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The Voice Season 27 is officially down to five finalists, but not before one of its most emotionally charged moments yet, a last-chance performance from Team Bublé’s Adam David, who took on Teddy Swims’ chart-topping hit “Lose Control” during Monday night’s (May 13) Instant Save round.

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Originally released in June 2023, “Lose Control” marked Swims’ breakthrough moment, becoming his first entry on the Billboard Hot 100. The single debuted at No. 99 and made a historic 32-week climb to No. 1 in March 2024, the longest consecutive rise to the top in the chart’s history. It went on to spend a record-breaking 60 non-consecutive weeks in the Hot 100’s top 10 and was named the No. 1 song on Billboard’s Year-End Hot 100 Songs chart for 2024.

Covering such a chart-dominating hit wasn’t a small feat, but David delivered. His rendition showcased vulnerability and vocal control and secured him the final spot in next week’s finale.

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The Voice Season 27 finale lineup is officially set, with the Top 5 finalists including RENZO (Team Legend), Lucia Flores-Wiseman (Team Adam), Jadyn Cree (Team Bublé), Jaelen Johnston (Team Kelsea), and Adam David (Team Bublé), who clinched the final spot via Instant Save.

The remaining contestants were eliminated following the live vote and Instant Save round: Conor James (Team Adam), Alanna Lynise (Team Kelsea), Kolby Kordell (Team Adam), Kaiya Hamilton (Team Bublé), Olivia Kuper Harris (Team Legend), Iris Herrera (Team Kelsea), and Bryson Battle (Team Legend).

It was an emotional night for all four coaches as they said goodbye to team members, including John Legend, who lost standout vocalist Bryson Battle in the Instant Save round.

“I find it difficult to even talk about this because I did not think you would be in this position today,” Legend told him. “You have given us performances that said you should be in the finale of this show. You gave us one yesterday, you gave us one just now on this stage, and you continue to be the epitome of what this show is all about.”

The Voice Season 27 live finale airs Monday, May 20 on NBC.

BOYNEXTDOOR returned this week with their fourth EP, No Genre, and they’re back to “breaking out of the mold.”
The six-member K-pop boy band — SUNGHO, RIWOO, JAEHYUN, TAESAN, LEEHAN and WOONHAK — debuted in 2023 and has always prioritized being hands-on with their work. This time around, JAEHYUN, TAESAN and WOONHAK are all credited throughout the EP’s track list as songwriters. Following the release of “If I Say, I Love You” in January, the full seven-track No Genre project arrived on Tuesday (May 13) in South Korea along with lead single “I Feel Good” and its music video.

Billboard caught up with the group during release week to talk about the just-released project, working on their music, and what to expect from their debut performance at Lollapalooza, going down July 31-Aug. 3 at Chicago’s Grant Park. Check out our conversation below, and stick with @Billboard socials for more from the septet coming throughout this summer.

What does the title of your fourth EP, No Genre, mean to you?

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LEEHAN: To us, “No Genre” means breaking out of the mold. We’re a group that genuinely loves all kinds of music, and rather than confining ourselves to a single style, we wanted this album to reflect our openness and freedom. By being directly involved in the creative process, we were able to tell fresher and more exciting stories in our own way.

Why is it important to BOYNEXTDOOR to have the group members so involved in writing and producing your music?

TAESAN: It allows us to fully express what we want to say through our music. Writing and producing our own songs lets us tell our own stories in a way that feels real and personal.

WOONHAK: We believe our music is only complete when it reflects our own emotions and real-life experiences. By taking part in the songwriting process, we’re able to deliver honest and relatable stories in our own voice. I feel like that’s what makes our songs feel instinctive and unfiltered.

What are you planning for your first performance at Lollapalooza later this summer?

JAEHYUN: We’re working hard to make our stage feel more interactive and alive. We’ve been studying English to better communicate with the audience, and we’re also trying out new ideas to make our performance even more engaging.

RIWOO: Since Lollapalooza brings together a wide audience of people who love music and the festival experience, we’re preparing a performance that anyone can enjoy.

