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Gayle is giving solo tours another shot. After gaining experience supporting Taylor Swift and P!nk this year, the “abcdefu” singer announced Monday (June 12) that she’s hitting the road in the fall for her very own headlining trek in North America. Dubbed the “Scared But Trying” tour, the 15-show run will kick off Oct. 17 […]

Britney Spears and ex-husband Kevin Federline have shared strong reactions to a British tabloid report over the weekend claiming that the star is using illegal drugs.
“[The] lies and attempts to exploit minors is click bait and another repulsive example of where, unfortunately, certain journalism has sunk today,” Federline wrote in a statement on his Instagram Story on Monday (June 12).

The singer’s former husband — with whom she shares sons Sean Preston, 17, and Jayden James, 16 — lashed out at The Daily Mail and The Sun, saying it saddened his family that the publications “decided to fabricate lies and publish the heart ache our family has endured, along with the trauma of our minor children” in the papers.

The Mail piece alleged that Federline and Spears’ family is afraid that she is using the highly addictive drug crystal meth. “It’s terrifying. She is the mother of my boys,” the Mail reported Federline saying, while claiming that her sons are “refusing” to meet their mother.

The British tabloid reports were claimed to have been the result of a series of conversations between Federline and the writer, and though K-Fed slammed the results as hurtful and untrue, he did not specifically call out any particular claim the writers made.

Spears was equally upset, posting a stock photo of a boy bullying a girl on the school ground along with a long note decrying the reporting, also without addressing the specific allegations on Instagram. “The fact that people are claiming things that are not true is so sad … This may not even be them saying such things because it doesn’t make any sense to me for them to be saying that,” she wrote in a lengthy caption. The rest of the note appeared to relate to the singer’s reportedly strained relationship with her teenage sons.

The Mail report appeared to suggest that the claims about Spears’ alleged drug use came as part of an in-process documentary that has been in the works since last July. The piece suggested that the star’s estranged father — who was in charge of her day-to-day affairs for 13 years during her restrictive conservatorship that ended in November 2021 — has worried that his daughter will meet the same fate as Amy Winehouse, who died at 27 after a struggle with drugs and alcohol.

“It’s sad because everyone sits back as if that’s ok to make up lies to that extent … Why am I told I have to sit back and rise above ???” Britney Spears asked her in post. “When they all go so low ???”

In his Instagram Story, Federline said that he did allow the Daily Mail writer and her team into his home “because we trusted them … but that was lost and we severed ties back in March for many reasons we choose not to go into here.” He said it was “very distressing” that the reporter continues to “harass our family when we have repeatedly asked her to leave us alone.” Federline said he and his family did speak with the reporters a few times in a fashion he described as “respectful” and “with love and compassion for Britney and the Spears family.”

A spokesperson for Spears had no additional comment beyond the singer’s post, and a spokesperson for Federline has not yet returned a request for comment.

In a statement to Billboard, a spokesperson for The Mail on Sunday says the publication stands by its story, saying that the writer and the team spent “months” working with Federline and his family – including Spears’ sons – for a new documentary, during which they spent 12 days filming together. “[The writer] has assured us that the quotes attributed to Kevin and the family are accurate and fairly reflect the interviews conducted, in which Kevin expressed his fears that Britney might be using crystal meth to [the writer]” and members of the film crew. “He did so clearly and repeatedly.”

Spears’ lawyer, Matthew Rosengart, confirmed to Billboard on Monday that he sent a legal note to the Mail on Sunday also vehemently denying the report of her alleged drug use. “Kevin Federline himself has now acknowledged the falsity of the story, asserting that it contains ‘fabrications’ and ‘lies’ about Britney. In addition to exploiting and making false claims about Britney, particularly regarding ‘crystal meth,’ the ‘story’ also exploits her minor children, which is beyond the pale,” read the letter, with Rosengart noting that Federline’s comments about “lies” specifically refer to what he said were the “false allegation regarding ‘crystal meth.’”

Congratulations are in order for Michael Clifford and his wife Crystal Leigh, who are expecting their first baby together. The 5 Seconds of Summer star and the talent manager shared the happy news with People on Monday (June 12) along with sweet photos holding a sonogram. “I’m filled with excitement and also with nerves,” Clifford […]

As guests filed into Sunday’s (June 11) music-filled memorial for Cynthia Weil, they smiled in recognition and sang along to a string of hit songs she co-wrote that were played on speakers in a lush courtyard of the Beverly Hills Hotel.
Weil, the Grammy-winning lyricist who enjoyed a decades-long partnership with husband Barry Mann and helped compose “You’ve Lost That Lovin’ Feeling,” “On Broadway,” “Walking in the Rain” and dozens of other timeless tunes, died last week at age 82.

