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After kicking off their Born Pink World Tour last October, K-pop superstars BLACKPINK are set to conclude their worldwide trek with two new shows in Seoul, South Korea. The girl group announced the new gigs, dubbed the tour’s “finale,” on their Instagram page on Wednesday (Aug. 16). Through a meticulously curated series of posts that […]

On the 15th-anniversary deluxe edition of Snowman Melting, Jim “Soni” Sonefeld brought in a very special guest to reimagine the album’s “Sitting in the Green Grass”: his Hootie & the Blowfish bandmate Darius Rucker.
The new version, which premieres below, marks the first time any members of the band have recorded new music together since Hootie & the Blowfish’s 2019 album, Imperfect Circle, and is the first time two members have worked together on music outside of the official band. 

The stripped-down song is a lovely testament to escaping from the city and taking time out to breathe in nature as the two band members trade verses. Tiffany Turner, wife of the song’s producer Lee J. Turner, provides backing vocals.

“This [song] seemed almost to be written for [Darius],” Sonefeld told Billboard. “I thought the acoustic, sort of Americana style would suit him well, and he absolutely knocked it out of the park, in my opinion.”

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Furthermore, “I thought ‘Sitting in the Green Grass’ was a nice message that represented a little bit of what Darius has gone through, his double career in rock music and country music, having to balance the busyness of the machine that is the music business with trying to find peace in your life as well,” Sonefeld separately said in a statement. 

“Friendships definitely change through decades. Darius and I don’t see each other as much,” he continued. “When you have kids and partners and distance, it’s hard to be the same people you were driving around in a van in the early ’90s. But we’re still family, we’ve been able to watch our kids grow up and see them onto their journeys. And so ‘Sitting in the Green Grass’ I thought was a good fit for Darius. We’re both in a place where our kids are leaving the house, in college or done. It’s not as if we’re going out to pasture, but it is a big moment of time, this season in our lives.”

While the 15th anniversary of Snowman Melting arrives this year, next year marks a big anniversary too: the 30th anniversary of Hootie & the Blowfish’s Cracked Rear View, which catapulted the band into superstardom and has sold more than 21 million copies in the U.S. As to how the band will commemorate, Sonefeld says it’s too soon to tell. “We’ve been talking about how we might approach a tour/recording opportunity as a band,” he says, “But we haven’t come to any conclusions about supporting that anniversary with either a tour, or new music, or both.”

For now, the band’s only plan is to support its Hootie & the Blowfish Foundation with its annual fundraiser, which will take place in the spring.

Snowman Melting, originally released in 2008, was produced and co-written by Francis Dunnery and captured a transitional time for Sonefeld. “Snowman Melting comes out of a time in my life when I was trying to figure out who I was,” Sonefeld said. “A period where a guy who was old enough to know better was still learning life lessons. My life was changing so rapidly – separation, divorce, the band’s last tour and indefinite dormancy for Hootie & the Blowfish. And then a remarriage and a quickly enlarged family. The songs paint a clear picture of what my life looked like in 2006-2008. I can always look back and clearly see the pain, the joy, the transition.

The deluxe edition, out Sept. 29 via Vere Music, also includes a new rendition of “No Reason” with Edwin McCain. 

The re-release comes after Sonefeld published his memoir last year, Swimming With the Blowfish: Hootie, Healing and One Hell of a Ride, and a solo EP, Remember Tomorrow.

Wouldn’t it be so much easier to pay attention in class if the subject was your favorite pop star? Imagine taking notes on Taylor Swift lyrics instead of calculus, reviewing flash cards about Kanye West‘s impact on pop culture instead of biology, or taking a quiz on Miley Cyrus‘ fashion statements instead of geography. For […]

Taylor Swift has grown into one of the biggest superstars on the planet — and a new Arizona State University course is digging in on what psychologists can learn from her career. Explore Explore See latest videos, charts and news See latest videos, charts and news The course, called Psychology of Taylor Swift — Advanced […]

On her new song “bad idea right?,” Olivia Rodrigo tries to talk herself out of a late-night reunion with her ex — with “talk” being the operative word. The latest taste of Rodrigo’s upcoming sophomore album GUTS (due Sept. 8) dropped last week, and the verses and chorus are almost exclusively spoken, with only a […]

Is new Miley Cyrus music on the way? Signs are pointing to yes, as the “Flowers” singer took to Twitter on Tuesday (Aug. 15) to share a cryptic new teaser that points to a potential new project. “I know I used to be crazy. I know I used to be fun. You say I used […]

Someone very special was posted up at NPR’s offices this week: Post Malone, making his Tiny Desk Concert debut on the heels of his new album Austin.
Posty’s voice sounded a little rough around the edges during the four-song performance, which he explained was due to the strain of his ongoing If Y’all Weren’t Here, I’d Be Crying Tour. After joking about how nervous he felt to perform on the web series, he noted: “I’m on tour, and my voice is ‘balls’ right now, so I appreciate you guys listening and putting up with that.”

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The rock star kicked off his set with “Sunflower,” his 2019 Billboard Hot 100 No. 1 smash with Swae Lee written for the Spiderman: Into the Spiderverse soundtrack. Next, with the help of a string quartet and backup singers, he transformed his 2017 single “I Fall Apart” into an emotional, folksy ballad.

“You guys f–king rock, thank you for being nice to me,” Post told the crowd halfway through the set.

The 28-year-old artist went on to sing “Circles,” which topped the Billboard Hot 100 for three weeks in 2019, before closing out with “Enough Is Enough,” a song from his July 28 album Austin. Both songs got the rootsy, full-band acoustic treatment as well, with Post playing acoustic guitar throughout the entire concert.

“I’m sweating my a– off,” he confessed after the performance concluded. “This is like a dream for me.”

Austin debuted last week atop both the Top Rock & Alternative Albums chart as well as the Top Alternative Albums chart, and reached No. 2 on the Billboard 200 in its first week. On top of his tour schedule, Post has been hard at work promoting the record, making stops on Zane Lowe’s Apple Music 1 show and Alex Cooper’s Call Her Daddy podcast.

Watch Post Malone’s Tiny Desk concert above.

Lucky fans at Lorde‘s Sziget Festival show in Budapest Monday night (Aug. 14) were treated to two very special surprises: a performance of one of the indie pop icon’s unreleased songs, as well as a guest appearance from Caroline Polachek. Lorde has been previewing two unreleased songs at her festival shows over the past week […]

After a male concertgoer wrestled a female fan to the ground in order to forcefully take Drake‘s sweat towel from her — which Drizzy had thrown to her as a gift following his recent L.A. show — the rapper wasn’t about to let her take the L. In fan videos chronicling the moment, which went […]

Adele has issued a stern warning to fans who would dare to throw any objects up at her on stage during her Las Vegas residency. But nobody said anything about signs. Though it’s apparently verboten to bring placards into the singer’s Weekends with Adele residency at the Colosseum at Caesars Palace, one sneaky couple secreted […]