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With a refreshingly fearless attitude in their self-crafted smash singles, one of which was the No. 1 K-pop song of last year as chosen by Billboard critics, (G)I-DLE has become creative leaders in the latest generation of South Korean–pop acts. Now, the girl group takes another big step to stay ahead of the pack.
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Billboard can exclusively reveal a new partnership between Asian-focused music and media company 88rising and K-pop mega-label and management agency Cube Entertainment that officially begins via a new single from the latter’s chart-topping girl group.
Releasing this week, “I DO” comes as the K-Pop Stars to Watch‘s first-ever original English single. The heartfelt mid-tempo strikes a noticeably different chord than the group’s recent string of brash and bold bangers like “Queencard,” “Nxde” and “Tomboy” and shines via a sweet, emotional and easy-to-sing-along-to vocal performance from members Soyeon, Minnie, Miyeon, Yuqi and Shuhua. Cube and 88rising confirm that “I DO” is the first track off HEAT, the name of (G)I-DLE’s upcoming EP co-executive produced by 88rising via the collaboration.
“We’re very excited about the release of HEAT, which will be our first EP fully in English,” says Woohyung Ahn, CEO of Cube Entertainment, to note the company’s first original English-language project in its nearly 17-year history. “HEAT is all about being confident and bringing the spirit of an endless summer with you wherever you go. We hope that the release of HEAT will allow us to bring the message and mission of (G)I-DLE to the whole world.”
“We’ve been a fan of (G)-IDLE for a long time because, creatively, they are so in tune and involved with the music and stuff they put out,” adds 88rising CEO and founder Sean Miyashrio. “That was something to me that was refreshing about the group that I always felt. I was just like, ‘Wow, they really know what they want to do which is really important—it makes the process so much more meaningful when there is such a firm belief and point of view the artists have and I felt really honored that they would be open to collaborate with us.”
88rising executive vice president John Yang shares, “When we met (G)I-DLE members, they were just so full of excitement and positivity; their energy is contagious—it’s something I haven’t experienced before and, naturally, we just got really excited about what we could do together.”
Cube noted 88rising’s “in-depth knowledge about the music industry” and strength in “A&R and creative infrastructure” throughout the collaboration process, while Yang specifically highlighted (G)I-DLE’s 24-year-old leader and primary songwriter and producer. “Soyeon knows what she wants and thinks of every member in so much detail for every song from the delivery of the vocal to the tone and the overall cadence of the song—she truly is a genius.”
While 88rising has bulked up its roster with signings from the K-pop space like LØREN, Jackson Wang, BIBI, Chung Ha and Seori in recent years, Miyashrio notes this EP has been in the works for a year after their initial introduction.
“Just like I need to have a real connection with the artists and projects we work on…we just got to work, simple as that,” the 88rising CEO and founder says. “(G)I-DLE are super confident and have a great understanding of who they are and what they want to do. At the end of the day, we just want to support what already is such a force however we can; that’s what makes all of this fulfilling.”
“I DO” drops on Thursday, July 13, at 8 p.m. ET (Friday, July 14 at 9 a.m. KST) alongside an official music video. Meanwhile, HEAT releases globally on Thursday, Sept. 7, at 8 p.m ET. Pre-order for the record will go live alongside the release of “I DO.”
Demi Lovato is out here lookin’ like revenge, feeling like a ten on Monday (July 10), announcing that they’re unveiling a rock version of their 2017 pop hit, “Sorry Not Sorry.” Explore Explore See latest videos, charts and news See latest videos, charts and news The 30-year-old superstar teased the track — which features Guns […]
Liam Payne is reflecting on one of his bigger career controversies, in which he sent One Direction fans into a spiral after he controversially claimed on Logan Paul’s Impaulsive podcast that he was the inspiration behind Simon Cowell’s decision to create One Direction.
