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With Taylor Swift‘s Eras Tour finally coming to a close over the weekend, Travis Kelce is one of countless people celebrating his girlfriend’s massive feat — but there’s one place he says he definitely won’t take her for a date night now that they have more free time.
On the latest episode of New Heights posted Wednesday (Dec. 11), the 35-year-old Kansas City Chiefs tight end commemorated the Dec. 8 finale of the 34-year-old pop star’s two-year global trek in Vancouver, B.C., by saying, “Shout out to Tay.”
“The unbelievable Eras Tour has come to an end,” he continued as his brother, retired Philadelphia Eagles center Jason Kelce, nodded. “Shout out to everybody that was a part of that show. Obviously, it’s her music, her tour and everything, but that was a full production, man. That thing was the best tour in the world because of a lot of people, but mostly because of Taylor.”
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When Jason asked how many shows Swift had in the books following the summation of her $2 billion tour — which kicked off in March 2023 — Travis replied, “149 or 152. I forget which one it was. Somewhere in there. A f–k ton is how I sum it up.”
The athlete’s first instinct was correct — Swift performed a total of 149 shows over the course of the Eras Tour‘s run. Throughout the multi-continent stretch, the “Anti-Hero” singer released two new “Taylor’s Version” re-records — Speak Now and 1989 — and dropped her 15-week Billboard 200-topper The Tortured Poets Department. At one point on the trek, Travis joined the superstar on stage for a surprise cameo, playing a small part in the “I Can Do It With a Broken Heart” sequence.
The tour also brought the pop star closer to millions of fans, who came out in droves with friendship bracelets and homemade costumes — two of which the Kelce brothers reacted to on New Heights. While watching a video of two Vancouver concertgoers dressed up as them — complete with football jerseys and faux facial hair — Jason and Travis couldn’t help but crack up.
“I wonder if Tay saw them in the stands,” the latter said, laughing. “You can’t keep it together if you see that. There’s no way you’re in the middle of a song and you see them walking around …”
Elsewhere in the episode, the co-hosts answered questions from callers, one of whom asked them to name a first-date spot that would guarantee there’s “no way in hell you’re getting a second date.”
“Maybe don’t take her to the strip club,” the Grotesquerie actor replied. “Although some strip clubs do have really good wings I have heard. Don’t know anything about it.”
Watch New Heights below.
Sofronio Vasquez is the winner of season 26 of The Voice. The Team Bublé singer gave coach Michael Bublé a win in his first season on the show on Tuesday night (Dec. 10) when the 31-year-old singer from the Philippines emerged as voters’ favorite following electric performances of Sia’s “Unstoppable” and The Greatest Showman showstopper “A Million Dreams.”
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In addition to scoring a $100,000 payday and a record deal, Vasquez said the amazing mentorship provided by the “Spicy Margarita” singer was its own prize. “Your mentorship is a blessing to me, my family and to all the dreamers out there,” Vasquez told Bublé before the final results were read. In a rare double-down, Bublé was also the only coach to have two contestants make it into the top five, as well as boasting the top two finishers thanks to his other contestant, Shye, coming in as runner-up.
Bublé joins Kelly Clarkson, Niall Horan and John Legend as the fourth new coach to score a win in their first season on the show. In addition to beating out his teammate, Vasquez also bested Team Snoop’s Jeremy Beloate and Team Gwen’s Sydney Sterlace.
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“My Filipino brother, you are the hope of so many people… it has been such an unbelievable journey to be here with you,” Bublé told Vasquez — who moved to the U.S. in 2022 to chase his music dreams — before the singer was handed his hardware. According to an NBC bio, Sofronio grew up in the Philippines with no bed or indoor plumbing and “describes his upbringing as happy because music was always there to bring his family joy.” He loved singing for his late father, but thought a music career was out of reach, so he began to study dentistry, then decided to give music a chance while taking his dental boards.
After his father’s sudden death, Sofronio moved to the U.S. to pursue music full-time, landing gigs at the famed Apollo Theater and racking up nearly 10 million Facebook views for his cover of Dionne Warwick’s “That’s What Friends Are For.”
“I think if people understood the strength that you have and the fact that through all of this adversity, you walk out here on a night like tonight, when it probably matters more than anything has in your whole life career-wise,” Bublé added. “You walk out here in the moment and you take the brass ring and I’m just so happy for you.”
It was a joy ride for Vasquez, who got a four-chair turn at the beginning of the season from coaches Bublé, Reba McEntire, Gwen Stefani and Snoop Dogg for his take on Mary J. Blige’s version of Rose Royce’s 1976 disco ballad “I’m Goin’ Down.”
