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Billy Joel’s “We Didn’t Start the Fire” was the No. 1 song on the Billboard Hot 100 the week that Taylor Swift was born in December 1989. Now, Swift gets a name-check in Fall Out Boy’s smart cover of the song released Wednesday (June 28).
Joel’s track was a cascade of news and pop-culture headlines from the middle of the 20th Century to 1989. Fall Out Boy updated the tune with a similar jumble of news and tabloid references from 1989 to the present. Swift is mentioned in tandem with Kanye West, who shared a moment at the 2009 MTV Video Music Awards that will live in awards show infamy.

Other music names and moments that are chronicled in the fast-moving new cover include three icons who have died since 1989 – Kurt Cobain, Michael Jackson and Prince – plus Woodstock ’99, Fyre Fest, Black Parade and this provocative assertion: “YouTube killed MTV.”

Other pop-culture references include Harry Potter, Twilight, Robert Downey Jr. in Iron Man, Michael Keaton in Batman, Steven Spielberg, Stranger Things, Avatar, SpongeBob SquarePants, Pokemon and MySpace.

Fall Out Boy structured the song the same way Joel did, steadily building in intensity. Where Joel built to the dramatic line “JFK blown away/ What else do I have to say?,” Fall Out Boy built to “World Trade/ second plane/ What else do I have to say?” Indeed, 9/11 is probably the most stunning historical event since 1989, just as President Kennedy’s assassination was for the previous time frame.

Where Joel sang “Rock and roll/ the cola wars/I can’t take it anymore,” Fall out Boy offers “Bush v. Gore/ I can’t take it anymore.”

The most memorable coupling in the new song may be “Trump gets impeached twice/ Polar bears got no ice.”

Joel’s original version reached No. 1 on Dec. 9, 1989, dethroning Milli Vanilli’s pre-scandal smash “Blame It on the Rain.” It held the top position for two weeks before being dethroned by Phil Collins’ “Another Day in Paradise.”

Joel performed the song on the 32nd Annual Grammy Awards in February 1990, where it received three high-profile nominations – record and song of the year and best pop male vocal performance.

But Joel has been critical of the song, noting it is one of the few songs he has ever written where he wrote the lyrics first and then put them to music. In 1993, when discussing the song with documentary filmmaker David Horn, Joel said, “It’s really not much of a song … If you take the melody by itself, terrible. Like a dentist drill.”

There have been several parodies and takeoffs of the song, including The Simpsons’ parody “They’ll Never Stop the Simpsons” at the end of the 2002 “Gump Roast” episode.

Pop band Milo Greene performed the song in June 2013 for The A.V. Club‘s A.V. Undercover series.

In 2019, the cast of Avengers: Endgame recapped the entire Marvel franchise by singing their own superhero version of the song on The Tonight Show Starring Jimmy Fallon. The elaborate sequence involved stars Robert Downey Jr., Chris Hemsworth, Chris Evans, Jeremy Renner, Don Cheadle, Mark Ruffalo, Paul Rudd, Danai Gurira, Karen Gillan and Brie Larson.

Fall Out Boy has written the vast majority of their 20 Hot 100 hits, but the group had a big hit in 2008 with a cover version of Jackson’s “Beat It,” which featured John Mayer. (The song reached No. 18 on the Hot 100 in April 2008, 14 months before Jackson’s shocking death at age 50.)

Fall Out Boy is currently on their So Much for (Tour) Dust global headline tour, in support of its eighth studio album, So Much (for) Stardust, which became the group’s seventh album to reach the top 10 on the Billboard 200. The band has topped that chart four times with Infinity on High (2007), Save Rock and Roll (2013), American Beauty/American Psycho (2015) and MANIA (2018).

The band’s tour launched with a sold-out hometown show at Wrigley Field in Chicago, and continues Wednesday in Dallas, along with stops in Phoenix, San Diego and two sold-out stadium shows in Los Angeles at BMO Stadium (formerly Banc of California Stadium) on July 2-3. For all tour dates and details, visit Fall Out Boy’s website.

