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BTS‘ Jimin is getting ready to finally unleash his solo debut. In a Weverse stream on Friday, the K-pop superstar revealed that he’s planning to drop his first solo collection next month. In a translation of the chat provided by Soompi, Jimin said, “I think the album I’ve been working on is going to drop in around March. I’m currently preparing lots of things that I can do together with you guys around that time. I’m planning lots of different kinds of things we can do to have fun together and enjoy ourselves, so I think you can safely look forward to it.”
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Jimin is riding high at the moment thanks to his hit collaboration with Big Bang’s Taeyang, “Vibe,” which recently gave each singer their first Hot 100 solo hit when the song debuted at No. 76 on the Jan. 28-date chart.
In the midst of BTS’ current pause, during which the group’s seven members are either releasing solo material or preparing to enter the South Korean military for their mandatory service stint, Jimin is gearing up to to be the latest band member to drop a solo album. At press time a spokesperson for Jimin had not returned Billboard‘s request for additional information on the album or its release date.
To date, Jimin has released the solo songs “Lie” (2016), “Intro: Serendipity” (2017), “Filter” (2020) and his 2022 collaboration with Ha Sung-woon on the Our Blues soundtrack song, “With You.” So far, J-Hope, Jin and RM have released solo music, with Suga, Jung Kook and V all saying they are also planning to break out with as-yet-unscheduled solo collections.
Rihanna is pregnant with her second baby, a representative confirmed to The Hollywood Reporter following her 2023 Super Bowl halftime show, after fans speculated about her appearance.
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The singer was dressed in a curve-hugging red outfit and appeared to rub her belly during the airborne performance at the State Farm Arena in Glendale, Arizona, where she treated viewers to a medley of some of her biggest hits.
The new baby will have a big sibling, as Rihanna just welcomed her first child with A$AP Rocky in May.
Rihanna hinted in a pre-game interview with Nate Burleson that she had a surprise in store for fans, but she didn’t end up singing any new songs or bringing out any musical guests to the Super Bowl halftime show stage.
Her vague tease makes more sense now: “I’m thinking about bringing someone — I’m not sure,” she had said. “We’ll see.”
After her Super Bowl halftime set, Burleson retweeted a post that read, “So when #rihanna told @nateburleson there was gonna be a surprise guest at the halftime show, I’m betting that the BABY is the surprise guest #JustSayin #SuperBowl.” He left his own comment with the message: “Bingo!” with a bulls-eye emoji.
“When I first got the call to do it again this year, I was like, [hisses] ‘You sure?’ I’m three months postpartum,” RiRi had said about accepting the Super Bowl gig, during an Apple Music Super Bowl LVII Halftime Show press conference earlier this week. “Should I be making major decisions like this right now? I might regret this. But when you become a mom, there’s something that just happens where you feel like you can take on the world. The Super Bowl is one of the biggest stages in the world, so as scary as that was because I haven’t been on stage in seven years, there’s something exhilarating about the challenge of it all … It’s important for my son to see that.”
From one Super Bowl halftime show star to another: Shakira is sending her best wishes to Rihanna before she headlines the 2023 halftime set Sunday at State Farm Stadium in Glendale, Arizona.
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“Remembering good times and wishing you the best vibes for tonight’s show, Rih!” Shakira wrote on her social media accounts Sunday (Feb. 12) ahead of the big game between the Philadelphia Eagles and Kansas City Chiefs. She shared an image of the two embracing and laughing from the set of their “Can’t Remember to Forget You” music video, released in 2014.
“Can’t Remember to Forget You,” featured Shakira’s 10th full-length studio album, Shakira, peaked at No. 15 on Billboard‘s Hot 100.
Shakira co-headlined the first all-Latin Super Bowl halftime show with Jennifer Lopez in 2020.
“The Super Bowl is one of the biggest stages in the world, so as scary as that was because I haven’t been on stage in seven years, there’s something exhilarating about the challenge of it all … It’s important for my son to see that,” Rihanna, who welcomed her first child with A$AP Rocky in May, said at an Apple Music Super Bowl LVII Halftime Show press conference Thursday (Feb. 9), giving fans a preview of what’s to come.
“You’re just running around for 13 minutes, trying to put like a two-hour set for 13 minutes,” Rihanna said. “And you’re gonna see on Sunday, from the time it starts, it just never ends until the very last second. I know I’m saying too much, but it’s a jam-packed show.”
