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When Chappell Roan shared the list of celebrities who’d reached out in support after she asked fans to respect her boundaries, Miley Cyrus‘ name appeared. Now, the “Flowers” singer is vocalizing her support for everyone else.
In a new cover story with Harper’s Bazaar, Cyrus spoke about Roan’s rise and the wave of online criticism that has come with it, saying that she sympathized with the “Good Luck, Babe” singer’s situation. “I wish people would not give her a hard time,” she said.
She explained that the star’s rise hasn’t been helped by social media, and explained her reticence toward being active online in 2024. “It’s probably really hard coming into this business with phones and Instagram. That wasn’t always a part of my life, and I’m not a part of it now,” she said. “I don’t even have my Instagram password.”
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Roan herself has personally pointed to Cyrus as an inspiration for her solo career. Back in August, when Cyrus was honored at the Disney Legends Ceremony, Roan shared a video for the award thanking Cyrus for the work she did paving the way for artists such as her. “She constantly reinvents herself and always works,” Roan said. “She could do whatever she wants, which is something I want to do. Miley does anything and it works. Miley feels like freedom to me.”
Elsewhere in her interview, Cyrus also chatted about her song “Used to Be Young,” saying that with the benefit of hindsight, both she and her godmother Dolly Parton don’t know if she needed to put it out. “It was one of those things that maybe now that I’m a bit more private, I would’ve kept private, but I’m happy to have shared it. It just feels like a song that’s so personal that it’s hard for people to relate,” she explained. “[Dolly] goes, ‘I don’t know if I like that new ‘Used to Be Young’ song because it’s not fair that you’re singing about not being young when you’re young and beautiful. And here I am — I’m like 80 — and I’m like, that should have been my song!’”
Cyrus added that she still looks to Parton for inspiration today, especially when it comes to separating the personal from the professional. “She lets everyone in and no one in at the same time,” she said. “Everyone feels like they know her, but they’re also OK with the fact that they don’t see her without makeup, without the full drag.”
As Miley Cyrus lays down the bricks on her next album, one iconic LP has stuck out to her as a source of inspiration: Pink Floyd‘s The Wall. In her Harper’s Bazaar cover story published Wednesday (Nov. 20), the 31-year-old pop star opened up about her forthcoming ninth studio album — tentatively titled Something Beautiful […]
Liam Payne’s funeral took place on Wednesday (Nov. 20) in south-east England, just over a month after his death (Oct. 16). The One Direction star died at age 31 following a fall from a hotel balcony in Buenos Aires, Argentina.
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The private funeral for family and friends only took place in Amersham, Buckinghamshire with his 1D bandmates – Harry Styles, Louis Tomlinson, Zayn Malik and Niall Horan – all in attendance. The X Factor‘s Simon Cowell, TV presenter James Corden and Kate Cassidy, Payne’s partner at the time of his attendance, were also part of the congregation.
An autopsy for Payne confirmed that he suffered internal and external bleeding and multiple traumatic injuries from his fall. His body was flown back to the U.K. earlier this month in preparation for the funeral. The singer’s body had previously been held by local authorities in order to complete toxicology and other lab tests to determine his cause of death.
Upon his passing, his family released a short statement, saying that “We are heartbroken. Liam will forever live in our hearts and we’ll remember him for his kind, funny and brave soul.” His One Direction bandmates shared a joint statement following Payne’s passing, saying that they were “completely devastated by the news of Liam’s passing.”
“In time, and when everyone is able to, there will be more to say,” their message continued. “But for now, we will take some time to grieve and process the loss of our brother, who we loved dearly. The memories we shared with him will be treasured forever.”
Earlier this month, three people were detained in connection to Payne’s fall, with Argentine police alleging that Payne was supplied drugs prior to his death. According to a translated copy of the toxicology report, in the days leading up to his death, Payne reportedly had “alcohol, cocaine and prescription antidepressants” in his system. The investigation into his death is ongoing.
One Direction formed on TV show The X Factor in 2010, and released five studio albums before the band went on an indefinite hiatus in 2016 to pursue solo projects. Payne released one studio album before his passing, 2019’s LP1, and was said to be readying a second prior to his passing.