What did you learn from your KCON LA performances last year that you’ll bring to your Lollapalooza set?

SUNGHO: At KCON LA, we learned how important it is to create a stage where everyone feels like part of the moment. For Lollapalooza, we want to bring that same energy, where everyone can let loose and have fun with us. Since it’s our first time at Lollapalooza, we want to leave a strong impression and make sure people remember the name BOYNEXTDOOR.

Yuval Raphael knows she has her work cut out for her. Israel’s entry into the 2025 Eurovision Song Contest is slated to take the stage on for Thursday’s (May 15) second semi-final round amid tensions around the country’s participation in the global singing competition in the midst of its ongoing war in Gaza.
The 24-year-old tells Billboard she’s ready for whatever comes her way: “Every one of us is experiencing difficult times and none of us are immune to it.”

Raphael is a survivor of the Oct. 7, 2023 Nova Festival massacre in Israel, which was part of a surprise attack in which Hamas raiders murdered more than 1,200 Israelis and kidnapped 250 men, women and children in an assault that set off the now year-and-a-half-long war between Israel and the militant group. (Before talking with Billboard, per competition rules, Raphael’s team stressed that the singer could not answer questions about her escape from the Nova massacre or comment on the war in any fashion.)

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The singer won her spot at Eurovision by coming out on top in Israeli reality talent show Hakohav Haba (Rising Star); her uplifting anthem, “New Day Will Rise,” is her first professional effort after a lifetime of singing in her bedroom. “In my heart I knew that it was going to happen and I used to imagine big stages… but now, doing it professionally feels like a dream come true,” she tells Billboard in a WhatsApp chat.

She sings the song in French, Hebrew and English, the latter because, she says, English is an international language she thinks will help audiences connect with the lyric. “I wanted the message to be out there and understood,” she says of the soaring track on which she sings, “New day will rise, life will go on/ Everyone cries, don’t cry alone/ Darkness will fade, all the pain will go by/ But we will stay, even if you say goodbye.”

Looking for a spot in Saturday’s (May 17) finale, Raphael says the song’s strong message of hope will connect with audiences, pointing to the chorus line about crying as the key to its emotional punch. “Crying is not a bad thing, it’s a way of expressing your emotions and letting everything out instead of keeping it inside,” she says. “And crying with someone else or someone that relates to your grief is something that is so healing… hopefully they’ll take the message of embracing each other and bringing hope to each other.”

As with many Eurovision entries, “New Day Will Rise” is full of uplifting lyrics, soaring emotion and a broad message. Raphael will deliver it from inside a huge silver spiral staircase structure on a massive set featuring video of a cascading waterfall (which is on the somewhat subtle side for the show’s typically way over-the-top production).

British author Chris West, who wrote the 2017 book Eurovision! A History of Modern Europe Through the World Greatest Song Contest — which looked at the sometimes wacky song contest’s intersection with political, cultural and social movements over the past sixty-plus years — tells Billboard that despite event organizer European Broadcasting Union’s insistence that the event remain non-political, it’s inevitable that world events get reflected in its mirror-ball gaze.

“Eurovision makes a big thing about it not being political,” he says, not surprised that the Israeli delegation is sensitive to any hint of mixing events on the ground in the ongoing war against Hamas in Gaza with Raphael’s performance. He notes that in 2022 audiences were clearly behind Ukrainian group Kulash’s Orchestra’s run to the top with the song “Stefania” just weeks after Russia launched its unprovoked war on the nation. In 2024, there were also calls for a boycott of Eurovision over the inclusion of an Israeli singer.

Last week, more than 70 former Eurovision contestants signed a petition once again calling on organizers to ban Israel from the competition. West says there is a history of current events impacting Eurovision. In 2021, Belarus was suspended after their song “Ya nauchu teya,” as well as a replacement track, were deemed to have violated the contest’s rules about political messages; in 2022, Russia was denied entry over its invasion of Ukraine.