With a few decades of working as an LGBTQ ally under her belt, pop superstar Christina Aguilera is happy to make sure her queer fans feel seen this Pride Month. On the Tuesday (June 27) episode of Nightline, Aguilera sat down with ABC News correspondent Steve Osunsami to talk about her history with the LGBTQ […]

Despite the title of her hit song “Alone,” Kim Petras wants the trans community to know that they are in good company. During her interview with Alex Cooper on the latest episode of the Call Her Daddy podcast, Petras spoke up about the anti-trans rhetoric spreading around the United States, thanks in no small part […]

Fans are thirsty for Olivia Rodrigo‘s fast-approaching new single “Vampire,” and lucky for them, the pop star has shared a visual sneak peek at the track days ahead of its release. In a Tuesday (June 27) YouTube Shorts teaser, Rodrigo can be seen through a camera monitor lying on a patch of grass, sporting a […]

Back in April, Corook was having a rough day. The singer-songwriter had been hard at work promoting their single “CGI” on TikTok. While it was working — the song was steadily picking up steam heading into its release — the singer noticed that they were getting a lot of hateful comments.
“I already felt like I was in such a vulnerable place in my life,” they tell Billboard over Zoom, sporting their signature frog-shaped bucket hat that smiles into the camera even when they don’t. “I was trying my absolute best to allow my true self to shine through — for that to be timed with all of these hate comments really just like made me feel like, ‘Damn, I don’t have a place in this industry.’”

Yet in the two and a half months since that bad day, Corook’s life couldn’t be more different. Their EP Serious Person (Part 1) was met with acclaim, they’ve plotted out a headlining tour set to take place this fall, and their voice has become practically inescapable in the queerest corners of the internet.

Much of that attention is thanks to “If I Were a Fish” — the acoustic feel-good anthem about loving the parts of yourself that the world doesn’t seem to understand. It’s a song that wasn’t necessarily supposed to exist, until Corook’s girlfriend Olivia Barton asked her to channel her feelings on that fateful bad day into something productive.

“She said, ‘I’m gonna do what you do for me most of the time, and help you make something cool out of this. Let’s go upstairs, play whatever instruments and just make a really weird song,’” Corook recalls. “The weirdest idea that I had at the time was this thought of, ‘Well, if I were a fish, all of the weird things about me would just be super cool.’ And she said, ‘That’s really weird. We should definitely do that.’”

Making “a really weird song” might sound like an odd solution to a problem, but it’s central to what makes Corook stand out. Born Corinne Savage, the singer-songwriter took an early interest in working in the music industry, thanks in part to Linkin Park. “I feel like the very first musical memory I have is seeing this documentary on the band,” they explain with a laugh. “I sat crisscross applesauce in front of the TV and had a notepad and pen in hand, writing down things they were doing. I was coming up with ideas of which of my friends could be in my band.”

Learning how to play bass and guitar when they were still in middle school, Corook quickly showed an aptitude for music — after graduating from high school, Savage attended the Berklee College of Music in Boston, eventually graduating with two degrees in songwriting and contemporary writing and production. In the time since their graduation six years ago, Corook has put their diplomas to good use (including a single titled “Degree,” which mostly bemoans what they didn’t learn in school and the “fifty grand in debt” they accrued as a result).

Wanting to kickstart their artist project, Corook hired a manager and started writing, recording and producing original songs about practically anything — their fear of snakes, their love of tequila, the unexplained questions of the universe and so on. In talking about anything, Corook found that they could talk about everything through their unique blend of self-deprecating humor mixed with top-tier songwriting.

“It felt like I understood the puzzle pieces and the mathematics behind making a good song, but I didn’t know how to tell my truth,” they say of their early work. “My truth is very sarcastic. My truth is trying to make the room feel good about talking about some awful thing. It’s been such a healing way for me to process my life.”

Creating a private SoundCloud filled with songs that they felt good about releasing, Corook and their manager began sending the work out to “a couple of people” within the industry. Suddenly, the singer-songwriter gained “700 followers out of nowhere” on Instagram, and received DMs from A&R reps at major labels interested in meeting up with them. “I guess my SoundCloud kind of went viral behind the scenes of the music industry,” they explain.

