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Travis Kelce wants Taylor Swift on the bleachers at his next game. The Kansas City Chiefs tight end joined The Pat McAfee Show on Thursday (Sept. 21), where he revealed that he invited the “Anti-Hero” superstar to watch him play. “I threw the ball in her court,” he said. “I told her, ‘I’ve seen you […]
Breakups are always hard — especially when media and children are involved. Shakira opened up about how her split from professional footballer Gerard Piqué has affected the former couple’s two sons, nine-year-old Milan and seven-year-old Sasha. Explore Explore See latest videos, charts and news See latest videos, charts and news “They’re doing very well,” she told […]
The fourth edition of Jacob Collier’s musically ambitious and Grammy-decorated Djesse project will be released on Feb. 29, 2024, through Hajanga / Decca / Interscope.
Collier won a Grammy for a track from each of the first three volumes in this franchise. If his goal is to keep that streak going, he could hardly have picked a better duet partner for his newly released single from the album: Grammy favorite Brandi Carlile, who joins him on the hypnotic ballad “Little Blue.”
“‘Little Blue’ is such a gorgeous song and Jacob is a generational talent,” Carlile said in a statement. “I spend an embarrassing amount of time following him and studying his mind-bendingly beautiful music. Getting to climb inside of it and be a part of his creation is a wonderful twist of fate.”
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The new album already contains a Grammy-nominated track — “Never Gonna Be Alone” (featuring Lizzy McAlpine and John Mayer), which was nominated two years ago (when it was a stand-alone single) for best arrangement, instruments and vocals. Collier and McAlpine co-wrote the song. The album will also contain Collier’s recent single “WELLLL,” a pop/rock track which he co-wrote with Remi Wolf.
Collier won best arrangement, instruments and vocals for a remake of Lionel Richie’s 1983 smash “All Night Long (All Night)” (featuring Take 6) from Djesse Vol. 1; best arrangement, instrumental or acapella for a remake of Henry Mancini and Johnny Mercer’s Oscar- and Grammy-winning “Moon River” from Djesse Vol. 2; and best arrangement, instruments and vocals for “He Won’t Hold You” (featuring Rapsody), an original song from Djesse Vol 3.
Collier’s Grammy winning streak pre-dates his Djesse project. He won two Grammys for tracks from his 2016 debut album In My Room. A remake of Stevie Wonder’s “You and I” (which was a highlight of Wonder’s 1972 album Talking Book) won best arrangement, instrumental or acapella. A remake of The Flintstones TV theme (which was introduced in 1962) brought Collier the award for best arrangement, instruments and vocals.
Collier, who was born in London, is the first British artist to win a Grammy for each of his first four albums.
Collier, 29, first gained widespread notice three years ago when Djesse, Vol. 3 was nominated for album of the year. (It lost to Taylor Swift’s Folklore.)
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The first three Djesse volumes featured a diverse roster of nearly 25 guest artists, also including JoJo, Steve Vai, Jessie Reyez, T-Pain, Kimbra, Tank and the Bangas, Daniel Caesar, Ty Dolla Sign and Tori Kelly — plus Collier’s mom, Suzie Collier.
In the midst of working on Djesse, Collier started turning each of his concert audiences – from rock clubs to Lincoln Center, and even festivals like Bonnaroo and Glastonbury – into sprawling, improvised choirs. Having recorded each of his 80+ audience choirs, roughly 150,000 different voices play a role in the story and creation of Djesse Vol. 4.
In a statement, Collier reflected on the life-changing Djesse project: “Five years ago, in the wake of a musical journey that had begun in solitude, I set out on an epic adventure with a big dream – a collaborative quadruple album, and by way of that – to learn music, and life, from the greatest teachers of all – my heroes.
“In many ways, Djesse Vol. 4 is an album that’s taken me 30 years to make. It is, to me, a celebration of humankind – the way that I see it and hear it, built with musicians from every corner of the world. To be culminating this collaborative experiment with a 100,000 voice audience-choir, a sound that permeates the heart of this album, feels like I’ve found the heart of it. My voice is only ever as full as the voices around me. Everyone is welcome, and part of the tapestry. And most of all, creating this album has reminded me that life is full of magic, if only we can remember to look for it in each other.”
