitting No. 1.
Maren Morris got emotional as she fulfilled a “decade-long dream” of serving as a guest judge on RuPaul’s Drag Race.
The country star appeared on Friday’s (Jan. 13) episode of the series and that night tweeted: “I’ve done some cool s—. #DragRace is rivaling it all. Getting my jacket framed next to my Grammy. It is DONE.”
In a post-episode Untucked clip, Morris was teary-eyed as she spoke from her heart to the room.
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“Coming from country music and its relationship with LGBTQ+ members, I just want to say I’m sorry,” Morris said. “And I love you guys for making me feel like a brave voice in country music. So I just thank you guys so much for inspiring me.”
“I’m gonna cry,” she admitted.
In August, Morris showed her allyship when she called out the “unapologetically conservative” wife of Jason Aldean, Brittany, who spread hurtful anti-trans misinformation on her Instagram account. When Brittany called gender-affirming care for minors “one of the worst evils,” Morris and Cassadee Pope jumped in with comments, with Morris calling Aldean “Insurrection Barbie” and telling her to “not be a scumbag human.”
When Fox News’ Tucker Carlson called Morris a “lunatic” for her comments, the singer created T-shirts that read “lunatic country music person,” and later donated more than $100,000 worth of proceeds to GLAAD’s Transgender Media Program and Trans Lifeline.
In November, Morris spoke out against Candace Cameron Bure for her plans to“keep traditional marriage at the core” of content on her new network, Great American Family. Morris commented “Make DJ Gay Again,” a reference to Bure’s most famous role as Full House‘s DJ Tanner.
“We love an ally! So grateful @marenmorris stopped by #Untucked to support our Queens with this heartfelt message,” the official Rupaul’s Drag Race Instagram account posted on Saturday (Jan. 14).
Watch Morris’ Untucked clip below.
As you continue to work on those New Year’s resolutions, why not soundtrack them with some fabulous new tunes from your favorite queer artists? Billboard Pride is proud to present the latest edition of First Out, our weekly roundup of some of the best new music releases from LGBTQ artists.
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From Sam Smith’s sexed-up new single to Vagabon’s infectious new track, check out just a few of our favorite releases from this week below:
Sam Smith feat. Koffee & Jessie Reyez, “Gimme”
Innuendo is cool and all, but Sam Smith is ready to be a bit more overt with their latest track. “Gimme,” the latest offering from the singer’s forthcoming album Gloria, is a sensual, tropical slow-burn that will make you want to move your hips from the moment you press play. The wordplay on display in the new track marks new territory for the “Unholy” star, as they croon about voyeurism, taking things slow, and playfully requesting that “I need you to come … closer.” They’re joined by Jessie Reyez, offering an instantly hypnotic hook, and Koffee, whose verse gives us a new flavor with the same saucy message.
Vagabon, “Carpenter”
Growing up means taking accountability, and Vagabon is doing exactly that on her delectable new track. “Carpenter,” singer Laetitia Tamko’s first new music in three years, sees her at her most grown, taking accountability for the mistakes of her youth and giving herself permission to move on. The production, meanwhile, refuses to be pinned down, as Tamko and Rostam Batmanglij craft a pitch-perfect vibe through a truly delicious, bass-driven melody that, mixed with a scattered drum beat, makes for one of the most infectious tracks of Vagabon’s career.
May-A, “Sweat You Out My System“
May-A’s ready for a new chapter, and “Sweat You Out My System” is the perfect palette cleanser for her. The new, pop/rock-meets-semi-rap track brilliantly recontextualizes the indie-pop stylings fans have grown accustomed to from the Australian phenom. Where old songs tended to step back, May-A now leans all the way in with punchy guitars and blown-out drums. Her lyricism remains top-shelf, as she lets her ex know that she’s done, singing, “Now I’m itching in my skin because I can’t forget the feeling/ And I’m living in the sin of what I cannot ignore, before.”