By 2021, Corook had signed a deal with Atlantic Records and rolled out their debut EP Achoo! the following year, finally “getting to be an artist for the first time in my life,” as they put it. Gaining a steady following on TikTok, they also came into their own as a person, changing their pronouns publicly to “they/them” as they began to figure out their gender identity in real time.

With a greater understanding of themselves came a wave of negative comments, which led them to writing their “really weird song” with Barton. “If I Were a Fish” thrives in its simplicity — all of the things that make Corook feel different in a world that craves uniformity only serve to make them that much more special.

It also made them deeply relatable to a legion of listeners online. The song has already been used in nearly 40,000 TikToks and streamed 10 million times on Spotify, with the vast majority of listeners relating deeply to the overtly queer themes of the song, repeating Corook’s refrain asking “Why is everybody on the internet so mean?” The song even earned Corook and Barton their first set of Billboard chart appearances.

The immediate viral success was a mostly welcome surprise for the rising star, though it came with its own set of caveats. “It’s really layered — as much as I love being a musician and a performer, attention still makes me like super uncomfortable,” they say. “It was a little bit weird for me to feel like there were so many eyes on me. I feel like everybody that has a moment on TikTok feels the pressure of ‘What now?’”

But seeing the track earn “wholesome” virality with its impact specifically on queer people quickly helped alleviate that stress. “I couldn’t ignore the insanely beautiful, sensitive, misfit community that this song just naturally created within the algorithm,” they say. “My comments section was full of people telling their stories and supporting each other. The whole reason I like doing this is because it connects people in a really cool way.”

The success of “If I Were a Fish” allowed Corook to look more ambitiously at their career — they released the first part of their project Serious Person early in order to capitalize on the sudden success of the single, while finishing up part two, preparing for a headlining tour, and dreaming up bigger goals for their future.

But “If I Were a Fish” also gave Corook space to step back and figure out what they really want out of a music career. “This song happening showed me it’s so much less about numbers — this community is what feels really important,” they say, their face now matching the chipper frog perched atop their head. “I want to grow that community as much as I possibly can — sensitive, queer people that are healing. I personally need that in my life, and I feel like everybody that is kind of joining in is realizing they need it too.”

Olivia Rodrigo continued to spill her guts about her new sophomore album, GUTS, when she uploaded a fun behind-the-scenes video of the promotional photo shoot on Tuesday (June 27). Explore Explore See latest videos, charts and news See latest videos, charts and news “Don’t bug, your girl is back,” the 20-year-old superstar is seen lip […]

Taylor Swift still isn’t done adding shows to her ever-expanding Eras Tour stops. Just days after announcing that she’d be bringing her U.S. and Latin America trek to Europe, Asia and Australia, the 33-year-old pop star has now unveiled an additional nine dates — one in Los Angeles, and eight across Europe. The news comes […]

There’s a saying that people learn more from their failures than their successes. If so, prepare to be enlightened by Yeah, I F–ked That Up, the latest podcast from Interval Presents, Warner Music Group’s podcast network. 

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Hosted by hit songwriter-producer-entrepreneur Billy Mann, the podcast features artists and executives — including Kelly Rowland, Steven Van Zandt, L.A. Reid and Peter Asher — sharing mistakes in their careers that led to teachable moments and growth. The series, produced by Silver Sound and available on all major podcast platforms, premieres July 11 with the first two episodes, which will feature Rowland and Van Zandt. New episodes release every Tuesday. 

“In a small screen world of autotuning faces and voices where we tend to only post our highlights, my goal in creating this show is to remind listeners that it’s actually the scary, vulnerable moments of self-doubt and failure that often turn out to be the best breeding ground for growth and success,” said Mann in a statement.  “I’m so excited to partner with Interval Presents to share these inspiring — and sometimes surprising — anecdotes from so many favorite names in entertainment with an audience that is surely navigating its own unique paths and obstacles.” 

