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Despite photos of the two seen spending time together, Shawn Mendes is clearing up rumors that he’s dating fellow pop star Sabrina Carpenter.
“We are not dating but I think we should talk about Tommy Hilfiger probably more than Sabrina,” the “In My Blood” singer told RTL Boulevard during an interview about his recent Tommy X Shawn Classics Reborn mens and womenswear capsule collection, according to Pop Crave.
Shawn Mendes tells RTL Boulevard he’s not dating Sabrina Carpenter: “We are not dating but I think we should talk about Tommy Hilfiger probably more than Sabrina.” pic.twitter.com/C0velvHqeI— Pop Crave (@PopCrave) March 17, 2023
Dating rumors first sparked last month, when the pair were photographed walking down the street in Los Angeles, side-by-side with Mendes’ hands tucked into the pockets of his jean jacket and Carpenter wearing an oversize black sweatsuit — but they follow rumors from gossip Instagram account deuxmoi that they’ve been quietly dating.
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Mendes previously dated Camila Cabello for two-plus years before they announced their breakup in late 2021, while Carpenter was previously linked to High School Musical: The Musical: The Series star Joshua Bassett.
Taylor Swift returns to No. 1 on Billboard’s Adult Contemporary chart, as “Anti-Hero” rises to the top of the tally dated March 25.
The song, released on Republic Records, becomes Swift’s eighth AC leader, the most among all acts over the 2000s, ’10s and ’20s. In that span, Adele, Michel Bublé and Josh Groban rank second with six No. 1s each.
Swift, meanwhile, joins Bublé as the only artists with AC No. 1s in the ’00s, ’10s and ’20s. She first led with “Love Story” in 2009 and had most recently reigned with “Delicate” in 2018.
Here’s a recap of Swift’s eight AC No. 1s:
“Love Story,” six weeks at No. 1, beginning June 6, 2009
“You Belong With Me,” 14 weeks, Oct. 31, 2009
“Mine,” one week, Dec. 11, 2010
“Shake It Off,” nine, Nov. 22, 2014
“Blank Space,” four, Feb. 21, 2015
“Style,” two, July 11, 2015
“Delicate,” 10 weeks, Sept. 15, 2018
“Anti-Hero,” one-week to-date, March 25, 2023
“Anti-Hero” topped the Adult Pop Airplay chart for nine weeks, surpassing “Shake It Off” (eight weeks at No. 1 in 2014) for Swift’s longest command at the format among her nine leaders.
“Anti-Hero” also ruled Pop Airplay for three weeks, marking her 10th No. 1 and, as on AC, her first leader since “Delicate.”
“Anti-Hero” is Swift’s first song to triple up with No. 1 ranks on AC, Adult Pop Airplay and Pop Airplay since “Delicate,” and her fifth overall to have led all three lists. Her others (all from her 2014 album 1989): “Style,” “Blank Space” and “Shake It Off.”
“Anti-Hero” debuted atop the all-genre, multi-metric Billboard Hot 100 dated Nov. 5, 2022, as Swift made history as the first artist to infuse the chart’s entire top 10 in a single week, with all tracks all from her latest album, Midnights. The song went on to spend a personal-best eight weeks at No. 1.
All charts dated March 25 will update on Billboard.com Tuesday, March 21.
In his Eras era! Elmo took to social media on Friday (March 17) to model his own adorable version of Taylor Swift‘s poster for The Eras Tour.
“Elmo is in Elmo’s Red era! #TheElmosTour,” the Sesame Street fan favorite captioned the post, which features the character posing in 10 multicolored squares coordinated to each of Swift’s albums. For example, in the Red (Taylor’s Version) square, he dons his own beanie and scarf a la “All Too Well,” and in the baby pink square for 2019’s Lover, he shows off a homemade chain of paper hearts. (Apparently Elmo’s Reputation era involves him shh’ing the camera with a single red finger over his mouth while he’s turned with his back to the camera for 2020’s Evermore, copying the vibe of Swift’s own album cover.)