The Barbados-born star added, “That was the hardest, hardest part — deciding how to maximize 13 minutes but also celebrate. That’s what this show’s gonna be. It’s gonna be a celebration of my catalog in the best way that we could have put it together. You’re trying to cram 17 years of work into 13 minutes … but I think we did a pretty good job of narrowing it down. There were probably about 39 version of the setlist right now. We’re on our 39th. Every little change counts, whether I want a guitar cut out, something muted, something added or just put in a whole new song, or take out a whole song.”
See Shakira’s post to Rihanna, plus take a look back at their 2014 collab, below. Super Bowl LVII’s broadcast began live on Fox and Fox Deportes on Sunday at 6:30 p.m. ET/3:30 p.m. PT.
Brit Award winner Harry Styles brought “As It Was” to the O2 Arena on Saturday night (Feb. 11).
Styles, who won all four awards for which he was nominated, followed up last weekend’s Grammys performance of the Harry’s House hit — which Styles’ dancers said had a technical malfunction, with its rotating stage unexpectedly turning in the wrong direction — with a fresh take at the 2023 Brit Awards ceremony. “As It Was” opened the show.
The star, wearing an open red sequin jacket and showing his chest tattoos, fronted a live band and focused on audience engagement at the Brit Awards. He let the crowd take over on the first chorus, mouthing the lyrics “you know it’s not the same as it was” along with them, and reached down to touch their hands.
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His clean sweep at the Brit Awards included the honors for artist of the year, Mastercard album of the year, song of the year and the fan-voted pop/R&B act. A full list of winners can be seen here.
Check out a clip of Styles’ “As It Was” performance below.
Lewis Capaldi took the 2023 Brit Awards stage to perform “Forget Me,” and host Mo Gilligan apparently did just that.
The comedian mistakenly introduced Lewis — whose “Forget Me” was nominated for song of the year at this year’s ceremony — as “Sam Capaldi,” which viewers were quick to comment on Saturday night (Feb. 11) on Twitter.
“I do apologize. I just called him Sam,” Gilligan said post-performance, blaming his error on the drinks served at the show.
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“Guys you know LEWIS CAPALDI gonna make some viral tweet and tiktok out of that sam capaldi thing ahahahahahahahahahah,” one fan predicted on Twitter, while others made memes of Lewis Capaldi’s head on Sam Smith‘s body on the Brits red carpet — which Capaldi immediately shared.
“Sam capaldi x,” Lewis tweeted.
“Forget Me” is the first single from Capaldi’s upcoming sophomore album, Broken by Desire to Be Heavenly Sent. It was first released in September and peaked at No. 58 on Billboard‘s Hot 100 chart, but blasted to No. 1 in the U.K.
Catch the moment in the quick clip below. See the full list of 2023 Brit Award winners here.
Everyone from Taylor Swift to Paramore dropped new music just in time for Valentine’s Day, and Billboard wants to know which release you plan on having on repeat going into the holiday.
Swift continues riding the wave of her newest single “Lavender Haze” with a dance-heavy remix for the Midnights opener by Felix Jaehn. (Prior to being tapped by the superstar, the German producer was likely most familiar to U.S. audiences for helming Omi’s 2015 No. 1 hit “Cheerleader.”)
Hayley Williams and her bandmates, meanwhile, deliver their long-awaited comeback album This Is Why. The pop-punk trio’s first follow-up to 2017’s After Laughter contains singles “This Is Why,” “The News” and “C’est Comme Ça.”
Elsewhere, Lizzo teams up with her bestie SZA for a new remix of “Special,” which finds Billboard‘s newly revealed Woman of the Year preaching, “Woke up this mornin’ to somebody judgin’ me/ No surprise they judgin’ me, don’t know who I’m ‘posed to be I’m just actin’ up, I’m crass as f–k, and never sayin’ sorry/ Found out in the end that I can only do it for me.”
Dove Cameron also joins forces with Khalid on the sultry new collaboration “We Go Down Together,” Luke Combs follows up his debut on the Grammys stage with”Love You Anyway” off his upcoming album Gettin’ Old, D4vd unveils the heartsick, pleading “Placebo Effect” and Mariah Carey cashes in on the viral resurgence of “It’s a Wrap” by dedicating an entire EP to the Memoirs of An Imperfect Angel fan favorite.
Vote for your favorite new release of the week in Billboard‘s poll below.
Surprise, dahhlings! Mariah Carey revealed a special treat for her fans on Friday (Feb. 10) in the form of a new EP celebrating her 2009 deep cut “It’s a Wrap.”
“lIT’S A WRAP!!” the icon shared on Instagram announcing the release, “by popular lamb demand, EP out now!”