Payne is survived by his parents, two sisters and his son with Girls Aloud singer Cheryl, Bear, who was born in 2017.
When Sabrina Carpenter set up shop in Los Angeles for three dates of her Short n’ Sweet Tour, she brought out the big guns. There was Christina Aguilera. There was Jack Antonoff. And then there was Domingo. On the new Pop Shop Podcast, we welcome Billboard deputy editor Lyndsey Havens so she and Katie can […]
These celebrities have the right to remain silent! Sabrina Carpenter wrapped up the U.S. leg of her popular Short n’ Sweet tour in support of her recent her Billboard 200-topping sixth studio album in Los Angeles on Monday night (Nov. 18), and amid the hilarious bits she sprinkles throughout the show is a viral one that […]
Before Hanumankind started making waves on the Billboard Hot 100 with his Kalmi-assisted “Big Dawgs” (No. 23), Jay Sean was making history for South Asian artists on Billboard’s marquee singles chart.
In 2009, Jay Sean (born Kamaljit Singh Jhooti) topped the Hot 100 with “Down,” his Lil Wayne-assisted debut single. The achievement helped Sean become the very first South Asian artist to top the Hot 100 and helped kick off a fruitful pop career that includes Hot 100 hits like “Do You Remember” (No. 10, with Sean Paul and Lil Jon), “2012” (No. 31, with Nicki Minaj) and “Hit the Lights” (No. 18, with Lil Wayne).
15 years later, Jay Sean is back with a new album and an exciting new venture that he detailed for Billboard staff writer Kyle Denis on the latest edition of Billboard News.
“First of all, I’m South Asian. A lot of people still don’t know that. When I came here from England, people were speaking to me in Spanish a lot because they thought I was Puerto Rican or Dominican — I had the shaved head then,” Sean quips. “[They didn’t realize I was] South Asian, and the first-ever South Asian in history to have had a No. 1 Billboard record.”
The genre-melding singer continues, “When I was coming up and telling people I wanted to do music, they were like ‘Are you stupid? Look around you bro, do you see anyone like you onstage with Justin Timberlake and Usher? There’s no brown dude.’ So, I took it upon myself to create a platform for brown people. We’re the largest demographic [on] planet Earth, why aren’t we taking the scene over? That’s why I set up 3AM, so I can provide that structure for us.”
Co-founded by Sean, The Heavy Group’s Jeremy Skaller and Range Media’s Jared Cotter, 3AM Entertainment aims to support artists from the South Asian diaspora as they work to break through global music markets. The record label will operate under Virginia Media, with big releases from both Sean and Bridgerton star Nicola Coughlan already available.
Over the summer (June 28), the actress dropped “Shoes… More Shoes,” a campy novelty track produced by New York DJ Ellis Miah. Proceeds for the song were donated to two LGBTQIA+ charities: Not A Phase and the Trevor Project.
Sean has already launched two singles under 3AM previewing his forthcoming new album. “Heartless,” which features Punjabi hitmaker Ikky, is a guitar-inflected trap&B banger, while the Jai Dhir-featuring “Piche Piche” effortlessly blends Punjabi, Hindi and English into a smoldering R&B groove. The latter track also features a team of A-listers behind the scenes; it was co-written by two-time Grammy-nominated R&B maestro Eric Bellinger and co-produced by Sean Cook, one of the minds behind Shaboozey‘s historic smash “A Bar Song (Tipsy).” Both “Heartless” and “Piche Piche” will appear on Last Call, Sean’s forthcoming new album, which is due in 2025.
“When I did songs like ‘Piche Piche’ and ‘Heartless,’ it was very easy for me to do that because I live and breathe that,” he explains. “I speak Punjabi, I can sing in Punjabi, I can also rap and sing in English, it’s all very natural to me. To work with Eric TKTK — who’s obviously such an OG in the game — I’ve got so much respect and love for him. It was just great to work with an R&B legend like that. And Sean Cook is my boy. The whole album is basically me and Sean.”
Although he’s putting out a major project of his own next year, Sean remains focused on uplifting and highlighting rising South Asian artists and making sure that the door he cracked ajar with “Down” remains open.
“I hope that I can look back and say all the years that I dreamt of this happening have finally come true,” he muses.
