Pop

Taylor Swift Thanks Kendrick Lamar For Re-Recording Rap on ‘Bad Blood’ Remix For Deluxe ‘1989 (Taylor’s Version)’: ‘So Much Pride and Gratitude’

Taylor Swift has collaborated with plenty of A-list acts over the years. But in a post on Friday morning (Oct. 27), the singer said that her it meant something extra-special to her that Kendrick Lamar hopped back in the booth to re-record his bars from the remix of Swift’s 1989 single “Bad Blood” for the deluxe edition of her latest Taylor’s Version series.

On the heels of Friday’s release of her fourth catalog revamp, 1989 (Taylor’s Version), Taylor also dropped an expanded deluxe edition featuring the refreshed “Blood” remix. “Watching @kendricklamar create and record his verses on the ‘Bad Blood’ remix was one of the most inspiring experiences of my life,” Swift said in an Instagram caption featuring a snap of the dynamic duo in the studio, as well as live footage of Swifties shouting the chorus back to her from a stop on this summer’s Eras Tour and a photo of the deluxe edition cover.

“I still look back on this collaboration with so much pride and gratitude, for the ways Kendrick elevated the song and the way he treats everyone around him,” she added. “Every time the crowds on The Eras Tour would chant his line ‘you forgive, you forget, but you never let it… go!’, I smiled. The reality that Kendrick would go back in and re-record ‘Bad Blood’ so that I could reclaim and own this work I’m so proud of is surreal and bewildering to me.”

The spruced Lamar verse isn’t the only added value on the latest Taylor’s Version, which also features five bonus Vault tracks: “Slut!,” “Say Don’t Go,” “Now That We Don’t Talk,” “Suburban Legends” and “Is It Over Now?” A sixth previously unreleased song, “Sweeter Than Fiction,” is available on a Target-only version.

The 1989 re-record follows on the heels of previous Taylor’s Versions of Fearless, Red and Speak Now. Swift celebrated the latest Version with a poetic hand-written message to Swifties in which she wrote, “I was born in 1989, reinvented for the first time in 2014, and a part of me was reclaimed in 2023 with the re-release of this album I love so dearly,” in a note in her the singer’s handwriting.

“Never in my wildest dreams did I imagine the magic you would sprinkle on my life for so long. This moment is a reflection of the woods we’ve wandered through and all this love between us still glowing in the darkest hour. I present to you, with gratitude and wild wonder, my version of 1989. It’s been waiting for you.”

Listen to the re-recorded “Bad Blood” remix and see Swift’s post about Lamar below.

Every ‘From The Vault’ Song Ranked on Taylor Swift’s ‘1989 (Taylor’s Version)’: Critic’s Picks

The arrival of 1989 (Taylor’s Version) was always going to be a big deal: after all, her 2014 album was one of Taylor Swift’s critical and commercial high points, scoring three No. 1 hits on the Hot 100 and winning the album of the year Grammy after fully reinventing the country superstar as a pop icon. When 1989 was announced as the fourth of Swift’s six albums to receive the Taylor’s Version treatment, fans understandably turned giddy at the thought of Swift’s new takes on her old classics, plus the “From The Vault” goodies coming from that time of high-wattage, cinematic pop music.

And while 1989 (Taylor’s Version) is landing at a particularly busy time for Swifties — considering the fact that “Cruel Summer” sits atop the current Hot 100 after its months-long viral comeback, the Eras Tour concert film dominated the box office this month and wholesome content of Swift and Travis Kelce is darn near inescapable — the achievement that it represents should not be overlooked, even by the most casual of fans. Perhaps more than any Taylor’s Version release thus far, the re-recorded 1989 subtly tinkers with songs like “Blank Space,” “Welcome to New York,” “Out of the Woods” and “Clean” in compelling new ways, reanimating its gems from a fresh perspective and with a more seasoned pop voice.

Plus, the five “From The Vault” songs — all solo songs, the first time that the “Vault” tracks haven’t featured guest artists — supplement the album’s aesthetic, serving to further complete a vision that Swift had for the era. Some of them sound like surefire hits, and others sound destined to become fiercely beloved fan favorite; whichever lane they find, the “From The Vault” tracks demonstrate the continued power of 1989’s sound and texture, and deserve their day in the sun.

