Pop
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Taylor Swift is singing the praises of Eras Tour opener Gracie Abrams. In a post reflecting on her six-show run in Toronto, the pop superstar gushed about how fans in Canada’s biggest city treated the concerts like they were a “hometown show” before turning her attention to the “That’s So True” singer, who has opened […]
(In 2018, the Billboard staff released a list project of its choices for the Greatest Pop Star of every year, going back to 1981 — along with a handful of sidebar columns and lists on other important pop star themes from the period. Find one such sidebar below about how Lorde unforgettably took the air out of an increasingly puffed-up 2013 pop landscape, and find our Greatest Pop Star picks for every year up to present day here.)
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Over the early 2010s, as a class of rising and returning stars was minted on radio, iTunes and YouTube, pop’s arms race was accelerating to unsustainable levels of hype. Each major-label release was a self-proclaimed event, each expected to be bigger than the last. Something had to give, and in 2013, the dam broke — over and over again. Lady Gaga’s ARTPOP, Katy Perry’s PRISM, Jay-Z’s Magna Carta… Holy Grail, Britney Spears’ Britney Jean, Justin Timberlake’s The 20/20 Experience – 2 of 2; each promised the world, and each fell short in different, fascinating, and exhausting ways.
Amidst all the hubbub emerged a 16-year-old with humble origins and a grand name: Lorde.
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Popular music had never seen a teenage star quite as self-possessed as the New Zealand native, whose debut single “Royals” was pointed directly at the state of the pop zeitgeist: “Jet planes, islands, tigers on a gold leash/ We don’t care/ We aren’t caught up in your love affair/ And we’ll never be royals…” Her Queen-like vocal harmonies swoop above her dramatic, yet conversational lead vocals, barely accompanied by producer Joel Little’s kick drums and finger-snaps. This was a pop song with no obvious predecessor, whose negative space forced the listener to lean in and take notice.
“Let me live that fantasy,” Lorde sang with a knowing irony — that even as a buzzy artist signed to Universal, she’d likely never reach those heights. Incredibly, she did: From its initial release in November 2012, “Royals” slowly made its way up charts and playlists across the globe. By late 2013, it had not only topped the Billboard Hot 100 for nine weeks, but also reached top five on alternative and hip-hop/R&B radio — becoming a truly post-genre hit.
If Lana Del Rey was the first figurehead in pop’s trajectory towards moodier, more hip-hop-inflected territory over the 2010s — scoring her own first two top 40 hits in 2013, after her splashy 2011 debut and subsequent backlash the next year — Lorde took it to another level. Her debut album Pure Heroine more than delivered, bringing her tales of teenage ennui to a mass audience, while only hinting at the potential she’d unlock with 2017’s sweeping Melodrama. Though Lorde wouldn’t maintain her brief position as a singles-driven hitmaker, she’d become even more beloved as a cult pop artist.
“Post-genre,” “alt-pop” — these were labels that had never been applied to mainstream pop even as late as 2010, that have now become the norm for an entire class of streaming-era artists who aspire to cultural cachet over traditional pop stardom. “Royals” was one of the decade’s most minimalist hits, but it dared to dream big — leaving a long-term impact even Lorde herself could never have imagined.
(Read on to our Greatest Pop Star of 2014 here, or head back to the full list here.)
BTS‘ Jin has cooked up a Thanksgiving treat for ARMY. The singer dropped a new version of his solo track “Falling” on Tuesday (Nov. 26), spicing the finger-snapping, whistle pop tune with some additional vocals from collaborator and ONE OK ROCK lead singer Taka. The B-side from Jin’s recently released debut solo album, Happy, finds […]
One hundred shows over two years, waterfalls, pools, pyro, designer gowns, a career-spanning setlist and a one-of-a-kind vanishing act. Adele‘s epic Weekends With Adele residency at the Colosseum at Caesars Palace in Las Vegas wound down on Saturday, but the singer is still reminiscing about the epic time she had in Sin City.
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“Well what an adventure! Las Vegas you’ve been so good to me. This residency went on to mirror what 30 was about – lost and broken to healed and thriving! Seems so fitting in the end,” the singer wrote on Instagram on Monday (Nov. 25). The post was accompanied by a video chronicling the great adventure, featuring footage from the glamorous shows, including the tear-filled superstar summit last month when Adele met Celine Dion and the two shared a tear-stained moment.
Cued to 30‘s “Cry Your Heart Out,” the brief clip is a primer for anyone who didn’t make it to the glamorous twice-a-weekend gigs that Adele said she cherished, but is also ready to put in her rear view. “The only thing left to do in this case is move on,” she wrote. “These 100 shows have been so easy to love. They were all completely different because I got to really be with every single person in the room every night.”
