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The best part of producing Mick Jagger’s vocals, according to Andrew Watt, is when he begins taking off his clothes.
“He starts in like, a sweater, a button-down and a T-shirt,” the producer-songwriter recalls of a studio session with the Rolling Stones legend, “and then, two takes in, the sweater comes off. Two takes later, the button-down comes off. All of a sudden, he’s down to a T-shirt, and he’s ripped, and he’s 80, and he’s f–king giving you full-blown Mick Jagger, shaking and sweating as he sings every note.”
Such fantastical rock-star run-ins have become relatively commonplace for Watt — but the 32-year-old and 2021 producer of the year Grammy winner, who wore a different Rolling Stones T-shirt every day to the studio while producing the band’s forthcoming album, Hackney Diamonds, still recounts the experience with giddy breathlessness. “You can’t not be jumping up and down with excitement,” he says of watching Jagger work his magic, “because that’s what we’ve all been trained to do for the last 60 years.”
Over the past half-decade, Watt has transitioned from scoring hits for pop stars like Justin Bieber, Camila Cabello and 5 Seconds of Summer to guiding late-career projects from rock’s legacy elites, including Ozzy Osbourne, Elton John and Iggy Pop. While the New York native still collaborates with modern A-listers — Watt worked on the majority of Austin, the recent full-length from frequent collaborator Post Malone — his career has become an inverse of the “How do you do, fellow kids?” meme, with the 1990s baby blending in with legends in their 70s and 80s. “It’s like going to college,” he says, “and learning from the literal masters.”
Helming Hackney Diamonds, due Oct. 20 on Geffen Records, represented a true bucket-list item for Watt, who was introduced to Jagger by veteran producer Don Was in the middle of the pandemic and struck up a friendship over FaceTime. In the summer of 2022, Watt was in London working with Dua Lipa, and Jagger invited him over for some tea; after years of false starts and scrapped demos for the Stones’ first album of original material since 2005’s A Bigger Bang, Jagger asked Watt if he would be interested in helping them cross the finish line. Watt’s jaw dropped: “You have this moment where you’re like, ‘Am I even capable of that?’ ” he says. “It’s the greatest honor as a kid with a guitar who grew up idolizing every single thing Keith Richards ever did.”
Courtesy of Polydor
That level of lifelong fandom, combined with an urgency to secure results, is what Watt believes makes him so effective at sharing the studio with icons more than twice his age. He understands that “these legends don’t owe anyone anything,” as he puts it, “so the only reason they’re making a new album is for themselves.” With that in mind, Watt encourages artists to pursue ideas indiscriminately — less conversation, more raw creation — and then it’s his job to approach projects from the viewpoint of what fans most want to hear.
When it came to the Stones, “Any fan wants to hear the greatest live rock’n’roll band of all time,” Watt explains, “so to do anything else with them in the studio is just letting everyone down.” When preproduction for Hackney Diamonds began in September 2022, Watt pushed the band to work efficiently and made sure to prioritize its live energy, particularly within the interplay between Richards and Ronnie Wood.
Session locations ranged from Los Angeles to Paris; Steve Jordan took over the drum kit from Charlie Watts, who died in 2021 but is posthumously featured on two tracks carried over from earlier sessions; and Lady Gaga, Paul McCartney and Stevie Wonder were among the guest stars to swing by. The result is a lean, 11-song Stones album that Watt says was mostly finished in under six months, and that “you could put on against other contemporary music, but is still loose and really gets grooving at certain points.”
Although Watt likens the experience of producing a Stones album to climbing a personal Mount Everest, he also says that he has plenty left to accomplish in his career. Aside from contributing to Lipa’s highly anticipated third album, Watt recently co-produced “Seven,” Jung Kook’s Billboard Hot 100 chart-topper featuring Latto. “That was the first time I worked with an artist who didn’t speak the same language as me, so we communicated through music,” he says of the BTS star. “It was the complete opposite of my work with The Rolling Stones, but that’s what keeps it interesting.”
Watt says that his work with various music legends has already started to inform his new stars. “Watching Paul McCartney arrange background vocals and harmonize with himself?” he says. “I’m taking that s–t with me to every production I do for the rest of my life.”