Along the way, Vasquez proved his versatility with covers of Elvis’ “If I Can Dream,” Jennifer Rush’s “The Power of Love,” Dusty Springfield’s “You Don’t Have to Say You Love Me,” as well as a killer take on Roy Orbison’s “Crying” during the playoff rounds. He also teamed up with his coach during Tuesday night’s finale for a cover of soulful cover of Smokey Robinson and the Miracles’ “Who’s Loving You.”
After the confetti fell, Vasquez posted a picture on his Insta of himself with Bublé holding the trophy with the caption, “Dreams really do come true.”
The 27th season of The Voice will premiere on Feb. 3 with Bublé returning alongside Kelsea Ballerini, Legend and returning coach Adam Levine.
Check out video from Vasquez’s final night.
Mariah Carey literally got her flowers — as in a giant bouquet — on Monday night (Dec. 9) at PNC Arena in Raleigh, N.C. after it was revealed that her perennial holiday hit, “All I Want For Christmas Is You,” had hit No. 1 on the Billboard Hot 100 yet again. Explore Explore See latest […]
‘Tis the season for new holiday hits! On the latest Billboard Pop Shop Podcast, Katie & Keith are taking their annual sleigh ride through a half-dozen Christmas songs impacting the Billboard charts this year. For 2024, we’re taking a look at Jimmy Fallon and Jonas Brothers’ “Holiday”; Cher’s “DJ Play a Christmas Song” remix with […]
12/10/2024
From chart hits “APT.” and “Number One Girl,” the BLACKPINK star’s debut LP shares intimate experiences amid pitch-perfect vocal performances.
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To close out 2024, Sabrina Carpenter was on countless people’s year-end Spotify Wrapped lists — including her own.
That’s exactly why the 25-year-old pop star didn’t join many of the streaming service’s users in sharing her listening-habit summary on social media this year, she told Vogue Arabia in a new interview published Tuesday (Dec. 10). “When I first saw mine, my initial reaction was, ‘Oh, damn, I can’t post that, because I’m on my own [list],’” she told the publication. “‘It’s a bit conceited.’”
“But then I was like, I guess it’s a good thing that I’m on my list and listening to my own music, because it means I f–k with what I do,” Carpenter added.
The Girl Meets World alum definitely isn’t the only one. In 2024, her smash hit “Espresso” was streamed more than 1.6 billion times on Spotify, making it the app’s most-streamed song of any other upload. Plus, her Billboard 200-topping sixth studio LP Short n’ Sweet was the platform’s third-most popular album, bested only by Taylor Swift’s The Tortured Poets Department and Billie Eilish’s Hit Me Hard and Soft.
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While on the topic of Spotify Wrapped, Carpenter did reveal which other four artists made her top 5: Dolly Parton, ABBA, Kacey Musgraves and the Bee Gees.
Carpenter is currently on a break from her first-ever arena trek, with the North American leg of the Short n’ Sweet Tour closing in November. The “Please Please Please” singer will get back on the road for a run of European dates in March.
In the meantime, fans can enjoy her new holiday special A Nonsense Christmas, which premiered Dec. 6 on Netflix. Of the project, Carpenter told Vogue Arabia, “It was kind of a s–t show — but in the best possible way. A Christmas s–t show, which is way better than normal ones, because everyone’s festive and dressed up,” she said, revealing that her crew filmed the special in just two days. “You can’t really be mad when everyone is dressed like Christmas. And I’m so lucky that my friends were a part of it, that just made it all the more fun.”
Despite two Oscars and nine Grammy Awards, sold-out shows around the world and the adoration of a generation, Billie Eilish still gets anxious about whether she’ll ever be able to write another song.
CBS Morning‘s Interviewer Anthony Mason caught up with Eilish on tour at the United Center in Chicago to talk about intense writer’s block she and brother/producer Finneas were paralyzed by last year, as well as whether she cares about winning any more Grammys; the singer is up for seven Grammys at next year’s show, including record of the year and song of the year for “Birds of a Feather” and album of the year for Hit Me Hard and Soft.
Letting out a huge laugh, Eilish said the continued accolades from the Recording Academy are “the craziest thing in the world,” leaving her “blown away and excited and honored and humbled all at the same time.”
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That said, the process of recording he third album, Hit Me Hard and Soft, was tortuous, with Eilish, 22, saying that at some point the siblings were “pretty stuck,” a feeling she said you never get used to. “It happens and you’re like, ‘what the hell?! I’m never going to create again,’” she said. After months of dead ends, Eilish and Finneas said that things got unstuck precisely on May 25, 2023, when they stumbled on the beginnings of the song “Wildflower.”
“And then ‘The Greatest,’ and it started to become clear that we were telling the truth,” Finneas said of the period when things began to flow again. Eilish, who said she never considered herself a singer until recently, has begun taking vocal lessons, something she’d resisted because of her insecurity about not feeling like she was a “big singer,” or having a teacher tell her she wasn’t. “When you’re a girl and you’re bad at something once, then all the boys think you’re bad at that forever,” Eilish explained about her insecurities as a female athlete growing up.