Last year’s entry from Israel, Eden Golan — who had to change her song title from “October Rain” to “Hurricane” after complaints that it was viewed as a thinly veiled message about the Gaza war — said she received death threats and was booed when she sang. That reaction is something Raphael has said she expects to hear when she sings on Thursday in Switzerland, where she lived for several years as a child.

“It’s pretty unusual to be booed,” West says, adding that it did happen in 2014 when Russia’s entry, the Tolmachevy Sisters, were hit with boos during the semi-finals, seemingly in response to Russia’s invasion of Crimea that year. “It’s always been political in my view, but probably getting more political as its profile rises,” he says. “In Europe, the perception of Eurovision as a joke is over, and people take it more seriously — and as it is taken more seriously, the political aspects will matter more.”

Though she’s barred from discussing it, Raphael’s story is one of the most unusual in Eurovision history. She was nearly killed when Hamas gunmen stormed into Israel on Oct. 7 while she was attending her first outdoor rave. The singer and her friends sprinted to a bomb shelter, with nearly 50 people trying to cram into the small concrete bunker as assailants fired gunshots and lobbed grenades at them.

An Israeli documentary about the mass killing featured a recording of Raphael calling her father in a panic, asking him for help as he counseled her to “play dead.” The tactic allowed her to be one of fewer than a dozen survivors in the shelter, as she hid under a pile of bodies for nearly eight hours until her rescue — on a day when nearly 400 other Nova attendees were killed.

A student of past Israeli Eurovision singers such as 2015 entry Nadav Guedj (“Golden Boy”), as well as 2018’s winning artist, Netta (“Toy”), and 2023’s Noa Kirel (“Unicorn”), Raphael says she reached out to Golan for advice on how to deal with the agita surrounding her participation and the expected push-back from protesters.

“I think the best way of dealing with all the noises is reminding yourself that there is a sole purpose to this contest, which is to bring honor to your country and give a good and honorable performance,” she says — noting that her mother, her biggest supporter, is always by her side. She’s already encountered some of that resistance when demonstrators shouted at her and flew Palestinian flags during Sunday’s turquoise carpet event in Basel, Switzerland, where this year’s edition is being held.

“This competition has such an amazing slogan, ‘United By Music,’” she says. And though she’s not allowed to reference her dramatic backstory, Raphael thinks the song does it for her. “That is the beauty in music: Anyone can take it to their heart and relate to it in your way,” she says. “My song has such a strong message, and hopefully it will [reach as many people as possible] — so I’m very, very excited to be sending that message all over the world.”

At the end of the interview, dropping her on-message mode briefly, Raphael has a final message she feels compelled to share — just hours before the last known living American hostage, Edan Alexander, was reunited with his family after more than 18 months in captivity.

“The hostages should have been home a very long time ago — and hopefully until we’re back, everyone will be home,” she says, in reference to the approximately 58 Israeli hostages that are still in Gaza as the competition kicks off in earnest.

There will be 37 countries participating in this year’s competition, which you can stream on Peacock beginning with Tuesday’s (May 13) first semi-final at 3 p.m. ET. The Grand Final will air on Saturday (May 17) beginning at 3 p.m. ET.

Listen to “New Day Will Rise” below.

Something fortuitous happened for Role Model during the second North American stop of his No Place Like Tour live run on Feb. 27. Jake Shane happened to be in Dallas at the same time — and with some last-minute coordination, the influencer ended up onstage with the singer for “Sally, When the Wine Runs Out.”
“People loved it — like, lost it,” recalls Role Model, chatting while still on the road. “We were like, ‘Why not do this every night? We don’t need a cameo. It will be fun to do a Justin Bieber “One Less Lonely Girl”-type of moment.’ ”

Throughout the tour, Role Model has welcomed one lucky fan onstage to dance around with the artist during the bridge of the sun-kissed pop-rock song. At one of two sold-out shows at Los Angeles’ The Wiltern in April, he welcomed friend Reneé Rapp to play the part.

