Pop

Post Malone Opens Up About Childhood Bullies & Which Tattoos He’d Remove on ‘Call Her Daddy’

Before he was a chart-topping rapper-turned-rockstar, Post Malone was just a kid who got his alias from a rap name generator and was bullied throughout school for his “weirdo” personality.

On the latest episode of Alex Cooper’s Call Her Daddy podcast, the “Circles” singer opened up about his humble beginnings growing up in upstate New York, sharing he used to picked on quite a bit by his classmates. “I’ve always been kind of an introverted kid,” he explained. “I loved to express, I love making music forever, I love playing games. Weird, a little weirdo.”

“I moved when I was nine, and then I used to get bullied a whole bunch in school,” he continued. “I guess for dressing the way I did. We wore skinny jeans and all that stuff, and that was just kind of like a new deal. I don’t know. And people’d throw gum in my hair… Kids are mean.”

On another note, when asked which of his famous tattoos he’d remove, Post replied, “For my mommy, something on my face.”

The 28-year-old artist is fresh off the Friday (July 28) release of his new album Austin, named after his own real first name (Post is actually his legal last time, and as he shared with Cooper, “Malone” was suggested by an online generator). He’s currently in the middle of a global trek dubbed the If Y’all Weren’t Here, I’d Be Crying Tour. Just after recording his Call Her Daddy episode, he performed in Boston and brought out his “Dial Drunk” collaborator, Noah Kahan, for a surprise performance.

The “Sunflower” musician also touched on his relationship to alcohol and misconceptions that he’s on drugs, both of which he spoke about previously in a recent interview with Apple Music 1’s Zane Lowe. “Everybody thinks I’m on drugs,” he told Cooper. “I am not on drugs. People can see me on stage and they might take my dance moves, people are like, this is what meth looks like… like I’m not on meth.”

Listen to Post Malone’s full Call Her Daddy interview here.

Grammy Museum at L.A. Live Presents Taylor Swift Pop-Up Exhibit

In celebration of Taylor Swift’s six sold-out SoFi Stadium shows in the Los Angeles area starting this week, the Grammy Museum presents a special pop-up exhibit, “I Can See You (Taylor’s Version) (At Grammy Museum),” open now through Sept. 18.

The exhibit, which is on display in the museum’s fourth floor theater gallery, immerses the visitor into the world of Swift’s recent “I Can See You (Taylor’s Version) (From the Vault)” music video, with a display of 11 costumes and two instruments from the video. The costumes were all worn during Swift’s original Speak Now era.

The music video features actors Joey King and Taylor Lautner breaking Swift out of a museum vault while Presley Cash waits in the getaway car. This is said to be a symbolic representation of how it has felt for Swift to have her fans help her reclaim her music through their support of her first three “Taylor’s Version” re-recordings, all of which have entered the Billboard 200 at No. 1. Swift wrote and directed the music video, with help from director of photography Jonathan Sela, ASC.



“Taylor Swift is about to make history in Los Angeles by setting the SoFi stadium record for the most performances as a headliner,” Jasen Emmons, chief curator and vice president of curatorial affairs at the Grammy Museum, said in a statement. “We’re thrilled to honor this achievement by creating an immersive space for her fans and our community to continue celebrating her all month long.”

Swift’s Speak Now album topped the Billboard 200 for six weeks in 2010-11. The album spawned five top 20 hits on the Billboard Hot 100 – “Mine” (No. 3), “Back to December” (No. 6), “Mean” (No. 11), “Sparks Fly” (No. 17) and “Ours” (No. 13). The album received a Grammy nomination for best country album, but was passed over for an album of the year nod. “Mean,” which Swift wrote in response to her critics, won two Grammys – best country solo performance and best country song.

Speak Now (Taylor’s Version) spent its first two weeks at No. 1 on the Billboard 200. It is the first of the “Taylor’s Version” re-releases to accomplish that feat.

For more information regarding ticket reservations for the exhibit, visit the Grammy Museum’s website.