Eilish also took Mason on a tour of the traveling recording studio she sets up in her green room at every venue — which also includes a piano — explaining that she jams with friends at night after shows. She then cued up a two-second snippets of a pair of new songs she’s been working on, including one that was just her voice and a jaunty piano line and another with her signature breathy vocals over a subdued beat.
“It’s not even serious, it’s just… we’ve been making music and crocheting,” she said. Eilish will play the SAP Center in San Jose, CA on Tuesday night (Dec. 10) as part of Hit Me Hard and Soft The Tour.
Watch Eilish on CBS Mornings below.
Sabrina Carpenter‘s blockbuster sixth studio album Short n’ Sweet is continuing to stack up accolades, with a few of its singles earning new multi-platinum certifications Monday (Dec. 9). As announced by the Recording Industry Association of America, the 25-year-old pop star’s smash hit “Espresso” — the lead single from Short n’ Sweet — is now […]
12/10/2024
Our editorial staff’s 2024 list of the Greatest Pop Stars from the year that was gets underway with the 10 artists who just missed the cut.
12/10/2024
Jade Thirlwall had auditioned for The X-Factor twice as a teen and was just not feeling it when the third time came around in 2011. Luckily, her older brother pressed her to give it one more try, which led to the 31-year-old singer being grouped with her future Little Mix bandmates, launching her into global superstardom.
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“I couldn’t be bothered because I was with a crappy boyfriend, and I was like, ‘Oh, I just want to hang out with him.’ I just didn’t know if it was realistic anymore,” Thirlwall told People magazine about last shot at the Factor when she was 15. “I was going to do an art degree for theater production and stuff. Then, my older brother was like, ‘Just go one more time. You never know what’s going to happen. You’ve got nothing to lose.’ I was like, ‘Fine.’ I went, and then I got put in Little Mix, so thank God.”
It was in that season that she was teamed up with Leigh-Anne Pinnock, Perrie Edwards and Jesy Nelson, with Little Mix going on to become one of the most successful winners in the show’s history and landing five No. 1 singles on the UK charts along with 19 top tens. The group went on hiatus in 2022 so that the members of the Brit Award-winning act could pursue solo projects, and Thirlwall told the magazine that she if fully ready to present her new vision to the world.
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The singer — who goes by Jade for her solo work — is off to a good start after landing a top 10 hit in the U.K. with her propulsive dance pop debut solo single “Angel of My Dreams” this summer, followed by kink-celebrating disco track “Fantasy” and the electro grinder “Midnight Cowboy,” co-written by RAYE. All three songs will appear on Jade’s upcoming, as-yet-untitled debut solo album, which is due out net year.
“You can really hear through the tracks that I’m trying to find who I am as an artist on my own,” she said. “I wanted to let fans in on that experience because it’s the truth.” Thirlwall said the inspiration behind her new single “Fantasy” was simple: “sex, darling.” The original idea was to write a love song, but in her own unique way, which led to the track on which she sings, “Passion, pain/ Pleasure, no shame/ If you like it weird, I like it strange/ It’s a fantasy, babe.”
“I wanted this liberating concept of feeling like you’ve found the right person that you can explore all your sexual fantasies with, a safe space for whatever you’re into. I’ve not seen much of that, actually, especially from a woman,” she said of the song that “heavily references” her 1970s disco-era sheroes Diana Ross and Donna Summer, but reflected in her own unique disco ball fashion.
Feeling more liberated and able to lean into more overtly sexy themes than in the innuendo-trafficking Little Mix, Thirlwall went all-in on the song’s promotion, releasing a line of “kinky merchandise” that she expected her team to reject. “Thankfully everyone was onboard,” she said, noting that the line of edible underwear, lubricant and sex toys was also originally going to include condoms, before she worried that it was too risky if, for some reason, they failed during use.
Thirlwall said she wanted the three songs released so far to reflect the “chaos of the record,” explaining, “You would not expect each song to come after the next. That’s definitely the vibe. I just want to show everyone a little taste of each part of me before the album comes next year.” She described the full LP as “quite experimental,” saying you can hear her trying to find her solo artistic groove on them. “I wanted to let fans in on that experience because it’s the truth. I’ve spent three years writing an array of so many different kinds of songs, and I want the unexpected twists and turns along the way,” she said. “I only get one debut solo album. Why not just do whatever I want?”
While she’s still putting the finishing touches on the album, Thirlwall said she can’t wait for her fans to hear it. “I’ve lived with it for a long time, so it kills me when fans are asking online, ‘What’s this clip? I’ve heard this might be the title of a song.’ I just want to blurt it all out and tell everyone, but I can’t,” she said. At press time a release date had not yet been announced for the album.