This story will appear in the Oct. 7, 2023, issue of Billboard.
After a 17 year run with Republic Records, Jessie J announced in a video on Friday (Sept. 29) that she has split with her longtime label home and is planning on releasing her next project independently.
“My lawyer said that I need to make a statement about the decision that I have made. I don’t want it to feel like a huge, big thing,” said J, 35, in the selfie vid in which she is walking through a park. “After 17 years I have decided to leave Republic Records. I was about six months pregnant when I made this decision.”
She credited label founders Monte and Avery Lipman and former A&R rep Jason Flom for being “so gracious and kind in supporting my decision and letting me go. It’s been, honestly, the most amazing high and low ride of my life being signed to Republic,” added the singer whose last album of new material for the label was 2018’s R.O.S.E. “I just feel so grateful that I’ve got to experience being signed to the best record label in the world…. But I have to just be honest with who I am and what I want from my career now.”
Joking that she was now “unemployed,” the English singer born Jessica Ellen Cornish rose to prominence in 2011 with her debut single, “Do It Like a Dude” and the Dr. Luke-produced follow-up, “Price Tag,” which peaked at No. 23 on the Billboard Hot 100. Her third album, 2014’s Sweet Talker, hit No. 10 on the Billboard 200 album chart, fueled in part by her single “Bang Bang,” which also featured Ariana Grande and Nicki Minaj; that track peaked at No. 3 on the Billboard Hot 100, marking her U.S. singles chart peak.
“There’s no negative spin, nothing’s happened, it’s not dramatic. It’s just me literally saying, ‘This doesn’t feel right’ and it hasn’t for years,” she said in the video. “So, I need to stop just trusting my instincts and ask for them, so i asked and now I am unemployed.”
The “Domino” singer revealed that she was diagnosed with the vertigo-inducing disorder Ménière’s disease in 2021 and opened up about suffering a miscarriage later that year. She said in an interview in May 2022 that she had recorded her sixth album but scrapped the whole thing after thinking that it didn’t “feel right.” J gave birth to a baby boy in May of this year.
The birth of her child appears to have sparked a change in J’s outlook on her music career, with the singer saying she wants to move forward on her own. “I am now in the process of doing all the legalities and sorting out the music so I can put out new music and do it my way. On my time, on my terms and do it independently,” she said. “Now that I’ve had a baby there is just no stopping me. Something happens when you have a baby and just start giving zero f–ks… There’s nothing but good vibes on this.”
She promised that “new music is coming,” though at press time no release date or title was available for her next project. The video ended with J hoping that there some “12-year-old” out there who might spark a TikTok trend by dancing to one of her songs, joking that viral influencers are the “new record labels.” At press time a spokesperson for Republic Records had not returned Billboard‘s request for comment on J’s news.
Watch Jessie’s video below.
Justin Timberlake has a strong message for anyone who isn’t a fan of “Better Place,” *NSYNC‘s first song in 20 years.
In a hilarious blooper real, the pop star and his recently reunited bandmates — JC Chasez, Lance Bass, Joey Fatone and Chris Kirkpatrick — promote their new track, “Better Place,” from Trolls Band Together. “You’re listening to our new song,” Fatone tells the camera of the tune, which dropped Friday (Sept. 29).
Then, right on cue, Timberlake jokingly adds, “Let us know if you like it. If you don’t, go f–k yourself,” earning raucous laughter from the rest of the guys.
“l heard ‘go love yourself’…anyone else?” Chazes responded in the comments with a laughing-crying emoji.
“BETTER PLACE IS OUT! WE HOPE YOU LIKE IT,” the “Mirrors” singer captioned the video posted on his Instagram.
As of late, *NSYNC has been making fans feel like it’s 1997 again with a series of group appearances promoting “Better Place.” Last week, the quintet guested on Hot Ones, which found the bandmates sending F-bombs flying in response to the painful heat of spicy chicken wings.
Between bites, Timberlake said of “Better Place”: “For our fans that have been with us for so long, [we wanted] to give them something that felt not necessarily nostalgic, but familiar.”