Elmo’s timing couldn’t be more perfect, considering Swift is just hours away from kicking off the long-awaited U.S. tour with two consecutive shows at State Farm Arena in Glendale, Ariz. Especially for the occasion, the city’s mayor, Jerry P. Weiers, ceremonially changed the name of the city temporarily to Swift City.
Ahead of her first live show in four years, the superstar also surprised fans with a gift in the form of three re-recorded songs — “Safe and Sound” featuring Joy Williams and John Paul White, “Eyes Open” from The Hunger Games 2012 soundtrack as well as Speak Now bonus track “If This Was a Movie” — and previously unreleased Lover cut “All of the Girls You Loved Before.”
Billboard also marked the launch of The Eras Tour by revealing our definitive ranking of Swift’s 100 best songs, all the way from 2006’s “Tim McGraw” to 2022’s “Anti-Hero.”
Check out Elmo’s cute recreation of Taylor’s many eras below.
Niall Horan gave fans the ultimate blond pop star crossover when he joined Capital FM on Friday (March 17) for a fun cover of Hannah Montana’s “Best of Both Worlds.”
The “This Town” crooner chose Miley Cyrus’ Disney Channel alter ego’s theme song for his “Bedroom Covers” rendition and performed it on his acoustic guitar, surrounded by teen idol posters including one of Hannah herself.
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Horan is just months away from releasing his third solo album, The Show, which arrives on June 9. “This album is a piece of work I’m so proud of and now it’s time to pass it over to you to go and make it your own,” Horan wrote on Instagram in a post that featured the cover, in which he is depicted leaning on his elbows in a window and staring up at the title. “Thank you so much for being there for me all this time and I can’t wait to share the next couple of years of this new era with you. I’ve missed you all so much. It’s good to be back.”
The singer’s last full-length album, Heartbreak Weather, contained singles “Nice to Meet Ya,” “Put a Little Love on Me,” “No Judgement” and “Black and White”; the album peaked at No. 4 on the Billboard 200 after its March 2020 release.
In the meantime, watch Horan’s “Best of Both Worlds” cover below.
Liam Payne penned a sweet tribute to Louis Tomlinson on Friday (March 17) following the premiere of his new documentary All of Those Voices.
The “Strip That Down” singer was on the scene at London’s Leicester Square for his former bandmate’s big night and posted a giddy photo of the two together at the event on Instagram. “Seeing the world through your eyes last night was the most beautiful thing to experience,” he captioned the snap. “My neck hurts from how much Im looking up to you right now you were already my friend and brother but getting to look through that window into your world and mind I just extends that respect I have for you.
“What you’ve dealt with and how you held it all inside!!” he continued. “I’m so sorry I was so out of my mind and I didn’t do better for you, I feel ashamed in those moments to not be as good of a friend as you have been to me, at least I have time now and I’m me again so will try and make amends.”
Payne added that he felt “emotionally drained” after watching Tomlinson’s vulnerable film and shouted out his fellow One Direction-er’s “will to get up off the canvas every time life beat you down and fight back.”
He finished off the lengthy note by writing, “I’m so thankful to have you in my life mate I feel so lucky and I know you know this but you were part of a small group of people that literally saved my life, you dragged me out of something so dark I’ve never shared it but your approach is something I admire and aspire to so I can one day do the same” before praising Tomlinson for “work[ing] harder than any of us to get here and now the world gets to see that from your side.”
All of Those Voices is set to hit theaters nationwide next Wednesday (March 22) for limited screenings. Check out Payne’s thoughtful note to Tomlinson here.
This week’s new music Friday is filled with brand new tracks from Taylor Swift, BTS‘ Jimin, Melanie Martinez and more.
To get fans even more hyped up for Swift’s The Eras Tour — which is scheduled to kick off on Friday, March 17, in Glendale, Ariz. — the pop icon released not one, but four tracks: “Taylor’s Version” takes on “If This Was a Movie,” “Safe and Sound” and “Eyes Open,” as well as “All of the Girls You Loved Before,” which is an unreleased track from her Lover era. “Girls” sees the 33-year-old reflecting on her past mistake with an air of appreciation, as it paved the way for a better future for herself. “Every dead-end street, led you straight to me,” she sings on the chorus.