Although all five “From The Vault” songs are worthy new additions to Swift’s catalog, here is our preliminary ranking of the new goodies from Taylor Swift’s 1989 (Taylor’s Version).

Sam Asghari Says Britney Spears’ High Praise for Him in ‘The Woman in Me’ Memoir ‘Made Me Smile’

It seems safe to assume that not everyone mentioned in Britney SpearsThe Woman in Me memoir is going to rush out to check the index for their name. But one person who seems pleased with how they are portrayed in the tell-all memoir from the pop princess is her ex-husband Sam Asghari.

TMZ talked to the model/actor this week following the book’s release and he was reportedly elated, telling the gossip outlet that he was “freaking proud” of his former wife for putting her life on display in the book, saying, “That made me smile, to be honest… I hope she takes over the world.”

He had reason to feel good based on an excerpt from the book published by People, in which Spears wrote that she has “an appreciation for how stable he is,” noting that she also loves that Asghari “doesn’t drink. He’s a gift from God.” Asghari, 29, filed for divorce from Spears in August after 14 months of marriage. With the book dropping two months after the divorce filing, the end of the couple’s marriage is not covered in the book that takes readers from Spears’ early career as a child actress/singer through the restrictive 13-year conservatorship that she was freed from in November 2021.

Britney also had nice words for Asghari for helping her dial up the courage to fight for her freedom from the conservatorship, writing “I look up to him — his consistency with working out and being a good man and being healthy and taking care of me and helping me learn we can take care of each other.

The Woman in Me also takes on the singer’s 55-hour marriage to childhood friend Jason Alexander — Spears said she was “just honestly very drunk” during the impromptu Vegas nuptials — and her fling with actor Colin Farrell. Of the latter, she wrote, “We wound up having a two-week brawl … Brawl is the only word for it — we were all over each other, grappling so passionately it was like we were in a street fight.”

It also tackles her romance with Justin Timberlake, which lasted from 1999-2002, until JT allegedly called it quits via a break-up text. She said the breakup left her “devastated… I could barely speak for months,” coming as it did after she said she got an abortion because Timberlake wasn’t ready for fatherhood; she also admitted to cheating on Justin with choreographer Wade Robson in the book after finding out about the “Cry Me a River” singer’s alleged affairs with other women.

In an Instagram post on Thursday — the day of the book’s release — Spears posted on Instagram about the memoir’s success and thanked her fans for their support. She said it was already “the highest selling celebrity memoir in history” on its first day on shelves. “And it’s only day 1 !!!” she added. “Thank you to the fans who have been so supportive !!! Love you all ? !!!” According to Amazon.comThe Woman in Me is the No. 1 on its list of most read and sold non-fiction books.

Jack Black Stripped To His Tighty Whities For Charity Cover of Taylor Swift’s ‘Anti-Hero’

Jack Black never met a shirt he couldn’t shed. The Tenacious D frontman and comedic whirlwind was bare-chested again on Wednesday night (Oct. 25), but this time it was for a good cause. Black stripped down to his colorful boxers (and matching socks) during the all-star Give Back-ular Spectacular fundraiser at the Orpheum Theatre in Los Angeles to raise money for SAG-AFTRA members affected by the actors strike, which has now dragged on for more than 100 days.

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After doing some light crowd work — Black asked a guy up front where he was from and he said “L.A.” — the comedian asked the crowd what they wanted to hear. Rejecting the first suggestion (“can’t do that one, we’re in a strike”), Black seemed to cotton to a second one. “I know that one! Everyone knows that f—ing song!”

Black then ripped into Taylor Swift‘s “Anti-Hero,” tip-toeing and high-kicking his way through the “It’s me, hi, I’m the problem it’s me” chorus, before digging into, well, a series of nonsense scatty phrases because he clearly didn’t know any of the other lyrics.

The event to raise money for an emergency relief fund for union and non-union members in Hollywood affected by the ongoing strike was also slated to feature appearances from Jason Alexander, Rachel Bloom, Bryan Cranston, Lil Dicky, Kumail Nanjiani, Patton Oswalt, Dax Shepard, Lily Tomlin and The Bear star Jeremy Allen White, among others.

Weeks after Hollywood writers reached an agreement with the studios, representatives for the actors were said to be cautiously optimistic about revived talks on Friday (Oct. 27) between the actors guild and studios.