And earlier this month, the boy band re-assembled for the 2023 VMAs, where they presented Taylor Swift with the best pop award for her “Anti-Hero” music video. Swift, like many ’90s kids around the world, was ecstatic.
“I had your dolls!” she exclaimed as she accepted the award from them. “You’re pop personified, so to receive this from your golden pop hands is really too much!”
Watch *NSYNC’s hilarious blooper real below:
Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
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This week, *NSYNC sounds “Better” together, Ed Sheeran bundles up for fall, and Bad Bunny drops a hint of what’s to come. Check out all of this week’s picks below:
*NSYNC, “Better Place”
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“I’m already up, but you lift me higher,” Justin Timberlake sings in the opening seconds of “Better Place,” the first new song from *NSYNC in over 20 years. The quintet is singing about a euphoric relationship, but that line might as well be about the long-awaited boy band reunion: “Better Place,” which will be featured in Trolls Band Together, translates Timberlake’s solo success with his previous single entries from the Trolls films and raises the stakes, as *NSYNC shimmy through whistle hooks and “Yoo-hoo’s!” like they’ve been waiting for this day for a while (and they’re not alone in that).
Ed Sheeran, Autumn Variations
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Prior to releasing Autumn Variations, his second full-length of 2023, Ed Sheeran spent the year unveiling – (Subtract), an intimate and often devastating exploration of grief and fear, and performing at stadiums while often alone onstage. As he wraps up that mega-selling tour and waves goodbye to his “Mathematics” album series, Sheeran spins that moment of transition into Autumn Variations, a lovely and understated collection that puts his songwriting front and center; credit Aaron Dessner, who helped guide Sheeran’s previous album, for finding new ways to transport his voice into rustic, fall-friendly arrangements.
Bad Bunny, “Un Preview”
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After a record-breaking 2022, Bad Bunny’s studio output this year has been relatively limited, with a handful of solo tracks and collaborations — but perhaps new single “Un Preview” is exactly that of a potentially huge 2024? Regardless of its context within Bad Bunny’s greater discography, “Un Preview” crackles, with the superstar rapping with conviction over a reggaeton beat and deploying pinpoint melodies when necessary; had this been released in May, the single may have ruled the summer, but Bad Bunny has instead given us an enticing glimpse at next year’s output.
Jung Kook feat. Jack Harlow, “3D”
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“3D” will undoubtedly draw comparisons to Jung Kook’s “Seven” — considering that the previous single reached the top of the Hot 100 chart, and also featured a hip-hop collaborator — but whereas the Latto team-up leaned into pop immediacy, “3D,” with Jack Harlow, presents itself as a rhythmic dance track that would have sounded at home on Justin Timberlake’s Justified album. Jung Kook’s confidence as a solo star continues to grow, while Harlow rides the sleek production with tossed-off charm: “I’m on my Jung Kook,” he crows, “take a chick off one look!”
The Rolling Stones feat. Lady Gaga & Stevie Wonder, “Sweet Sounds of Heaven”
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A seven-minute hymn from The Rolling Stones, featuring a soul-baring performance from Mick Jagger, powerhouse vocals from Lady Gaga and keys from Stevie Wonder? “Sweet Sounds of Heaven” feels designed in a lab for some all-star awards show performance, but instead, the track from the Stones’ upcoming Hackney Diamonds album leaps out of the speakers with studio vibrancy, as all A-listers involved commit to climbing the mountain and don’t stop until the lighters-in-the-air finale; there’s a radio edit of “Sweet Sounds of Heaven,” but really, you gotta let the whole epic bowl you over.
PinkPantheress, “Mosquito”
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“Mosquito” demonstrates why, long before “Boy’s a Liar Pt. 2” became an out-of-nowhere smash for PinkPantheress earlier this year, so many pop listeners had invested in the British 22-year-old: her latest single flaunts a natural gift for world-building and hook creation, engrossing the listener with rhetorical questions for a romantic partner before dropping the bomb, “’Cause I just had a dream I was dead / And I only cared ’cause I was taken from you.” Although PinkPantheress often works with songs that clock in at under two minutes, “Mosquito” is slightly longer, more well-rounded, and an absolute gem.