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Later that month, when the 27-year-old made his late-night television debut on The Tonight Show Starring Jimmy Fallon, he scored an appearance from Bowen Yang for the role. The stunt resulted in viral social media moments, with the unintentional strategy helping sustain the song.

“Sally, When the Wine Runs Out” arrived on Feb. 14 as part of the deluxe edition of Role Model’s second album, Kansas Anymore. (As was much of the album, the song was co-written with close collaborator Noah Conrad, alongside Annika Bennett and Harrison Whitford.) The deluxe, titled Kansas Anymore (The Longest Goodbye), featured four new tracks — but “Sally” emerged early on as “something we could jump off of,” says Sam Riback, Interscope Geffen A&M co-president and head of pop/rock A&R. “We were like, ‘Here we go.’ ”

By early May, Role Model made his Billboard airplay debut when “Sally” entered at No. 36 on the Alternative Airplay chart. The song also cracked the top 20 on Hot Rock & Alternative Songs and reached a No. 12 high on Hot Alternative Songs.

Riback first heard of Role Model, born Tucker Pillsbury, in 2018; at the time, Benny Blanco had an imprint with the label called Friends Keep Secrets, and one of its employees tipped Riback off to the then-unknown artist from Cape Elizabeth, Maine making music in his college dorm room. “I heard this demo, which we inevitably put out, of a song called ‘Minimal,’ ” recalls Riback. “It just immediately captivated me,” he says of the stripped-down, hip-hop inspired indie track. Later that year, Role Model signed to Interscope Records. (He signed with Best Friends Music for management in 2020, though parted ways with the firm this April).

Four years after signing, Role Model released his debut album, Rx, in 2022, where he showcased an edgier look and more alternative sound. But Kansas Anymore took a turn towards softer, more Americana-inspired indie-pop and highlighted his sensibilities as a songwriter.

“People who have been listening to me since 2017 have gotten to watch me slowly figure out music,” he says. “When I put out [‘Minimal’], that was really the first song I had made. I didn’t know what I was doing. So I feel like, truly, I did not find my sound until Kansas Anymore. It’s something I’m proud of and it feels like the most genuine thing I’ve made, ever.”

After the album arrived last July, Role Model was eager to stay in the sonic world he had built. While writing the album, he had two “rough ideas that were not fleshed out” but fit into the same universe. So he saved them (they ultimately became “Old Recliners” and “Some Protector”). But as he toyed with the idea of a deluxe, he knew he would need more: “I don’t wanna half-ass it,” he remembers thinking. Weeks after its release, he started writing again, and out came “Longest Goodbye” and “Sally,” the latter of which he calls “a new ending to the chapter…I think that this song felt like a breath of fresh air in that way of, ‘Oh, there’s somewhat of a positive spin here.’ ”

The most fun-loving song to come from the Kansas Anymore chapter, Role Model says “Sally” is “based off some truth,” with the song detailing his re-entry into the dating pool. “Lyrically, it was me being hesitant and doubtful,” he says, “not being sold on someone.”

Role Model

Daniel Prakopcyk

Role Model teased the track in the days leading to its release, and when he kicked off his No Place Like Tour dates in New Zealand/Australia in early February, added it to his set. “The very first time I did it, people were singing the words. It got louder and louder every show,” he says. “It was the bridge specifically, but it felt like a big moment in the set and the song wasn’t out yet. And that’s when I started to be like, ‘Oh, maybe this is bigger than I can imagine.’ ”

“[‘Sally’ is] an entryway for all these people to see what Tucker’s been building so sturdily over the past seven years,” says Riback. “He hasn’t skipped any steps and he has meticulously put together a fan base that I think is so onboard and along for the ride, wherever this goes next.”

In terms of the next onstage Sally, Role Model has his eyes on Kacey Musgraves, teasing that they’re on a few of the same festival lineups this summer, including Iowa’s Hinterland and Aspen’s Up In the Sky, both scheduled for August. “There’s gotta be some strings we can pull,” he says with a laugh. Riback adds: “We are always planting seeds and hoping things bloom into what we would like them to bloom into.”