Dreamer Isioma, “F–k Tha World”
Rebuking the cosmic reality of our existence has never sounded quite so fun. Dreamer Isioma’s undulating new track “F–k That World” may participate in the nihilism that its title suggests lyrically (“It’s all gonna blow up anyway,” they aptly point out), but it lets you enjoy the ride towards oblivion all the same, courtesy of some very groovy production on their part. If you’re not in the mood to be told how everything’s going to turn out fine, but you still want to enjoy your weekend, then “F–k That World” is required listening.
Xiu Xiu, “Maybae Baeby”
The word “haunting” sometimes gets thrown around to describe certain styles of song — so Xiu Xiu wants to make sure that you know what “haunting” actually sounds like. “Maybae Baeby,” the new single from the experimental indie act, is a fascinating study in the macabre — designed to unsettle rather than be “understood,” this disquieting song never lets go of your throat. As you listen to the trembling, cacophonous bass that permeates the track and the jumbled voices trying to communicate with you, don’t be surprised if you start to feel that spine-tingling dread that comes with any good horror movie. That’s the point.
Mya Byrne, “It Don’t Fade”
In need of a pick-me-up? Mya Byrne is here to help — “It Don’t Fade,” Byrne’s new track, is a ray of light at a time where things can often feel a bit dark. The flaring guitar licks and simple drum pattern give this song a steadiness and ease that feels almost as soothing as the gorgeous alto tones of Byrne’s voice, as she asks that you look for the silver linings where you can. In short, “It Don’t Fade” is exactly the “just keep going” anthem we could all use right now.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
When it comes to getting what they want, Sam Smith isn’t relying on euphemisms anymore.
On Wednesday (Jan. 11), Smith unveiled their latest single “Gimme,” featuring Jamaican reggae-rap star Koffee, and Canadian R&B singer Jessie Reyez. Bouncing with a dancehall flair, the track lays the lusty vibes on thick before Smith can even deliver such saucy lines like “Your eyes on my dun, dun-dun-dun/ I need you to come … closer.”
Reyez shines on the already-addictive chorus, and Koffee’s rapid-fire reggae verse gives the song a jolt of extra life, allowing Smith to shoot their otherworldly voice into the stratosphere on the final chorus. “Voyeurs are watching us/ Giving me such a rush,” the star sings alongside Reyez. “When I’m crazy and drunk on love/ Gimme what I want.”
In a statement released alongside the new single, Smith called the new song “filth,” saying that they wanted to be able to represent their sexual perspective on a track. “I’m a sexual person, I like sex. It’s something I’m teaching myself to not be ashamed of,” Smith said. “Me and Jessie were basically drunk, drinking whisky in Jamaica, two in the morning, running around absolutely wasted, like two girlfriends having a laugh.”
“Gimme,” like its chart-topping predecesor “Unholy,” comes on the heels of a push for the song on TikTok, where Smith shared a few snippets of the track. Eventually, fans began to create their own dances to the track, specifically timed to Reyez’s hypnotic “gimme gimme gimme” refrain as they shook their booties on camera.
The new song is latest off of Smith’s forthcoming new album, Gloria. Due out Jan. 27 via Capitol Records, the new album promises to be a new take on Smith’s well-established sound. “It feels like emotional, sexual and spiritual liberation,” Smith said of Gloria in a statement. “It was beautiful, with this album, to sing freely again. Oddly, it feels like my first-ever record. And it feels like a coming of age.”
Check out Sam Smith’s “Gimme,” featuring Koffee & Jessie Reyez below:
The engines have officially started, and with them, our first contestant of RuPaul’s Drag Race season 15 has crossed their finish line.
The two-hour premiere episode of the now-MTV-helmed franchise saw a record number of queens (16 of them!) enter the work room for the first time, as they sized up their competition — in some cases, quite literally measuring the length of their wigs.
As has become custom in seasons past, the premiere challenge saw the queens vying against one another in an all-out talent show extravaganza. Thanks to her tae kwon do-chopping, duck-walking, comedy-fueled lip sync performance, Las Vegas star Anetra took home the very first challenge win of the season.