In his 30-year career, Mann went from being an artist on A&M to a Grammy-nominated songwriter and producer, working with such acts as P!nk, Cher, John Legend and Celine Dion. In addition to holding executive positions at EMI and BMG, he has also started a number of music companies including Stealth Entertainment (sold in 2007), Green & Bloom Music Publishing, Topline Songs, Ready Set Songs, Manncom Creative and independent label icons+giants

Other podcast guests include Renée Elise Goldsberry, Liz Gillies, Aly & AJ, Hari Kondabolu, Evan Handler, Jill Kargman and Chely Wright. In the audio trailer, Van Zandt talks about how he thought his life was over when he left Bruce Springsteen & The E Street Band, while Goldsberry talks about unsuccessfully auditioning for The Lion King multiple times.  

Courtesy of Interval Presents

“I was really intrigued by Billy’s idea for Yeah, I F–ked That Up, a heartfelt and inspirational show with compelling stories about not only regret and loss, but also triumph and success,” said Allan Coye, general manager of Interval Presents and WMG’s senior vp of digital strategy & business development. “Authenticity is important for every Interval Presents show and we know this series will resonate — the topics will touch many chords, but do so from a place of care, vulnerability and thoughtfulness.” 

The podcast joins Interval’s existing slate that also includes Drink Champs, co-hosted by N.O.R.E. and DJ EFN, Rap Radar featuring Elliott Wilson and Brian “B.Dot” Miller; Holding Court with Eboni K. Williams, and The Last Resort narrated by Xiuhtezcatl. Forthcoming podcasts hosted by Oscar-winning actress Lupita Nyong’o and Grammy-nominated singer Jason Derulo are in the works.

Taylor Swift‘s signature goes a long way, especially if it’s for a good cause.
On Monday (June 26), Toby Keith and Friends announced the top earning items from its 2023 OK Kids Korral auction, which benefits children battling cancer and their families. And while trips to Europe, one-on-one time with Keith himself and autographs from other celebrities definitely pulled in some big bucks, it was a guitar signed by the “Anti-Hero” pop star that blew all the other items out of the water at the event earlier this month.

According to a release, the Swift-signed instrument went for a whopping $120 thousand, bringing the charity’s total event earnings up to a record $1.8 million. Other top earners included a fishing trip and a personal dinner with Toby Keith ($80,000 and $70,000, respectively), a guitar donated by Country Countdown USA‘s Lon Helton ($44,000) and autographs from Tim McGraw, Garth Brooks, Carrie Underwood, Kane Brown, Parker McCollum, Cole Swindell, Jordan Davis, Brantley Gilbert, Russell Dickerson, Brett Young, Ingrid Andress, Maren Morris, Luke Bryan and Jelly Roll.

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Other auction items included memorabilia from NFL quarterback Joe Burrow, NBA star Steph Curry and golf icon Tiger Woods, as well as donations from Ashley Furniture, Crew’s Cottage Carlton Landing, The Joinery, Tim Kenney, Travis McIntyre, Red Fork Distillery, Kennel & Crate, Ryan Cunningham, South OKC Ace Hardware and LOREC Ranch Home Furnishings.

Established in 2006, The Toby Keith Foundation raises funds and provides housing for Oklahoma pediatric cancer patients. In 2014, they constructed the OK Kids Korral, a site where families can stay in comfort as their kids undergo treatment.

“Next year, it’ll be the 10th year for OK Kids Korral, 20th year of my foundation party,” Keith told The Oklahoman at this year’s event. “We’re gonna celebrate a 10 and a 20, and we’re gonna blow it out. It’s amazing how much support we get. But it takes that kind of support to handle 300 families a year.”

Happy birthday, Ariana Grande! The superstar celebrated her 30th birthday on Monday (June 26), and marked the occasion with a sweet post dedicated to her inner child. Explore Explore See latest videos, charts and news See latest videos, charts and news “HBD, tiny!” Grande captioned the throwback photo of herself dressed as Dorothy from The […]