Editor’s Pick: U2, “Atomic City”
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U2’s launch of the Sphere, a groundbreaking new venue in Las Vegas, is as good of an occasion as any for the band’s best single in years: “Atomic City,” an ode to the veteran superstars’ longtime supporters, possesses a quickness and stomp-clap jangle that hits a delicious groove about halfway through, with the interplay between Bono’s warble and The Edge’s riffs sounding especially refreshed. Whether enjoyed within an enormous spherical structure or in your headphones, “Atomic City” marks a resounding return to form.
Taylor Swift’s “Cruel Summer” becomes her sole longest-leading No. 1 on Billboard’s Pop Airplay chart, topping the tally (dated Oct. 7) for an eighth week. The song one-ups her seven-week reign with “I Knew You Were Trouble.” in 2013. Here’s an updated look at Swift’s record 12 Pop Airplay No. 1s, ranked by most weeks […]
Britney Spears worried fans earlier this week when she posted a video in which she was dancing with what appeared to be two large kitchen knives. The concern was so intense that the L.A. Times reported that Ventura County, CA authorities performed a wellness check on the singer after someone with personal ties to Spears expressed concern about the clip to the LAPD’s mental evaluation unit.
When the investigative unit arrived on Wednesday morning (Sept. 27) a Ventura County sheriff’s deputy reportedly got a call from Spears’ attorney reassuring authorities that she was not in danger, with a member of her security team also reportedly confirming that the recently divorced star was fine.
Captain Dean Worthy of the Ventura County Sheriff’s Office told Billboard that they sent out a sergeant who is familiar with Spears from earlier calls at her residence, who was told by a member of Spears’ security team that she was fine and did not wish to speak to him or have him come up to the house. Worthy also said that Spears’ attorney said this was “an overreaction for her expressing herself on social media.” After confirming with “two independent people that closely know [Spears]” that she was of sound mind, “we did our due diligence to check her well-being and we did not believe that she was in any harm whatsoever,” Worthy concluded.
“I know I spooked everyone with the last post, but these are fake knives that my team rented from Hand Prop shop in LA. These are not real knives. No one needs to worry or call the police,” Spears wrote in an Instagram post on Friday morning (Sept. 29) alongside another bikini knife dance clip. “I’m trying to imitate one of my favorite performers Shakira … a performance I was inspired by !!! Cheers to us bad girls who aren’t afraid to push boundaries and take risks 💅🏼💅🏼💅🏼!”
The latest police call on Spears comes after the singer said she was “alive and well” and asked fans to give her privacy following an earlier wellness check in January after Britney deleted her Instagram page, spurring worry from her followers.
In an edited caption on the original knife video — which appears to have been taken down — Spears explained, “I started playing in the kitchen with knives today !!! Don’t worry they are NOT real knives !!! Halloween is soon !!!” The post went viral and fans were instantly concerned for the singer’s safety. With the exception of the addition of the cutlery, the dancing video was not unusual for Spears, who has a well-established reputation for posting dance videos.
As for the knives, in a knife-free post on Wednesday, Spears explained that there was a good reason for the earlier clip. “Lighten up about the knives I’m copying Shakira!” she said, seemingly in reference to Shakira’s recent Video Vanguard performance at the 2023 MTV Video Music Awards in which she danced with knives.
Spears posted a new video on Friday morning (Sept. 29) in which she pivoted away from the knife talk to promote her upcoming tell-all memoir, The Woman in Me, due out Oct. 24.
Check out Spears’ post below.
We still have no idea of Taylor Swift and Kansas City Chiefs tight end Travis Kelce are actually dating. Despite the Fox Sports cameras cutting to Swift so often for reaction shots on Sunday that you’d be forgiven for thinking you’d accidentally tuned in to some new jock-themed music awards show, there was a notable dearth of actual TSwift music during the pop-meets-pigskin summit.