The four-track project contains the original album cut from 2009’s Memoirs of an Imperfect Angel and the Mary J. Blige-assisted remix originally included as a bonus track on 2014’s Me. I Am Mariah… The Elusive Chanteuse, as well as a TikTok-friendly sped-up version and a new three-minute edit of the song.
The EP’s arrival comes on the heels of Mimi turning the fan favorite into a viral hit thanks to the “It’s a Wrap” TikTok challenge she launched after the start of the new year. In addition to giving Carey a dose of post-holiday glee as she watched thousands of Lambs lip-synch to the song, the challenge also gave “It’s a Wrap” a massive streaming bump, earning more than one million weekly streams as of the start of February.
Prior to the kiss-off’s unexpected revival, the singer-songwriter wrapped up her absolute domination of yet another holiday season with “All I Want for Christmas Is You” returning to the summit of the Billboard Hot 100 for four consecutive weeks from the middle of December through the beginning of January. The chart achievement marked the modern holiday classic’s fourth year topping the chart since it first became Carey’s nineteenth career No. 1 in 2019.
Check out Mariah’s announcement and stream the It’s a Wrap EP below.
Elvis Costello kicked off his 10-night series at New York’s Gramercy Theatre on Thursday night (Feb 9) by paying paid tribute to his dear friend and collaborator Burt Bacharach a day after the beloved pop composer passed away at 94 due to natural causes.
“It’s been a tough day,” Costello told the sold-out crowd about the loss of his musical compatriot before covering three of Bacharach’s most beloved hits according to Variety. “You know, a really great man left us yesterday. And people say, when somebody reaches a great age, they say, ‘well, it was a good ending,’… it’s never time to say goodbye to somebody if you love ‘em. And I’m not ashamed to say I did love this man. And for everything he gave me, Mr. Burt Bacharach.”
Costello then went on to perform a gentle, acoustic cover “Baby It’s You” — which he said he learned after hearing the Beatles’ 1963 cover — as well as one of Bacharach and lyricist Hal David’s indelible collaborations with Dionne Warwick, “Anyone Who Had a Heart” and a tender, solo piano take on the 1961 Drifters song “Please Stay.”
And while the theme of night one of Costello’s Gramercy run was songs he wrote before the 1977 release of his debut album, My Aim Is True, he promised that when his longtime bandmate Steve Nieve joins him later in the run they would tackle some of the songs that Costello wrote with Bacharach for the film Grace of My Heart and their 1998 joint album, Painted From Memory.
A four-CD box set of Costello and Bacharach’s recorded works, The Songs of Bacharach and Costello, is due out on March 3.
Watch video of the performances below.
Billboard’s First Stream serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
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This week, Paramore unveils its first album in six years, Lizzo taps SZA for a “Special” rework, and Taylor Swift hits the dance floor. Check out all of this week’s First Stream picks below:
Paramore, This Is Why
There’s a difference between surviving and thriving, and while Paramore should be given credit for enduring through several lineups, rock generations and music industry iterations, they deserve even more for continuously evolving in smart, exciting ways. Hayley Williams, Taylor York and Zac Farro could have used long-awaited new album This Is Why to dive back into the synth-heavy new wave of 2017’s After Laughter, or returned to the pop-punk of their beginnings as the sound receives a revival; instead, the new project brims with hopped-up post-punk, as Williams further prods at the anxieties of the outside world and within herself. This Is Why is expertly conceived and stands apart from everything in the band’s catalog… just like every album from Paramore, a band that captures fascinating moments in time and then keeps moving forward.
Lizzo feat. SZA, “Special (Remix)”
Talk about a special week for both Lizzo and SZA: days after the former won the record of the year Grammy for her No. 1 smash “About Damn Time,” the latter has been named Billboard’s Woman of the Year as her blockbuster sophomore album, SOS, potentially returns to No. 1 on the Billboard 200 chart. To celebrate their various successes, the two A-listers have teamed up on a remix of Lizzo’s Special title track, with SZA refusing to be pigeonholed by her peers: “Woke up this mornin’ to somebody judgin’ me,” she sings, “No surprise they judgin’ me, don’t know who I’m ‘posed to be / I’m just actin’ up, I’m crass as f–k, and never sayin’ sorry.”
Taylor Swift, “Lavender Haze (Felix Jaehn Remix)”
From the opening coo of “Meet me at midnight,” Taylor Swift’s “Lavender Haze” possesses a shimmying groove that’s perfect for a head knock or shoulder wiggle; this newly released official remix of the rising Midnights hit, courtesy of German producer Felix Jaehn (best known in the States for “Cheerleader,” his No. 1 smash with Omi from 2015), turns that subtle movement into a blown-out club force. The tempo ramps up, the synthesizers pile, the chorus goes double-time, and Jaehn remakes “Lavender Haze” with an inventive dance approach.