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Collier has collaborated extensively with Coldplay, appearing on their 2021 album Music of the Spheres, performing with them as a featured guest at their Wembley Stadium shows last summer and on Saturday Night Live in February. Collier co-wrote, co-produced and was featured on “Human Heart” (which also featured We Are King). Collier received a Grammy nod as a songwriter, producer and featured artist on Music of the Spheres, an album of the year nominee last year.
Collier received a Grammy nod for best R&B song two years ago for co-writing SZA’s “Good Days.” The song is featured on her album SOS, which topped the Billboard 200 for 10 weeks and is considered a sure thing to receive a Grammy nod for album of the year. But because of a Grammy rule change this year, where the Academy instituted a baseline requirement of 20% of playing time for a participant to receive an album of the year nod, Collier will not be in line for a Grammy nod for that contribution to the album.
His other Grammy nods, not already mentioned (he has received 11) are for best R&B performance for “All I Need” (featuring Mahalia and Ty Dolla Sign), a track from Djesse Vol. 3 and best arrangement, instruments and vocals for a remake of the 1946 Nat King Cole Trio classic “The Christmas Song (Chestnuts Roasting on an Open Fire), which was a stand-alone single for Collier.
Collier also co-wrote and performed on seven tracks of Stormzy’s 2022 album This Is What I Mean.
Cher‘s Believe is celebrating a major milestone. In honor of its 25th anniversary, the singer is releasing a deluxe edition of the album that will include 13 remastered remixes in triple LP, double CD and digital download formats, as well as streaming. The deluxe version will contain all of the original songs, with remixes including the […]
For nearly the past six years, singer-songwriter Ingrid Michaelson has been working on-and-off on a momentous new project — but it’s not a new album. Michaelson is the composer and lyricist behind one of the most highly anticipated new musicals coming to Broadway next year: The Notebook, based on the bestselling novel by Nicholas Sparks […]
Back in the day, promo tours for *NSYNC might have found the boy band visiting MTV’s TRL for some light grilling, or stopping by radio stations and network morning shows for a performance and chat. But this is 2023, so of course the guys — Justin Timberlake, Chris Kirkpatrick, JC Chasez, Lance Bass and Joey Fatone — had to make the now-obligatory stop at the YouTube series Hot Ones, where the questions were easy, but the damage was real.
With 60 wings arrayed before them — and Timberlake and Fatone going rogue with no milk or water to soothe their aching mouths — the guys tried to answer some softballs from host Sean Evans while keeping their cool. Spoiler: it was not pretty.
For example, when Evans asked about the difference to approaching a song in 2023 versus 25 years ago, Timberlake said their plan for the reunion track “Better Place” from his Trolls Band Together threequel was “to try to capture both. For our fans that have been with us for so long, to give them something that felt not necessarily nostalgic, but familiar.”
Easy enough.
Kirkpatrick then dove into the mechanics of boy bands, saying, for instance, that a “put together” group like One Direction had “five guys that are amazing singers and great soloists,” which meant each had to fight for where their spot would be. “We kinda knew we sucked at singing certain things,” he added as an insulted Fatone said “speak for yourself!”
“So we just fell into our spots and we knew our place,” Kirkpatrick added, as the rest of the group broke out into a familial, easy laughter that hinted at their deep bond.
As the scoville heat levels began to rise and the five started feeling the burn, they had a good laugh about their technical difficulties back in the day, including Fatone getting his legs smashed in a “toaster” bit that was supposed to pop him up on to the stage, but instead almost folded him in half.
They kept it chill as they recalled hearing their song on the radio for the first time, girls breaking into JT’s hotel room and hiding in the closet and confirming rumors that three of them were cast as Jedi warriors (and later cut out) in Star Wars: Attack of the Clones. Timberlake and Bass, however, were “so butt hurt” that they weren’t asked.
Timberlake also confirmed that their Swedish producers — including Max Martin — insisted he pronounce “me” like “may” on “It’s Gonna Be Me,” which he said somehow made the song sound better and, of course, made for killer memes decades later.
By the time the scoville’s reached 135,000 the f-bombs started dropping and, well, they then came fast and furious as Timberlake — who had appeared on the show before, so should have known better — began to regret that no water thing as the guys tried to focus on their nuttiest looks from days gone by.
“Why is this a thing?!” JT wondered as Chasez asked what the “swearing quota” was for the show; for the record, chef Gordon Ramsay holds the high mark with more than 130, though they tried their best to beat the Hell’s Kitchen star at his f-bomb game. Timberlake and Fatone looked like they were dunked in sweat as Bass easily ticked off the band’s top five songs.