Singer Tony Orlando, who hosted the private event from a small stage with a grand piano, admonished attendees that despite the cloudy skies the day was not to be mournful, but a sunny celebration.

“I want the applause to be loud!” he said. Orlando performed “Bless You,” the 1961 ballad that gave Weil and Mann their first top 20 hit. They were married within months of the song’s release.

White-coated waiters distributed trays of bright green apple martinis, Weil’s favorite cocktail, to her friends, family members and show business contemporaries. Among those raising their glasses were Mann, record producer Lou Adler, singer Carol Bayer Sager and songwriters Carole King, Jeff Barry, Mike Stoller and Diane Warren.

Weil and Mann were one of popular music’s most successful teams, part of a crew of young songwriters based in Manhattan’s Brill Building neighborhood, near Times Square. With such hit-making duos as King and Gerry Goffin and Barry and Ellie Greenwich, the Brill Building hit factory turned out many of the biggest singles of the ’60s and beyond.

The couple was collaborators with producer Phil Spector on songs for the Ronettes (“Walking in the Rain”), the Crystals (“He’s Sure the Boy I Love”) and other singers, and also provided hits for everyone from Lionel Richie to Leo Sayer.

Their most famous collaboration, a song that would become historic, was “You’ve Lost That Lovin’ Feeling,” a soulful anthem produced by Spector with epic strings and sung with desperate intensity by the Righteous Brothers, Bill Medley and Bobby Hatfield. “You’ve Lost That Lovin’ Feeling” topped the charts in 1965 and was covered by numerous other artists.

Appearing at the memorial via a recorded video, Bill Medley said Weil and Mann didn’t just write the Righteous Brothers a hit, “They wrote us a career!” According to Broadcast Music Inc. (BMI), no other song was played more on radio and television in the 20th century.

Dolly Parton, who also appeared on video, recalled her career being sent “out into space” when the country star scored a crossover pop hit in 1977 with “Here You Come Again,” written by Weil and Mann.

“She left a great body of work,” Parton said.

Weil and Mann were inducted into the Songwriters Hall of Fame in 1987 and the Rock & Roll Hall of Fame in 2010. They were supporting characters in the hit Broadway musical about King, “Beautiful,” which opened in 2013 and documented the intense friendship and rivalry between the two married couples. Mann and Weil’s musical “They Wrote That?” had a brief run in 2004.

On Sunday, with Paul Shaffer on piano, King performed “Somewhere Out There,” a song Weil wrote with James Horner for the soundtrack of “An American Tail.” It won Grammys in 1987 for best song and best song for a movie or television, and was nominated for an Academy Award and Golden Globe.

Weil’s daughter, Dr. Jenn Mann, said the songwriter died last Thursday at her home in Beverly Hills, California. She remembered her mother Sunday as a loving wife to Mann, a devoted grandmother to her two girls, a lover of animals, and a soft-hearted romantic who could surprise people with her no-nonsense business sense.

While many of Weil’s peers struggled once the Beatles caught on in the mid-1960s, she continued to make hits, sometimes with Mann, or with other partners. Weil helped write the Peabo Bryson ballad “If Ever You’re In My Arms Again”; James Ingram’s “Just Once”; and the Pointer Sisters’ “He’s So Shy.” In 1997, she was in the top 10 again with Hanson’s “I Will Come to You.”

And her talents extended beyond love ballads. She and Mann wrote one of rock’s first anti-drug songs, “Kicks,” a hit for Paul Revere and the Raiders in 1966. The Animals had a hit with her tale of working class frustration, “We’ve Got to Get Out of This Place.” The Crystals’ “Uptown” was a 1961 hit that touched upon race and class in ways not often heard in rock’s early years.

Appearing on video, rocker Paul Stanley of KISS recalled being a fledgling songwriter as a teenager in New York and scouring the credits on his favorite records.

“Invariably, songs that I loved, I would see her name on it,” Stanley said.

Skyscrapers, bridges and other landmarks in South Korea’s capital will be lit up in purple on Monday (June 12) as the country begins celebrating the 10th anniversary of K-pop band BTS, whose global popularity is a source of national pride.
The lights will provide the backdrop for various social media-driven events marking the 2013 debut of the seven-member group, which is now taking a hiatus as its singers begin to serve their mandatory military duties.

From Monday evening, numerous Seoul structures, including City Hall, the 123-story Lotte World Tower, several Han River bridges, and the futuristic DDP – a Zaha Hadid-designed aluminum and concrete dome that’s often used for visual art – will be bathed in purple, a color associated with BTS, according to city officials and the group’s management company, Hybe.

Messages congratulating BTS were displayed on digital screens in buildings across Seoul, while postal authorities issued stamps marking the group’s anniversary, which will be available at post offices starting Tuesday.