Dove Cameron & Khalid, “We Go Down Together”
As a duet, “We Go Down Together” exists in an intimate emotional space shared by Dove Cameron and Khalid — the instrumentation here is unobtrusive enough that, as they sing about their co-dependency and roller-coaster relationship, the two artists sound wholly alone with each other in the song’s shared universe. Cameron, fresh off of a breakthrough year, continues showcasing the fragile beauty of her voice, while Khalid demonstrates the soulfulness that made him an arena-headlining star (and, hopefully, will explore in more music this year).
Luke Combs, “Love You Anyway”
Everything clicks into place on Luke Combs’ “Love You Anyway,” the latest offering from the country star’s upcoming Gettin’ Old album: the sincerity in Combs’ devotion is captured by the sturdiness of the slide guitar, the chorus swells with a graceful touch, and while the song is rife with metaphors, they all land with invested feeling (“If your touch shattered me like glass / I’d be in pieces trying to make the breaking last,” Combs declares). “Love You Anyway” is not the flashiest Combs track, even by the standard of his love ballads — still, it immediately sounds like one of his strongest to date.
D4vd, “Placebo Effect”
With “Romantic Homicide” and “Here With Me,” D4vd has watched two lovelorn, genre-defying singles go viral and then sustain their momentum to become chart-conquering hits. New single “Placebo Effect” represents both an attempt for the teen singer-songwriter to go three-for-three, as well as a refinement of his sound and point of view: still heartsick after confusing a fizzling relationship for real love, D4vd operates over stray guitar licks and lets his voice crack through his clipped pleas, for maximum emotional devastation.
Britney Spears says she’s fed up with the rumors. In a pointed Instagram post on Thursday night (Feb. 9), the singer lashed out amid the latest spate of headlines about her private life, writing, “It makes me sick to my stomach that it’s even legal for people to make up stories that I almost died … I mean at some point enough is enough !!! I’m probably going to have to stop posting on Instagram because even though I enjoy doing it, there’s obviously a lot of people who don’t wish me well !!!”
Outlets including TMZ and People reported earlier this week that Spears’ inner circle was so concerned about her health that they planned an intervention for the singer that was canceled at the last minute. At press time, a spokesperson for Spears had not returned Billboard‘s request for comment on the reports.
While Spears did not directly address those reports in her Thursday post — which included a slide that read “A state of gratitude will shift you to a higher frequency” — she did say that the stories did not surprise her “at all. Again doing the best I can !!! Again, the conservatorship has been over for almost a year … No folks, it’s not 2007 … it’s 2023 and I’m making my first homemade lasagna at home !!!”
“I finally got my fireplace to work in my living room !!! As my hubby says it best: don’t believe everything you read !!!” she concluded. “All that love right back at ya !!!”
Back on Jan. 28, Spears addressed a reported police wellness check, throwing water on the reports about her health. “Yep that’s me … I’m alive and well,” she tweeted alongside a video that appeared to be filmed at a fitness center and also addressed her most recent Instagram leave-taking. “But not really convinced on these health juices. I mean there are SO MANY !!!”
“I shut down my Instagram because there were too many people saying I looked like an idiot dancing and that I looked crazy. Honestly I was doing my best but it disturbed me to see people freely talk about it on TV … yep it hurt my feelings,” Spears said in a second tweet.
“I’m shocked as hell that when I took my Instagram down fans got worried and sent the cops to my house … it really was uncalled for … l adore my fans but for those who did that aren’t real fans and I honestly felt like it was a way to make me look bad !!!”
On Jan. 26, Spears responded to reports that police had been called to her home earlier in the week after she deleted her Instagram and, reportedly prompting fans to call the police out of concern for her well-being.
“As everyone knows the police were called to my home based on some prank phone calls. I love and adore my fans but this time things went a little too far and my privacy was invaded,” Spears wrote in a post. “The police never entered my home and when they came to my gate they quickly realized there was no issue and left immediately.”
TMZ was the first to report the news about the check, and stated that the Ventura Co. Sheriff’s Office started receiving calls about Spears, which prompted, “authorities [to visit her] home out of an abundance of caution”; the 41-year-old singer had deleted (and reinstated) her Instagram account multiple times prior to the new incident.
Spears continued in her note, “This felt like I was being gaslit and bullied once the incident made it to the news and being portrayed once again in a poor and unfair light by the media. During this time in my life, I truly hope the public and my fans who I care so much about can respect my privacy moving forward.”
See Spears’ post below.
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