Jimin is the latest member of BTS to go solo, and gave fans a taste of his forthcoming album, FACE (scheduled to arrive on March 24), with the release of its lead single, “Set Me Free, Pt. 2.” Jimin flips off his haters in the defiant hip-hop influenced track about “determination, passion, and overcoming” any obstacles in his way. “I thought it was important that I be the one to set myself free — not someone else,” he said of the track in an interview with Consequence. “In the end, I’m the one who has to set myself free.”
Melanie Martinez also offered a new tune, declaring that she is “back from the dead” on new track “DEATH.” The singer says a farewell to her Crybaby persona, embracing a rebirth — and electronic, synth-driven sound — for her Portals album cycle, which promises to be one of her most ambitious yet.
Kx5, Hozier and Avenged Sevenfold also return this week. With so many to choose from, we want to know: Which release is your favorite? Vote in our poll below.
The Jonas Brothers hit the Broadway stage on Thursday (March 16) for the third night of their ongoing Broadway residency, and trotted out their Miley Cyrus collab “Before the Storm” especially for the occasion.
The performance marked the first time the siblings had performed the album cut from 2009’s Lines, Vines and Trying Times since at least 2013, though they decided to only run through the first part of the song, sans Cyrus’ opening verse. “I don’t want to lose her/ Don’t wanna let her go,” Nick Jonas belted out before urging the audience, “Sing it out, c’mon!” and letting the packed crowd sing along for the chorus.
“The ONLY part of Before The Storm Nick could tolerate to sing lol,” a fan on Twitter captioned the video she posted of the number. Of course, the youngest Jonas has quite the history with the Endless Summer Vacation singer, considering they dated in their Disney Channel days as teens and Cyrus allegedly based her 2008 hit “7 Things” on their relationship.
For the third night of their takeover at the Marquis Theatre, the JoBros performed the entirety of their fourth studio studio set in full, including a snippet of Common collab “Don’t Charge Me for the Crime” and the live debut of album closer “Keep It Real.”
On Friday night (March 17), they’re set to highlight 2019’s Happiness Begins before the live premiere of their soon-to-be released new LP, The Album, on Saturday (March 18).
Watch the Jonas Brothers sing “Before the Storm” sans Miley Cyrus below.
Delilah Belle is still getting used to calling herself a singer. As the 24-year-old model prepares to share her very first single, “Nothing Lasts Forever,” with the world, she’s spending a bizarrely cold Los Angeles day sending out invitations to her release party.
“I don’t think it’s hit me yet, really,” she confesses to Billboard of the song’s imminent unveiling, which is taking place at West Hollywood hotspot Hotel Ziggy on Friday night.
The hip location on the Sunset Strip is the perfect setting to mark Delilah’s reinvention as a nascent pop star — particularly given her reality TV roots as the daughter of Real Housewives of Beverly Hills firebrand Lisa Rinna. After all, the boutique hotel was also the site of a party hosted by DJ James Kennedy in the latest season premiere of RHOBH spinoff Vanderpump Rules — this was pre-#Scandoval — and also happens to be just down the road from what used to be L.A.’s iconic Tower Records flagship store.
Fans first met Delilah back in 2014 when her famous mom snagged a diamond in the fan-favorite fifth season of Bravo’s 90210 franchise. (Ironically, in her very first scene, Rinna implores Delilah and her younger sister Amelia Gray, “Tell me about Coachella,” after not allowing the then-teens to go to the festival.)
But just one look at the music video for “Nothing Lasts Forever” lets fans know that Delilah has certainly grown up since her earliest days in front of reality TV cameras. The visual for the downtempo ballad opens with the DNA designer sitting in a milky bath reminiscent of Taylor Swift’s “Lavender Haze” video before she jolts awake, singing, “Feelin’ like I’m dyin’ and it won’t pass/ Feelin’ like I’m lyin’ in a bloodbath/ I could pull the plug, let it drain out/ Or take another drug for the pain now” in a glossy soprano.