Watch a video of the moment below.

Niall Horan Shares ‘You Could Start A Cult’ With Lizzy McAlpine, Sets ‘The Show: The Encore’

Niall Horan must be feeling pretty good about himself right now.

When the members of One Direction inevitably splintered off in their own directions, the Irishman, like his former bandmates, embarked on a solo career. He’s now three albums in, with three consecutive No. 1s on Billboard’s Top Album Sales, and three top 10s on the all-genres Billboard 200 chart, including a No. 1 for his 2017 debut solo effort Flicker.

He’s gone one better in the U.K., where his sophomore album Heartbreak Weather (from 2020) and his third and most recent LP, 2023’s The Show, both spent time at No. 1.

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For the cherry on top, Horan stepped into a full-time coach’s role on season 23 of NBC’s The Voice, and immediately walked away a winner, thanks to 19-year-old contestant Gina Miles.

The luck of the Irish, perhaps.

Horan has more where that came from. After The Show, the Encore: a deluxe edition featuring nine bonus tracks. Slated for release Nov. 3 via Capitol Records, the expanded version of The Show includes a collaboration with “Ceilings” singer Lizzy McAlpine on a new version of “You Could Start A Cult,” which dropped at the stroke of midnight.

When the full package arrives, expect a collaboration with rival The Voice coach John Legend on a reimagined version of the title track, plus live recordings from the Electric Picnic festival and Spotify Studios, along with alternate versions of “Meltdown” and “On A Night Like Tonight” from Horan’s Vevo Extended Play session.

Vinyl and CD editions will follow on April 5, 2024, and a 2-LP vinyl edition of The Show: The Encore, which includes a 72-page hardcover 12” x 12” book, is available to pre-order at his official website.

There’ll be more Horan to go around next year, when the pop singer embarks on an international tour in support of his third LP, playing more than 80 dates, including two shows at New York City’s Madison Square Garden. Before that, he’ll perform at 93.3 FLZ Jingle Ball – Tampa (Nov. 26) and 102.7 KIIS FM Jingle Ball – Los Angeles (Dec. 1).

Stream “You Could Start A Cult” with Lizzy McAlpine below.



“The Show: The Encoretracklist:

  1. Heaven
  2. If You Leave Me
  3. Meltdown
  4. Never Grow Up
  5. The Show
  6. You Could Start A Cult
  7. Save My Life
  8. On A Night Like Tonight
  9. Science
  10. Must Be Love
  11. You Could Start A Cult (with Lizzy McAlpine)
  12. The Show (with John Legend)
  13. Heaven (Live from Electric Picnic)
  14. If You Leave Me / Everybody Wants To Rule The World (Live from Electric Picnic)
  15. Meltdown (Vevo Extended Play)
  16. Save My Life (Live from Electric Picnic)
  17. On A Night Like Tonight (Vevo Extended Play)
  18. Science (Live from Spotify Studios)
  19. Something In The Orange (Live from Spotify Studios)

Taylor Swift Presents ‘1989 (Taylor’s Version)’ With Poetic Soliloquy

Taylor Swift’s fourth and latest “Taylor’s Version” isn’t just a release, it’s a healing process.

The pop superstar’s re-recorded LP dropped at the stroke of midnight, nine years to the day since the original 1989 was released back in 2014.

As Swifties everywhere turned on, tuned in and dropped out of whatever they were doing, TayTay turned to her social channels to share a think-piece, laced with easy-to-find easter eggs.

“I was born in 1989, reinvented for the first time in 2014, and a part of me was reclaimed in 2023 with the re-release of this album I love so dearly,” reads Swift’s message, penned in her own handwriting.

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“Never in my wildest dreams did I imagine the magic you would sprinkle on my life for so long.”

The fresh release features newly -recorded editions of all 13 original songs, plus three bonus tracks (“Wonderland,” “New Romantics” and “You Are In Love”) and five cuts from the “Vault” (“Is It Over Now?,” “Now That We Don’t Talk,” “Say Don’t Go,” “Suburban Legends” and “Slut!”).

“This moment is a reflection of the woods we’ve wandered through and all this love between us still glowing in the darkest hour,” she writes. “I present to you, with gratitude and wild wonder, my version of 1989. It’s been waiting for you.”