Meanwhile, Seattle’s premiere “alien queen” Irene DuBois found herself in the bottom after a less-than-stellar comedy tutorial for making ice water, as did Connecticut queen Amethyst following her underwhelming lip sync to Lisa Stansfield’s “All Around the World.” Facing off in a fiery lip sync to guest judge Ariana Grande’s hit single “7 Rings,” Amethyst eked out a victory, making DuBois the first eliminated queen of the season.
DuBois chatted with Billboard following the airing of the premiere about her time on the show, getting to meet Ariana Grande, joining the legendary sisterhood of the First Eliminated Queens, and the thrilling conclusion to the work room drama dubbed “40-Inch-Gate” by Twitter.
Irene, you did it, you premiered on Drag Race! How are you feeling after watching the episode?
Honestly, watching myself on television has probably been one of the most cringe-y moments of my entire life. Being knocked off first might have been the best thing that could’ve happened for me.
I was going to say, the First Eliminated Queens has become this almost mythical group to be a part of — so if there’s a good time to go, it’s first.
Not only am I now a part of a legendary group of girls — the PorkChops, if you will — but I don’t have to watch myself on TV anymore. [Laughs.] I will say, I have won more money than any other first out in history, so I will be taking that $2,500 and buying a finale outfit.
Well, Irene, I want to get the most important question of our interview out of the way up top —
I swear to God, if this is about the 40 inches, I’m going to lose my mind.
… Okay, but did you ever get to the bottom of how long Luxx’s wig was?
Look, I’m gonna say one thing, and then we’re going to put this issue to bed, for good — that wig was 32 inches long. Absolutely nothing against my sister Luxx, because here is what I have come to learn about Luxx; the laws of physics that guide the reality that the rest of us live in are not the same laws that govern the world of Luxx Noir London. Her reality is its own specific dimension, and in that dimension, that wig is 40 inches. I can’t take that away from her, I don’t have that power, I’m not a god.
If you ever manage to make it into Luxx’s world, you will see what she sees. For the rest of us out here, we can appreciate a 32-inch wig. It’s a beautiful wig, by the way, and she looks gorgeous in it. We don’t judge a wig’s value by its inches.
But I do appreciate that this ended up becoming a very real conversation on the show, because you are a very funny queen who uses playful shade to sort of bond with the girls around you — have you found that art is lost on more people now?
I think that we live in a culture where, rightfully so, we are very vigilant about making sure that people are not being taken down for things like weight, race, age, sexuality. That’s important. I think some people might swing the pendulum a little too far in that direction, and try saying that we can’t make a joke at anyone’s expense, period. Obviously that’s not true, I just like to make sure the jokes are at people’s expense and aimed towards things that they are in control of — things like their drag, the things they’ve made an active choice about. If it’s something you haven’t made a choice about, I’m not going to touch it.
I think I know how to read a room pretty well — just because people don’t like the jokes I’m telling doesn’t mean they’re offensive jokes, and that’s also important to keep in mind! Also, if you are racist or homophobic or transphobic and you think I’m funny, f–k off. I’m not making jokes for you.
There’s so much to talk about from the episode — let’s start with the big gag of Ariana Grande entering the work room dressed as Vivacious and then guest judging. What was you experience working with her as a guest judge like?
I have not met many celebrities at her level — she’s more than A-list at this point, she’s like A-A-list. She is maybe one of the most humble, down-to-earth, genuine people I have ever interacted with in my life. That person is exactly who she portrays, she has such true genuine appreciation for what it is that we’re doing, she made eye contact with all of us, she took the time to get to know us. She was on the work room on camera for probably, what, two minutes? She was talking to us for at least 15 minutes — so lovely, and it almost felt like she was more starstruck than we were.
It was also very clear, as you said, that she not only appreciated what you were doing, but had a very clear, deep understanding of how it works — both drag and Drag Race.
Oh, she fully gets it, and she loves it. She’s not just some average Drag Race watcher; you could tell that she really wanted to be a part of this world. Straight-A’s for Ms. Ariana.