The song wades into weighty territory for a debut single, exploring Delilah’s physical and mental health struggles over the past few years. In November 2021, she went live on Instagram to detail living with obsessive-compulsive disorder and anxiety, as well as a particularly bad experience with a Xanax subscription, to her more than 1.6 million followers. (She now boasts, as of press time, closer to 2 million and counting.)
Yet despite its raw edge, the older Hamlin sister says she didn’t think twice about getting vulnerable with the song. “I’ve always been an open book and I’ve never been scared to really share what I’ve gone through.” she says. “That’s just not really who I am.”
Below, Delilah Belle chatted exclusively with Billboard about breaking into music, what she hopes fans take from “Nothing Lasts Forever,” whether she got any advice from her mom’s RHOBH bestie Erika Jayne and more.
What made “Nothing Lasts Forever” the right choice as your debut single?
I want this song to be something that everyone can relate to in one way or another. You know, I’ve written tons of songs about breakups, heartbreak, et cetera, but I feel like this song really is open to interpretation, and I want people to be able to just really relate to it in whatever way they need to in that moment. Because the meaning behind it really is “nothing lasts forever,” whether that be a breakup or really anything.
How did you start writing music in the first place?
I’ve always journaled my entire life and I’ve also always loved singing. And I knew that I wanted to be able to convey and tell my story through music. I thought, you know, “I have a platform. I could just put out an Instagram Story and talk about the struggles I’ve been going through.” But really, I thought that, creatively, the best way to go about telling my story would be through music. “I have a platform. I could just put out an Instagram Story and talk about the struggles I’ve been going through.” But really, I thought that, creatively, the best way to go about telling my story would be through music.
You said they’re up for interpretation, but the song’s lyrics deal with some heavy emotional themes surrounding mental health and anxiety. What inspired that?
Honestly, what I’ve been going through the past couple of years — really most of my life, as I can remember — I’ve felt a certain way. And they definitely are heavy, heavy lyrics. [Pauses] Yeah, I’ve struggled with my mental and my physical health the past couple of years and I wanted to be able to convey my struggles not so, like, blatantly. But at the same time, you know, they are heavy and they really do convey exactly how I was feeling.
Was that a vulnerable process for you to put those ideas down on paper? Did you feel ready to put all this out there?
You know, I honestly did feel ready to put all this out there. I’ve felt ready for a while, especially after I posted this video a couple years ago on my — I guess it was a Live, then I posted it to my IGTV, if that’s what it is. I’m so bad at technology, I literally don’t know what things mean. [Laughs] But yeah, I’ve always been an open book and I’ve never been scared to really share what I’ve gone through. That’s just not really who I am. So going through the process of writing and recording and being able to share my story through storytelling, through music was definitely a cathartic experience. It just felt right. Like, I didn’t feel uncomfortable at any time. I honestly could’ve shared more; I could’ve been even more open. It’s easy for me to open up, and I think it’s important to open up.
What do you hope listeners and new fans take away from the song’s message?
I really, really hope that people can resonate with the lyrics and take what they need from it. Because it’s so much more than just a song to me. I’ve been in very dark, dark moments in my life where I put on a song, or I’ll have the same song or, like, a playlist on repeat that just like that sad playlist. And those always make me cry, and when I’m in those moments, I want to be able to relate to someone else. Or I want to feel heard, I want to feel like I’m not going through this alone.
So number one, I want people to be able to, if they’re sitting on their bathroom floor or laying in bed, feeling like they’re dying and this moment won’t pass, I want them to be able to be like, “OK wait, someone else feels this way.” And whether someone looks up to me or thinks of me in a certain way, I want them to be able to be like, “Oh wait, Delilah also feels that way.” And if that can help someone, that would just be amazing. I want people to know that nothing lasts forever and I also struggle.
That’s something so many people struggle with and it can be hard to talk about and feel really isolating.