Watch the full *NSYNC Hot Ones episode below.
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Ryan Hurd is defending his wife, fellow singer-songwriter Maren Morris, after the star released her two-song project The Bridge and announced her departure from country music.
The Bridge contains two songs, “The Tree” and “Get The Hell Out of Here,” both of which delve into the challenges Morris has faced within the country music genre. In a recent interview with The Los Angeles Times, Morris said of country music, “I thought I’d like to burn it to the ground and start over. But it’s burning itself down without my help.”
On Instagram, Hurd supported Morris’s decision and music. “She deserves to be celebrated, not just tolerated,” he wrote in his message shared Wednesday (Sept. 20). “I love the response from people who don’t just love these two songs, they needed them. I knew it would strike a chord.”
Hurd also hit back against internet haters who have criticized Morris, her music and her support for greater diversity and inclusion of women, the LGBTQ community and people of color within the genre.
“Most people would just shut up and keep collecting the paycheck, because the wave of vitriol is real and it’s hard,” Hurd continued. “I’m so sick of watching my wife get the s–t kicked out of her by the internet. I’m sick of every talking head having some kind of stupid opinion about what she says. It’s the same every time, why are you surprised when she calls out something racist or homophobic, I’m sick of people getting rewarded for it.
“To me the Bridge is beautiful and so rock and roll. She deserves a little sunshine for the burden she has carried for every artist and fan that feels the same way,” he added. “I can’t wait for that first tour and to see all of the smiling and beautiful people who needed these songs and and also need HER. I can’t wait to make music that follows the same path, whatever that is.”
Hurd also had a message for the keyboard commentators. “Feel free to leave a comment below to express your hatred or love for whatever I said, they will be duly noted, filed, sorted, and discarded. Love you, MM. Keep on keepin’ on.”
In releasing The Bridge, Morris previously stated, “These two songs are incredibly key to my next step because they express a very righteously angry and liberating phase of my life these last couple of years, but also how my navigation is finally pointing towards the future, whatever that may be or sound like,” she said in a statement. “Honoring where I’ve been and what I’ve achieved in country music, but also freely moving forward.”
Morris — who posed for the cover of Billboard‘s Pride issue alongside drag stars — and Hurd have collaborated on occasion over the years, including the 2021 song “Chasing After You,” which reached No. 2 on Billboard‘s Country Airplay chart. The song and video also earned the couple CMA nominations for music video and musical event of the year.
Morris is set to perform at Joe’s on Weed Street in Chicago on Oct. 5, with proceeds from the show benefiting GLAAD, followed by performances in Washington and California later in the month.
See Hurd’s full message below:
Britney Spears is coming to a big screen near you. Trafalgar Releasing, Sony Music Entertainment and RCA Records announced on Thursday (Sept. 21) that Spears’ 2002 coming-of-age film Crossroads will return to screens around the world on Oct. 23 and Oct. 25 in support of the pop star’s upcoming tell-all memoir, The Woman in Me (Oct. 24).
The dramedy written by Shonda Rhimes (Scandal, Grey’s Anatomy) and directed by Tamra Davis (CB4, 13) will be back with bonus features never before seen in theaters — including a sing-along to two of Spears’ songs from the film. In the midst of the ongoing Hollywood strike by actors and writers that has stunted the roll-out and promotion of films, TV and streaming shows, the Spears re-release will flood 875 screens in 24 countries just two weeks after Taylor Swift’s anticipated Taylor Swift: The Eras Tour live concert film hits thousands of theaters across North America.
Crossroads – based on a story idea from Spears — also co-stars stars Zoe Saldaña, Taryn Manning, Kim Cattrall and Dan Aykroyd in a tale of three estranged childhood friends (Spears, Manning, Saldaña) who reunite on the night of their high school graduation to dig up their “wish box” and set off on an adventure-filled, cross-country road trip that rekindles their friendship.
“I recently rewatched Crossroads and was so enthralled with the time capsule of nostalgia that this incredible ensemble cast brings to the screen,” director Davis said in a statement. “Britney is absolutely breathtaking to watch, and Shonda is showing us her early expertise in writing complicated female characters.
The movie was former Mickey Mouse Club star Spears’ first feature film role and it initially rolled into theaters when Spears was at the peak of her pop powers, following on the heels of her 2001 Britney album, which spawned the hits “I’m a Slave 4 U” and “I’m Not a Girl, Not Yet a Woman.” Though critics dismissed the film while praising Spears’ performance, the $12 million film was considered a success at the time thanks to $61.1 million in box office receipts; tickets for the Crossroads re-release will go on sale on Sept. 28.