Exhibit highlights include 13 artifacts, all of which were worn or played by Swift during her original Speak Now era. The first nine artifacts listed here are from the Speak Now tour:

  • Swift’s vintage lace dress from her Speak Now Tour
  • Swift’s Eric Winterling dress from her Speak Now Tour
  • Swift’s custom REEM ACRA dress from her Speak Now Tour
  • Swift’s Valentino gown from her Speak Now Tour
  • Swift’s Jenny Packham dress from her Speak Now Tour
  • Swift’s Susan Hilferty dress from her Speak Now Tour
  • Swift’s Jenny Packham dress from her Speak Now Tour
  • Swift’s Gibson Les Paul red sparkle top guitar from her Speak Now Tour
  • Swift’s Deering banjo from her Speak Now Tour
  • Swift’s Zara dress from her “Mine” music video
  • Swift’s Temperley dress from her “Mean” music video
  • Swift’s vintage flapper-style dress from her “Mean” music video
  • Joey King’s Monsoon white dress and wig from Swift’s “Mean” music video

Francia Raisa Says Kidney Donation to Selena Gomez Came From the ‘Kindness of My Heart’: ‘No One Forced Me’

No, Francia Raisa wasn’t forced to donate her kidney to Selena Gomez — something the actress felt the need to clear up in the Aug. 1 episode of Josh Peck’s Good Guys podcast.

“Never in my life did I picture this,” Raisa began on the show, touching on the speculation that she and Gomez are no longer friends, or that the How I Met Your Father star was somehow forced to give up her kidney to the pop musician in 2017. “I know she and I both went public with our situation years ago … press got ahold of the story and we wanted to tell it.”

“I just felt it in my heart, and I knew, I knew I was a match,” she continued, reflecting on the organ donation process. “No one forced me to do anything. It came out of the genuine kindness of my heart.”

Raisa donated her kidney to Gomez six years ago after the Rare Beauty founder suffered organ damage caused by Lupus. However, the pair of friends seemed to drift apart in the years that followed.

Things came to a head last year when Raisa didn’t appear to take too kindly to a comment Gomez made in an interview with Rolling Stone, during which the singer-actress said Taylor Swift was just about her “only friend in the industry.”

“Interesting,” Raisa commented on a post sharing the quote, to which Gomez replied, “Sorry I didn’t mention every person I know.”

Since then, Raisa has faced an onslaught of hate comments from Gomez’s fans, not unlike the bullying Hailey Bieber says she faced earlier this year regarding her marriage to the “Lose You to Love Me” singer’s ex-boyfriend Justin Bieber. Gomez jumped on Instagram Stories in March to discourage fans from bombarding Hailey with negativity. And, just this week, Gomez seemed to squash feud rumors with Raisa by publicly wishing her happy birthday on Instagram, posting several photos of their friendship through the years.

Still, Raisa says she doesn’t like to read her social media comments because of how severe the negativity is. “I can’t read the comments because I don’t do well with that,” she told Peck. “I really don’t. People are so mean, and they hit you like, right there. Someone said, ‘Oh, you’re just looking for attention because your career is a flop.’ And I’m like, ‘Is it a flop?’ But guys, there’s no beef.”

Watch Francia’s Good Guys interview above.

Beyoncé Honors Dancer Who Was Fatally Stabbed While Vogueing to ‘Renaissance’

Black queer dancer O’Shae Sibley was fatally stabbed outside of a New York City gas station on July 29 while vogueing to Beyoncé’s Renaissance album, according to The New York Times. Now, Queen Bey is paying tribute to the late dancer on her website.

“Rest in power, O’Shae Sibley,” she wrote in all caps.

Sibley, a professional dancer, was also allegedly subjected to a barrage of homophobic slurs before he was murdered, police told CNN. NYPD is currently investigating his death as a possible hate crime. CNN also reports that law enforcement is searching for a 17-year-old whom they believe to be the one who stabbed the dancer.