Yeah, and I think people can tell us over and over again that, like, “This too shall pass.” People can tell us all of these clichés, but in reality, it really does take wanting to change. And in my lyrics, I convey, like, “Same me, same girl, same behavior.” I was really just stuck in this one space until I realized, like, I have to change my thinking in order for my life to change…And when you change your thinking and your behavior, then you really do realize that nothing lasts forever.
Do you have any pop artists you looked to for inspiration as you dove into music?
I honestly didn’t know what my sound was going to be. I’ve written multiple songs and every song is, like, a different sound and could be considered a different genre. So when I think of someone who’s an inspiration to me as a musician, I think of how they tell their story. And I think that that’s something that’s really important to me and that’s such a beautiful thing. So I think of Lady Gaga, I think of Billie Eilish. Lizzo. I think of, you know, going back to Amy Winehouse. I even think of XXXTentacion in the way that he told his story through music, I just think it was very impactful. So I wouldn’t really say when I looked up to musicians I was trying to necessarily embody their sound, but more so the way that they told their stories.
Considering that you’ve known her for so many years, did you get any advice from Erika Jayne about starting music?
I don’t think I did get any advice from Erika. I don’t think I reached out, to be quite honest with you! [Laughs]
Well maybe we need her on the “Nothing Lasts Forever” remix.
Maybe we do, maybe there’s 10 remixes! I do think I invited her to my release party though. But no, honestly, I kind of did this alone with my little team that I created and love so much.
Tell me about the concept for the music video.
So the concept for the music video is…sick. [Laughs] I wanted it to be very elevated, ethereal, I wanted it to be high-fashion, I wanted it to be emotional, I wanted it to be so many things. So me, my creative directors and my team — we really thought about it and made it like a dream within a dream. We wanted it to be a work of art, honestly. And also, like I said with the song, open to interpretation. We didn’t want it to be too literal, and that’s what I love about it.
How did shooting the music video compare to all of your experience modeling?
When I model, I would bring emotion if that’s what was asked of me. But in the music video, in every shot I was thinking a lot, and thinking heavily about things that have happened throughout my life — and the last couple of years especially. So there was a lot of emotion filming it. I mean, I went through, I don’t know if it’s a hundred percent conveyed, but for me, I was very emotional filming that. And it was also kind of like acting? Which I’ve not really done in so long, since I was in, like, theater school when I was younger. It was awesome because it was something that I was kind of also directing. Obviously there was a director, my creative directors, but it was something that I was directing with my emotions and my thoughts. So it was a bit different in that aspect.
You’re definitely a little more in the driver’s seat than on a modeling shoot, I assume.
Yes, which I love because I’m very creative.
So can people expect more music coming soon from you? A full-length album, perhaps?
What can I tease? Hmmm. [Laughs] I’m definitely planning on a hundred percent releasing more music in the future. I… Yeah, I will leave you with that. Yeah, I don’t know yet. We’ll see.
Breaking out on your own from one of the most successful pop groups on the planet must surely come with untold trepidation and anxiety about whether your fanbase will follow you down a new path. But for BTS‘ Jimin, releasing his solo single “Set Me Free Pt. 2” amounts to a kind of liberation (or, as he puts it, a “new starting point”), as well as a chance to establish an identity apart from the global superstar septet.
“When this song was made, I felt really attached to it,” he told Consequence of Sound about his first solo project. “I went to the U.S. myself for the choir recording, and listening to it right next to them was truly amazing. I remember it as a really good memory.”
The song — which features majestic choir backing, a booming hip-hop beat and urgent Auto-Tuned vocals — is slated to appear on Jimin’s upcoming solo album, FACE, which is due out on March 24. And though it is tagged as a sequel, any ARMY member can tell you that there is, in fact, no original “Set Me Free” in Jimin’s discography. The singer explained to CoS that the title is a wink a song on bandmate Suga’s 2020 D-2 mixtape from alter ego Agust D.
“There isn’t a connection, and we weren’t trying to divide part one or part two,” he said. “But since it turns out my song talks about freedom and moving forward, and SUGA’s song talks about some of the stories that come before, I thought it would be good to come after that.”