In between legs of his tour, he’s also been writing a bit: “I finally had some days to lock myself in the studio again,” he says, “which was incredible and inspiring in itself.” But, much like his career, Role Model is not rushing a thing, calling his rise “a very slow incline — with bumps, of course.” He admires the way his tourmate Gracie Abrams, for whom he’s opened, has navigated her own career, saying she is “an amazing example…I feel like she has just skyrocketed and has handled it incredibly.

“It’s always scared me, the idea of a moment and a giant peak in a career, because it’s the hardest thing to keep up with,” he continues. “And I think oftentimes, you see it go away. So I’m trying not to live in it, but at the same time, I’m doing everything in my power to make sure it does stick around.”

This story appears in the May 17, 2025, issue of Billboard.

Kelly Clarkson has a simple message to her human resources department: she’s happier than ever and quit telling her to shut up about it. According to People, during her show at Hard Rock Live at Etess Arena in Atlantic City, NJ on Saturday (May 10), the singer took a moment during the gig to chat with an audience member who praised her “sexy” appearance.

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Clarkson, 43, said she appreciated the compliment, but noted that she has had a hard time complimenting other people’s looks on the set of her eponymous NBC daytime talk show because HR keeps telling her it’s not appropriate.

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“Every time I go to an HR meeting, I’m like, ‘How have I not been fired?’ I grew up on the road at 19 years old, you know what I’m saying? I’m like, ‘Oh, that is inappropriate. I would never,’” she said of the conversations. Last May on her show, Clarkson and Whoopi Goldberg bonded over their use of the prescription medication Ozempic for weight loss, with Kelly saying she’s lost a “lot” of weight on the drug.

“But they also say you’re not allowed to say someone looks attractive, and I say f–k that,” Clarkson told the crowd. “Because some of those b–ches are out here working, and we’re trying, and I want every motherf–ker that passes me to go, ‘Damn. Well done.’” To be fair, Clarkson added, she doesn’t think there is anything wrong with anyone’s bodies, whatever shape, telling her fans that she felt “very confident” at her previous weight.

“I felt fine both ways, but I’m just saying it’s a lot more fun with clothes now. And I’ve been working on it,” she said. According to People, she thanked the fan for the compliment and quipped that she will “not be calling HR” about their interaction. “It is not a joke. I know HR is not a joke, but it is really funny some of the things they talk about,” she said. “And we’re like, ‘Oh no. We would never.’”

The Saturday show was one of two she played in Atlantic City, where, during the Friday night gig she lamented to the audience that she is bummed she can’t tour like she used to due to the schedule of her TV show. “We haven’t done a show in a while, y’all, ’cause I have a talk show. It’s like a whole other job,” said Clarkson, who has not mounted a full tour since 2019. “We are bummed ’cause we love doing shows, and it’s hard to fit it in, so it’s cool when it does work out with the schedule. And it’s cool to get to see your faces and feed off y’all. Thank you so much for having so much energy.”

Ed Sheeran has found yet another novel way to promote his upcoming Play album. After opening a pop-up pub in Ipswich, MA and encouraging fans to share archival messages and videos from their “Old Phone” and recording several international takes on the album’s first single, “Azizam,” the singer dialed up a new clever idea over […]

Tina Arena was forced to pause her Melbourne concert on Friday (May 10) after a physical altercation broke out near the front of the stage at the Palais Theatre, prompting security to intervene and the singer to directly address the crowd.

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The incident took place during Arena’s Don’t Ask Again 30th Anniversary Tour, where she was performing material from across her decades-long career. According to reports from 7News and the Herald Sun, the disruption began when a man and a woman began shouting at each other, with the woman reportedly punching and kicking audience members around her.

Arena halted the show immediately after noticing the commotion. “Darling, you need to leave the show,” she told the disruptive concertgoer before addressing the rest of the audience.