There are any number of perfect Taylor titles that the game’s producers could have used (out of context) as commercial bumpers to further hype the alleged budding romance between Swift and Kelce: “Look What You Made Me Do” after Kelce snagged a touchdown in the third quarter of the drubbing of the Chicago Bears at KC’s Arrowhead Stadium, or maybe “Love Story,” “The Man” or “‘Tis the Damn Season?”
But according to a blog post by NFL on Fox lead producer Richie Zyons, pictures had to tell the story, because music was not an option. “Earlier in the week, amid the avalanche of rumors, our bulldog associate producer Rich Gross had sought permission to use some of Swift’s music,” Zyons wrote on Thursday. “Not a chance. Per the FOX music department, Swift’s record label and publishing company denied our request “in conjunction with speculations on or about her private/personal/dating life.”
At press time a spokesperson for Swift could not be reached for comment on Zyons’ claims that the singer’s team had denied a request to play her music at the game, or to confirm the Kelce dating rumors.
Other than getting blank spaced on Swift’s music, Zyons described how the Fox Sports team were otherwise all-hands when it came to chronicling Swift’s breathlessly detailed foray, which also reportedly included a post-game hang with the team. “The first time we peeked in on Kelce’s suite was during player introductions, minutes before the start of the broadcast,” he said. “Swift was there, seated next to Kelce’s mother Donna, and they both erupted in cheers as the tight end ran out of the tunnel. We played that back on tape early in the telecast.”
After that, Zyons said it was a matter of carefully balancing typical game coverage with glimpses of the A-list pop star, who appearance reportedly led to a major bump in Kelce jersey sales. “[Director Rich] Russo showed restraint not taking gratuitous live shots, saving the opportunities for when she reacted to action in the game. Her joyful expression after Kelce scored a touchdown was the image of the day, captured beautifully by our low end-zone cameraman Andy Mitchell.”
The camera could not keep its eyes off Swift, however, as she enthusiastically cheered on KC, including an instant viral moment when the singer yelled “let’s f–king go!” after Kelce’s score.
It could be deja vu all over again on Sunday night, as Swift is reportedly slated to attend the Chief’s prime time game against the New York Jets at MetLife Stadium.
Only in New York would happy hour bar patrons shrug off an offer of a free round from one of the world’s most popular entertainers. But there Ed Sheeran was this week when he hit a string of bars as part of a pub crawl to celebrate the release of his new album, Autumn Variations.
Sheeran posted a video early Friday morning (Sept. 29) in which he set off on a crawl, buying rounds of drinks at a series of bars to honor his second album of new material this year, the follow-up to May’s – (Subtract) collection. The clip opens with Sheeran behind the bar pouring out endless shots of vodka while a bell clangs in the background at a crowded establishment.
“Right, to celebrate my album release I’m gonna pub crawl, go in random bars and drinks are on me for the next six hours… let’s… GO!” Sheeran said explaining the night’s plan. It got off to a somewhat slow start, however, as the first stop found Sheeran standing at the bar alone, seemingly unnoticed, with just a few patrons realizing they were in the presence of pop royalty.
“We’re in the first bar, I’m on the first drink,” Sheeran tells the camera. “I have got everyone a drink in the bar… but we’re not there yet,” he lamented, shaking his head at the sight of a mostly empty room with no sign of shrieking Sheerios. To be fair, Ed said in a confessional aside, the crawl started at happy hour when people were just getting off work, so he promised, “we are going to the f–king place where people wanna go for it!”
And so, Sheeran hopped on the subway, bro’d down with a guy during the ride and then cut to a much more raucous scene of him playing beer pong and setting up yet another galaxy of shots on a bar. With just 90 minutes left in their run, Ed headed to Greenwich Village’s Off the Wagon, where yet more shots were lined up and the excitement level seemed to finally match Sheeran’s.
“We’re done for the night… we started out, the place… they weren’t feeling it,” Sheeran summarized of his bleary night out. “The next place? Weren’t feeling it either. We got on the subway, and then… here we are. I’m very drunk right now. Very drunk.”