Let’s talk about the talent show. I appreciated that you chose to take a risk in the talent show with a tutorial on making ice water — how much of you choosing to do the ice water bit was you trying to stand out from queens who were lip-syncing?
Oh, at least 100 percent, if not 200 percent. [Laughs.] I can lip-sync — I can’t lip-sync to “7 Rings” apparently, but I can lip-sync very well—
Well, hold on now, let’s be clear — that was a phenomenal Lip Sync For Your Life, and it felt like it could have gone either way for a good two-thirds of it. You did great.
Well, thank you. There were plenty of songs they gave us on our iPods that we could have done, and it wouldn’t matter who I was up against, I could have sent them packing. That song was not one of them. But all of that is to say, I am a lip sync artist, it is what I do in my act five shows a week.
This moment is the one time where I get the choice to do something other than a lip-sync. So, why would I choose to do the thing that I do all of the time? I mean, now I know why, because the other option sent my ass home, so maybe a lip sync would have worked. I just thought that I’d get points for originality, but they were not awarding those points on that night.
You mentioned on the runway that this is normally a much longer bit that had to be cut down to fit the show. What were some of the parts of that act that you wish you had kept?
I was shocked that I was able to get as much in as I did, to be honest. Part of what makes the act work is that it’s a slow burn — something like making a glass of ice water should take about 15 seconds, and I usually draw it out to about five minutes, and there is a lot of comedy that comes with that. There’s also several bits about where you can find things like water or ice, and with those asides you can kind of convey the tone of the piece and sort of illuminate my perspective. You add little jokes in like, “Make sure your water doesn’t contain lead,” “make sure you get some ice before this planet doesn’t have any left,” on and on.
It kind of reminded me of a performance from the incredible Chicago queen Aunty Chan, where she also just takes a very simple concept and milks it — instead of lip syncing, she plays an instrumental Christmas song, and rings a bell like a member of the Salvation Army until people start tipping her.
I have seen the act, I love Aunty Chan. That idea of breaking the mold of what a drag performance is going to be is what I’m interested in doing with my art. That’s why I’m such a fan of Aunty Chan’s, to be honest. Whether or not it got me sent home, I am very proud to have brought a piece of that to the main stage.
Before you go, Irene, what can fans hope to see from you in the near future?
Generally, I am a queen who is very focused on look, I put a lot of work into the visual aspect of drag. I would encourage folks to make sure they’re tuned to my Instagram, because I will be dropping my looks for the show — I will say, if you liked the first runway, you will be obsessed with the rest of them.
Do you feel that chill in the air? It’s either the dropping temperatures … or a new single from pop princess Kim Petras.
In a series of posts across her social media, Petras began teasing her latest, publicly-untitled new single. Beginning on Saturday (Jan. 7), Petras began dropping snippets of the track online, building up fan anticipation for her new song. In one TikTok clip (captioned “Beat so cold I got hypothermia”), the pop star can be heard singing, “Why don’t you take it all to me/ If you think you’re so cold” over crunching hyperpop production.
Petras kept the theme going, posting a video of a spinning snowflake icon captioned “it’s cold in here,” while gentle strings give way to that same industrial beat in the background. Finally, on Monday (Jan. 9), Petras shared a blurred and pixelated image of herself on Twitter, with the caption “new_banger: loading…” next to a pre-save link to the track.
The pop singer has plenty of reason to be building up a new release. After years slowly earning mainstream recognition in the industry, Petras recently broke through thanks to her featured slot on Sam Smith’s wildly successful single “Unholy,” which climbed back up the charts to No. 2 this week, only behind Taylor Swift’s “Anti-Hero.”
Speaking to Billboard about her record-breaking turn on the track, Petras made it clear that she was ready for the next phase of her career to begin: “I’ve spent so long in this industry, and I feel like the music industry in general is just this weird game that people play, and it feels awesome to actually have success with an artist I adore,” she said previously. “That’s been a really authentic journey for me, coming along the way that it did.W
Check out the teaser’s for Petras’ forthcoming new single below:
It’s been 39 years since Bonnie Tyler first announced that she was waiting for her white knight, and Adam Lambert is done biding his time.