Asked to break down the message of the track — which he described as having a light/dark, black/white energy — Jimin said he focused on the concepts of “determination, passion, and overcoming” and that the title is about him, well, setting himself free. “So I thought it was important that I be the one to set myself free — not someone else,” he said. “In the end, I’m the one who has to set myself free.”
As the latest member of the group to break out during the band’s yearslong pause to allow all seven to focus on their solo careers (as well as attend mandatory South Korean army service), Jimin said all his bandmates were nervous before dropping their albums and singles, but luckily, “their results were absolutely great.”
He’s nervous too, but mostly he just wants to make the other guys proud. “I don’t want to be an embarrassment to my members,” he said. “I want to be a proud member of BTS.” He doesn’t appear to have much to worry about, as “Set Me Free Pt. 2” was announced with a flashy, choreography-heavy video directed by Oui Kim.
As for what fans can expect from FACE, Jimin promised that the album talks about how he can look back on his past and, “how I overcame… If people understand the emotions I’m trying to express, I’ll consider the album a success.”
Watch “Set Me Free Pt. 2” below.
Billboard’s First Stream serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
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This week, Taylor Swift unveils some secret songs, Kx5 points toward the dance floor and Hozier makes a long-awaited return. Check out all of this week’s First Stream picks below:
Taylor Swift, “All of the Girls You Loved Before”
To celebrate the kickoff of her Eras stadium tour on Friday (Mar. 17), Taylor Swift has cracked her vault open and given fans a few unexpected goodies: the “Taylor’s Version” takes on previously released tracks “If This Was a Movie,” “Safe and Sound” and “Eyes Open,” as well as “All of the Girls You Loved Before,” an unreleased gem from her Lover era. Like the best moments on that 2019 album, “Girls” crackles with rhythm and romance, as Swift sings about how past mistakes have created a better reality and concludes on the swaying chorus, “Every dead-end street, led you straight to me.”
Kx5, Kx5
“It was literally a product of us saying, ‘F–k it,’” deadmau5 told Billboard of the formation of Kx5, his superstar team-up with Kaskade. “I’m not saying we don’t love it, but we don’t need it, financially speaking. It’s just something we want.” That carefree desire is imprinted across new album Kx5, as the duo of dance music titans use these 10 tracks try things out in the context of their respective styles, and more often than not — from the breathless groove of the AR/CO collaboration “Bright Lights” to the strobing, dance-siren emotion of “Escape” with Hayla — that process of saying “f–k it” pays dividends.
Hozier, Eat Your Young EP
Hozier has been able to transcend the success of breakthrough smash “Take Me To Church” due to his songwriting panache — it’s the reason why he’s headlining Madison Square Garden later this year instead of being relegated to one-hit wonder status. Eat Your Young, a new three-song EP that precedes his upcoming third album Unreal Unearth, references Dante’s Inferno and the sins of gluttony and heresy, but does in a way that draws in the listener without preening like a college paper: the title track, for instance, charms with a strings-laden, bluesy chorus, letting its message seep in slowly and effectively.
Melanie Martinez, “Death”
Melanie Martinez is the type of artist that does not drop by between album cycles for one-off singles and tossed-off collaborations: the avant-garde pop auteur instead creates bold, expansive worlds with each project, and when one is complete, she stows away for a few years to make another. “I’m back from the dead, back from the dead,” Martinez declares on the chorus of “Death,” the lead single to upcoming album Portals, and while the dramatic five-minute track can be connected to her artistic reawakening with every project, the kinetic drums and electronic elements will also make listeners feel reborn, too.
Avenged Sevenfold, “Nobody”
On their first new single since 2016, hard-rock veterans Avenged Sevenfold try to make up for lost time by seemingly deploying all of their finely crafted skills in six minutes — guitar chugs morph into searing solos, pummeling verses lead into sky-high hooks, and the groove conveys a nervousness before all of the tension is eventually released. “Nobody” evolves around M. Shadows’ philosophical prodding, his voice heavy with the weight of his life questions — but that man can howl like no other, and his vocals still take hold of the listener after a long layoff.
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