Swift’s latest social post is accompanied with pictures of the pop star frolicking on a beach, eating ice-cream, living life like it’s 1989 all over again.

With the arrival of 1989 (Taylor’s Version), Swift has just two more albums to re-record: her 2006 self-titled debut and 2017’s Reputation, the last album she released under Big Machine Records. In 2021, she dropped Fearless (Taylor’s Version) and Red (Taylor’s Version), and in July of this year, she released Speak Now (Taylor’s Version).

Stream 1989 (Taylor’s Version) and see TayTay’s social post below.

Taylor Swift’s ‘1989 (Taylor’s Version)’ Is Finally Here: Stream It Now

Swifties, rejoice! 1989 (Taylor’s Version) is finally here.

The re-recorded version of Swift’s fifth studio album dropped at midnight Friday (Oct. 27), exactly nine years to the day after the original 1989 was released in 2014. The revamped set features newly recorded editions of all 13 original songs plus three bonus tracks: “Wonderland,” “New Romantics” and “You Are In Love.”

Plus, 1989 (Taylor’s Version) followed suit with all three of Swift’s prior “Versions” with the addition of several previously unreleased “Vault” songs, written by the pop star long ago but ultimately scrapped from her albums’ tracklists. Her latest release features “Vault” tracks “Is It Over Now?,” “Now That We Don’t Talk,” “Say Don’t Go,” “Suburban Legends” and “Slut!”

Leading up to the new project, Swift teased lyrics from a handful of “Vault” songs, posting pictures on her Instagram Stories of handwritten lines of poetry. “I broke my own heart ’cause you were too polite to do it,” read a note from Thursday (Oct. 26).

The arrival of 1989 (Taylor’s Version) means that Swift has just two more albums to re-record: her 2006 self-titled debut and 2017’s Reputation, the last album she released under Big Machine Records. In 2021, she dropped Fearless (Taylor’s Version) and Red (Taylor’s Version), and in July of this year, she released Speak Now (Taylor’s Version).

Swift first unveiled the news that 1989 (Taylor’s Version) was on its way at an August Eras Tour show, after which she took to social media to share with the rest of the world. “The 1989 album changed my life in countless ways,” she wrote at the time. “To be perfectly honest, this is my most FAVORITE re-record I’ve ever done because the 5 From The Vault tracks are so insane. I can’t believe they were ever left behind.”

Stream 1989 (Taylor’s Version) below:

Britney Spears Gets Cheeky at the Beach in NSFW Photo

Oops … she did it again! Britney Spears left little to the imagination in a new photo she shared to Instagram on Thursday (Oct. 26).

In the risqué image, the pop star stands nude on the beach, casting a glance over her left shoulder and revealing her behind as a photographer — whose shadow is seen in the sand behind her — snaps the NSFW shot.

Spears left the image uncaptioned, and also turned off comments on the post.

In the Grammy winner’s revealing memoir that arrived on Tuesday, she explains why she likes to share nude photos of herself on social media. “I know that a lot of people don’t understand why I love taking pictures of myself naked or in new dresses,” she writes. “But I think if they’d been photographed by other people thousands of times, prodded and posed for other people’s approval, they’d understand that I get a lot of joy from posting the way I feel sexy and taking my own picture.”

One of the memoir’s biggest revelations came when the “Toxic” singer revealed that she had an abortion while dating fellow pop star Justin Timberlake. “Abortion was something I never could have imagined choosing for myself, but given the circumstances, that is what we did,” she writes, describing the process as “one of the most agonizing things I have ever experienced.”

Thanks to the highly publicized release of The Woman in Me, Spears saw her catalog jump 21% in streaming the week prior to the book’s debut, earning 8.89 million official on-demand U.S. streams, according to Luminate.

Check out Britney’s latest Instagram post here.

J Balvin Is ‘Really Proud’ of Britney Spears for Telling Her Story in Her Memoir: ‘She Deserves the Best’

J Balvin has nothing but good things to say about Britney Spears, whose long-awaited memoir — The Woman in Me — arrived on Tuesday (Oct. 24).

The Latin pop star gushed to TMZ on Wednesday (Oct. 25) that he’s “really proud of” Spears for being so vulnerable in her book. “I think she’s amazing,” Balvin said. “I think she deserves the best.”