JoJo Siwa and Dakayla Wilson have broken up, three months after confirming their relationship in August. “We have gone our separate ways, but she is an amazing girl,” Siwa told People. “And I got my own fun holiday plans, and I know she’s got her family that she’s spent the holidays with.” Siwa and Wilson met […]
It’s been less than a week since Lil Nas X came back with his latest track “Light Again,” and he’s already teasing yet another new song out this week. In a post to his Instagram on Tuesday (Nov. 19), Lil Nas shared the artwork and release date for his newest single. Titled “Need Dat Boy,” […]
When Lola Young is on stage, all eyes in the room drift toward her like iron filings to a magnet. Look closely at online footage from the south Londoner’s recent North American tour, and you’ll notice hundreds of people crying, headbanging, screaming – enjoying moments of release, letting go of inhibitions with abandon. Young matches their energy, growling and belting her lyrics as though she’s feeling the pain of her songs for the very first time.
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Each time the 23-year-old performs live – she’s completed two stateside treks this year, and has dates in the U.K., Europe and Australia booked through early 2025 – she shares an emotional exchange with the crowd. After coming off the road last month, having played dozens of headline shows plus festivals such as Austin City Limits and Lollapalooza Chicago, the first thing Young did was “cry a lot,” as she told her 620,000 TikTok followers in a recent post.
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“I know you’re not my therapist,” she jokes to Billboard over a video call, “but it’s important to be honest and say that I’ve felt quite low. Leaving tour is like a big comedown. After being so active by performing my heart out every night and receiving so much love, it’s quite hard to adjust to reality again. It’s been difficult, but I am getting there – I’m on my way up.”
Young’s smoky voice and catalog of witty, elastic pop songs speak to something deep within her fanbase. There are the devotees who mimic her blush-heavy makeup, as well as the more casual listeners who have created so many clips featuring the glorious single “Messy” that her Spotify streams have increased tenfold in recent weeks, which, at the time of writing, currently stands at 12.7 million monthly listeners. Her debut LP This Wasn’t Meant for You Anyway, released in June via Island Records, was characterized by its brutal honesty: “I can dance in the mirror and feel seen without being watched by someone / Especially not no ugly man, or woman,” so goes its spoken-word outro.
Even with her camera off, Young stays true to form throughout our conversation. She laughs a lot. She swears a lot. She says “f–k” in nearly every sentence, eager to emphasize that she’s still coming to terms with how dizzying the past few months have been. Having chased her dreams since she started writing songs at 11, she’s now moved beyond ravenous early career ambition and is eyeing a new level of global superstardom.
“What I’m realizing about myself as an artist is that I’m not about the glitz and the glam — I don’t scream ‘Hollywood’,” she says. “For a long time, I wanted to represent this ideal of Westernized beauty – but then I realized I’m not that. I now choose to give realness and truth. I’ve got a bit of a belly out, I f–cking swear a bunch and I have fun. And that’s what people are resonating with.”
Young is dialing in from Paris, where she is in the studio already working on her next project. She has leveraged a tireless, laser-focused work ethic into an ascendant career: Beginning with 2023’s My Mind Wanders and Sometimes Leaves project, in the past 18 months she has drip-fed a slew of extended releases and one-off singles (from “Flicker of Light” to recent Lil Yachty team-up “Charlie”). This Wasn’t Meant for You Anyway comprised entirely new material, while her unique, wildly popular live performance clips have introduced her to a global audience via social media. With a vintage mic to hand, she has done everything from getting kicked out of a London Underground station to dancing gleefully in front of the Golden Gate bridge.
It’s this industrious spirit that has caught the attention of some of contemporary music’s most revered names. In the summer, Young briefly hit the studio and shared egg rolls with SZA, who regularly leaves flame emojis on her Instagram posts. “This is insane and I live for it,” commented the “Kill Bill” singer when Young shared the news of “Like Him,” her stunning feature on Tyler, the Creator’s recent Billboard 200-topping LP Chromakopia.
The rapper had previously praised Young via DM, and when he messaged asking if she would contribute vocals to his song, her response was an immediate, resounding yes. “When I first heard [Tyler’s] ‘Yonkers’, it totally changed the way I viewed music,” she adds.