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She concluded, “I’ve loved every single second of it and I am so proud of it! I will miss it terribly, and I will miss YOU all terribly too. Thank you! Thank you! Thank you! See you next time 🪐”
After kicking off the residency in November 2022, Adele — who typically goes off-the-grid for an extended period between albums/tours — informed the audience at her final show over the weekend that the future is wide open for now. “I don’t know when I’m next going to perform again,” she said. “I will miss it terribly, and I will miss you terribly.” She also added, “I’m not doing anything else. I’m actually s–ting myself about what I am going to do. I don’t have any f–king plans.”
Previously, Adele said she needs to take a break when her residency ended, with plans to temporarily step away from music. Adele added that she wants to take “a big break after this, and I think I want to do other creative things, just for a little while.”
Check out Adele’s tribute to her Vegas residency below.
Kelly Clarkson is going to keep dancing at the “Pink Pony Club,” taking on the Chappell Roan hit for her latest Kellyoke cover during her daytime talk show on Monday afternoon (Nov. 25). Explore Explore See latest videos, charts and news See latest videos, charts and news Dressed in a pink sweater dress, Clarkson belted […]
Rosé is less than two weeks from dropping her debut solo album, and the BLACKPINK superstar is adding to the hype by dropping the track list on Monday (Nov. 25). Rosie is set to arrive on December 6 via Atlantic Records/THEBLACKLABEL and features 12 tracks. Among the song titles are “3am,” “Two Years,” “Toxic Till […]
Gracie Abrams has had the adventure of a lifetime opening for Taylor Swift on the singer’s Eras Tour over the past year. But with the end of the global outing just two weeks away, Abrams took some time on Sunday (Nov. 24) to reflect on the latest chapter in her wild ride. “Torontoooooo ❤️💔 I […]
Everyone has that one music video that they go back and watch over and over again. That’s certainly true for Chappell Roan, and her pick might surprise you. In a post to her Instagram Stories on Sunday (Nov. 24), Roan shared a clip of “my fav music video” — a Sims version of Lady Gaga’s […]
If anyone understands what it means to have a very sudden fandom thrust upon you, it’s former James Bond star Daniel Craig. Now, the star of Luca Guadagnino’s Queer is giving praise to Chappell Roan for the way she’s handled fans who don’t respect her boundaries. In a new interview with The New York Times, […]
Elton John has been plagued by a series of health issues over the past few years. But in an interview with Good Morning America on Monday (Nov. 25), the indefatigable Rock and Roll Hall of Fame icon said an eye infection he suffered this summer has turned into the loss of vision in his right eye, which is impacting his ability to create.
John, 77, told Robin Roberts that “it’s been a while” since he’s worked on new music, something he’s been unable to figure out because of his poor eyesight. “I unfortunately lost my eye sight in my right eye in July because I had an infection in the South of France,” said John in the interview during which his eyes were somewhat obscured by a pair of green framed eyeglasses with a yellow tint to on the lenses. “It’s been four months now since I haven’t been able to see. And my left eye is not the greatest.”
Roberts flew to England to talk to John about his new doc, Never Too Late, noting that at the Rock and Roll Hall of Fame last year he teased a new album, a project whose future is now up in the air due to his poor vision. “There’s hope and encouragement that it will be okay,” John said. “But I’m kind of stuck in the moment, because I can do something like this, but going into the studio and recording… I don’t know. Because I can’t see a lyric, for start.”
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John said he’s working on getting his eyesight back, but the infection has “floored” him for the moment because he can’t see, or watch anything. When Roberts suggested that, after all his health struggles, John is “still standing” — as he sang on his 1983 hit “I’m Still Standing” — the singer had to agree. “I’m so lucky. I’m the luckiest man in the world,” he said.
John has released 32 studio albums during his half century-long career, with the most recent being 2021’s Regimental Sgt. Zippo, a Record Store Day reissue of an shelved album from the late 1960s.
John has been open in the past about his various health struggles, including hearing loss, knee and hip replacement surgery, as well as prostate cancer and a the implantation of a pacemaker to treat an irregular heartbeat. He recently told Rolling Stone: “I don’t have tonsils, adenoids or an appendix,” in reeling off his many surgeries. “I don’t have a prostate. I don’t have a right hip or a left knee or a right knee. In fact, the only thing left to me is my left hip.”
Never Too Late, directed by R.J. Cutler and John’s husband, David Furnish, will begin streaming on Disney+ on Dec. 13.
Watch the full interview here.