Seoul officials hope that the celebrations, which will continue for around two weeks, will boost tourism. The city has designated more than a dozen sites associated with BTS, including places where the group held major performances or shot some of their famous videos.

Fireworks are planned at a park near the Han River on Saturday night, hours after one of the BTS singers, RM, holds a live talk with fans that will be broadcast online.

Quickly garnering huge followings in Asia following their debut, BTS’ popularity expanded across the globe with their 2020 megahit “Dynamite,” the band’s first all-English song that made it the first K-pop act to top Billboard’s Hot 100. BTS has since performed in sold-out arenas around the world and was invited to speak at United Nations meetings, supported by a legion of global followers who call themselves the “Army.”

BTS’ activities as a full group are currently on hold as the artists begin to serve in the military. Two BTS singers – Jin and J-Hope – have already started their compulsory 18-month service and other members are to follow in coming months, which likely means the group will reconvene around 2025.

In South Korea, all able-bodied men are required to serve in uniform 18-21 months under a system meant to deter aggression from rival North Korea.

The Hollywood Bowl opened its 2023 season with a hell of party Saturday evening (June 10), thanks to Janet Jackson and her Together Again Tour with special guest Ludacris. It’s Jackson’s first major outing since her 2019 Metamorphosis Las Vegas residency and, later that year, her 30th anniversary celebration of 1989’s Janet Jackson’s Rhythm Nation 1814.

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Borrowing its name from the hit single featured on Jackson’s 1997 sixth album The Velvet Rope, Together Again fittingly embodied the reunion vibe coursing throughout the multi-generational and multi-racial audience inside the Bowl. Both Jackson and Ludacris kept the sold-out, constantly cheering, sing-along crowd on its feet from beginning to end of their Los Angeles stopover.

Before coming to the Bowl, Jackson and Ludacris performed the night before (June 9) in Irvine, Calif. Additional California stops on the Together Again Tour — which kicked off April 14 — include Chula Vista (San Diego, June 11), San Bernardino (June 14) and Mountain View (June 16) before heading to Portland, Oregon (June 20) and Seattle (June 21), and then wrapping Oct. 27 in Lincoln (Sacramento, Calif.).

Here are five memorable highlights from the Los Angeles show:

Grand Entrance: Jackson prefaced her one hour and 45-minute set with a video compilation of pivotal moments in her life and 50-year career, from growing up as the youngest sister of the famed Jackson 5 brothers to becoming a solo star in her own right. Then several beats after the video ended, followed by flashing colored lights, Jackson walked onto a circular platform in the center of the stage to extended thunderous applause and shout-outs, resplendent in a floor-length, purple-hooded cape tied with a bow at the neck, purple lipstick and a waist-long, top-knotted ponytail. Dropping the cape, she launched into “Love Me” and then “Damita Jo” wearing a gold sparkly jumpsuit and matching boots. As most fans know, the latter song is her middle name and the title of her 2004 album. It’s also one of several songs — including “Enjoy,” “Like You Don’t Love Me” and “Do It 2 Me” — that she’s been performing live for the first time. But no matter how much of the concert has already been covered in reviews thus far, nothing matches being there to experience first-hand the excitement that comes with the start of a Jackson concert. 

Dancing Machine and Other Moves: Further heightening the experience this time is the show’s minimalist set — three video screens, circular platform and upper platform — with Jackson complemented by four energetic male dancers who kept pace with her the whole time. So attendees were given a bird’s eye view of Jackson’s percolating stage presence and still captivating choreography.  Among the songs drawing ecstatic reaction during her 40-song set were “If,” “That’s the Way Love Goes,” “What Have You Done for Me Lately”/“Nasty,” “The Pleasure Principle,” “Control” (which had Ludacris dancing in the crowd), “All for You” and “Miss You Much.” A suite of slow songs (“Let’s Wait Awhile,” “Anytime, Anyplace,” “I Get Lonely”) lent an intimate vibe to the evening, as did Jackson performing “Again” with YOLA (Youth Orchestra Los Angeles) led by conductor Thomas Wilkins.

“It feels so good to be home,” Jackson said before joining YOLA. “Tonight is very special to me because we’re all here to support the LA Phil.” Note: All proceeds from the Bowl’s opening night benefitted the Los Angeles Philharmonic and its learning and community programs.

Ending the show’s second act with “I Get Lonely,” Jackson serenaded one of the dancers and danced suggestively with him — before surprising the crowd by planting him with a full-on kiss and then sashaying offstage wearing a sly smile.