Renaissance, Beyoncé’s blockbuster Billboard 200-topping seventh solo studio album, is largely informed by Black queer culture, the ballroom scene and dance music, a genre which owes much of its foundation to the toil of Black LGBTQIA+ artists and creatives. The record won four Grammys and spawned the Billboard Hot 100 top 10 hits “Break My Soul” (No. 1) and “Cuff It” (No. 6). The album featured a number of queer collaborators ranging from Big Freedia and Syd to Ts Madison and Honey Dijon.

Sibley’s death has garnered much attention. “Heartbroken and enraged to learn about O’Shae Sibley’s death this weekend in New York. Despite homophobes’ best efforts, gay joy is not crime,” wrote New York State Sen. Brad Hoylman-Signal on Twitter (July 31). “Hate-fueled attacks are.”

Both GLAAD and the Alvin Ailey American Dance Foundation’s Ailey Extension, of which Sibley was a student, released statements. GLAAD stressed that Sibley’s death is part of a “disturbing rise in violence and harassment” that “cannot continue,” and Ailey Extension fondly remembered Sibley as “a cherished and devoted student [that] had incredible energy in the studio and was loved by instructors and fellow classmates.”

Watch the Villainous, Twisted Take on ‘Toxic’ In Broadway’s Britney Musical ‘Once Upon a One More Time’

Fans of Broadway’s Britney Spears musical Once Upon a One More Time demanding “gimme more” just got lucky — or, more specifically, “Toxic.” The team behind the show – which finds fairy tale princesses singing Spears’ pop classics while discovering their own agency beyond “happily ever after” – is offering up a new cast performance clip from the production. This OUAOMT video shows the play’s antagonists, Stepmother (Jennifer Simard) and Narrator (Adam Godley), singing a twisted update on “Toxic,” Spears’ Grammy-winning top 10 hit on the Billboard Hot 100.

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In case you haven’t seen the Britney-approved Broadway musical yet, brace yourself for this take on “Toxic.” Yes, the unforgettable strings are present, but the song’s delirious dance-pop energy has been subverted into an unsettling, disorienting electronic abyss, making this a villainous vocal showcase for Simard and Godley, both two-time Tony Award nominees.



If you think this version brings to mind the moody music of a Grammy-sweeping “Bad Guy,” you’re not wrong. “We love ‘Toxic’ as it was originally created, but tonally, it was too inherently playful for a musical narrative that needed to darken and take a turn,” Keone & Mari Madrid, the directors and choreographers of OUAOMT, tell Billboard. “So, we decided to take inspiration from some of our old work with Billie Eilish. Basically asking ourselves, ‘If Billie covered “Toxic,” what might that sound like?’ Our cast and creative team all leaned in to that dark, monochromatic tone.”

“It’s an honor and responsibility to try and do justice to Ms. Spears, and the song for which she won her first Grammy. There is only one Britney, and I think it would be a mistake to try and do an impression,” Simard tells Billboard. She adds that a total re-imagining of the song was a necessity for the storytelling arc of the musical. “It is a real turning point in the show where we illustrate that fairytales are, in fact, dark. If that moment doesn’t work, the entire show doesn’t work. No pressure! But I think we did it,” she says. (You can watch the video above for proof of that.)

“We all realized early on that it was vitally important that ‘Toxic’ shows these two characters, Stepmother and Narrator, undergoing a complete transformation. Story-wise, it is a crucial turning point, as the Stepmother takes matters into her own hands and transforms Narrator into something – that by the end of the number – even she can’t control,” says Godley, who joins Simard during the mind-bending “Toxic” performance. “At the heart of it, of course, is Jennifer’s unmatched ability to sing the number in such an incredibly powerful, extraordinary, and unexpected way. “

“This is undeniably a huge hinge moment for the show. Narrative-wise. Energy-wise. It’s the ‘dark night of the soul’ and if we’re not delivering here, the rest of the story truly suffers,” Keone & Mari Madrid tell Billboard. “Jennifer and Adam helped us find such a delicate yet sensual dance of power that happens between their characters. They bring so much to the table – and are incredible humans, as much as they are artists. One example is Jennifer’s wild-siren-song-note at the end of the number. It was something she was keeping in her pocket, that we didn’t know she had, and when she brought it forward that moment really brought the number to a crescendo. That vocal absolutely nails everything home.”