On Monday (Jan. 9), Lambert unveiled the official music video for his cover of Tyler’s “Holding Out For A Hero.” Bringing his version’s glam-rock stylings into the video, the Jordan Rossi-directed clip sees a disguised Lambert and a group of bedazzled helmet-wearing backup dancers start their performance of the song in a liminal, all-white space.
It doesn’t take long for Lambert to shed his sunglasses revealing a full-face of glittering makeup — and as he sings about needing to be saved by a hero, the singer instead takes on the role of the savior by removing the helmets from his backup dancers, allowing them to express their truest selves. By the end of the journey, a kilt-wearing Lambert is joined by an ensemble of queer performers, rocking out to the moody rendition of the track.
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“Holding Out For A Hero” is just one of the covers set to appear on Lambert’s upcoming new album High Drama. Due on Feb. 24, the album will see Adam covering classic rock artists like Culture Club, Noel Coward and Ann Peebles, while also offering his takes on more contemporary music by stars like Sia, Lana Del Rey, P!nk and Billie Eilish. His last single to be released off the album saw Lambert taking on an haunting version of Duran Duran’s 1993 hit “Ordinary World.”
Check out Lambert’s official video for “Holding Out For A Hero” above.
For fans of Sam Smith anxiously awaiting the release of the singer’s hotly anticipated album, fear not: They’re here to give you what you want.
On Saturday (Jan. 7), Smith announced that their latest single “Gimme,” featuring Koffee and Jessie Reyez, would be dropping on Wednesday, Jan. 11. Teasing the new track on Instagram and TikTok, Smith also shared a snippet of the song’s infectious chorus, with them and Reyez singing the word “gimme what I want” over an undulating tropical beat.
Fans of Reyez will also be excited to know that this is not the only time the R&B star will be appearing on Smith’s new album Gloria — the singer is also credited as a featured artist on the song “Perfect.” Reyez was also announced as Smith’s special guest for their upcoming U.S. tour, which will see them hit arenas around the country this summer.
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Gloria, which drops on Friday, Jan. 27, is marked to be something of a breakthrough for Smith in terms of songwriting and production. Speaking to Billboard for our August cover story last year, the star said that fans can expect to hear Smith’s “first non-heartbreak album,” and that the project was centered around the concept of queer joy. “I think joy for me, and for a lot of queer people, is quite a dangerous place,” Smith said “We’re all masters of pain, and I think it’s actually a very courageous act to step into the queer joy of it all.”
“Gimme” is out everywhere on Wednesday, Jan. 11. Check out the announcement and song teaser below:
RuPaul’s Drag Race is back for another lap! Season 15 of the hit series premieres on VH1 on Friday (Jan. 6) at 8 p.m. ET.
Ariana Grande will join as a guest judge for the two-episode season premiere, while Michelle Visage, Carson Kressley and Ross Mathews return as mainstays and Ts Madison is a rotating judge this season.
With the finale just hours away, fans can still catch up on their favorite queens just in time for the new season. See below for how to watch and stream RuPaul’s Drag Race online.
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How to Watch RuPaul’s Drag Race All Stars Season 15
Althrough previous season of RuPaul’s Drag Race have aired on VH1 and Logo, the new season will broadcast exclusively on MTV and stream on MTV.com.
Can I Watch RuPaul’s Drag Race for Free?
Yes! If you don’t already have MTV through a cable, satellite or a streaming subscription, sign up for a free trial to Philo for just $25/month after your first free week.
Philo, which offers more than 60 channels and unlimited DVR, is currently offering a seven-day free trial here, so you can stream RuPaul’s Drag Race and more. Want to save on your streaming bill? T-Mobile has a deal that gives you an even deeper discount on Philo for a year.
Philo $25/month
You can also find a free trial through Fubo TV, Direct TV Stream and Verizon Fios. Other ways to watch and stream Ru-Paul’s Drag Race: Hulu + Live TV, Sling TV and Verizon Fios.