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“Ladies and gentlemen, if we could please just have some calm in this hall, I would really, really appreciate it,” she said. “I’ve never experienced anything like this in 50 years.”

The concert paused as venue security escorted the parties involved out of the venue. Witnesses said the woman resisted, at one point reportedly throwing herself to the ground and yelling at guards not to touch her. Arena remained onstage, refusing to resume the show until the situation was fully handled.

“If there’s something that needs to be discussed, please do it outside. I won’t commence the show until this is the case,” she told the crowd.

Entertainment reporter Peter Ford described the moment as “startling” during a segment on Australian breakfast show Sunrise, adding, “It’s not what you expect at a Tina Arena concert. But she stayed composed and was resolute in getting control of the room.”

The disruption came just one night after another unexpected moment on Arena’s tour. During her Thursday (May 9) performance at the same venue, the singer paused mid-show to reprimand audience members for leaving to use the restroom.

“Back in my day, you wouldn’t leave to go to the toilet unless you were sh—ing your pants,” Arena said from the stage, drawing gasps and laughs from the crowd.

Arena is currently touring nationally to celebrate the 30th anniversary of her 1994 breakthrough album Don’t Ask, which was certified 10-times Platinum in Australia and included hits such as Billboard Top 50 single “Chains,” “Sorrento Moon (I Remember),” and “Wasn’t It Good.” The tour continues this week with shows across Queensland.

Arena has sold over 10 million albums worldwide and was inducted into the ARIA Hall of Fame in 2015.

No matter how many hit songs Halsey writes, she might never live down singing Blink-182 at her local mall.
The pop star reflected on the viral video from their teenage years, affectionately dubbed “Mallsey” by fans, during a Friday (May 9) appearance on Owen Thiele’s In Your Dreams podcast.

“Word of caution to those seeking virality is that, when you’re trying anything hoping one thing will go, you don’t get to decide what that one thing is,” Halsey said on the podcast. “And that one thing might define you forever.”

Halsey went on to suggest one of those things in her own career will likely be her No. 1 single “Without Me,” which she still counts as “one of my favorite songs I’ve ever written.” However, the musician also quickly pointed out, “I sang at the mall once when I was a kid and everyone will remember that until I die, probably.”

The nonbinary pop star then went on to explain the context of the “Mallsey” clip, saying, “Here’s the thing that sucks about it, right? Is that I was starting to get really popular on Tumblr, and this was the time where everyone was doing meet-ups. … You didn’t have to do anything, you didn’t have to have a talent. It didn’t matter. You were just big on the internet.”

So at the suggestion of several Tumblr users, Halsey decided to host their very first impromptu meet-up at Pennsylvania’s King of Prussia Mall. “I went and met all these fans,” the singer continued. “It was the first time I’d ever met a fan before, and they were like, ‘Will you sing?’ and I was like, I never sang outside of my bedroom before.”

Put on the spot, she bravely launched into an a cappella cover of Blink-182’s 2004 classic “I Miss You” — complete with Tom DeLonge’s unforgettable vocal affectations — which was captured on camera by a fan and the rest, as they say, is Internet history.

Elsewhere during the interview, Halsey confirmed they’re in the process of working on new music that will serve as a follow-up to 2024’s The Great Impersonator, and also dished on her mom’s hilarious reaction to her early Tumblr-era fame.

Meanwhile Halsey just teamed up with Evanescence singer Amy Lee for their new collaborative single “Hand That Feeds“

Watch Halsey’s full chat on In Your Dreams below.

On Thursday, the Catholic Church elected a new pope after a two-day conclave in Rome. But while only 133 cardinals from across the globe were able to participate in the decision to make Robert Francis Prevost from Chicago the first-ever American pope history has ever seen, anyone can participate in another vote that’s happening this […]

This summer, Lorde will finally deliver what fans are sure is going to be an immaculate conception: Virgin, her long-awaited fourth studio album. As revealed April 30, the New Zealander’s next LP is set to arrive soon via Universal Music New Zealand and Republic Records, bringing an end to a four-year album drought during which […]