You can check out Simard’s eyebrow-raising note beginning at the 3:15 time stamp. Be sure to catch Liv Battista’s eerie back bend at the 1:40 mark — keep in mind she’s doing that move eight times a week.

“All our company and our departments came through for this moment,” the directing-choreography duo tell Billboard. “And when all the elements are firing together, it’s really something.”

Once Upon a One More Time is currently running at the Marquis Theatre on Broadway in New York City.

Taylor Swift Urged by Politicians to Postpone L.A. Concerts in Solidarity With Striking Hotel Workers

California’s lieutenant governor and other elected officials on Tuesday urged Taylor Swift to postpone her upcoming Los Angeles concerts as a way to stand in solidarity with striking hotel workers.

Lt. Gov. Eleni Kounalakis and dozens of state and local politicians signed an open letter telling Swift that her tour makes the region’s hotels money, with some properties “doubling and tripling what they charge because you are coming.”

Meanwhile, the letter said, many housekeepers and other hotel workers can’t afford to live close to their jobs and some sleep in their cars and risk losing their homes.

“Hotel workers are fighting for their lives. They are fighting for a living wage. They have gone on strike. Now, they are asking for your support,” they wrote. “Stand with hotel workers and postpone your concerts.”

Starting Thursday (Aug. 3), Swift is scheduled to perform six sold-out shows at SoFi Stadium near Los Angeles. Her representatives didn’t immediately respond to an email seeking comment on the letter.

Unite Here Local 11, which represents some 30,000 hotel workers, is negotiating for better wages, improved health care benefits, higher pension contributions and less strenuous workloads. Contracts expired last month at more than 60 hotels, including properties owned by major chains such as Marriott and Hilton.

Kounalakis, a Democrat who said she will run for governor in 2026, is the top official in the state to make the plea. She attended Swift’s Eras tour in Santa Clara, California, according to Politico.

Others who signed the letter include the mayors of several cities, Assembly Majority Leader Issac Bryan and state senators Dave Min and Maria Elena Durazo.

Bebe Rexha Confirms Break Up With Keyan Safyari During London Concert

Bebe Rexha is going through a break up. The “I’m Good (Blue)” singer revealed during her July 28 London concert that she and her boyfriend of three years, Keyan Safyari, have ended their relationship.

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Rexha confirmed the split before performing her track “Atmosphere.” Before launching into the song, she told the crowd, “Now I just went through a breakup so I might get a little emotional, so you need to help me here.” 

Last month, Rexha shared a text message, likely from Safyari, to her Instagram that stated she had gained weight in recent months.

“Hey. I never said you weren’t beautiful and I never said I didn’t love you. In fact I said how beautiful you are and how much I loved you,” the text read. “But I always said I would be honest with you and your face was changing so I told you it was.”

“That was the conversation we were having and you asked…” he continued. “Because I care, would you rather I lied to you? You gained 35 pounds obviously you gained weight and your face changes? Should I just pretend it didn’t happen and that it’s ok?”

The message concluded with Safyari saying, “You know I always found you to be beautiful and loved you no matter what” and asking Rexha if she needed any clarity regarding his comments.

Rexha is currently on her Best F*n Night of My Life Tour. Taking place in Europe, the singer will be hitting up the Netherlands, Sweden and Lithuania now through Aug. 5.

Taylor Swift Gives $100,000 Bonuses to Eras Tour Truck Drivers: Reports

Taylor Swift is expressing gratitude to the crew that helped keep her Eras Tour going.

The “Bejeweled” superstar has reportedly given $100,000 bonuses to each truck driver of her tour before the Saturday night (July 29) show in Santa Clara, Calif., according to TMZ and ET. Swift has around 50 drivers on her tour, making the total amount of money around $5 million.

She also reportedly gave an unknown monetary amount of bonuses to band members, dancers, lighting and sound technicians, caterers and other crew members. Billboard has reached out to Swift’s reps for more information.