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A year later, the “Strip That Down” singer uploaded an eight-minute YouTube video on Saturday (July 8), in which he revealed that the backlash was one of the incidents that ultimately encouraged him to enter a sobriety treatment program for 100 days. “My own frustrations with my own career and where I kind of landed, I took shots at everybody else which is wrong. Obviously, I want to apologize for that, in the first instance, because that’s definitely not me,” he shared in the clip. “One of the biggest remarks I made was about the One Direction thing … and a lot of self-protection, I suppose, in that moment, more than anything. The rest of the boys really stuck by me when I needed them most, they kinda came to the rescue. Even Zayn, as well, which is why I did send him a little thank you online. It came across really big-headed didn’t it?”
Back in June 2022, Payne appeared on Impaulsive, in which he shared a number of thoughts on the members of One Direction he didn’t get along with, the alleged origin of the boy band and why he can’t stand beside former 1D bandmate Zayn Malik.
“I just kind of feel like I’ve got more of a grip on life and everything that was getting away from me, I just feel like I’ve got more of a handle on it,” Payne reflected back on the moment now. “I just needed to take a little bit of time out for myself actually because I kind of became somebody who I didn’t really recognize anymore. And I’m sure you guys didn’t either. I was in bad shape up until that point and I was really happy to kind of put a stopper to life and work.”
Payne added that his decision to seek treatment also stemmed from wanting to be better for his six-year-old son, adding, “There’s no point trying to be a dad when you’ve got nothing to teach. And I don’t think up until this point I really had much to say to him other than what came from deeply loving and very deeply. Which are obviously the most important things, but I just kind of feel like I’ve got more of a grip on life now.”
Moving forward, the 29-year-old singer said he’s focusing on his sobriety as he continues to make social media content for the rest of the year. He’s also set to head out on a headlining tour later in the year.
Watch Payne’s full video below.
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Barbie-mania may seem like it’s already reached a fever pitch, but pop superstar Sam Smith is ready to give you one more reason to ramp up your excitement for Greta Gerwig’s forthcoming film. Explore Explore See latest videos, charts and news See latest videos, charts and news On Monday (July 10), Smith took to their […]
Olivia Rodrigo’s “Vampire” sunk its teeth into the Billboard Hot 100 dated July 15, 2023, debuting atop the chart. The 20-year-old pop star took to Instagram on Monday (July 10) to celebrate her third leader on the tally, sharing a screenshot of the Hot 100 top 10 and writing, “AHHHHH IM SO EXCITED AB THIS!!! […]
Lil Uzi Vert’s Pink Tape debuts at No. 1 on the Billboard 200 albums chart (dated July 15), earning 167,000 equivalent album units in the U.S. in the week ending July 6, according to Luminate. It’s the rapper’s third chart-topper and launches with the year’s third-largest debut, by units earned, and the biggest week of the year for any rap or R&B/hip-hop album.
Further, Pink Tape brings a rap album to No. 1 on the Billboard 200 for the first time in 2023, marking the longest wait in a calendar year for rap set to lead the list since 1993. That year, the chart didn’t see a rap set top the tally until Cypress Hill’s Black Sunday opened at No. 1 on the Aug. 7, 1993-dated chart (two years before Uzi was born on July 31, 1995).
The last rap album to lead the Billboard 200 prior to Pink Tape was Metro Boomin’s Heroes & Villains, which spent one week atop the chart dated Dec. 17, 2022. The 29-week gap between Metro and Uzi is the longest the Billboard 200 has gone without a rap album at No. 1 since 1992-93, when 34 weeks separated Ice Cube’s The Predator (one week at No. 1, Dec. 5, 1992, chart) and Cypress Hill’s first of two weeks at No. 1 with Black Sunday (Aug. 7, 1993).