The Hollywood Reporter also said that in addition to a new line of merch featuring shirts, sweats, jackets and pieces inspired by the film’s wardrobe, RCA Records will release a Crossroads: Special Edition of the soundtrack, with three new Spears remixes: “Overprotected” (Richi Lopez Remix), “I’m Not a Girl, Not Yet a Woman” (Snakehips Remix) and “I Love Rock ‘N Roll” (Frank Walker Remix).
Watch the Crossroads trailer below.
Lorde has always kept it 100 with her fans, and in a brutally honest letter posted to her Tumblr on Wednesday (Sept. 20), she opened up about what she said has been a very challenging year. The long note delves into the physical and emotional pain the 26-year-old singer said she’s endured recently, including that she’s is “living with heartbreak again.”
Though Lorde didn’t go into specifics about the cause of the heartbreak, she explained, “It’s different but the same. I ache all the time, I forget why and then remember. I’m not trying to hide from the pain, I understand now that pain isn’t something to hide from, that there’s actually great beauty in moving with it. But sometimes I’m sick of being with myself. I eat chocolate to try and manipulate the endorphins, bring back the sweet happiness of Easter morning. I sit in the time machine and wait for it to move, but it hasn’t been invented yet.”
Lorde said she’s been in London since May, where “things feel clear,” despite her describing not seeing her friends and mostly spending her time swimming, working, taking the train, walking and eating meals in her kitchen, alone with her thoughts. “I go to bed thinking about what I’m making. I’m starting to miss my friends and family, like a vitamin I’m deficient in. Soon I’ll be going back to New York, and then home,” said the New Zealand-bred star.
She shared that her pain is also physical, detailing that her body is “really inflamed,” and that she thinks it is “trying to tell me something and I’m trying to support it but nothing seems to help and I get frustrated. My gut isn’t working properly, my skin is worse than ever, I’ve gotten sick half a dozen times. I realised earlier this year that listening to my body is hard for me, it’s something I never really learned how to do. I’ve been trying to teach myself that this year, but it’s been hard actually, pretty confronting, has made me fully aware of all the times I ignored it or didn’t give it what it needed, shamed it for a fight or flight response, took a handful of pills and pushed through.”
Lorde said that she had “grand plans” to attend next week’s Paris Fashion Week festivities, but pulled out because, “I promised myself I’d never be one of the people in the light smiling if it wasn’t real.” The note revealed that earlier this year the singer “ate two handfuls of mushrooms” that she said gave her a lot of information “about what my body had been through in our time so far, what it needed, where God was and where God wasn’t; I felt in my bones how destabilising it is to leave home and start a new life the way I did. I also saw that my body is completely magnificent, and that hating it is as futile as hating a tree; that I truly, truly love doing my job, and that my life is like a beautiful tapestry, and every inch of it is precious and has meaning.”
And though she said she enjoyed her recent run of European tour dates — and the cool way fans seemed to notice how she had changed up the shows’ setlists and arrangements — Lorde also admitted that doing the things she loves is sometimes painful.
“It might seem funny or be easy to forget, but I make records because I need to,” she said. “The songs are spells; a spell to let go of something, a spell to unlock a door. Every time I put something into words just as I see it, set it to the right music, a knot comes loose in me. But it hurts too, confronting the knots. I’ve made enough records to know that this feeling of my skin coming off is part of it. I know I’m gonna look back on this year with fondness and a bit of awe, knowing it was the year that locked everything into place, the year that transitioned me from my childhood working decade to the one that comes next — one that even through all this, I’m so excited for. It’s just hard when you’re in it.”
Lorde teased two new songs during a headlining gig at the Boardmasters Festival in the U.K. last month, which fans have suggested are titled “Silver Moon” and “Invisible Ink,” signaling the first fresh tracks since her third studio album, 2021’s Solar Power.
Check out Lorde’s note below, including some luminous pictures from the European shows.
Ed Sheeran provided another preview of his upcoming Autumn Variations album on Thursday morning (Sept. 21), posting a video on his socials in which he gives a command performance of the track to one of its A-list Hollywood subjects. “Courtney, Courtney, Courtney. I wrote this song inspired by Friends, the show that you were on,” […]
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