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The Eras Tour’s U.S. leg concludes with six shows at Los Angeles’ SoFi Stadium (Aug. 3-5 and 7-9). Earlier in the week, Swift reflected on the North American run before she takes the tour international. “Really blows my mind that we have one last city on the US leg of The Eras Tour. Santa Clara this weekend was a partyyy, both crowds were so loud and rowdy,” Swift captioned images posted to Instagram, which featured the women of HAIM, Aaron Dessner and her performing alongside backup dancers. “And I’ll never forget when @alanahaim @estehaim and @daniellehaim emerged wearing their gowns from the Bejeweled video ? Loved every second of those shows and can’t wait for LA. Playing six shows at Sofi Stadium lets goooooo.”

Nick Jonas Shares Adorable Family Vacation Photos With Priyanka Chopra & Daughter Malti 

Nick Jonas enjoyed a month of soaking up the summer sun with his family, and took to Instagram to document his activities over the month of July.

In the series of photos shared to Instagram on Tuesday (Aug. 1), the Jonas Brothers star is seen lounging at the beach and on boats with his wife Priyanka Chopra and the couple’s adorable one-year-old daughter Malti Marie. The snaps also featured sweet moments from Chopra’s 41st birthday on July 18. “July was a movie,” the 30-year-old singer captioned the post, which you can see here.

Jonas and Chopra announced the news of their bundle of joy, Malti Marie Chopra Jonas, in January 2022. “We are overjoyed to confirm that we have welcomed a baby via surrogate. We respectfully ask for privacy during this special time as we focus on our family. Thank you so much,” Chopra wrote in a short note on her Instagram with a heart emoji. Jonas shared the same note on his own page.

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On May 8 of that year, the couple revealed that their daughter was able to come home after spending “100 plus days” in the NICU. “Every family’s journey is unique and requires a certain level of faith, and while ours was a challenging few months, what becomes abundantly clear, in retrospect, is how precious and perfect every moment is,” Jonas wrote on Instagram. “We are overjoyed that our little girl is finally home, and just want to thank every Doctor, nurse and specialist at Rady Children’s La Jolla and Cedar Sinai, Los Angeles, who were there selflessly every step of the way. Our next chapter begins now, and our baby is truly a badass. Let’s get it M! Mommy and Daddy love you.”

Olivia Rodrigo Unveils ‘Guts’ Tracklist: ‘All American B—h,’ ‘Get Him Back’ & More Song Titles

After sending fans into a clue-finding frenzy, Olivia Rodrigo has now ended their suffering by at last unveiling the official tracklist to her upcoming sophomore album, Guts.

In a second teaser video Tuesday (Aug. 1) — which followed one day after Rodrigo shared a mysterious clip filled with hidden song titles for fans to decode — the 20-year-old pop star revealed that her September-slated record will include a total of 12 tracks. In the video, she taps out all one dozen of the titles using a vintage typewriter, unveiling thought-provoking song names like “all american b—h,” “get him back,” “pretty isn’t pretty” and “love is embarrassing.”

Per the video, Guts is a completely solo album — meaning there’s no Lana Del Rey collaboration this time, as many fans had speculated.

A seconds-long snippet of one of the unreleased songs slowly gets louder and louder throughout the video, which also features other potential clues — maybe hinting some of the album’s lyrics, or possibly nodding to which song will follow “vampire” as the next single. For instance, Rodrigo can be seen sorting through letters addressed to “get him back” drive as she uses cans of Coke to curl her hair. She also browses a selection of books with titles like “how to always pick the wrong one,” “manifesting a text back” and “love is embarrassing.”

But that’s all the “drivers license” singer has to share for now, other than an excited reminder of when Guts will arrive: “SEPTEMBER 8TH!!!!!! ????????” she captioned the tracklist reveal.

See the full Guts tracklist and Olivia’s video below:

  1. all american b—h
  2. bad idea right?
  3. vampire
  4. lacy
  5. ballad of a homeschooled girl
  6. making the bed
  7. logical
  8. get him back
  9. love is embarassing
  10. the grudge
  11. pretty isn’t pretty
  12. teenage dream