Sheeran released Autumn Variations on his own Gingerbread Man Records on Friday, a collection he said in a statement was inspired by a difficult time he went through last year, during which he wrote songs to help him — and his friends — understand their feelings, from falling in love to “new friendships, heartbreak, depression, loneliness and confusion.”
In another celebration of the meditative Aaron Dessner-produced album of mostly acoustic pop ballads, Sheeran also announced that his team found an emoji for every hand-drawn icon on the album’s cover, from empty roads to comfort food, money troubles, moments of sadness, old fisherman’s huts and dreams of spring.
Watch Sheeran’s pub crawl and check out the emoji below.
In case you’re wondering, yes, we found an emoji for every icon on the artwork. Kind of.Changing trees 🌳Days getting shorter ⏰Comfort food 🥫Good news 💍Warm fires 🔥Back to school 🎒Overthinking 🧠Empty roads ⚠️Heartbreak ❤️🩹Falling leaves 🍂Pumpkins & squash 🎃…— Ed Sheeran HQ (@edsheeran) September 28, 2023
The late Tina Turner will be celebrated on the upcoming retrospective compilation, Queen of Rock ‘N’ Roll, due out on Nov. 24 via Rhino Records. The 55-song set showcases Turner’s solo-billed singles from 1975 through 2020, including such Billboard Hot 100-charting hits as “What’s Love Got To Do With It” (a No. 1 from 1984), “The Best” and “We Don’t Need Another Hero (Thunderdome).” The Billboard chart-topping artist died on May 24 at age 83.
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Included on the collection is a reworked version of Turner’s “Something Beautiful Remains,” retitled to “Something Beautiful.” It was remixed by Turner’s longtime collaborator Terry Britten, who co-wrote and produced the original version of the song, released in 1996.
See the full tracklist below.
The Queen of Rock ‘N’ Roll collection will be released via streaming services and as a five-vinyl LP box, a three-CD package, and a digital download album. An abbreviated 12-song version of the collection will simultaneously be issued on a single vinyl LP. All iterations of the album will include a foreword written by Bryan Adams. Turner and Adams scored a top 20-charting Hot 100 duet with “It’s Only Love,” released in 1985.
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Queen of Rock ‘N’ Roll also helps salute the 50th anniversary of the launch of Turner’s solo career in 1974 with her first solo album, Tina Turns the Country On!, which was released while she was still part of the Ike & Tina Turner Revue. While that album missed Billboard’s charts and didn’t launch any singles, the following year saw Turner secure her first solo chart hits. The Acid Queen album reached No. 155 on the Billboard 200 in 1975 and No. 39 on the Top R&B/Hip-Hop Albums (then-named Soul LPs) rankings, and launched her first solo-billed hit song on Billboard’s charts: a cover of Led Zeppelin’s “Whole Lotta Love.” The single reached No. 61 on the Hot R&B/Hip-Hop Songs chart (then-named Hot Soul Singles).
Included on Queen of Rock ‘N’ Roll are all of Turner’s post-Ike & Tina Turner Revue hits on the Hot 100 – 17 in total from 1984 through 1996. In addition, non-Hot 100 hits that charted on other key Billboard charts are represented, including “Afterglow,” “Cose Della Vita” (with Eros Ramazzotti), “Goldeneye,” “In Your Wildest Dreams” (featuring Barry White), “Look Me in the Heart,” “On Silent Wings,” “Open Arms,” “Tearing Us Apart” (with Eric Clapton), the 2020 remix of “What’s Love Got To Do With It” (with Kygo) and “When the Heartache Is Over.”