Additionally, the newest season of RuPaul’s Drag Race will be available to stream on Prime Video along with the previous seasons that you can stream right now and on Vudu.
How to Watch All Seasons of RuPaul’s Drag Race and RuPaul’s Drag Race All Stars
RuPaul’s Drag Race and All Stars are available to stream online via a number of streaming services, such as Philo, Paramount+ and Hulu.
Not familiar with Paramount+? The ViacomCBS’s streaming service launched in 2021, replacing CBS All Access. When you sign up for a 30-day free trial to Prime Video, you can also get a seven-day free trial to Paramount+ that will be billed through your Amazon Prime account.
New Hulu subscribers can choose between Hulu with or without ads to watch RuPaul’s Drag Race online. Alternatively, the Hulu + Live TV package offers customers 85+ live channels, including MTV. Sign up for Hulu here.
Who’s on This Season of RuPaul’s Drag Race All Stars?
This season’s queens vying for the ultimate title of “America’s Next Drag Superstar” and a grand prize of $200,000 include Amethyst, Anetra, Aura Mayari, Irene Dubois, Jax, Loosey LaDuca, Luxx Noir London, Malaysia Babydoll Foxx, Marcia Marcia Marcia, Mistress Isabelle Brooks, Princess Poppy, Robin Fierce, Salina EsTitties, Sasha Colby, Sugar and Spice.
Happy New Year! Celebrate everything 2023 with some new releases from some of your favorite queer artists this week. Billboard Pride is proud to present the latest edition of First Out, our weekly roundup of some of the best new music releases from LGBTQ artists.
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From Sigala & MNEK’s thumping new single, to a whole new album from the Queen of Queens RuPaul, check out just a few of our favorite releases from this week below:
Sigala & MNEK, “Radio”
It may be the dead of winter, but British DJ Sigala and singer-songwriter extraordinaire MNEK are ready to give you pure summer vibes on their new track. “Radio,” the latest single to come off of Sigala’s upcoming album, bounces with a French disco flair and a deep house beat, while MNEK’s signature silky vocals glide over the beats, singing about wanting to be with someone based the the song they’re jamming out to. Sure, it’s cold outside, but that’s no reason to not dance like it’s the summertime to this absolute banger.
RuPaul, Black Butta
Whenever RuPaul debuts a new album, she tends to lean into one flavor of her ever-changing style. On Black Butta, the flavor-of-the-year is pure R&B ecstasy — Ru largely doesn’t aim for the burn-the-club-down highs of past hits like “Sissy That Walk” or “Supermodel (You Better Work),” but instead goes for a more tender, sensual vibe. That manifests itself well, as Ru lets her voice croon on standouts like “A.S.M.R. Lover,” while occasionally going for bigger moments, like with the titular rap track.
Joesef, Borderline
Simply put, singer-songwriter Joesef is at his career-best with his latest EP. Borderline serves largely as a quiet collection of separate heartbreaks, as Joesef’s incredibly fine-tuned vocal gives you a first-person tour of his broken heart. That’s particularly true on the project’s title track, in which the crisp clear vocal contrasts perfectly with a blurrier guitar line, Joesef is at peak performance, as he sings, “Baby hold me close cause I don’t want to fight/ Cause I want you all the time.”
Kamaiyah, “Thru the Week”
Looking for a thesis statement for your 2023? Rapper Kamaiyah is here to offer you some assistance on “Thru the Week,” a bouncing rap track dedicated to chasing dollar bills and putting toxic people behind you. The rapper’s vocals and flow remain as sharp as ever, while the grooving production keeps you bouncing in your seat as you bob along to this declaration of unfiltered confidence.
Hyphen Hyphen, “Own God”
French electro-pop trio Hyphen Hyphen are ready to lean into their pop-rock roots on their newest single. With a shimmering guitar hook and delicious bassline, “Own God” is the perfect spark for those in need of a mood boost as we face down the New Year — why wait around for good things, the song asks, when you can make the change you want to see yourself? Of course, the trio phrases it in a much catchier turn of phrase: “I’ll be my own god/ I’m a believer.”