Between Heroes & Villains and Pink Tape were six different No. 1s: SZA’s SOS notched 10 nonconsecutive weeks atop the list, Morgan Wallen’s One Thing at a Time logged 15 nonconsecutive frames, and four albums each led for one week during that span – TOMORROW X TOGETHER’s The Name Chapter: Temptation, Karol G’s Mañana Será Bonito, Taylor Swift’s Midnights and Stray Kids’ 5-STAR.
Also in the new top 10 of the Billboard 200, aespa notches its second top 10-charting set as third mini album MY WORLD bows at No. 9, and Rylo Rodriguez scores his first top 10 with the No. 10 bow of Been One.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multimetric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 15, 2023-dated chart will be posted in full on Billboard‘s website on July 11. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Pink Tape’s 167,000 equivalent album units earned in the week ending July 6, SEA units comprise 154,000 (equaling 210.39 million on-demand official streams of the set’s 26 songs – the largest streaming week of 2023 for any rap or R&B/hip-hop title), album sales comprise 11,000 and TEA units comprise 2,000.
Lil Uzi Vert announced Pink Tape’s June 30 release just four days earlier, on June 26.
Uzi previously hit No. 1 on the Billboard 200 with Eternal Atake in 2020 and Luv Is Rage 2 in 2017. The rapper hit the top 10 with Pluto x Baby Pluto, a No. 2-peaking collaborative set with Future in 2020.
Back on the new Billboard 200, Wallen’s One Thing at a Time falls to No. 2 with 110,000 equivalent album units earned (down less than 1%) after 15 nonconsecutive weeks atop the list – the most weeks at No. 1 since Adele’s 21 logged 24 nonconsecutive weeks at No. 1 in 2011-12. One Thing at a Time has earned in excess of 100,000 equivalent album units in all 18 of its chart weeks. It extends its own record as the album with the most weeks of 100,000-plus units since the Billboard 200 began ranking titles by units in December of 2014.
Peso Pluma’s Génesis holds at No. 3 on the Billboard 200 in its second week with 68,000 units (down 7%), Swift’s Midnights is also a non-mover at No. 4 with 54,000 (down 5%), Wallen’s former No. 1 Dangerous: The Double Album climbs 7-5 with 48,000 (up 2%), SZA’s SOS rises 8-6 with 44,000 units (down 6%) and Gunna’s A Gift & a Curse falls 5-7 with nearly 44,000 (down 20%)
Swift’s chart-topping Lover climbs 9-8 on the latest Billboard 200 with 43,000 equivalent album units earned (up 1%). Swift’s most recent album release, Speak Now (Taylor’s Version), a re-recorded edition of her 2010 No. 1 album Speak Now, bowed on Friday, July 7. If Speak Now (Taylor’s Version) premieres at No. 1 on the Billboard 200 chart dated July 22, it would mark Swift’s 12th No. 1 – surpassing Barbra Streisand for the most No. 1s among women. All 11 of Swift’s full-length studio albums and re-recorded projects from 2008’s Fearless through 2022’s Midnights have debuted at No. 1. Speak Now (Taylor’s Version) is Swift’s third re-recorded project, following Red (Taylor’s Version) and Fearless (Taylor’s Version), both in 2021.
Aespa’s MY WORLD debuts at No. 9 with 40,000 equivalent album units, marking the second top 10-charting set for the Korean group. Of that sum, album sales comprise 39,000 (making the set the top-selling album of the week), SEA units comprise 1,000 (equaling 1.33 million on-demand official streams of the set’s six tracks) and TEA units comprise a negligible sum.
MY WORLD was initially released in the U.S. via retail download and streaming services on May 5, but did not chart on the Billboard 200 until now, following its CD release on June 30.
Like many K-pop releases, the CD edition of MY WORLD was issued in collectible CD packages (more than 16, including exclusive editions for Amazon, Barnes & Noble, Target, Walmart and the act’s webstore), each containing a standard set of branded merchandise items and randomized branded elements (such as photo cards, posters and stickers). Effectively all of the album’s sales in the week ending July 6 were on the CD format, with a negligible sum generated by digital download album purchases. The set was not released on any other retail format (cassette, vinyl, etc.).