Queen of Rock ‘n’ RollTracklist
5LPSide 1
Whole Lotta Love (1975)
Acid Queen (1976)
Root, Toot Undisputable Rock’n Roller (1978)
Viva La Money (1978)
Sometimes When We Touch (1979)
Music Keeps Me Dancin’ (1979)
Side 2
Let’s Stay Together (1983)
Help (Edit) (1984)
What’s Love Got To Do With It (1984)
Better Be Good To Me (1984)
Private Dancer (1984)
I Can’t Stand The Rain (1985)
Side 3
Show Some Respect (1985)
We Don’t Need Another Hero (Thunderdome) (1985)
One Of The Living (1985)
It’s Only Love (with Bryan Adams) (1985)
Typical Male (1986)
Two People (1986)
Side 4
What You Get Is What You See (1987)
Girls (1987)
Break Every Rule (1987)
Paradise Is Here (1987)
Afterglow (1987)
Side 5
Tearing Us Apart (with Eric Clapton)
Addicted to Love (Live in Europe) (1988)
A Change is Gonna Come (Live in Europe) (1988)
Tonight (with David Bowie) (Live in Europe) (1988)
River Deep, Mountain High (Live in Europe) (1988)
Side 6
The Best (Edit) (1989)
Steamy Windows (1989)
I Don’t Wanna Lose You (1989)
Look Me In The Heart (1990)
Foreign Affair (Edit) (1990)
Side 7
Be Tender With Me Baby (1990)
It Takes Two (with Rod Stewart)
Nutbush City Limits (The 90’s Version) (1991)
Love Thing (1991)
Way Of The World (1991)
Side 8
I Want You Near Me (1992)
I Don’t Wanna Fight (1993)
Disco Inferno (1993)
Why Must We Wait Until Tonight? (1993)
Proud Mary (1993)
Side 9
Goldeneye (1995)
Whatever You Want (1996)
On Silent Wings (1996)
Missing You (1996)
In Your Wildest Dreams (with Barry White) (1996)
Cose della Vita (with Eros Ramazzotti)
Side 10
When The Heartache Is Over (1999)
Whatever You Need (2000)
Open Arms (2004)
Teach Me Again (with Elisa) (2017)
What’s Love Got to Do With It (Kygo remix) (2020)
Something Beautiful (2023 Version)
3CD/Digital/StreamingCD1
Whole Lotta Love
Acid Queen
Root, Toot Undisputable Rock ‘n’ Roller
Viva La Money
Sometimes When We Touch
Music Keeps Me Dancin’
Let’s Stay Together
Help
What’s Love Got To Do With It
Better Be Good To Me
Private Dancer
I Can’t Stand The Rain
Show Some Respect
We Don’t Need Another Hero (Thunderdome)
One Of The Living
It’s Only Love (with Bryan Adams)
Typical Male
Two People
What You Get Is What You See
Girls
CD2
Break Every Rule
Paradise Is Here
Afterglow
Tearing Us Apart (with Eric Clapton)
Addicted to Love (Live in Europe)
A Change is Gonna Come (Live in Europe)
Tonight (with David Bowie) (Live in Europe)
River Deep, Mountain High (Live in Europe)
The Best (Edit)
Steamy Windows
I Don’t Wanna Lose You
Look Me In The Heart
Foreign Affair
Be Tender With Me Baby
It Takes Two (with Rod Stewart)
Nutbush City Limits (The 90’s Version)
Love Thing
Way Of The World
CD3
I Want You Near Me
I Don’t Wanna Fight
Disco Inferno
Why Must We Wait Until Tonight?
Proud Mary
Goldeneye
Whatever You Want
On Silent Wings
Missing You
In Your Wildest Dreams (with Barry White)
Cose della Vita (with Eros Ramazzotti)
When The Heartache Is Over
Whatever You Need
Open Arms
Teach Me Again (with Elisa)
What’s Love Got to Do With It (Kygo remix)
Something Beautiful (2023 Version)
Abbreviated 1LP Version Side 1
What’s Love Got To Do With It
Let’s Stay Together
Private Dancer
We Don’t Need Another Hero (Thunderdome)
Nutbush City Limits (The 90s Version)
River Deep, Mountain High (Live in Europe)
Side 2
Steamy Windows
I Don’t Wanna Lose You
I Don’t Wanna Fight
When The Heartache Is Over
Proud Mary
The Best
Even though his Latto-assisted “Seven” is still dominating music charts around the world, Jung Kook already has his eyes set on his next smash hit. On Friday (Sept. 28), the BTS member unleashed “3D,” a brand new collaboration with Grammy-nominated “First Class” rapper Jack Harlow. Over a funky instrumental that evokes Justin Timberlake’s “Señorita,” Jung […]