A Colorful Sendoff: Before encoring with “Together Again,” Jackson and crew gave the audience what it had been waiting for … a riveting reprise of one of her most popular and socially conscious hits, “Rhythm Nation.” Decked all in black — with Jackson donning a black T-shirt with RN spelled out across the front — the crew launched into a dance routine that was just as crisp and on-point as it was when Jackson introduced the track and its ground-breaking video back in 1989. A surprise fireworks display illuminating the sky above the Bowl put an exclamation point on the performance.

Shaken and Stirred: Flanked by several video screens frequently emblazoned with his fiery DTP (Disturbing tha Peace) label logo, Ludacris did just that. He didn’t simply warm up the crowd — he fired them up to boiling. With his unique, rapid-fire flow still intact, Luda commandingly strode the stage as he ripped his way through a 40-minute memory-evoking set. As one concertgoer was overheard noting, “You forget just how many records Ludacris has.” With his large Afro bouncing along, the rapper/actor/entrepreneur reeled off 18 songs as he took fans back to day one of his career. Among them: “Southern Fried Intro,” “Welcome to Atlanta,” “Area Codes,” “Lovers & Friends,” “My Chick Bad,” “Money Maker,” first hit single “What’s Your Fantasy,” “Stand Up” (wearing self-described “big ass white shoes”), his verses from Usher’s “Yeah!” and set closer “Get Back.” Honored with a star on the Hollywood Walk of Fame in May this year, Ludacris definitively proved what he declared early into his set: “I was born to be on this damn stage tonight!”

Jamming with Mr. Jam: Spotted in the audience getting his groove on as well was Jimmy Jam. He and partner Terry Lewis are the Grammy-winning songwriters-producers who collaborated with Jackson in crafting a majority of her hits. Watching him, alongside his family, was a cool and unexpected treat. 

In the middle of Pride Month, Sam Smith and Madonna‘s “Vulgar” tops this week’s new music poll. Music fans voted in a poll published Friday (June 9) on Billboard, choosing the pop pair’s new song as their favorite new music release of the past week. “Vulgar” brought in more than 45% of the vote, beating […]

Flavor Flav is in his Swiftie era and asking talented Taylor Swift fans to help him make a large number of custom friendship bracelets before the next Eras Tour concert he attends. Explore See latest videos, charts and news See latest videos, charts and news After catching Swift’s Friday night show at Detroit’s Ford Field […]

Cardi B is turning her kitchen into a concert stage.
On Saturday (June 10), the 30-year-old rap superstar shared a comical video of herself dancing on her humungous new kitchen island while singing Lady Gaga‘s hit song “Bad Romance.”

“My kitchen island is soooo big!!! I can’t wait till it’s completely finished,” Cardi captioned the clip on Twitter, which drew a ton of reaction from fans in the comments.

In the 10-second clip, the Grammy-winning artist confidently struts down the gigantic black-and-white marble countertop while singing the opening lines to Gaga’s “Bad Romance,” which peaked at No. 2 on the Billboard Hot 100 chart in 2009.

Some of Cardi’s 30 million-plus followers took to the comments section to share their thoughts on the hip-hop star’s impressive kitchen remodel. “This island bigger than my room damn,” one fan wrote. Another person added, “How do you even reach things in the middle?”

Others compared the enormous countertop to a live performance area. “Sister.. what island? .. that’s a stage ?” they tweeted. Some joked that the video could be a hint at an upcoming Card-Gaga musical team-up. “The Lady Gaga x Cardi B collab has been confirmed on Cardi B’s kitchen island,” the fan wrote.

This isn’t Cardi’s first time performing “Bad Romance.” In 2018, following the release of her chart-topping debut album, Invasion of Privacy, footage surfaced of the rapper performing the chart-topping single at her 2009 high school talent show. Of course a Little Monster let Gaga know about the clip, and she was way into it. “I LIVE,” Gaga tweeted at the time.

The “Up” rapper recently said that she is gearing up for a sizzling summer with some exciting new things on the horizon. “You guys can expect a lot from me this summer,” Cardi told Rolling Stone, which added that she was specifically referring to music and other projects. “I promise,” she said.

New music from Cardi would be her first proper release since July 2022, when she dropped “Hot S—” with Kanye West and Lil Durk. Last year she also guested on songs by Rosalia, GloRilla and Summer Walker. But it’s been five years since Cardi unveiled a full-length LP, her debut album Invasion of Privacy which was released in 2018. Since then, she’s topped the Hot 100 with two songs: 2020’s “WAP” with Megan Thee Stallion and “Up.”

Watch Cardi B sing Gaga’s “Bad Romance” while dancing on her kitchen island on Twitter below.

Taylor Swift’s Eras Tour moved back inside on Friday night (June 9), playing the first of two concerts at Detroit’s Ford Field, which has been hosting Swift’s home in the Motor City since 2011. A crowd of nearly 59,300 — including a significant number of travelers to the show — gave Swift a thunderous welcome […]