Rapper Rylo Rodriguez closes out the top 10 with his first top 10-charting set, as Been One debuts at No. 10 with 35,000 equivalent album units earned. SEA units comprise effectively all of that sum, equaling 47.93 million on-demand official streams of the set’s 19 songs. (Album sales and TEA units combine total a negligible sum.) Been One is the artist’s second charting effort, following the No. 37-peaking G.I.H.F. (Goat in Human Form) in 2020.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Billie Eilish revealed just days ago that she’s joined the star-studded list of artists contributing to the Barbie soundtrack, and the 21-year-old superstar teased her emotionally driven track in a short teaser clip posted to Instagram on Monday (July 10). Explore Explore See latest videos, charts and news See latest videos, charts and news In […]
Mark your calendars, Zayn-iacs. Zayn Malik has finally announced the title and release date of his highly anticipated new song “Love Like This,” his first release since signing with Mercury Records last month. After teasing the comeback track for a week on social media, the 30-year-old pop star at last revealed that his new era […]
There’s new blood atop the Billboard Hot 100 songs chart, as Olivia Rodrigo’s “Vampire” debuts at No. 1. Rodrigo slays with her third leader, following “Drivers License” and “Good 4 U” in 2021, both of which also launched at No. 1.
With “Vampire” serving as the lead single from Rodrigo’s sophomore album Guts, due Sept. 8, after “Drivers License” introduced her first LP, Sour, she is the first artist ever to debut the lead singles from two career-opening albums at No. 1 on the Hot 100.
Plus, two songs ascend for their first week each in the Hot 100’s top 10: Taylor Swift’s “Cruel Summer,” now being promoted as her new single after it was released on her 2019 album, Lover, jumps 13-7 to becomes her 41st top 10 – extending her record among women – and Gunna’s “Fukumean” pushes 12-8, marking his fourth top 10.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 15, 2023) will update on Billboard.com Tuesday (July 11). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
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Streams, airplay & sales: Rodrigo’s “Vampire,” released on Geffen/Interscope Records, drew 35.5 million streams and 26.3 million radio airplay audience impressions (aided by an FCC-friendly radio edit) and sold 26,000 (17,000 sales combined on 7” vinyl, sold for $10, and CD, for $3.50; and 9,000 digital downloads) in its first week, ending July 6, according to Luminate, following its June 30 release.
The song is the 1,150th No. 1 since the Hot 100 began in August 1958, and the 67th to soar in at the summit.
The track likewise debuts at No. 1 on the Streaming Songs chart, No. 2 on Digital Song Sales (as it’s the overall top-selling song of the week, downloads and physical copies combined) and No. 22 on Radio Songs. (It starts at No. 17 on Pop Airplay and No. 22 on Adult Pop Airplay.)
“We always said that it was kind of our version of a rock opera,” Rodrigo told Billboard of “Vampire,” which she wrote with her main collaborator Dan Nigro, who solely produced it. “I think as the album was coming together, we were coming up with a bunch of songs that we really liked, but this one always stuck out to me as something that I felt like was honoring my singer-songwriter roots, but felt like an evolution – in a good way that wasn’t too stark. So, I really liked it for that, and it was always one of my favorites.”
Rodrigo’s 3rd No. 1: “Vampire” is Rodrigo’s third Hot 100 No. 1. “Drivers License” dominated for eight weeks, starting upon its debut in January 2021, and “Good 4 U” ruled for a week in its first frame in May 2021. “Vampire” is her fifth top 10, as her debut album Sour also generated “Deja Vu” (No. 3 peak) and “Traitor” (No. 9). All 11 songs from Sour reached the Hot 100’s top 30.