“She’s a woman that we have to have a lot of love and respect [for],” continued the “Mi Gente” musician. “She’s fired [up] the whole world at her peak, and I can’t wait for her to bring new music. I think we need her so much.”

Spears’ memoir dropped not long after she joined J Balvin and Maluma for drinks in New York City. In photos posted afterward on Maluma’s Instagram, the “Toxic” singer cuddled close with a smiling Balvin, who commented, “I can’t get over it.”

“I think she’s super strong,” he added to TMZ of the pop star. “I think she already has a [mental] shield. She knows what she’s doing, and the last time I saw her, she looks in a real, real good place in her mind to deal with everything.”

The “Que Pretendes” artist volunteered a lot less about Bad Bunny, who seemingly dissed his past collaborator on a song from his new album, Nadie Sabe Lo Que Va a Pasar Mañana. “You’ve seen me, I always walk with the same people/ While you are friends of the whole world like Balvin,” Bunny sings in Spanish on “Thunder Y Lightning.” 

Asked for comment about the alleged diss, Balvin simply told TMZ, “I’m all about love. I love the guy,” before getting in a car.

Balvin previously addressed the situation on Instagram Live after Nadie dropped, saying at the time, “The person I know is a great person. We supported each other mutually, we made history, we also created a new story within music. I don’t understand what was going through his head but well, the guy I know is a good person.”

Taylor Swift Sports Streaming & Sales Gains, Chart Returns After ‘Eras Tour’ Film Debut

Following the release of her Taylor Swift: The Eras Tour concert film, streams and sales of Taylor Swift’s music rose in the Oct. 13-19 tracking week, spurring gains and re-entries for her catalog on the Billboard charts dated Oct. 28.

In all, Swift’s catalog of songs earned 369.3 million official on-demand U.S. streams Oct. 13-19, according to Luminate. That’s a 22% leap from 302.3 million Oct. 6-12.

Additionally, digital song sales of her music jumped 275% from 25,000 downloads to 94,000, while album sales leaped 7% from 51,000 to 55,000.

Leading the way, Lover‘s “Cruel Summer,” which concurrently crowned the multimetric Billboard Hot 100, as previously reported, received 18.6 million streams, up 35%. That said, the song was assisted by a push to reach No. 1 on the Hot 100 for the first time, with streams and sales boosted by a pair of newly released versions of the track on Oct. 19 — a live edition from the Eras Tour and a remix from LP Giobbi.

The next largest is “Anti-Hero,” from 2022’s Midnights, which jumped 12% to 9.6 million streams. “Blank Space,” from 2014’s 1989, places third at 7.8 million streams, up 18%.

The cross-catalog gains thanks to the film spur appearances from Swift material on a variety of genre-specific Billboard charts. Gains for the Folklore and Evermore tracks “Cardigan,” “August,” “Willow” and “Champagne Problems” even drive all four songs onto the Hot Rock & Alternative Songs tally, where older songs are able to re-enter if in the top 25 of chart points and with a meaningful reason for their re-entry. “Cardigan” paces the group at No. 12 thanks to 5.7 million streams, a gain of 17%.

All four songs also appear on Alternative Streaming Songs, led by “Cardigan,” which lifts 11-8.

Additionally, “All Too Well (Taylor’s Version),” taken from 2021’s Red (Taylor’s Version), returns to Hot Country Songs at No. 19 via 5.8 million streams, a 27% boost. It’s also found at No. 20 on Country Streaming Songs.

A pair of Swift albums appear in the top 10 of the Billboard 200: Lover, at No. 8 (52,000 equivalent album units, up 36%) and Midnights (No. 9, 51,000 units, up 20%). Three more in Folklore (No. 14, 38,000 units, up 20%), Speak Now (Taylor’s Version) (No. 18, 32,000 units, up 13%) and 1989 (No. 19, 32,000 units, up 17%) also make the top 20, with Reputation just outside the top 20 (No. 21, 31,000 units, up 29%).

Taylor Swift: The Eras Tour, which chronicles her popular (and ongoing) concert tour of the same name, was released in theaters on Oct. 13. After starting March 17 in Glendale, Ariz., the tour is currently scheduled to continue through Nov. 23 in Toronto, with much of its 2024 trek taking place outside of the United States.