Young’s gorgeously subtle, stirring delivery during the chorus heightens the song’s poignant mood, a meditation on complex familial bonds. “Like Him” peaked at No. 29 on the Billboard 100, further cementing Young’s fast-growing stature in the U.S: in October, she performed at L.A.’s 1,600-capacity Bellwether concert hall, twice the size of her April gig at the city’s Echoplex venue.
Young’s journey is a lesson in how, for newer artists, being given the space and time to find their footing can result in truly fresh, singular music. Yet her transatlantic success hasn’t come without its qualms. To an extent, she remains unfairly associated in some listeners’ minds with the commercial balladry of her early days, as well as the cover of Philip Oakley and Giorgio Moroder’s “Together in Electric Dreams” she recorded for the British retailer John Lewis’ 2021 Christmas advert. At age 16, she was a shy but ambitious finalist on the now-defunct reality television competition Got What It Takes.
“A lot of strings were being pulled when I was starting out. It all felt fake. It felt forced,” she says. Notably, in her live sets, she doesn’t perform any material from her 2019 EP Intro or its follow-up, Renaissance. “This isn’t about blaming anybody, but nothing was really clicking at the time. Now, I have creative control alongside an understanding of who I am and where I want to go.”
Young has survived her own trials in selfhood. Her anxieties, frustrations and pride now fuel her music. She says the light-bulb moment arrived when she started rocking a mullet two years ago, a look that has boosted her confidence “massively”. She has since explored themes of identity and self-destruction in her work, recovered from an operation on her vocal cords and spoken about her schizoaffective disorder diagnosis on Instagram.
When she talks about these experiences, Young affirms that she abides by the old adage that small actions can lead to big changes in one’s life. “I kept holding faith in the fact that if I cut my hair, the music would follow” she says, evidently thrilled that her own prophecy came true.
FLO has shared a mini-deluxe edition of the group’s recently released debut LP, featuring four new collaborations.
Access All Areas, the first full-length release from the British girl group, arrived Nov. 15 via Island Records and is currently standing at No. 3 in the latest midweeks of the U.K’s Official Albums Chart. FLO has now teamed up with some of R&B’s leading names to reimagine songs from the record.
Titled Access All Areas: Unlocked, the updated version sees sister duo Chlöe x Halle contribute vocals to “Soft,” Kehlani featuring on “IWH2BMX,” Bree Runway on “Nocturnal” and Dixson on “Bending My Rules.” Actress and Wicked star Cynthia Erivo, meanwhile, narrates the album’s intro. “Our girls found each other / And meticulously prepared a feast for our ears,” she says on the track.
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“Access All Areas: Unlocked is finally out and we can’t wait for everyone to listen,” FLO said in a press release. “We really admire these artists and couldn’t be happier to have them feature on our new music. From the lyricism, to the harmonies to the sweet melodies and flows they all delivered! This is only a mini deluxe, so stay seated for more.”
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The band has also shared the music video for single “In My Bag” featuring GloRilla, who landed a top 10-charting effort on Billboard’s Top Album Sales chart Oct. 26 with her Glorious project. Describing their experience of working with the Memphis rapper, FLO said jointly, “In My Bag is such a special song to us. It’s a manifestation … singing it live for our fans has been incredible because everyone in the room feels empowered and seen!”
They continued: “Glo is such a deserving, incredibly talented and sweet artist who we really admire. When she said she’d love to do a verse on In My Bag we were so happy because we knew she would kill it! We’ve loved working with her and are looking forward to everyone watching the video we shot together in Atlanta.”
Comprised of vocalists Jorja Douglas, Stella Quaresma and Renée Downer, FLO first emerged in May 2022 with the release of single “Cardboard Box,” which landed high-profile co-signs from SZA and Victoria Monét. The group has since gone on to win the BRITs Rising Star award, feature on a remix of Stormzy’s “Hide and Seek” and top the BBC Sound Of poll. In March 2023, FLO’s Missy Elliott collaboration “Fly Girl” reached the Top 40 of the Official U.K. Singles Chart.
In March 2025, FLO will tour the U.K. and Europe in support of Access All Areas. Along the way, they perform at London’s O2 Academy Brixton, as well as sold-out shows in Paris and Cologne. Tickets can be found the group’s website.