Leader for lead singles: With “Vampire” the lead single from Rodrigo’s sophomore album Guts, expected Sept. 8, after “Drivers License” ushered in Sour, she is the first artist ever to debut the lead single from two career-opening albums at No. 1 on the Hot 100.
‘V’ is for victory: “Vampire” is just the seventh song that begins with the letter “v” to top the Hot 100.
Here the songs that have made such vaunted vaults:
“Vampire,” Olivia Rodrigo, 2023
“Viva La Vida,” Coldplay, 2008
“Vision of Love,” Mariah Carey, 1990
“Vogue,” Madonna, 1990
“Venus,” Bananarama, 1986
“Venus,” The Shocking Blue, 1970
“Venus,” Frankie Avalon, 1959
(Strange, but it’s the tooth: Rodrigo has the first Hot 100 hit with the word “vampire” in its title.)
Y is for Y2K: Rodrigo was born Feb. 20, 2003. She is the only artist born in the 2000s with multiple Hot 100 No. 1s.
The other acts born since 2000 to have led the Hot 100: Billie Eilish (“Bad Guy,” 2019); Jawsh 865 (“Savage Love [Laxed – Siren Beat]” with Jason Derulo and BTS, 2020); 24kGoldn (“Mood” featuring Iann Dior, 2020); and The Kid LAROI (“Stay” with Justin Bieber, 2021).
“I think the most change I’ve felt was just as a girl, growing up and changing from being a teenager to a 20-year-old,” Rodrigo mused to Billboard of her evolution over the last two years. “All of the maturing and figuring yourself out, that’s just on a normal human-to-human level – I think that was the most surprising thing for me.”
Morgan Wallen’s “Last Night” dips to No. 2 on the Hot 100 following 13 weeks at No. 1, the second-longest command this decade, after Harry Styles’ “As It Was” (15 weeks, 2022). “Last Night” spent the last 10 consecutive weeks at No. 1, the best streak since Roddy Ricch’s “The Box” linked 11 weeks on top all in a row in January-March 2020.
“Last Night” drew 74.5 million in radio reach and 29.8 million streams and sold 8,000 June 30-July 6.
“Last Night” tops Billboard’s Hot Country Songs chart, which employs the same multimetric methodology as the Hot 100, for a 22nd week, the sixth-longest rule since the chart became an all-encompassing genre reflection in 1958; Bebe Rexha and Florida Georgia Line’s “Meant to Be” spent a record 50 frames at No. 1 in 2017-18.
Plus, “Last Night” adds a sixth week atop Billboard’s Songs of the Summer chart, having ranked at No. 1 each week since the survey returned.
Luke Combs’ cover of Tracy Chapman’s “Fast Car” reverses course to No. 3 from its No. 2 Hot 100 high.
Rema and Selena Gomez’s “Calm Down” slips to No. 4 from its No. 3 Hot 100 best as it spends a third week atop Radio Songs (92 million, up 2%). The collab concurrently tops the Billboard U.S. Afrobeats Songs chart for a 45th week, extending the longest reign since the ranking began over a year ago (in partnership with music festival and global brand Afro Nation).
Miley Cyrus’ “Flowers” retreats 4-5 on the Hot 100, after eight weeks at No. 1 beginning upon its debut in January, and Lil Durk’s “All My Life” featuring J. Cole descends 5-6, after it started at its No. 2 peak, as it tops the multimetric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a seventh week each.
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Taylor Swift’s “Cruel Summer” bounds 13-7 on the Hot 100, with 30.3 million in all-format airplay audience (up 35%), 14.9 million streams (up 11%) and 3,000 sold (essentially even week-over-week).
The song was released on Swift’s 2019 album Lover and is now being promoted as her newest single. It has been gaining momentum in recent weeks, as Swift has been performing it on her current Eras Tour, her first in which she’s been able to spotlight songs from Lover, which was released shortly before the onset of the COVID-19 pandemic. Each concert on the tour is divided into 10 acts, encompassing nine of her LPs; the Lover era kicks off the show, with “Cruel Summer” performed in the opening set.
Nearly four years after Lover’s release, “Cruel Summer” becomes the set’s fourth Hot 100 top 10, joining lead single “Me!” featuring Brendon Urie (No. 2 peak); “You Need to Calm Down” (also No. 2); and the title track (No. 10), all in 2019.
“Cruel Summer” is Swift’s 41st career Hot 100 top 10, the second-most among all acts and the most among women.
Most Hot 100 Top 10s:
68, Drake
41, Taylor Swift
38, Madonna
34, The Beatles
32, Rihanna
30, Michael Jackson
29, Elton John
28, Mariah Carey
28, Stevie Wonder
27, Janet Jackson
26, Justin Bieber
25, Lil Wayne
25, Elvis Presley (whose career start predated the Hot 100’s inception)
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Gunna’s “Fukumean” charges 12-8 on the Hot 100, driven most heavily by 20.2 million streams, up 12% and boosted by the July 5 premiere of its official video.
The song is the rapper’s fourth Hot 100 top 10, following “Pushin P” with Future and featuring Young Thug (No. 7, January 2022); “Lemonade” with Internet Money and featuring Don Toliver and NAV (No. 6, November 2020); and “Drip Too Hard” with Lil Baby (No. 4, October 2018).
Swift’s “Karma,” featuring Ice Spice, slips 8-9 on the Hot 100, after it soared to its No. 2 high in June following the release of its remix with Ice Spice.
Rounding out the Hot 100’s top 10, Toosii’s “Favorite Song” falls 6-10, after it hit No. 5.
Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated July 15), including the Hot 100 in its entirety, will refresh on Billboard.com Wednesday (July 11).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Madonna issued her first official statement on Monday morning (July 10) in the wake of her hospitalization last month with what was described as a “serious bacterial infection.” In an Instagram post, Madonna thanked her fans for all their positive energy, prayers and words of healing as she navigates this health issue, while assuring her followers that she is on the mend.
“I have felt your love. I’m on the road to recovery and incredibly grateful for all the blessings in my life,” wrote the 64-year-old singer who spent several days in the ICU in late June, forcing her to postpone her career-spanning Celebration world tour.
While Madonna did not get into detail about what is ailing her or her prognosis, she noted that the very first thing she thought of when she awoke in the hospital was her six children. “My second thought was that I did not want to disappoint anyone who bought tickets for my tour,” she continued. “I also didn’t want to let down the people who worked tirelessly with me over the last few months to create my show. I hate to disappoint anyone.”
For now, though, she said, her focus is on her health and getting stronger. “And I assure you, I’ll be back with you as soon as I can!” she promised. “The current plan is to reschedule the North American leg of the tour and to begin in October in Europe.” The post also included a picture of Madonna in which she is staring into the camera while wearing a black long-sleeve t-shirt and sparse makeup.
One of her longtime friends, Donatella Versace, commented on the post, writing, “We are with you all the way, Madonna. Thinking of you and sending you love, power and hugs for a speedy recovery. The world can’t wait to see you on stage again!!! I love you very much.”
Following news of her hospitalization, manager Guy Oseary issued an update on June 24. “Her health is improving, however she is still under medical care,” Oseary wrote. “A full recovery is expected.” At the time, a source close to the situation told Billboard that the singer was already out of the ICU and recovering; Billboard has reached out to reps for Madonna several times since the news broke, but no additional information on her illness or hospitalization has been released to date.
The Celebration Tour was set to launch in Vancouver, B.C. on July 15 at the Rogers Arena. According to Billboard Boxscore, the trek — which was slated to feature a set list covering four decades of hits from a catalog that includes 12 Billboard Hot 100 No. 1s and 38 top 10 hits on that chart — was on track to net her more than $100 million. At press time the singer’s official site still listed the original tour dates, with updated routing not yet available.
See Madonna’s post below.